It’s January so most moviegoers know this is what we call “dump month”, it’s where films like the new horror reboot, “Wolf Man” go to die. That’s right, this is not a rare January horror gem like MEGAN. Unfortunately, filmmaker Leigh Whannell fails to bring the wit and care he has provided in his past films.
The film stars Christopher Abbott and Julia Garner as a couple looking to reconnect and build a stronger relationship with their daughter, who is apparently disconnected from her working mom. This subplot is briefly mentioned, in an aimless way, and we’re supposed to feel for this family’s apparent struggle with no background or character development to their strained marriage. The only backstory is at the top of the film, where we see Abbott’s character, Blake, at a young age with his stern father in a remote house in the woods. It is there we first learn about the bigfoot type creature lurking in the forest. Fast forward 30 years later, Blake has learned about his father’s passing and now wants to take this opportunity to rebuild his own family with a trip to this abandon farmhouse. On their way there, they are attacked by an unseen animal, and as the night goes on, Blake begins to transform into something unrecognizable.
Early reactions called this film a hardcore, terrifying watch. Outside of a couple of jump scares, “Wolf Man” lacks fear, suspense, and most importantly, fun. We don’t expect a film like this to be groundbreaking or have an amazing story, but at the very least, provide some entertainment. The film is slow, spending most of its time sitting around in the dimly lit home waiting for the dad to turn full werewolf. This might have to do with Whannell’s attempt at a “deeper” story about how to parent and love your child. But this message is completely lost on audiences, as the film never finds its footing and the actors never fully commit to their performance. Both Abbott and Garner deserve more from their script and it’s evident, they showed up for the paycheck and nothing more.
Horror fans should still form their own opinion but be warned; besides a few creative shots and the previously mentioned scares, “Wolf Man” is more of a slow dumpster fire rather than a slow burn. It’s a predictable, uninspired story that’s all bark and no bite.
10. Deadpool & Wolverine – We still need a break from superhero movies and from the multiverse/timeline plots, but this film isn’t a formulaic Marvel movie. Some might even complain that there is no narrative, but that seems to be director Shawn Levy’s intent. “Deadpool & Wolverine” is meant to make fun of the over bloated superhero films and the mistakes of studios, while paying homage to the former X-Men universe. Not to say there isn’t a story, it’s just more along the lines of a high-quality spoof w/ a ton of A-list actors. Plus, the hilarious, on-screen chemistry between the dynamic duo (Hugh Jackman and Ryan Reynolds) exceeded all my expectations.
9. A Real Pain- Jesse Eisenberg’s sophomore directorial effort, “A Real Pain” follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The pain both characters go through impressively speaks louder from their actions and sometimes silence, more than any words they express to each other. “A Real Pain” is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances, especially by Kieran Culkin. It’s a rare gem that has stayed with me all year.
8. Inside Out 2- The sheer genius of turning our emotions into loveable characters was enough to make you fall in love with the magic of the first “Inside Out”. In this sequel, we follow Riley as she enters her teen years and makes room for new emotions like Anxiety. It can be therapeutic and beneficial to see the portrayal of an emotion that everyone can relate to, but do not often talk about. The film still sparkles from its lovable characters and provides a family-friendly avenue to discuss feelings and mental health with loved ones.
7. Dune: Part Two- I didn’t care for “Dune: Part One”. It was long and barely anything happened. It was all set-up and when we were finally getting somewhere good, the film abruptly stops and leaves us with a big “To Be Continued”. Luckily, the action and storytelling we were craving in the first movie is all in “Dune: Part Two”. The second installment picks up where it left off with Paul uniting with Chani and the Fremen to seek revenge against the conspirators who destroyed his family. Director and co-writer, Denis Villeneuve properly brings this science fiction novel to life. Beginning with the mesmerizing world he has created. Desert sand has never looked this attractive swirling through the winds and fight sequences, paired with a roaring soundtrack that will make you feel as if you are in the movie. The set is immersive and the work that has gone into this imaginative society is engaging, especially the cinematography by Greig Fraser.
6. The Substance – “The Substance” follows an aging celebrity, who takes an underground drug: a cell-replicating substance that temporarily creates a younger, better version of herself. I’m always a fan of an original story with a powerful message, and this one is about as unique as they come. It’s grossly entertaining and not for the weak stomach. Demi Moore and Margaret Qualley are captivating from start to finish. The two give phenomenal physically demanding performances, and Director/Writer Coralie Fargeat cleverly portrays the struggles women face to remain relevant and “youthful” in Hollywood.
5. My Old Ass – A coming-of-age story about a young girl who meets her 39-year-old self while tripping on mushrooms. The older version of herself, hilariously played by Aubrey Plaza, delivers a warning about her future that causes her to rethink everything about her family, life, and love. While Plaza is fantastic in the film, Maisy Stella gives an unforgettable breakout performance that will make you laugh and cry. “My Old Ass” is another original gem that we were treated to this year by Director/Writer Megan Park, who authentically captures how bittersweet it is to grow up, the risks of a first love, and the many things we take for granted when we’re young.
4. Twisters – Like most sequels, I always proceed with caution. However, the charm of Glen Powell and the patience of waiting decades to create a well-crafted sequel to the effect of “Top Gun: Maverick”, makes this movie a success. The talented stars of “Twisters”, including Powell, Daisy Edgar-Jones, and Anthony Ramos, already give this film an advantage. But the key to this enjoyable watch, much like its predecessor, is how the film takes a simple and relatable concept, like chasing tornadoes; and adds a lot of heart because they are trying to help people. After laying that groundwork, they focus on what made the first film so memorable, the special effects and action. And I can confidently say, director Lee Issac Chung delivers on all counts, pulling audiences in from its opening scene and taking us on an exhilarating ride of breathtaking visuals.
3. Wicked- With all the praise surrounding this film, it should come as no surprise that I would have it at such a high spot. It is a vibrant reimagining of the classic Wizard of Oz movie and spotlights the untold origin story of the Wicked Witch of the West and her once dear friend, Glinda the Good Witch. In many ways, I enjoyed this story more. It raises the questions -Are people born evil? Are those who claim to be heroes genuinely good? But most importantly, it sends a powerful message about not judging people before getting know them firsthand. Cynthia Erivo and Ariana Grande pour their hearts into an unforgettable, award worthy performance. “Wicked is a beautiful, moving musical that undeniably defies gravity.
2. Emilia Perez – I went in completely blind before watching “Emilia Perez”, only knowing it was an indescribable musical, comedy, thriller with a stellar cast. I came out of it blown away by the incredible performances of its three leading ladies: Zoe Saldana, Karla Sofia Gascon, and Selena Gomez. The film’s unbelievably thrilling twists and turns made for one of my favorite cinematic experiences. For those who may not know, the movie is about a cartel leader, who enlists an unappreciated lawyer, to help fake her death so that she can finally live authentically as her true self. It’s a wild ride that not everyone will want to take, but I thoroughly enjoyed it, especially, seeing Saldana slay in a role that proves she’s a show-stopping, versatile talent.
1. Scrambled- Many of you may not have heard about this one. After being treated to it earlier this year and getting to speak with filmmaker, Leah McKendrick, I have not forgotten the emotional impact this film had on me. “Scrambled” is about a thirty-something eternal bridesmaid that is being pressured to have kids and settle down. Still single and only getting older, she decides it’s best to freeze her eggs. This leads her on an empowering, and hilarious, journey of self-discovery. The movie is relatable to anyone who has felt like they are running out of time or trying to catch up to friends who are getting married, having kids, or just moving forward in life. But at the same time, there is an inspiring and beautiful representation of what it means to be a true friend, someone who is happy for you at your highs even when they may be at their low. The film also offers a genuine portrayal of IVF that is lacking in Hollywood. McKendrick uses her personal egg freezing journey to share a witty, heartfelt story that will stay with me forever.
The Rest of the Best:
11. Late Night with the Devil
12. Saturday Night
13. Blink Twice
14. Conclave
15. The Last Showgirl
16. Thelma
17. The Fall Guy
18. Woman of the Hour
19. Fresh Kills
20. Amber Alert
Top 5 Worst Film of 2024
5. Drive-Away Dolls – Too ridiculous to take seriously or even watch.
4. Rumors – Made no sense, felt like a bad Shakespearian play.
3. Night Swim – “Don’t look back” and don’t look AT this movie. EVER!
2. Megalopolis – Don’t let the negative reviews fool you, this film is far worse than what critics are saying.
1. Madam Web – OOF! Not only did they ruin a Britney Spears song, but they also hurt four talented actors, who suffered from a painful, lazy script, and terrible filmmaking.
What happens after the career you’ve invested a majority of your life in suddenly comes to an end? It’s a stirring thought that can make you question what matters most in life. Gia Coppola’s newest drama, “The Last Showgirl” beautifully portrays the heartbreak of this challenging crossroad.
Pamela Anderson stars as Shelly, a seasoned Vegas showgirl, who must plan for her future when her show abruptly closes after a 30-year run. The film also stars Academy Award winner Jamie Lee Curtis, Brenda Song, Kiernan Shipka, Billie Lourd, and Dave Bautisa, who all do a fantastic job, but it’s Anderson’s quietly captivating performance that steals the show. This career-defining role makes you wonder why Anderson hasn’t been given the opportunity to shine like this sooner. However, we can only hope this film will lead to her being cast in more breathtaking roles.
The movie as a whole is simple, but less is more. In its brief runtime, “The Last Showgirl” exemplifies in making audiences feel for all these women and their next steps, while focusing on Shelly’s journey. We learn she gave up a lot for what she felt was her “dream” career. Including a meaningful relationship with her daughter, Hannah (Lourd). And unfortunately, performing as a Vegas showgirl, doesn’t necessarily set the stage for you as an actress.
Shelly as a sorrowful road ahead of her and through the brilliant of work of Anderson and Coppola, we feel Shelly’s pain every step of the way. While the film’s plot is thin, its depth and emotions are heavy. “The Last Showgirl” stays with you and truly dazzles as a raw and polarizing character study.
“Wicked” has been a beloved stage production. Wicked has been a beloved stage production. Now you can see the story on the big screen in theaters with the whole family during the holiday season. Visionary director Jon M. Chu, who brought us “Crazy Rich Asians” and “In the Heights” inspires audiences with a truly magical retelling of the emotional Broadway hit.
For those who don’t know the story, it’s about Elphaba, a young woman who’s misunderstood because of her green skin, and Glinda, a popular girl she meets at Shiz University in the Land of Oz. The two don’t get along at first, Glinda is completely unaware of how self-absorbed and offensive she is and Elphaba doesn’t make much of an effort with her. But when they are forced to room together, the two eventually get to know each other in a way that no one else has. They form a beautiful friendship that moviegoers can’t help but fall in love with. However, that friendship is challenged when they have what they hoped would be a dream meeting with the Wonderful Wizard of Oz.
The film is a vibrant reimagining of the classic Wizard of Oz movie and spotlights the untold origin story of the Wicked Witch of the West and her once dear friend, Glinda the Good Witch. And in a lot of ways, I enjoy this story more. It raises the questions – are people born evil? Are those who claim to be heroes truly good? But more importantly, it sends a powerful message about not judging people for the way look, but for who they are on the inside. Thankfully, Cynthia Erivo and Ariana Grande’s chemistry leaps off the screen. And if you have seen them during this press tour, it’s clear they have built a genuine friendship of their own. The two pour their hearts into unforgettable, award worthy performances. Especially, a hilarious and scene stealing Ariana Grande.
Though some have complained about the film’s nearly three-hour runtime, it allows for effective character development while impressively moving quickly and surprisingly leaves you wanting more. Thankfully, this is only the first part for the bold adaptation and fans can look forward to part 2 next year. In the meantime, this is the holiday film you want to see in theaters as you will be swept away by the dazzling visuals and moving musical numbers that undeniably defy gravity. “Wicked” is a breathtaking spectacle everyone can enjoy.
“Memoir of a Snail” is a bittersweet memoir of a melancholic woman called Grace Pudel – a hoarder of snails, romance novels, and guinea-pigs. I had the opportunity to speak with the Academy Award winning filmmaker, Adam Elliott to discuss the film, his characters, items that brought comfort to him as a child in his bedroom, and so much more.
“Memoir of a Snail” opens in theaters November 8, 2024.
After a shipwreck, an intelligent robot called Roz is stranded on an uninhabited island. To Survive the harsh environment, Roz bonds with the island’s animals and cares for an orphaned baby goose. This week I review the new family-friendly, animated feature based on Peter Brown’s beloved, #1 New York Times bestseller, “The Wild Robot”.
Watch the video below to hear all my thoughts on the film.
“The Wild Robot” is currently playing in theaters.
A Real Pain follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The movie premiered at the Sundance Film Festival with high praise as it dives into the two character’s emotions and backstory.
Jessie Eisenberg plays the high strung, anxious family man, David and Emmy winner, Kieran Culkin plays the charming, carefree, erratic Benji, who will say whatever is on his mind even if it is inappropriate. These characters grew up like brothers, but eventually life drove them apart, affecting one of them more painfully than the other. Culkin and Eisenberg are the perfect “odd” couple that you would think are related in real life. This is due to Eisenberg’s deeply personal screenplay.
Though the two are on a journey to see the home their grandmother grew up in, along the way they take an impactful tour with a group of strangers to explore their Jewish roots, igniting a roller coaster of emotions as they visit stunning landscapes of their ancestor’s and the Holocaust camps near their grandmother’s old town. And surprisingly, this is the first time a narrative feature has been allowed to shoot on location at an actual concentration camp, making those scenes even more touching and powerful. But what’s going to move audiences are the performances. Eisenberg doesn’t veer from the type of characters we are used to seeing him play, but he is at his best in a role that feels his most authentic. While Culkin leaves you in tears from his heartfelt portrayal of Benji’s constant high and lows throughout the film as he grieves his grandma and deals with his own internal struggles.
The pain both characters are going through impressively speaks louder from their actions and sometimes silence, more so than any words they express to each other. A Real Pain is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances. It’s a rare gem that will stay with you all year.
Struggling with his dual identity, failed comedian Arthur Fleck (Joaquin Pheonix) meets the love of his life, Harley Quinn (Lady Gaga), while incarcerated at Arkham State Hospital. This week I review. the unexpected musical sequel, “Joker: Folie a Deux”.
“Joker: Folie a Deux” opens in theaters October 4, 2024.
Mother’s have a tendency to want to care for everyone and handle everything. Making it hard for them to find any time for themselves. In the new comedy, “I’ll Be Right There”, Edie Falco stars as a mom who is constantly giving rides and all of herself to the loved ones in her life.
The film begins with Wanda (Falco) at the doctor’s office consoling her mom, Grace (Jeannie Berlin), who is convinced she has lung cancer. She then has to drive her pregnant daughter, Sarah (Kayli Carter) to the doctor’s office to check on the baby. After that she has to meet her son, Mark (Charlie Tahan) for his therapy appointment, where he shows clear signs of resentment towards his mother. You see, in addition to Wanda continuously trying her best to there for everyone, they don’t appear to be appreciative of her efforts. And Wanda’s ex-husband, Henry (Bradley Whitford) is no help because he’s too busy with his new wife and kids that he can’t seem to support either.
I know what I have described is far from groundbreaking and we’ve have certainly seen versions of this story before, but that doesn’t mean “I’ll Be Right There” isn’t offering something fresh. The heart and soul of this movie is Falco, who you connect with from the start. It’s her authentic and relatable performance as a mother who’s just trying to keep it all together that makes her so easy to care for her. She naturally shines and those around her are a solid supporting cast.
“I’ll Be Right There” has a simplistic charm to its mild story. The screenplay could have used a little more meat, but writer Jim Beggarly got the point across; writing about the ups and downs of family drama and Wanda being forced to re-examine herself. And in just under an hour and half, you will feel as though that comedic, yet bittersweet journey of self-discovery flew by.
Maya and the Wave is currently playing at the Village East theater in New York, with upcoming screenings at the Laemmle Glendale and the Laemmle Monica in Los Angeles, and expanding through the end of the year
NEW YORK—September 12th, 2024—The team behind Maya and the Wave announced today that Rashida Jones and Meena Harris have officially boarded the film as executive producers. The documentary tells the extraordinary story of Maya Gabeira, the first woman to surf the giant wave in Nazaré, Portugal. She nearly drowns – and is ridiculed by the male big wave surfers who dominate the sport. Three spine surgeries and five years later, she surfs the biggest wave a woman has ever surfed. When her accomplishment is disregarded, Maya enlists the help of her fans to fight for recognition — and becomes the first female surfer honored with a Guinness World Record in big wave surfing.
The story of the films’ release mimics Maya’s own story of heartbreak and comeback. Shortly after the Toronto premiere, the film’s cinematographer and co- producer, Jorge Leal, had a brain stem stroke, leaving him completely paralyzed. The crew and Maya rushed to his side and spent the next 10 months in hospitals and treatment centers, aiding in his recovery. With Jorge well enough to go back home, it was finally time to bring Maya and the Wave into the world.
“We are so excited to have Rashida Jones and Meena Harris come on board the film. We admire them both so much for their commitment to amplifying female voices and are beyond thrilled to have their support. Getting the film here has been a journey, and they feel like the best partners we could ever have.” said Stephanie Johnes, the film’s director.
“As we witness a global backlash against women’s human rights, we need powerhouse women like Rashida and Meena to champion women’s stories more than ever before. All hail these loud and powerful women for bringing their fire and their platforms to support a story that, at its core, is an everywoman’s story of living in a man’s world,” added producer Ali Johnes.
“On and off the screen, Maya and the Wave is a miraculous story of resilience and perseverance. This inspiring portrait of an underestimated woman determined to win also happens to be an epic sports documentary — everyone should see it,” said Meena Harris.
Rashida Jones added, “Maya and the Wave is inspiring, shocking, gorgeous, intimate and triumphant. Maya’s courage, determination and vulnerability will stick with me forever. Hers is the consummate heroine’s journey. I’m so proud to have any small part of sharing this movie with the world.”
Meena Harris is the founder and CEO of the Tony-Award winning company Phenomenal Media. She is a #1 New York Times bestselling children’s book author, and the co-founder and general partner of the VC firm Phenomenal Ventures. Meena is also a lawyer and influential activist for gender and racial equity. She most recently co-produced Dylan Mulvaney’s Edinburgh Fringe sensation, Faghag, and the Tony-Award winning musical Suffs, currently on Broadway.
Rashida Jones is an Emmy-nominated and Grammy award-winning actress, writer, director and producer, best known for her beloved roles on the universally acclaimed, fan favorite sitcoms, Parks and Recreation and The Office. Beyond acting, Jones is a renowned documentary filmmaker, who garnered an Emmy-nomination for her Netflix docuseries, Hot Girls Wanted, and won a Grammy for Best Music Film for Quincy, a film about her father, Quincy Jones. Jones is an outspoken feminist, and advocate for women’s rights and intersectional inclusivity, who often reflects these themes in her illustrious body of work.
