James Gunn tries his hand at a new Superman movie, and because of my love for the filmmaker, I went into this film cautiously optimistic, even though there...
Jessica (Megan Stalter) is a New York workaholic in her mid-thirties, reeling from a broken relationship that she thought would last forever and slowly...
The last two Jurassic World films were a convoluted mess: a disappointing misfire after such a promising start to the revived franchise. After nearly three...
The last two Jurassic World films were a convoluted mess: a disappointing misfire after such a promising start to the revived franchise. After nearly three years, director Gareth Edwards tries his hand at a new installment with a brand-new cast. And while it is miles better than “Fallen Kingdom” and “Dominion”, that may not be saying much about “Jurassic World Rebirth”.
The film is set five years after the events of “Jurassic World: Dominion”. Dinosaurs are on the brink of extinction again as our ecosystem is not built for them and they are struggling to survive. Those still alive have made a home for themselves in a more tropical environment similar to where they once thrived. Three of the most colossal creatures carry genetic material that could be the key to a life-saving drug that could benefit humankind. Read full review here.
Rating: C+
“Jurassic World Rebirth” opens in theaters July 2, 2025
Shark movies have become a staple for this time of year, there’s something about watching “Jaws”, “Deep Blue Sea”, “The Shallows”, and many more during the outdoor swimming months that really gets us in the summer spirit. And now, audiences can add a refreshing twist to that list with “Dangerous Animals”.
Director Sean Bryne and writer Nick Lepard bring us the unexpected serial killer/shark combo horror fans will be chomping at the bit to see. Read full review here.
Rating: A-
“Dangerous Animals” opens in theaters June 6, 2025.
The first “Accountant” surprisingly charmed and entertained audiences. While I did not expect a sequel, I certainly don’t mind getting to see Ben Affleck and Jon Bernthal team up again. Though it’s hard to beat the refreshing plot of the original film, this second installment adds up to a solid watch.
Ben Affleck returns as Christian Wolff, an unusual accountant with a brilliant mind that can calculate far more than tax returns. Read the full review here.
Rating: B
“The Accountant 2” opens in theaters April 25, 2025
“Drop” premiered at this year’s South by Southwest with rave reviews about the exhilarating new thriller. It’s not easy to get back into the dating world, especially after a traumatic relationship. Director Christopher Landon takes audiences on a horrifying first date in what might eventually become an instant cult classic.
The film follows Violet, a widowed mother, played by “White Lotus” star Meghann Fahy who is going on her first date in years. With the help of her sister, who’s agreed to babysit her son while out, she musters up the courage to put herself back out there and meets with a charming photographer played by Brandon Sklenar. Unfortunately, this potential for romance turns into a mother’s worst nightmare as Violet is bombarded with anonymous texts that threaten her son’s life. Trapped in a high rise, upscale restaurant, she must figure out who is behind the messages to save both her son and her date’s life.
If you’re familiar with Landon’s work on films like “Freaky” or “Happy Death Day”, you’ll have an idea of his style of horror. He adds an element of comedy that allows you to breathe a little easier through his character’s high stressed situations. While there are moments of comic relief, “Drop” creates an anxiety-inducing setting with time constraints and focus on suspense. But don’t be fooled by its frightening premise, the film has a few jump scares, but it never takes itself too seriously. In fact, expect a few eye rolls when entering ridiculous and campy territory. It’s Fahy’s devoted and captivating performance that will sell you on any absurd action.
The heart of this film lies with Meghann Fahy, who continues to shine in any role she plays. But “Drop” succeeds in blending romance, wit, and tension into a simple yet tech-savvy, entertaining thrill ride that will keep audiences on the edge of their seats.
Is Walt Disney’s newest live-action remake of the 1937 classic, “Snow White” the fairest of them all? Not quite, but it is certainly not the worst remake.
The film stars the musically talented songbird, Rachel Zegler as the fairest of them all and Gal Godot trades her golden lasso for a poison apple as the Evil Queen. For those not already familiar with the tale, it follows Snow White, a young woman who is forced to run away from her jealous stepmother, the Evil Queen, and seeks shelter in a cottage in the forest by seven new friends with distinct personalities. There are a few changes to the original story that is better left unspoiled, but what I can tease is the beautiful music by writers Benj Pasek & Justin Paul, known for “La La Land” and “The Greatest Showman”. The two add the magical Disney touch to the film with songs like “Waiting on a Wish”. And no surprise Zegler and Gadot do a fine job, fully committing to their characters and bringing life and more depth to the dynamic of their relationship that was never fully developed in the original movie.
Of course, with every Disney live-action remake, we ask, was this film necessary or worth making? In all honesty, not really. There has yet to be one that is truly “better” than the animated classics. The quality, the writing, and even the animation was so good for its time, that when we rewatch we can appreciate the wonder and awe felt during that time. Though I understand wanting to modernize the story, especially a dated damsel in distress plot. It’s nice to see these princesses have their own strength and not rely soley on a man to save them. What these remakes are trying to do is not bad, but maybe instead of trying to redo an already beloved tale, create an original “fairy-tale” story that would enhance new technology. Even an original story like “Cruella” is more inspiring to watch.
Regardless of live action or animated preference, the film is still an entertaining watch, with its toe-tapping Broadway style original songs, heartwarming moments, and stunning visuals, ‘Snow White” is a solid musical reimagining the worth seeing with the family in theaters.
No surprise that the most recent Marvel tale is crushing it at the box office. “Captain America: Brave New World” is a typical superhero film that still makes for a thrilling good time.
The film follows the events after the Disney+ series, which officially dubbed Sam Wilson as the new Captain America. A few years later he is more established in his new position, working for the United States government, with reservations about the new president, Thaddeus Ross, played by Harrison Ford. But when an attempt on Thaddeus’ life causes chaos. Sam must grab his shield and soar into action to uncover the motive behind a deadly global plan. Filmmaker Julius Onah’s daring whirl at this genre pays off for the most part as he succeeds in capturing the heart of a beloved character we want to know more about, while providing enough high-flying entertainment to keep audiences satisfied and engaged.
While the story is formulaic and I think Marvel needs to let us slowly digest their content, I can appreciate the effort in character development. Anthony Mackie thrives in the title he’s deservingly earned. Mackie provides depth and authenticity that humanizes his character. We’ve known the previous Falcon since 2014 when he was introduced in “The Winter Soldier”, and to see how far Mackie and his character have come is kind of heartwarming, especially for Marvel fans. There are flaws to this film, but they do not lie with Mackie. However, the villains lack substance, and the plot is a bit overcrowded, but this set up of a new and darker Marvel Universe with a more relatable lead, does have potential for the future.
“Captain America: Brave New World” is a box-office smash you want to see in theaters. With its gripping action-packed sequences and now, iconic red Hulk, the film is a riveting sci-fi theatrical experience.
Love is in the air AND in the palm of our hands as the new sci-fi romantic thriller, Companion, pushes all the right buttons for an instant cult classic.
Filmmaker Drew Hancock’s directorial feature follows a seemingly happy couple, Iris and Josh, who go on a weekend getaway with friends at a remote cabin. But things take a chaotic and bloody turn when it’s revealed Iris is a robot companion. The less you know about this plot the better, as the number of twists and turns are endless. But “Companion is already being raved about as the first best film of the year. What I can tell you is that it excels through enthralling performances by the entire cast, especially stars, Jack Quaid and Sophie Thatcher.
Horror fans may recognize Thatcher from the popular series, Yellowjackets or more recently the acclaimed psychological thriller, Heretic. But after this role, it’s safe to say, Thatcher is going to be an unforgettable talent we will be seeing a lot more of. Aside from the fact that she can cry from one eye at a time on command, she impressively emotes a robotic character who is truly in love and can feel every emotion. And we feel for her. Quaid, who normally plays the good guy, tackles the villainous role in a subtle and humorous manner. All the while the two have great on-screen chemistry. There isn’t anything too revolutionary in the film, but it does entertainingly warn audiences about the dangers of technology and why it’s best not to have full control of your partner.
Companion” touches on feminism, greed, loneliness, and hones in on how we should treat our significant others with respect, while taking audiences on an unpredictable and hilarious thrill ride. It’s an unexpected must-see that’s sure to capture your heart.
From an iconic sculpture to a wild robot. Peter Brown’s literary sensation comes to life in one of the most talked about films of the year. The Wild Robot is already a front runner for Best Animated Feature as its moving story is touching the hearts of all audiences.
The film follows an intelligent robot called Roz, who’s voiced by Academy Award winner, Lupita Nyong’o. After a shipwreck, Roz is stranded on an uninhabited island where to survive the harsh environment, she bonds with the island’s animals. After accidentally crushing a goose nest, a single egg survives and hatches to reveal a little baby goose. Roz decides her purpose on this island is to now raise the goose, now named Brightbill, as her own and help get him ready for the upcoming winter migration. She gains the help of a scheming Fox, voiced by Pedro Pascal and the three of them naturally become family. Roz is goal is to complete this mission before finding her way back home.
While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.
And though the film may have you reaching for tissues, The Wild Robot is also filled with plenty of laughs and thrills. It’s a wonderfully immersive family adventure featuring a superb cast with an unforgettable message audiences of all ages can relate to.
“The Wild Robot” is currently playing in theaters.
A Real Pain follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The movie premiered at the Sundance Film Festival with high praise as it dives into the two character’s emotions and backstory.
Jessie Eisenberg plays the high strung, anxious family man, David and Emmy winner, Kieran Culkin plays the charming, carefree, erratic Benji, who will say whatever is on his mind even if it is inappropriate. These characters grew up like brothers, but eventually life drove them apart, affecting one of them more painfully than the other. Culkin and Eisenberg are the perfect “odd” couple that you would think are related in real life. This is due to Eisenberg’s deeply personal screenplay.
Though the two are on a journey to see the home their grandmother grew up in, along the way they take an impactful tour with a group of strangers to explore their Jewish roots, igniting a roller coaster of emotions as they visit stunning landscapes of their ancestor’s and the Holocaust camps near their grandmother’s old town. And surprisingly, this is the first time a narrative feature has been allowed to shoot on location at an actual concentration camp, making those scenes even more touching and powerful. But what’s going to move audiences are the performances. Eisenberg doesn’t veer from the type of characters we are used to seeing him play, but he is at his best in a role that feels his most authentic. While Culkin leaves you in tears from his heartfelt portrayal of Benji’s constant high and lows throughout the film as he grieves his grandma and deals with his own internal struggles.
The pain both characters are going through impressively speaks louder from their actions and sometimes silence, more so than any words they express to each other. A Real Pain is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances. It’s a rare gem that will stay with you all year.
Audiences seemed to have mixed feelings about the songs performed in Joker Folie a Deux. This might have to do with the fact that the original film was not a musical and the unexpected addition to the serious drama feels a little out of place. The original film was not even meant to have a sequel, but maybe having Lady Gaga sign on to play the iconic Harley Quinn, was a musical opportunity that director Todd Phillips couldn’t pass up. But just because Gaga’s voice is incredible doesn’t mean that’s enough to make this film worth the watch.
Joker: Folie a Deux follows Arthur Fleck while in Arkham and awaiting trial for his crimes as Joker. While struggling with his dual identity, he not only stumbles upon true love with Harley Quinn, but also finds the music that’s always been inside him. It’s upsetting to say that this film is probably not at all what fans will be expecting. Gaga fans should be warned from the start, she is severely underutilized. However, what we do see of her and Joaquin Phoenix is still incredible. The problem is not the performances, it’s the material these actors were given. The lack of substance and purpose, makes the sequel struggle to find the energy and emotion it’s so desperately seeking.
The musical numbers are fine, but they bog down the story and never really push it forward. And at a runtime of nearly 2 and half hours, it’s likely audiences will get anxious. However, visually Phillips succeeds in bold, striking theatrics. But sadly, any good in this movie is going to be overshadowed by the bad. The first Joker was critically acclaimed for its realistic portrayal of a Batman villain with mental health issues who we understood and sometimes empathized with. It was so good, Pheonix won his first Oscar for it. So, to go from that film to this somewhat random musical is an unfortunate miss.
Joker Folie a Deux will likely not be everyone’s cup of tea and moviegoers should set low expectations for the plot but have fair expectations for the vocals and performances by Pheonix and Gaga. If you’re fan of the Batman universe, or even more so a fan of The Joker, you’ll still be curious and want to form your own opinion.
“Joker: Folie a Deux” opens in theaters October 4, 2024.
