Archives for : Hollywood
10. Deadpool & Wolverine – We still need a break from superhero movies and from the multiverse/timeline plots, but this film isn’t a formulaic Marvel movie. Some might even complain that there is no narrative, but that seems to be director Shawn Levy’s intent. “Deadpool & Wolverine” is meant to make fun of the over bloated superhero films and the mistakes of studios, while paying homage to the former X-Men universe. Not to say there isn’t a story, it’s just more along the lines of a high-quality spoof w/ a ton of A-list actors. Plus, the hilarious, on-screen chemistry between the dynamic duo (Hugh Jackman and Ryan Reynolds) exceeded all my expectations.
9. A Real Pain- Jesse Eisenberg’s sophomore directorial effort, “A Real Pain” follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The pain both characters go through impressively speaks louder from their actions and sometimes silence, more than any words they express to each other. “A Real Pain” is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances, especially by Kieran Culkin. It’s a rare gem that has stayed with me all year.
8. Inside Out 2- The sheer genius of turning our emotions into loveable characters was enough to make you fall in love with the magic of the first “Inside Out”. In this sequel, we follow Riley as she enters her teen years and makes room for new emotions like Anxiety. It can be therapeutic and beneficial to see the portrayal of an emotion that everyone can relate to, but do not often talk about. The film still sparkles from its lovable characters and provides a family-friendly avenue to discuss feelings and mental health with loved ones.
7. Dune: Part Two- I didn’t care for “Dune: Part One”. It was long and barely anything happened. It was all set-up and when we were finally getting somewhere good, the film abruptly stops and leaves us with a big “To Be Continued”. Luckily, the action and storytelling we were craving in the first movie is all in “Dune: Part Two”. The second installment picks up where it left off with Paul uniting with Chani and the Fremen to seek revenge against the conspirators who destroyed his family. Director and co-writer, Denis Villeneuve properly brings this science fiction novel to life. Beginning with the mesmerizing world he has created. Desert sand has never looked this attractive swirling through the winds and fight sequences, paired with a roaring soundtrack that will make you feel as if you are in the movie. The set is immersive and the work that has gone into this imaginative society is engaging, especially the cinematography by Greig Fraser.
6. The Substance – “The Substance” follows an aging celebrity, who takes an underground drug: a cell-replicating substance that temporarily creates a younger, better version of herself. I’m always a fan of an original story with a powerful message, and this one is about as unique as they come. It’s grossly entertaining and not for the weak stomach. Demi Moore and Margaret Qualley are captivating from start to finish. The two give phenomenal physically demanding performances, and Director/Writer Coralie Fargeat cleverly portrays the struggles women face to remain relevant and “youthful” in Hollywood.
5. My Old Ass – A coming-of-age story about a young girl who meets her 39-year-old self while tripping on mushrooms. The older version of herself, hilariously played by Aubrey Plaza, delivers a warning about her future that causes her to rethink everything about her family, life, and love. While Plaza is fantastic in the film, Maisy Stella gives an unforgettable breakout performance that will make you laugh and cry. “My Old Ass” is another original gem that we were treated to this year by Director/Writer Megan Park, who authentically captures how bittersweet it is to grow up, the risks of a first love, and the many things we take for granted when we’re young.
4. Twisters – Like most sequels, I always proceed with caution. However, the charm of Glen Powell and the patience of waiting decades to create a well-crafted sequel to the effect of “Top Gun: Maverick”, makes this movie a success. The talented stars of “Twisters”, including Powell, Daisy Edgar-Jones, and Anthony Ramos, already give this film an advantage. But the key to this enjoyable watch, much like its predecessor, is how the film takes a simple and relatable concept, like chasing tornadoes; and adds a lot of heart because they are trying to help people. After laying that groundwork, they focus on what made the first film so memorable, the special effects and action. And I can confidently say, director Lee Issac Chung delivers on all counts, pulling audiences in from its opening scene and taking us on an exhilarating ride of breathtaking visuals.
3. Wicked- With all the praise surrounding this film, it should come as no surprise that I would have it at such a high spot. It is a vibrant reimagining of the classic Wizard of Oz movie and spotlights the untold origin story of the Wicked Witch of the West and her once dear friend, Glinda the Good Witch. In many ways, I enjoyed this story more. It raises the questions -Are people born evil? Are those who claim to be heroes genuinely good? But most importantly, it sends a powerful message about not judging people before getting know them firsthand. Cynthia Erivo and Ariana Grande pour their hearts into an unforgettable, award worthy performance. “Wicked is a beautiful, moving musical that undeniably defies gravity.
2. Emilia Perez – I went in completely blind before watching “Emilia Perez”, only knowing it was an indescribable musical, comedy, thriller with a stellar cast. I came out of it blown away by the incredible performances of its three leading ladies: Zoe Saldana, Karla Sofia Gascon, and Selena Gomez. The film’s unbelievably thrilling twists and turns made for one of my favorite cinematic experiences. For those who may not know, the movie is about a cartel leader, who enlists an unappreciated lawyer, to help fake her death so that she can finally live authentically as her true self. It’s a wild ride that not everyone will want to take, but I thoroughly enjoyed it, especially, seeing Saldana slay in a role that proves she’s a show-stopping, versatile talent.
1. Scrambled- Many of you may not have heard about this one. After being treated to it earlier this year and getting to speak with filmmaker, Leah McKendrick, I have not forgotten the emotional impact this film had on me. “Scrambled” is about a thirty-something eternal bridesmaid that is being pressured to have kids and settle down. Still single and only getting older, she decides it’s best to freeze her eggs. This leads her on an empowering, and hilarious, journey of self-discovery. The movie is relatable to anyone who has felt like they are running out of time or trying to catch up to friends who are getting married, having kids, or just moving forward in life. But at the same time, there is an inspiring and beautiful representation of what it means to be a true friend, someone who is happy for you at your highs even when they may be at their low. The film also offers a genuine portrayal of IVF that is lacking in Hollywood. McKendrick uses her personal egg freezing journey to share a witty, heartfelt story that will stay with me forever.
The Rest of the Best:
11. Late Night with the Devil
12. Saturday Night
13. Blink Twice
14. Conclave
15. The Last Showgirl
16. Thelma
17. The Fall Guy
18. Woman of the Hour
19. Fresh Kills
20. Amber Alert
Top 5 Worst Film of 2024
5. Drive-Away Dolls – Too ridiculous to take seriously or even watch.
4. Rumors – Made no sense, felt like a bad Shakespearian play.
3. Night Swim – “Don’t look back” and don’t look AT this movie. EVER!
2. Megalopolis – Don’t let the negative reviews fool you, this film is far worse than what critics are saying.
1. Madam Web – OOF! Not only did they ruin a Britney Spears song, but they also hurt four talented actors, who suffered from a painful, lazy script, and terrible filmmaking.
Trevor’s Top 10
10. Alien: Romulus
9. Blink Twice
8. The Order
7. Saturday Night
6. Late Night with the Devil
5. A Real Pain
4. Civil War
3. A Complete Unknown
2. Deadpool & Wolverine
1. Dune: Part Two
“From director Ursula Macfarlane (Untouchable) and producer Alexandra Lacey comes an unflinching and humanizing examination of the life, death and secrets of Vickie Lynn Hogan – better known as model and actress Anna Nicole Smith. From her first appearance in Playboy in 1992, Anna Nicole’s dizzying ascent was the very essence of the American dream, brought to a tragic halt with her untimely passing in 2007. With access to never-before-seen footage, home movies, and interviews with key figures who have not spoken out until now, ANNA NICOLE SMITH: YOU DON’T KNOW ME reveals new insights into the story of the quintessential blonde bombshell hardly anyone really knew.”
I got a chance to speak with director Ursula Macfarlane and producer Alexandra Lacey about the documentary, Anna’s most shocking details, and much more!
“Anna Nicole Smith You Don’t Know Me” is currently streaming on Netflix.
I got a chance to sit down with Academy Award winning director, Damien Chazelle for his new film, “Babylon”. We discuss the changes in the industry that affected him, who was the first person to recognize his talent, and more!
“Babylon” opens in theaters on December 23, 2022.
Performance by an actor in a leading role
- Javier Bardem in “Being the Ricardos”
- Benedict Cumberbatch in “The Power of the Dog”
- Andrew Garfield in “tick, tick…BOOM!”
- Will Smith in “King Richard”
- Denzel Washington in “The Tragedy of Macbeth”
Will Win: Will Smith
Could Win: Benedict Cumberbatch
Want to Win: Will Smith
Performance by an actor in a supporting role
- Ciarán Hinds in “Belfast”
- Troy Kotsur in “CODA”
- Jesse Plemons in “The Power of the Dog”
- J.K. Simmons in “Being the Ricardos”
- Kodi Smit-McPhee in “The Power of the Dog”
Will Win: Troy Kotsur
Could Win: Kodi Smit-McPhee
Want to Win: Troy Kotsur
Performance by an actress in a leading role
- Jessica Chastain in “The Eyes of Tammy Faye”
- Olivia Colman in “The Lost Daughter”
- Penélope Cruz in “Parallel Mothers”
- Nicole Kidman in “Being the Ricardos”
- Kristen Stewart in “Spencer”
Will Win: Jessica Chastain
Could Win: Nicole Kidman
Want to Win: Jessica Chastain
Performance by an actress in a supporting role
- Jessie Buckley in “The Lost Daughter”
- Ariana DeBose in “West Side Story”
- Judi Dench in “Belfast”
- Kirsten Dunst in “The Power of the Dog”
- Aunjanue Ellis in “King Richard”
Will Win: Ariana DeBose
Could Win: Aunjanue Ellis
Want to Win: Ariana DeBose or Kirsten Dunst
Best animated feature film of the year
- “Encanto” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
- “Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sorensen and Charlotte De La Gournerie
- “Luca” Enrico Casarosa and Andrea Warren
- “The Mitchells vs. the Machines” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
- “Raya and the Last Dragon” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho
Will Win: Encanto
Could Win: The Mitchells vs. the Machines
Want to Win: The Mitchells vs. the Machines
Achievement in cinematography
- “Dune” Greig Fraser
- “Nightmare Alley” Dan Laustsen
- “The Power of the Dog” Ari Wegner
- “The Tragedy of Macbeth” Bruno Delbonnel
- “West Side Story” Janusz Kaminski
Will Win: Dune
Could Win: The Power of the Dog
Want to Win: West Side Story
Achievement in costume design
- “Cruella” Jenny Beavan
- “Cyrano” Massimo Cantini Parrini and Jacqueline Durran
- “Dune” Jacqueline West and Robert Morgan
- “Nightmare Alley” Luis Sequeira
- “West Side Story” Paul Tazewell
Will Win: Cruella
Could Win: West Side Story
Want to Win: Cruella
Achievement in directing
- “Belfast” Kenneth Branagh
- “Drive My Car” Ryusuke Hamaguchi
- “Licorice Pizza” Paul Thomas Anderson
- “The Power of the Dog” Jane Campion
- “West Side Story” Steven Spielberg
Will Win: Jane Campion
Could Win: Steven Spielberg
Want to Win: No preference
Best documentary feature
- “Ascension” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
- “Attica” Stanley Nelson and Traci A. Curry
- “Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
- “Summer of Soul (…Or, When the Revolution Could Not Be Televised)” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
- “Writing with Fire” Rintu Thomas and Sushmit Ghosh
Will Win: Summer of Soul
Could Win: Flee
Want to Win: Summer of Soul
Best documentary short subject
- “Audible” Matt Ogens and Geoff McLean
- “Lead Me Home” Pedro Kos and Jon Shenk
- “The Queen of Basketball” Ben Proudfoot
- “Three Songs for Benazir” Elizabeth Mirzaei and Gulistan Mirzaei
- “When We Were Bullies” Jay Rosenblatt
Will Win: The Queen of Basket Ball
Could Win: Audible or When We Were Bullies
Want to Win: The Queen of Basket Ball or Audible
Achievement in film editing
- “Don’t Look Up” Hank Corwin
- “Dune” Joe Walker
- “King Richard” Pamela Martin
- “The Power of the Dog” Peter Sciberras
- “tick, tick…BOOM!” Myron Kerstein and Andrew Weisblum
Will Win: Dune
Could Win: Don’t Look Up or King Richard
Want to Win: Don’t Look Up or King Richard
Best international feature film of the year
- “Drive My Car” Japan
- “Flee” Denmark
- “The Hand of God” Italy
- “Lunana: A Yak in the Classroom” Bhutan
- “The Worst Person in the World” Norway
Will Win: Drive My Car
Could Win: Flee
Want to Win: Drive My Car
Achievement in makeup and hairstyling
- “Coming 2 America” Mike Marino, Stacey Morris and Carla Farmer
- “Cruella” Nadia Stacey, Naomi Donne and Julia Vernon
- “Dune” Donald Mowat, Love Larson and Eva von Bahr
- “The Eyes of Tammy Faye” Linda Dowds, Stephanie Ingram and Justin Raleigh
- “House of Gucci” Göran Lundström, Anna Carin Lock and Frederic Aspiras
Will Win: The Eyes of Tammy Faye
Could Win: Cruella
Want to Win: The Eyes of Tammy Faye
Achievement in music written for motion pictures (Original score)
- “Don’t Look Up” Nicholas Britell
- “Dune” Hans Zimmer
- “Encanto” Germaine Franco
- “Parallel Mothers” Alberto Iglesias
- “The Power of the Dog” Jonny Greenwood
Will Win: Dune
Could Win: Encanto
Want to Win: Encanto
Achievement in music written for motion pictures (Original song)
- “Be Alive” from “King Richard”
Music and Lyric by DIXSON and Beyoncé Knowles-Carter - “Dos Oruguitas” from “Encanto”
Music and Lyric by Lin-Manuel Miranda - “Down To Joy” from “Belfast”
Music and Lyric by Van Morrison - “No Time To Die” from “No Time to Die”
Music and Lyric by Billie Eilish and Finneas O’Connell - “Somehow You Do” from “Four Good Days”
Music and Lyric by Diane Warren
Will Win: “No Time to Die”
Could Win: “Dos Oruguitas”
Want to Win: “Be Alive”
Best motion picture of the year
- “Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
- “CODA” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
- “Don’t Look Up” Adam McKay and Kevin Messick, Producers
- “Drive My Car” Teruhisa Yamamoto, Producer
- “Dune” Mary Parent, Denis Villeneuve and Cale Boyter, Producers
- “King Richard” Tim White, Trevor White and Will Smith, Producers
- “Licorice Pizza” Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
- “Nightmare Alley” Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers
- “The Power of the Dog” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers
- “West Side Story” Steven Spielberg and Kristie Macosko Krieger, Producers
Will Win: The Power of the Dog
Could Win: CODA
Want to Win: King Richard, CODA, Don’t Look Up
Achievement in production design
- “Dune” Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
- “Nightmare Alley” Production Design: Tamara Deverell; Set Decoration: Shane Vieau
- “The Power of the Dog” Production Design: Grant Major; Set Decoration: Amber Richards
- “The Tragedy of Macbeth” Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
- “West Side Story” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo
Will Win: Dune
Could Win: West Side Story
Want to Win: Dune
Best animated short film
- “Affairs of the Art” Joanna Quinn and Les Mills
- “Bestia” Hugo Covarrubias and Tevo Díaz
- “Boxballet” Anton Dyakov
- “Robin Robin” Dan Ojari and Mikey Please
- “The Windshield Wiper” Alberto Mielgo and Leo Sanchez
Will Win: Robin Robin
Could Win: The Windshield Wiper
Want to Win: Robin Robin or The Windshield Wiper
Best live action short film
- “Ala Kachuu – Take and Run” Maria Brendle and Nadine Lüchinger
- “The Dress” Tadeusz Łysiak and Maciej Ślesicki
- “The Long Goodbye” Aneil Karia and Riz Ahmed
- “On My Mind” Martin Strange-Hansen and Kim Magnusson
- “Please Hold” K.D. Dávila and Levin Menekse
Will Win: The Long Goodbye
Could Win: Please Hold
Want to Win: Please Hold or The Long Goodbye
Achievement in sound
- “Belfast” Denise Yarde, Simon Chase, James Mather and Niv Adiri
- “Dune” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
- “No Time to Die” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
- “The Power of the Dog” Richard Flynn, Robert Mackenzie and Tara Webb
- “West Side Story” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy
Will Win: Dune
Could Win: No Time to Die
Want to Win: West Side Story
Achievement in visual effects
- “Dune” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
- “Free Guy” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
- “No Time to Die” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
- “Shang-Chi and the Legend of the Ten Rings” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
- “Spider-Man: No Way Home” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick
Will Win: Dune
Could Win: Shang Chi and the Legend of the Ten Rings
Want to Win: Shang Chi and the Legend of the Ten Rings
Adapted screenplay
- “CODA” Screenplay by Siân Heder
- “Drive My Car” Screenplay by Ryusuke Hamaguchi, Takamasa Oe
- “Dune” Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
- “The Lost Daughter” Written by Maggie Gyllenhaal
- “The Power of the Dog” Written by Jane Campion
Will Win: The Power of the Dog
Could Win: CODA
Want to Win: The Lost Daughter
Original screenplay
- “Belfast” Written by Kenneth Branagh
- “Don’t Look Up” Screenplay by Adam McKay; Story by Adam McKay & David Sirota
- “King Richard” Written by Zach Baylin
- “Licorice Pizza” Written by Paul Thomas Anderson
- “The Worst Person in the World” Written by Eskil Vogt, Joachim Trier
Will Win: Don’t Look Up
Could Win: Belfast or Licorice Pizza
Want to Win: Don’t Look Up
THE OSCARS SET TO AIR LIVE, MARCH 27, ON ABC
Nominations for the 94th Academy Awards
Performance by an actor in a leading role
- Javier Bardem in “Being the Ricardos”
- Benedict Cumberbatch in “The Power of the Dog”
- Andrew Garfield in “tick, tick…BOOM!”
- Will Smith in “King Richard”
- Denzel Washington in “The Tragedy of Macbeth”
Performance by an actor in a supporting role
- Ciarán Hinds in “Belfast”
- Troy Kotsur in “CODA”
- Jesse Plemons in “The Power of the Dog”
- J.K. Simmons in “Being the Ricardos”
- Kodi Smit-McPhee in “The Power of the Dog”
Performance by an actress in a leading role
- Jessica Chastain in “The Eyes of Tammy Faye”
- Olivia Colman in “The Lost Daughter”
- Penélope Cruz in “Parallel Mothers”
- Nicole Kidman in “Being the Ricardos”
- Kristen Stewart in “Spencer”
Performance by an actress in a supporting role
- Jessie Buckley in “The Lost Daughter”
- Ariana DeBose in “West Side Story”
- Judi Dench in “Belfast”
- Kirsten Dunst in “The Power of the Dog”
- Aunjanue Ellis in “King Richard”
Best animated feature film of the year
- “Encanto” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer
- “Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sorensen and Charlotte De La Gournerie
- “Luca” Enrico Casarosa and Andrea Warren
- “The Mitchells vs. the Machines” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht
- “Raya and the Last Dragon” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho
Achievement in cinematography
- “Dune” Greig Fraser
- “Nightmare Alley” Dan Laustsen
- “The Power of the Dog” Ari Wegner
- “The Tragedy of Macbeth” Bruno Delbonnel
- “West Side Story” Janusz Kaminski
Achievement in costume design
- “Cruella” Jenny Beavan
- “Cyrano” Massimo Cantini Parrini and Jacqueline Durran
- “Dune” Jacqueline West and Robert Morgan
- “Nightmare Alley” Luis Sequeira
- “West Side Story” Paul Tazewell
Achievement in directing
- “Belfast” Kenneth Branagh
- “Drive My Car” Ryusuke Hamaguchi
- “Licorice Pizza” Paul Thomas Anderson
- “The Power of the Dog” Jane Campion
- “West Side Story” Steven Spielberg
Best documentary feature
- “Ascension” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell
- “Attica” Stanley Nelson and Traci A. Curry
- “Flee” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie
- “Summer of Soul (…Or, When the Revolution Could Not Be Televised)” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein
- “Writing with Fire” Rintu Thomas and Sushmit Ghosh
Best documentary short subject
- “Audible” Matt Ogens and Geoff McLean
- “Lead Me Home” Pedro Kos and Jon Shenk
- “The Queen of Basketball” Ben Proudfoot
- “Three Songs for Benazir” Elizabeth Mirzaei and Gulistan Mirzaei
- “When We Were Bullies” Jay Rosenblatt
Achievement in film editing
- “Don’t Look Up” Hank Corwin
- “Dune” Joe Walker
- “King Richard” Pamela Martin
- “The Power of the Dog” Peter Sciberras
- “tick, tick…BOOM!” Myron Kerstein and Andrew Weisblum
Best international feature film of the year
- “Drive My Car” Japan
- “Flee” Denmark
- “The Hand of God” Italy
- “Lunana: A Yak in the Classroom” Bhutan
- “The Worst Person in the World” Norway
Achievement in makeup and hairstyling
- “Coming 2 America” Mike Marino, Stacey Morris and Carla Farmer
- “Cruella” Nadia Stacey, Naomi Donne and Julia Vernon
- “Dune” Donald Mowat, Love Larson and Eva von Bahr
- “The Eyes of Tammy Faye” Linda Dowds, Stephanie Ingram and Justin Raleigh
- “House of Gucci” Göran Lundström, Anna Carin Lock and Frederic Aspiras
Achievement in music written for motion pictures (Original score)
- “Don’t Look Up” Nicholas Britell
- “Dune” Hans Zimmer
- “Encanto” Germaine Franco
- “Parallel Mothers” Alberto Iglesias
- “The Power of the Dog” Jonny Greenwood
Achievement in music written for motion pictures (Original song)
- “Be Alive” from “King Richard”
Music and Lyric by DIXSON and Beyoncé Knowles-Carter - “Dos Oruguitas” from “Encanto”
Music and Lyric by Lin-Manuel Miranda - “Down To Joy” from “Belfast”
Music and Lyric by Van Morrison - “No Time To Die” from “No Time to Die”
Music and Lyric by Billie Eilish and Finneas O’Connell - “Somehow You Do” from “Four Good Days”
Music and Lyric by Diane Warren
Best motion picture of the year
- “Belfast” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
- “CODA” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, Producers
- “Don’t Look Up” Adam McKay and Kevin Messick, Producers
- “Drive My Car” Teruhisa Yamamoto, Producer
- “Dune” Mary Parent, Denis Villeneuve and Cale Boyter, Producers
- “King Richard” Tim White, Trevor White and Will Smith, Producers
- “Licorice Pizza” Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
- “Nightmare Alley” Guillermo del Toro, J. Miles Dale and Bradley Cooper, Producers
- “The Power of the Dog” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, Producers
- “West Side Story” Steven Spielberg and Kristie Macosko Krieger, Producers
Achievement in production design
- “Dune” Production Design: Patrice Vermette; Set Decoration: Zsuzsanna Sipos
- “Nightmare Alley” Production Design: Tamara Deverell; Set Decoration: Shane Vieau
- “The Power of the Dog” Production Design: Grant Major; Set Decoration: Amber Richards
- “The Tragedy of Macbeth” Production Design: Stefan Dechant; Set Decoration: Nancy Haigh
- “West Side Story” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo
Best animated short film
- “Affairs of the Art” Joanna Quinn and Les Mills
- “Bestia” Hugo Covarrubias and Tevo Díaz
- “Boxballet” Anton Dyakov
- “Robin Robin” Dan Ojari and Mikey Please
- “The Windshield Wiper” Alberto Mielgo and Leo Sanchez
Best live action short film
- “Ala Kachuu – Take and Run” Maria Brendle and Nadine Lüchinger
- “The Dress” Tadeusz Łysiak and Maciej Ślesicki
- “The Long Goodbye” Aneil Karia and Riz Ahmed
- “On My Mind” Martin Strange-Hansen and Kim Magnusson
- “Please Hold” K.D. Dávila and Levin Menekse
Achievement in sound
- “Belfast” Denise Yarde, Simon Chase, James Mather and Niv Adiri
- “Dune” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett
- “No Time to Die” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor
- “The Power of the Dog” Richard Flynn, Robert Mackenzie and Tara Webb
- “West Side Story” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy
Achievement in visual effects
- “Dune” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
- “Free Guy” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick
- “No Time to Die” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould
- “Shang-Chi and the Legend of the Ten Rings” Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver
- “Spider-Man: No Way Home” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick
Adapted screenplay
- “CODA” Screenplay by Siân Heder
- “Drive My Car” Screenplay by Ryusuke Hamaguchi, Takamasa Oe
- “Dune” Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth
- “The Lost Daughter” Written by Maggie Gyllenhaal
- “The Power of the Dog” Written by Jane Campion
Original screenplay
- “Belfast” Written by Kenneth Branagh
- “Don’t Look Up” Screenplay by Adam McKay; Story by Adam McKay & David Sirota
- “King Richard” Written by Zach Baylin
- “Licorice Pizza” Written by Paul Thomas Anderson
- “The Worst Person in the World” Written by Eskil Vogt, Joachim Trier
THE OSCARS SET TO AIR LIVE, MARCH 27, ON ABC
ASU FILM SPARK HOSTS ONLINE QUESTION AND ANSWER SESSIONS WITH TOP HOLLYWOOD PROFESSIONALS ON YOUTUBE FOR EVERYONE TO STREAM
Mondays throughout the month of April, cinematographers, producers and other Hollywood professionals who helped bring audiences “Avengers: Endgame,” “Joker,” “The Amazing Spider-Man,” “Venom” and more will explore the debate on whether or not superhero movies are cinema.
TEMPE, ARIZONA – April 17, 2020 – ASU Film Spark, Arizona State University’s industry relations program in Hollywood, is hosting a series of free online Q&A sessions with respected Hollywood professionals on Mondays throughout the month of April on the Film Spark YouTube channel. ASU Film Spark welcomes anyone who is interested in hearing from some of the people who help create your favorite films to join them at 7:30PM PST for the live-streamed events.
This series features conversations with cinematographers, producers and other Hollywood professionals who aim to answer the question, Are Superhero Movies Cinema? Speakers include:
- April 13: Larry Sher, cinematographer, “Joker” and “The Hangover” – Watch his session here
- April 20: Chris Edwards, founder/CEO of visualization studio THE THIRD FLOOR, “Avengers: Endgame”; “The Mandalorian”; “Star Wars Episode IX: Rise of Skywalker”
- April 27: Matt Tolmach, producer and executive producer, “The Amazing Spider-Man,” ”Venom,” “Jumanji” and “Future Man”
“Martin Scorsese’s claim that superhero movies aren’t cinema gives aspiring filmmakers the chance to think hard about the definition of ‘cinema,’” said Adam Collis, founding director of ASU Film Spark. “And who better to explore this question than some of the best filmmakers working today. ASU Film Spark has been sharing this special class with our friends at Santa Monica College, and, during these stay-at-home times, we are honored and excited to now share the class with anyone who loves movies, cinema or both.”
Arizona State University, which has been ranked as the most innovative school in the nation for the last five years in a row, is also the nation’s largest university and built on a charter which puts inclusivity in its very first sentence. In this spirit, ASU Film Spark is thrilled to include film students, cinephiles, comic fans, aspiring moviemakers and movie-lovers of all stripes in conversation.
“I’m proud to have been the first industry guest Adam connected to ASU back in 2009, when we did a video conference with his students,” said Lawrence Sher, cinematographer for “Joker” and “The Hangover” series. “Since then, I’ve seen Film Spark and the film program grow in astonishing ways. ASU really is the most innovative school in the nation, and their students are spectacular. Our exploration of the superhero genre and the definition of cinema was a blast and one of the more thought-provoking conversations I’ve had on the subject.”
“Are Superhero Movies CINEMA?” is the latest example of innovative Film Spark classes and programming. Their Feature Film Internship Initiative gave 85 ASU students and 15 recent alumni the chance to learn filmmaking on an actual feature film set from an Oscar-winning cast and crew including Octavia Spencer, George Lopez and Nia Vardalos. Other examples include their Women in Film Zoom Q&A class featuring producer/former studio chief Nina Jacobson, director/co-chair of the DGA diversity committee Bethany Rooney and others; a semester-long class with Lionsgate in which students case-studied the film “Wonder” just before it was released; and a two-day symposium with producer Walter Parkes called “Inventing the Future All Over Again,” for which Film Spark reassembled the team of futurists Parkes gathered in 1999 to help Steven Spielberg create the futuristic world of Minority Report. Film Spark has also brought Spike Lee, Patricia Cardoso, Fanny Grande, Salvador Carrasco and Boots Riley to campus for special events and screenings at Sun Devil Stadium.
Guests who would like to receive an email reminder on the day of the event as well as updates about future events may RSVP here. RSVPs are not required and you may view each live session by visiting the Film Spark YouTube channel at 7:30PM MST on Mondays in April.
About ASU Film Spark
In Fall of 2009, ASU film professor Adam Collis hosted a simple video-conference between his students and Lawrence Sher, the cinematographer of “Garden State” and “The Hangover” films. The students liked it so much, Collis set upon a mission to connect ASU students with the best filmmakers and executives in the world. Since then, Film Spark has connected ASU with 5 Oscar-winners, 5 Oscar-nominees, 8 studio chiefs, the presidents of the Academy and the Directors Guild, as well as numerous blockbuster producers, award-winning directors and world class depart heads. Film Spark has grown to become the ASU Embassy in Hollywood—hosting career fairs, connecting students to jobs and internships, and building the Hollywood Sun Devil alumni network through mixers and professional development events for the School of Film, Dance and Theatre in ASU’s Herberger Institute for Design and the Arts. To learn more, visit filmspark.asu.edu
Best Supporting Actor
Tom Hanks, Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
Will Win: Brad Pitt
Could Win: No Contest
Want to Win: Brad Pitt, Once Upon a Time in Hollywood
Best Actress in a Supporting Role
Kathy Bates, Richard Jewell
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell
Will Win: Laura Dern, Marriage Story
Could Win: Florence Pugh, Little Women
Want to Win: Florence Pugh, Little Women
Achievement in Costume Design
The Irishman
Jojo Rabbit
Joker
Little Women
Once Upon a Time in Hollywood
Will Win: Little Women
Could Win: Jojo Rabbit
Want to Win: Little Women
Achievement in Sound Mixing
Ad Astra
Ford v Ferrari
Joker
1917
Once Upon a Time in Hollywood
Will Win: 1917
Could Win: Ford v Ferrari
Want to Win: 1917
Achievement in Sound Editing
Ford v Ferrari
Joker
1917
Once Upon a Time in Hollywood
Star Wars: The Rise of Skywalker
Will Win: 1917
Could Win: Ford v Ferrari
Want to Win: 1917
Best Original Score
Joker
Little Women
Marriage Story
1917
Star Wars: The Rise of Skywalker
Will Win: Joker
Could Win: Little Women
Want to Win: Joker
Best Animated Short Film
Dcera (Daughter)
Hair Love
Kitbull
Memorable
Sister
Will Win: Hair Love
Could Win: Kitbull
Want to Win: Hair Love
Best Live Action Short
Brotherhood
Nefta Football Club
The Neighbors’ Window
Saria
A Sister
Will Win: The Neighbor’s Window
Could Win: Saria
Want to Win: The Neighbor’s Window
Best Documentary Feature
American Factory
The Cave
The Edge of Democracy
For Sama
Honeyland
Will Win: American Factory
Could Win: Honeyland
Want to Win: American Factory
Best Documentary Short Subject
In the Absence
Learning to Skateboard in a Warzone
Life Overtakes Me
St. Louis Superman
Walk Run Cha-Cha
Will Win: Learning to Skateboard in a Warzone
Could Win: St. Louis Superman
Want to Win: Learning to Skateboard in a Warzone
Best International Feature Film
Corpus Christi
Honeyland
Les Miserables
Pain and Glory
Parasite
Will Win: Parasite
Could Win: No Contest
Want to Win: Parasite
Achievement in Production Design
The Irishman
Jojo Rabbit
1917
Once Upon a Time in Hollywood
Parasite
Will Win: Once Upon a Time in Hollywood
Could Win: 1917
Want to Win: Jojo Rabbit
Achievement in Film Editing
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Parasite
Will Win: Parasite
Could Win: Ford v Ferrari
Want to Win: Jojo Rabbit
Achievement in Cinematography
The Irishman
Joker
The Lighthouse
1917
Once Upon a Time in Hollywood
Will Win: 1917
Could Win: The Lighthouse
Want to Win: 1917
Achievement in Visual Effects
1917
Avengers: Endgame
The Irishman
The Lion King
Star Wars: The Rise of Skywalker
Will Win: Avengers: Endgame
Could Win: 1917
Want to Win: Avengers: Endgame
Achievement in Makeup & Hairstyling
Bombshell
Joker
Judy
Maleficent: Mistress of Evil
1917
Will Win: Bombshell
Could Win: Joker
Want to Win: Bombshell
Best Animated Feature
How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Missing Link
Toy Story 4
Will Win: Toy Story 4
Could Win: Missing Link
Want to Win: How to Train Your Dragon: The Hidden World
Best Original Song
“I Can’t Let You Throw Yourself Away,” Toy Story
“I’m Gonna Love Me Again,” Rocketman
“I’m Standing With You,” Breakthrough
“Into the Unknown,” Frozen II
“Stand Up,” Harriet
Will Win: “I’m Gonna Love Me Again”, Rocketman
Could Win: No Contest
Want to Win: “Into the Unknown”, Frozen II
Best Adapted Screenplay
The Irishman
Jojo Rabbit
Joker
Little Women
The Two Popes
Will Win: Jojo Rabbit
Could Win: Little Women
Want to Win: Jojo Rabbit or Little Women
Best Actor
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time… in Hollywood
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes
Will Win: Joaquin Phoenix, Joker
Could Win: No Contest
Want to Win: Joaquin Phoenix or Adam Driver
Best Original Screenplay
Knives Out
Marriage Story
1917
Once Upon a Time in Hollywood
Parasite
Will Win: Once Upon a Time in Hollywood
Could Win: Parasite
Want to Win: Marriage Story
Best Actress
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renee Zellweger, Judy
Will Win: Renee Zellweger, Judy
Could Win: No Contest
Want to Win: Saoirse Ronan, Little Women
Best Director
Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Will Win: Sam Mendes, 1917
Could Win: Bong Joon Ho, Parasite
Want to Win: Sam Mendes or Bong Joon Ho
Best Picture
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
1917
Once Upon a Time… in Hollywood
Parasite
Will Win: Parasite
Could Win: 1917
Want to Win: Jojo Rabbit
The 92nd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2019 and will take place at the Dolby Theatre in Hollywood on February 9, 2020.
Clark Gregg swaps superheroes for child stars in his latest dark comedy, Trust Me, in which he wrote, directed, and stars.
What begins as a Hollywood version of Jerry McGuire becomes a depressing and grim look of how far the people involved in this business will go to get what they want.
We begin by seeing, once child star and now Hollywood agent, Howard (Gregg) getting fired by his only notable client for blowing a potentially huge deal. Sometime during this botched negotiation, he luckily stumbles into Lydia’s (Saxon Sharbino) dramatic audition which turns out to be a positive for the young actress. When she is offered the starring role for the next vampire teen trilogy, she immediately claims Howard as her agent. Lydia views Howard as the “nice” alternative to dirt bag agents who care only about money and could careless for the best interest of their clients. Much like Howard’s nemesis, Aldo (Sam Rockwell), a skeezy, douche of an agent who has managed to steal many of Howard’s talents.
Lydia and Howard have a great father-daughter bond and work well together, their only problem is Ray (Paul Sparks), Lydia’s greedy, alcoholic father who tends to cause a scene everywhere he goes. And just when things seem to looking up for Howard’s career and love life, he witnesses what he thinks might be a sexually abusive encounter between Ray and Lydia. Now he must decide if wants to continue his path of success with his inevitable profiting starlet or let the “good guy” within him follow his conscience.
From the start you are hooked. All the aspects of Howard’s life are thoroughly engaging. He pines over his beautiful neighbor (Amanda Peet), and the two share a surprisingly charming relationship. He also has great chemistry with Lydia that you feel could lead to a Tom Cruise and Cuba Gooding Jr. moment. “Show me the MONEY!!!”
Needless to say Gregg gives a captivating performance along with his supporting cast. Saxon Sharbino, who I had never heard of until this movie, shines as the tween actress who is so talented that it’s hard to tell if she’s being herself or playing a part.
In about the last 30 minutes of the film, everything starts to get muggy fast. What seemed like powerful character development and a path of redemption quickly turns into an unsatisfying and truly unnecessary conclusion.
Trust Me has all the pieces for a fantastic, uplifting and/or solid flick; but maybe in an attempt to stay truly original, it past the mark a little too far.
Trust Me is in theaters June 6 and is currently available OnDemand and iTunes.
Rating: 3/5
“Trust Me” Official Trailer HD
Originally posted on RedCarpetCrash.com
Feature film about Kentucky Derby winner Mine That Bird, an inspiring underdog tale of misfit cowboys and their long shot racehorse, starring Skeet Ulrich, Christian Kane, William Devane, Madelyn Deutch, Todd Lowe and jockey Calvin Borel.
Hollywood, Calif. (Jan. 29, 2014) — The cast and filmmakers of ‘50 to 1’ will hit the road rock-star style on a cross-country tour beginning March 17 to promote the major motion picture’s release, says the film’s producer, director and co-writer Jim Wilson, Oscar®-winning producer of ‘Dances with Wolves.’
“We’re bringing ‘50 to 1’ to the people of America,” Wilson says. “The group will travel in a tour bus from New Mexico to Kentucky, making stops in cities and towns along the way, mirroring the trip racehorse Mine That Bird took on his way to the 2009 Kentucky Derby.
Cast members joining the tour will be Skeet Ulrich (Jericho, ‘Scream,’ ‘As Good As It Gets’), Christian Kane (Leverage, ‘Friday Night Lights,’ ‘Secondhand Lions,’ ‘Just Married’), Todd Lowe (True Blood, ‘The Princess Diaries,’ Gilmore Girls) and Hugo Perez (‘Machete,’ ‘The Longshots,’ ‘Harold & Kumar Escape from Guantanamo Bay’). Also on tour will be Wilson and co-producer, co-writer Faith Conroy. The real Mine That Bird will make special appearances along the tour.
“When was the last time Hollywood’s leading men hopped on a bus and toured the country from town to town, introducing their film to the people of America?” Wilson says. “It’s unprecedented.”
“I’m extremely excited to hit the road with a film I’m very proud to be a part of,” Ulrich says. “It seems fitting we’d be selling our wares from a gypsy-like caravan, given the underdog nature of our story, and I’m hoping this journey answers three burning questions. One, are audiences tired of the blockbuster and ready to be uplifted by the values of hard work and integrity? Two, can we inspire our audiences to stick to their guns and do what they love at all costs? And three, does Christian snore louder than Todd?”
“Man, this almost feels like we’re carnies or something. Or an old whistle-stop political campaign,” Lowe says.
“I’m looking forward to rolling into different towns and shaking hands and kissing babies.”
“Personally, I’ve always wanted to be a rock star,” Conroy says. “And seriously, traveling across the country for weeks on end with a busload of gorgeous cowboys? Sign me up!”
“I’ve done tours before. I’m excited!” Kane says. “It’s old hat for me in the sense that when you love something so much, you will put 18 wheels and lives in motion just to bring it into town and say, ‘I hope you like this. I made this for you.’”
“It’ll be a fun, fun road trip vacation for me, part of the dream-life I want to live,” Perez says. “It’s also an honor and I’m so fortunate to be a part of this adventure.”
Inspiration for the tour came during a brainstorming session by Wilson and Conroy. “I thought, why not meet the audience this movie is intended for, introduce them to the stars and shake their hands,” Wilson says. “It’s the audience that matters the most. It’s why we make these stories, to share them with the world.”
‘50 to 1’ is based on the inspiring true story of Mine That Bird and the cowboy trainer and owners who became the ultimate underdogs in a showdown with the world’s racing elite at the 2009 Kentucky Derby. The film was shot in 40 locations across New Mexico, Kentucky and California, and will open theatrically in roll-out fashion beginning in New Mexico March 21, followed by Texas and Louisiana April 4, Oklahoma and Arkansas April 11, Tennessee and Kentucky April 18, and will then expand across the country.
The tour mirrors not only the true story, but also the release, and will weave its way from town to town through the initial seven states. “This is just for starters,” Wilson says. “We have every intention of crisscrossing America, but it’s dependent on demand. If you want us to come visit your city, let us know.”
People interested in having the ‘50 to 1’ tour stop in their town can email their requests to 50to1themovietour@gmail.com.
Include in the subject line: 50 to 1 Movie Tour – First and Last name, Town, State and Zip Code.