In TYLER PERRY’S DUPLICITY, high-powered attorney Marley (Kat Graham) faces her most personal case yet when she is tasked with uncovering the truth behind...
Is Walt Disney’s newest live-action remake of the 1937 classic, “Snow White” the fairest of them all? Not quite, but it is certainly not the worst remake.
The film stars the musically talented songbird, Rachel Zegler as the fairest of them all and Gal Godot trades her golden lasso for a poison apple as the Evil Queen. For those not already familiar with the tale, it follows Snow White, a young woman who is forced to run away from her jealous stepmother, the Evil Queen, and seeks shelter in a cottage in the forest by seven new friends with distinct personalities. There are a few changes to the original story that is better left unspoiled, but what I can tease is the beautiful music by writers Benj Pasek & Justin Paul, known for “La La Land” and “The Greatest Showman”. The two add the magical Disney touch to the film with songs like “Waiting on a Wish”. And no surprise Zegler and Gadot do a fine job, fully committing to their characters and bringing life and more depth to the dynamic of their relationship that was never fully developed in the original movie.
Of course, with every Disney live-action remake, we ask, was this film necessary or worth making? In all honesty, not really. There has yet to be one that is truly “better” than the animated classics. The quality, the writing, and even the animation was so good for its time, that when we rewatch we can appreciate the wonder and awe felt during that time. Though I understand wanting to modernize the story, especially a dated damsel in distress plot. It’s nice to see these princesses have their own strength and not rely soley on a man to save them. What these remakes are trying to do is not bad, but maybe instead of trying to redo an already beloved tale, create an original “fairy-tale” story that would enhance new technology. Even an original story like “Cruella” is more inspiring to watch.
Regardless of live action or animated preference, the film is still an entertaining watch, with its toe-tapping Broadway style original songs, heartwarming moments, and stunning visuals, ‘Snow White” is a solid musical reimagining the worth seeing with the family in theaters.
No surprise that the most recent Marvel tale is crushing it at the box office. “Captain America: Brave New World” is a typical superhero film that still makes for a thrilling good time.
The film follows the events after the Disney+ series, which officially dubbed Sam Wilson as the new Captain America. A few years later he is more established in his new position, working for the United States government, with reservations about the new president, Thaddeus Ross, played by Harrison Ford. But when an attempt on Thaddeus’ life causes chaos. Sam must grab his shield and soar into action to uncover the motive behind a deadly global plan. Filmmaker Julius Onah’s daring whirl at this genre pays off for the most part as he succeeds in capturing the heart of a beloved character we want to know more about, while providing enough high-flying entertainment to keep audiences satisfied and engaged.
While the story is formulaic and I think Marvel needs to let us slowly digest their content, I can appreciate the effort in character development. Anthony Mackie thrives in the title he’s deservingly earned. Mackie provides depth and authenticity that humanizes his character. We’ve known the previous Falcon since 2014 when he was introduced in “The Winter Soldier”, and to see how far Mackie and his character have come is kind of heartwarming, especially for Marvel fans. There are flaws to this film, but they do not lie with Mackie. However, the villains lack substance, and the plot is a bit overcrowded, but this set up of a new and darker Marvel Universe with a more relatable lead, does have potential for the future.
“Captain America: Brave New World” is a box-office smash you want to see in theaters. With its gripping action-packed sequences and now, iconic red Hulk, the film is a riveting sci-fi theatrical experience.
Love is in the air AND in the palm of our hands as the new sci-fi romantic thriller, Companion, pushes all the right buttons for an instant cult classic.
Filmmaker Drew Hancock’s directorial feature follows a seemingly happy couple, Iris and Josh, who go on a weekend getaway with friends at a remote cabin. But things take a chaotic and bloody turn when it’s revealed Iris is a robot companion. The less you know about this plot the better, as the number of twists and turns are endless. But “Companion is already being raved about as the first best film of the year. What I can tell you is that it excels through enthralling performances by the entire cast, especially stars, Jack Quaid and Sophie Thatcher.
Horror fans may recognize Thatcher from the popular series, Yellowjackets or more recently the acclaimed psychological thriller, Heretic. But after this role, it’s safe to say, Thatcher is going to be an unforgettable talent we will be seeing a lot more of. Aside from the fact that she can cry from one eye at a time on command, she impressively emotes a robotic character who is truly in love and can feel every emotion. And we feel for her. Quaid, who normally plays the good guy, tackles the villainous role in a subtle and humorous manner. All the while the two have great on-screen chemistry. There isn’t anything too revolutionary in the film, but it does entertainingly warn audiences about the dangers of technology and why it’s best not to have full control of your partner.
Companion” touches on feminism, greed, loneliness, and hones in on how we should treat our significant others with respect, while taking audiences on an unpredictable and hilarious thrill ride. It’s an unexpected must-see that’s sure to capture your heart.
From an iconic sculpture to a wild robot. Peter Brown’s literary sensation comes to life in one of the most talked about films of the year. The Wild Robot is already a front runner for Best Animated Feature as its moving story is touching the hearts of all audiences.
The film follows an intelligent robot called Roz, who’s voiced by Academy Award winner, Lupita Nyong’o. After a shipwreck, Roz is stranded on an uninhabited island where to survive the harsh environment, she bonds with the island’s animals. After accidentally crushing a goose nest, a single egg survives and hatches to reveal a little baby goose. Roz decides her purpose on this island is to now raise the goose, now named Brightbill, as her own and help get him ready for the upcoming winter migration. She gains the help of a scheming Fox, voiced by Pedro Pascal and the three of them naturally become family. Roz is goal is to complete this mission before finding her way back home.
While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.
And though the film may have you reaching for tissues, The Wild Robot is also filled with plenty of laughs and thrills. It’s a wonderfully immersive family adventure featuring a superb cast with an unforgettable message audiences of all ages can relate to.
“The Wild Robot” is currently playing in theaters.
A Real Pain follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The movie premiered at the Sundance Film Festival with high praise as it dives into the two character’s emotions and backstory.
Jessie Eisenberg plays the high strung, anxious family man, David and Emmy winner, Kieran Culkin plays the charming, carefree, erratic Benji, who will say whatever is on his mind even if it is inappropriate. These characters grew up like brothers, but eventually life drove them apart, affecting one of them more painfully than the other. Culkin and Eisenberg are the perfect “odd” couple that you would think are related in real life. This is due to Eisenberg’s deeply personal screenplay.
Though the two are on a journey to see the home their grandmother grew up in, along the way they take an impactful tour with a group of strangers to explore their Jewish roots, igniting a roller coaster of emotions as they visit stunning landscapes of their ancestor’s and the Holocaust camps near their grandmother’s old town. And surprisingly, this is the first time a narrative feature has been allowed to shoot on location at an actual concentration camp, making those scenes even more touching and powerful. But what’s going to move audiences are the performances. Eisenberg doesn’t veer from the type of characters we are used to seeing him play, but he is at his best in a role that feels his most authentic. While Culkin leaves you in tears from his heartfelt portrayal of Benji’s constant high and lows throughout the film as he grieves his grandma and deals with his own internal struggles.
The pain both characters are going through impressively speaks louder from their actions and sometimes silence, more so than any words they express to each other. A Real Pain is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances. It’s a rare gem that will stay with you all year.
Audiences seemed to have mixed feelings about the songs performed in Joker Folie a Deux. This might have to do with the fact that the original film was not a musical and the unexpected addition to the serious drama feels a little out of place. The original film was not even meant to have a sequel, but maybe having Lady Gaga sign on to play the iconic Harley Quinn, was a musical opportunity that director Todd Phillips couldn’t pass up. But just because Gaga’s voice is incredible doesn’t mean that’s enough to make this film worth the watch.
Joker: Folie a Deux follows Arthur Fleck while in Arkham and awaiting trial for his crimes as Joker. While struggling with his dual identity, he not only stumbles upon true love with Harley Quinn, but also finds the music that’s always been inside him. It’s upsetting to say that this film is probably not at all what fans will be expecting. Gaga fans should be warned from the start, she is severely underutilized. However, what we do see of her and Joaquin Phoenix is still incredible. The problem is not the performances, it’s the material these actors were given. The lack of substance and purpose, makes the sequel struggle to find the energy and emotion it’s so desperately seeking.
The musical numbers are fine, but they bog down the story and never really push it forward. And at a runtime of nearly 2 and half hours, it’s likely audiences will get anxious. However, visually Phillips succeeds in bold, striking theatrics. But sadly, any good in this movie is going to be overshadowed by the bad. The first Joker was critically acclaimed for its realistic portrayal of a Batman villain with mental health issues who we understood and sometimes empathized with. It was so good, Pheonix won his first Oscar for it. So, to go from that film to this somewhat random musical is an unfortunate miss.
Joker Folie a Deux will likely not be everyone’s cup of tea and moviegoers should set low expectations for the plot but have fair expectations for the vocals and performances by Pheonix and Gaga. If you’re fan of the Batman universe, or even more so a fan of The Joker, you’ll still be curious and want to form your own opinion.
“Joker: Folie a Deux” opens in theaters October 4, 2024.
After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her teenage daughter accidentally opens the portal to the afterlife. I review the long-awaited sequel to one of Michael Keaton’s legendary roles, “Beetlejuice Beetlejuice”.
“Beetlejuice Beetlejuice” is currently
playing in theaters.
Academy Award nominee, June Squibb has been acting for 60 years and at 93 years old she’s landed her first lead role in “Thelma”. The film is about a grandmother who gets duped by a phone scammer pretending to be her grandson and sets out on a mission to reclaim the money stolen from her.
I had the opportunity to speak with June and director Josh Margolin about the movie.
“Thelma” opens in theaters nationwide June 21, 2024.
The sheer genius of turning our emotions into loveable characters was enough to make you fall in love with the magic of the first “Inside Out”. Like many, I was hesitant to the idea of a sequel. But after watching “Inside Out 2”, and meeting Anxiety, it all makes sense.
“Inside Out 2” follows Riley entering into her teen years, making room for new emotions right before she goes into High School. She and her two best friends, Bree and Grace, have been selected to go to a 3-day hockey camp. Everything seems to be going smoothly in Riley’s life until Bree and Grace inform her, they won’t be going to High School together due to different school zones. This puts Riley in a panic of who she will be friends with next year. Que, Anxiety and her close friends; Envy, Embarrassment, and Ennui. They all step in to try to navigate the unexpected situation, but Joy and her core group of emotions clash with them on to best help Riley.
Obviously, the first “Inside Out” is better than the sequel. But that’s because the element of surprise and awe has been revealed. Which is why the first film is one of the best Pixar films ever made. There was so much attention to detail and every second in that movie was intentional. It was clearly filmmakers Pete Doctor and Ronnie Del Carmen’s baby and all their hard work paid off. They have passed the torch to director Kelsey Mann this time around and he respects the craft he’s been given to work with, building on this world and adding value instead of a cheap remake.
Introducing audiences to Anxiety at a time in our lives where we all felt this emotion, but probably didn’t know how to define it, is beneficial to younger and older viewers. With hope, it encourages children to understand their feelings and why they are feeling it. Anxiety is voiced by Maya Hawke, who brings out the vibrant energy and panic you’d imagine from the emotion. More of the attention to detail lies in her and not so much from her buddies. Though all the newcomers do a fine job, they won’t be as memorable as Anxiety or Joy and her core friends. Speaking of Joy, Amy Poehler returns as they happy-go-lucky emotion who is still trying to see everything in a positive light. Her voice is the backbone to this franchise and truly is a joy to hear. Phyllis Smith as Sadness is still role/emotion she brilliantly gives life to.
I do think the setting of a 3-day hockey camp was a little limiting to the story. I would have rather seen Riley navigate her emotions starting High School with no friends versus trying to make new ones at camp with her best friends present. There is so much anxiety when start freshman year and there’s a lot the filmmakers could have done with that potential story, but what they did give us, isn’t bad by any means.
“Inside Out 2” still sparkles from its lovable characters and relatable storylines told through emotions we all have. Providing a family-friendly avenue to discuss our feelings and mental health with loved ones.
“Inside Out 2” brings Joy and her whole group back to help Riley as she enters her teen years and welcome new emotions, including, anxiety! I spoke with the wonderful 2 x Emmy winner Tony Hale, who voices Fear in the film. Tony discussed the movie and some of his emotions he felt as a teen.
