Rss

  • linkedin

Archives for : Susan Kamyab

Movie Review: “Captain Marvel” & “Fighting with My Family”

Just in time for International Women’s Day, Marvel takes us back to the 90s with “Captain Marvel,” the origin story of its first female superhero. And – in a one/two punch, girls rule again in “Fighting with My Family,” based on the true story of WWE wrestler Paige, the youngest winner of the Divas Championship. It’s time to get to the movies, ladies!

Share

Predicting the Winners: 91st Academy Awards

Performance by an actor in a leading role

  • Christian Bale in “Vice”
  • Bradley Cooper in “A Star Is Born”
  • Willem Dafoe in “At Eternity’s Gate”
  • Rami Malek in “Bohemian Rhapsody”
  • Viggo Mortensen in “Green Book”

Will Win: Rami Malek, ” Bohemian Rhapsody”
Could Win: Christian Bale, “Vice”
Want to Win: Bradley Cooper, “A Star is Born”

Performance by an actor in a supporting role

  • Mahershala Ali in “Green Book”
  • Adam Driver in “BlacKkKlansman”
  • Sam Elliott in “A Star Is Born”
  • Richard E. Grant in “Can You Ever Forgive Me?”
  • Sam Rockwell in “Vice”

Will Win: Mahershala Ali, “Green Book”
Could Win: Richard E. Grant, “Can You Ever Forgive Me?”
Want to Win: Adam Driver, “BlacKkKlansman”

Performance by an actress in a leading role

  • Yalitza Aparicio in “Roma”
  • Glenn Close in “The Wife”
  • Olivia Colman in “The Favourite”
  • Lady Gaga in “A Star Is Born”
  • Melissa McCarthy in “Can You Ever Forgive Me?”

Will Win: Glenn Close, “The Wife”
Could Win: Olivia Coleman, “The Favourite”
Want to Win: Lady Gaga, “A Star is Born”

Performance by an actress in a supporting role

  • Amy Adams in “Vice”
  • Marina de Tavira in “Roma”
  • Regina King in “If Beale Street Could Talk”
  • Emma Stone in “The Favourite”
  • Rachel Weisz in “The Favourite”

Will Win: Regina King, “If Beale Street Could Talk”
Could Win: Rachel Weisz, “The Favourite”
Want to Win: Regina King, “If Beale Street Could Talk”

Best animated feature film of the year

  • “Incredibles 2” Brad Bird, John Walker and Nicole Paradis Grindle
  • “Isle of Dogs” Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
  • “Mirai” Mamoru Hosoda and Yuichiro Saito
  • “Ralph Breaks the Internet” Rich Moore, Phil Johnston and Clark Spencer
  • “Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

Will Win: “Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller
Could Win: “Incredibles 2” Brad Bird, John Walker and Nicole Paradis Grindle
Want to Win: “Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

Achievement in cinematography

  • “Cold War” Łukasz Żal
  • “The Favourite” Robbie Ryan
  • “Never Look Away” Caleb Deschanel
  • “Roma” Alfonso Cuarón
  • “A Star Is Born” Matthew Libatique

Will Win: “Roma” Alfonso Cuarón
Could Win: “A Star is Born” Matthew Libatique
Want to Win: “A Star is Born” Matthew Libatique

Achievement in costume design

  • “The Ballad of Buster Scruggs” Mary Zophres
  • “Black Panther” Ruth Carter
  • “The Favourite” Sandy Powell
  • “Mary Poppins Returns” Sandy Powell
  • “Mary Queen of Scots” Alexandra Byrne

Will Win: “The Favourite” Sandy Powell
Could Win: “Black Panther” Ruth Carter
Want to Win: “Black Panther” Ruth Carter

Achievement in directing

  • “BlacKkKlansman” Spike Lee
  • “Cold War” Paweł Pawlikowski
  • “The Favourite” Yorgos Lanthimos
  • “Roma” Alfonso Cuarón
  • “Vice” Adam McKay

Will Win: “Roma” Alfonso Cuarón
Could Win: “BlacKkKlansman” Spike Lee
Want to Win: “BlacKkKlansman” Spike Lee

Best documentary feature

  • “Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
  • “Hale County This Morning, This Evening” RaMell Ross, Joslyn Barnes and Su Kim
  • “Minding the Gap” Bing Liu and Diane Quon
  • “Of Fathers and Sons” Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
  • “RBG” Betsy West and Julie Cohen

Will Win: “Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
Could Win: “RBG” Betsy West and Julie Cohen
Want to Win: “Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill

Best documentary short subject

  • “Black Sheep” Ed Perkins and Jonathan Chinn
  • “End Game” Rob Epstein and Jeffrey Friedman
  • “Lifeboat” Skye Fitzgerald and Bryn Mooser
  • “A Night at The Garden” Marshall Curry
  • “Period. End of Sentence.” Rayka Zehtabchi and Melissa Berton

Will Win: “Lifeboat” Skye Fitzgerald and Bryn Mooser
Could Win: Blind Guess
Want to Win: “Lifeboat” Skye Fitzgerald and Bryn Mooser

Achievement in film editing

  • “BlacKkKlansman” Barry Alexander Brown
  • “Bohemian Rhapsody” John Ottman
  • “The Favourite” Yorgos Mavropsaridis
  • “Green Book” Patrick J. Don Vito
  • “Vice” Hank Corwin

Will Win: “BlacKkKlansman” Barry Alexander Brown
Could Win: “Vice” Hank Corwin
Want to Win: “BlacKkKlansman” Barry Alexander Brown

Best foreign language film of the year

  • “Capernaum” Lebanon
  • “Cold War” Poland
  • “Never Look Away” Germany
  • “Roma” Mexico
  • “Shoplifters” Japan

Will Win: “Roma” Mexico
Could Win: No Contest
Want to Win: “Roma” Mexico

Achievement in makeup and hairstyling

  • “Border” Göran Lundström and Pamela Goldammer
  • “Mary Queen of Scots” Jenny Shircore, Marc Pilcher and Jessica Brooks
  • “Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney

Will Win: “Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney
Could Win: “Mary Queen of Scots” Jenny Shircore, Marc Pilcher and Jessica Brooks
Want to Win: “Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney

Achievement in music written for motion pictures (Original score)

  • “Black Panther” Ludwig Goransson
  • “BlacKkKlansman” Terence Blanchard
  • “If Beale Street Could Talk” Nicholas Britell
  • “Isle of Dogs” Alexandre Desplat
  • “Mary Poppins Returns” Marc Shaiman

Will Win: “If Beale Street Could Talk” Nicholas Britell
Could Win: “Black Panther” Ludwig Goransson
Want to Win: “If Beale Street Could Talk” Nicholas Britell

Achievement in music written for motion pictures (Original song)

  • “All The Stars” from “Black Panther”
    Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe
  • “I’ll Fight” from “RBG”
    Music and Lyric by Diane Warren
  • “The Place Where Lost Things Go” from “Mary Poppins Returns”
    Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman
  • “Shallow” from “A Star Is Born”
    Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
  • “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”
    Music and Lyric by David Rawlings and Gillian Welch

Will Win: “Shallow” from “A Star Is Born”
Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
Could Win: “All The Stars” from “Black Panther”
Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe
Want to Win: “Shallow” from “A Star Is Born”
Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

Best motion picture of the year

  • “Black Panther” Kevin Feige, Producer
  • “BlacKkKlansman” Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers
  • “Bohemian Rhapsody” Graham King, Producer
  • “The Favourite” Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers
  • “Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers
  • “Roma” Gabriela Rodríguez and Alfonso Cuarón, Producers
  • “A Star Is Born” Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers
  • “Vice” Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers

Will Win: “Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers
Could Win: “Roma” Gabriela Rodríguez and Alfonso Cuarón, Producers
Want to Win: “Green Book”, “Black Panther”, “BlacKkKlansman”, “A Star is Born”, or “Vice”

Achievement in production design

  • “Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart
  • “The Favourite” Production Design: Fiona Crombie; Set Decoration: Alice Felton
  • “First Man” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
  • “Mary Poppins Returns” Production Design: John Myhre; Set Decoration: Gordon Sim
  • “Roma” Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

Will Win: “Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart
Could Win: “The Favourite” Production Design: Fiona Crombie; Set Decoration: Alice Felton
Want to Win: “Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart

Best animated short film

  • “Animal Behaviour” Alison Snowden and David Fine
  • “Bao” Domee Shi and Becky Neiman-Cobb
  • “Late Afternoon” Louise Bagnall and Nuria González Blanco
  • “One Small Step” Andrew Chesworth and Bobby Pontillas
  • “Weekends” Trevor Jimenez

Will Win: “Bao” Domee Shi and Becky Neiman-Cobb
Could Win: “Weekends” Trevor Jimenez
Want to Win: “Bao” Domee Shi and Becky Neiman-Cobb

Best live action short film

  • “Detainment” Vincent Lambe and Darren Mahon
  • “Fauve” Jeremy Comte and Maria Gracia Turgeon
  • “Marguerite” Marianne Farley and Marie-Hélène Panisset
  • “Mother” Rodrigo Sorogoyen and María del Puy Alvarado
  • “Skin” Guy Nattiv and Jaime Ray Newman

Will Win: “Marguerite” Marianne Farley and Marie-Hélène Panisset
Could Win: “Skin” Guy Nattiv and Jaime Ray Newman
Want to Win: “Marguerite” Marianne Farley and Marie-Hélène Panisset

Achievement in sound editing

  • “Black Panther” Benjamin A. Burtt and Steve Boeddeker
  • “Bohemian Rhapsody” John Warhurst and Nina Hartstone
  • “First Man” Ai-Ling Lee and Mildred Iatrou Morgan
  • “A Quiet Place” Ethan Van der Ryn and Erik Aadahl
  • “Roma” Sergio Díaz and Skip Lievsay

Will Win: “First Man” Ai-Ling Lee and Mildred Iatrou Morgan
Could Win: “Bohemian Rhapsody” John Warhurst and Nina Hartstone
Want to Win: “A Quiet Place” Ethan Van der Ryn and Erik Aadahl

Achievement in sound mixing

  • “Black Panther” Steve Boeddeker, Brandon Proctor and Peter Devlin
  • “Bohemian Rhapsody” Paul Massey, Tim Cavagin and John Casali
  • “First Man” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
  • “Roma” Skip Lievsay, Craig Henighan and José Antonio García
  • “A Star Is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

Will Win: “A Star is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow
Could Win: “First Man” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
Want to Win: “A Star is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

Achievement in visual effects

  • “Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
  • “Christopher Robin” Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
  • “First Man” Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm
  • “Ready Player One” Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
  • “Solo: A Star Wars Story” Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

Will Win: “Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
Could Win: “Ready Player One” Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
Want to Win: “Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick

Adapted screenplay

  • “The Ballad of Buster Scruggs” Written by Joel Coen & Ethan Coen
  • “BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
  • “Can You Ever Forgive Me?” Screenplay by Nicole Holofcener and Jeff Whitty
  • “If Beale Street Could Talk” Written for the screen by Barry Jenkins
  • “A Star Is Born” Screenplay by Eric Roth and Bradley Cooper & Will Fetters

Will Win: “BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
Could Win: “If Beale Street Could Talk” Written for the screen by Barry Jenkins
Want to Win: “BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee

Original screenplay

  • “The Favourite” Written by Deborah Davis and Tony McNamara
  • “First Reformed” Written by Paul Schrader
  • “Green Book” Written by Nick Vallelonga, Brian Currie, Peter Farrelly
  • “Roma” Written by Alfonso Cuarón
  • “Vice” Written by Adam McKay

Will Win: “The Favourite” Written by Deborah Davis and Tony McNamara
Could Win: “Roma” Written by Alfonso Cuarón
Want to Win: “Green Book” or “First Reformed”

The 91st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2018 and will take place at the Dolby Theatre in Hollywood on February 24, 2019.

Nominations for the 91th Academy Awards

Performance by an actor in a leading role

  • Christian Bale in “Vice”
  • Bradley Cooper in “A Star Is Born”
  • Willem Dafoe in “At Eternity’s Gate”
  • Rami Malek in “Bohemian Rhapsody”
  • Viggo Mortensen in “Green Book”

Performance by an actor in a supporting role

  • Mahershala Ali in “Green Book”
  • Adam Driver in “BlacKkKlansman”
  • Sam Elliott in “A Star Is Born”
  • Richard E. Grant in “Can You Ever Forgive Me?”
  • Sam Rockwell in “Vice”

Performance by an actress in a leading role

  • Yalitza Aparicio in “Roma”
  • Glenn Close in “The Wife”
  • Olivia Colman in “The Favourite”
  • Lady Gaga in “A Star Is Born”
  • Melissa McCarthy in “Can You Ever Forgive Me?”

Performance by an actress in a supporting role

  • Amy Adams in “Vice”
  • Marina de Tavira in “Roma”
  • Regina King in “If Beale Street Could Talk”
  • Emma Stone in “The Favourite”
  • Rachel Weisz in “The Favourite”

Best animated feature film of the year

  • “Incredibles 2” Brad Bird, John Walker and Nicole Paradis Grindle
  • “Isle of Dogs” Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
  • “Mirai” Mamoru Hosoda and Yuichiro Saito
  • “Ralph Breaks the Internet” Rich Moore, Phil Johnston and Clark Spencer
  • “Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

Achievement in cinematography

  • “Cold War” Łukasz Żal
  • “The Favourite” Robbie Ryan
  • “Never Look Away” Caleb Deschanel
  • “Roma” Alfonso Cuarón
  • “A Star Is Born” Matthew Libatique

Achievement in costume design

  • “The Ballad of Buster Scruggs” Mary Zophres
  • “Black Panther” Ruth Carter
  • “The Favourite” Sandy Powell
  • “Mary Poppins Returns” Sandy Powell
  • “Mary Queen of Scots” Alexandra Byrne

Achievement in directing

  • “BlacKkKlansman” Spike Lee
  • “Cold War” Paweł Pawlikowski
  • “The Favourite” Yorgos Lanthimos
  • “Roma” Alfonso Cuarón
  • “Vice” Adam McKay

Best documentary feature

  • “Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
  • “Hale County This Morning, This Evening” RaMell Ross, Joslyn Barnes and Su Kim
  • “Minding the Gap” Bing Liu and Diane Quon
  • “Of Fathers and Sons” Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
  • “RBG” Betsy West and Julie Cohen

Best documentary short subject

  • “Black Sheep” Ed Perkins and Jonathan Chinn
  • “End Game” Rob Epstein and Jeffrey Friedman
  • “Lifeboat” Skye Fitzgerald and Bryn Mooser
  • “A Night at The Garden” Marshall Curry
  • “Period. End of Sentence.” Rayka Zehtabchi and Melissa Berton

Achievement in film editing

  • “BlacKkKlansman” Barry Alexander Brown
  • “Bohemian Rhapsody” John Ottman
  • “The Favourite” Yorgos Mavropsaridis
  • “Green Book” Patrick J. Don Vito
  • “Vice” Hank Corwin

Best foreign language film of the year

  • “Capernaum” Lebanon
  • “Cold War” Poland
  • “Never Look Away” Germany
  • “Roma” Mexico
  • “Shoplifters” Japan

Achievement in makeup and hairstyling

  • “Border” Göran Lundström and Pamela Goldammer
  • “Mary Queen of Scots” Jenny Shircore, Marc Pilcher and Jessica Brooks
  • “Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney

Achievement in music written for motion pictures (Original score)

  • “Black Panther” Ludwig Goransson
  • “BlacKkKlansman” Terence Blanchard
  • “If Beale Street Could Talk” Nicholas Britell
  • “Isle of Dogs” Alexandre Desplat
  • “Mary Poppins Returns” Marc Shaiman

Achievement in music written for motion pictures (Original song)

  • “All The Stars” from “Black Panther”
    Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe
  • “I’ll Fight” from “RBG”
    Music and Lyric by Diane Warren
  • “The Place Where Lost Things Go” from “Mary Poppins Returns”
    Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman
  • “Shallow” from “A Star Is Born”
    Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
  • “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”
    Music and Lyric by David Rawlings and Gillian Welch

Best motion picture of the year

  • “Black Panther” Kevin Feige, Producer
  • “BlacKkKlansman” Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers
  • “Bohemian Rhapsody” Graham King, Producer
  • “The Favourite” Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers
  • “Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers
  • “Roma” Gabriela Rodríguez and Alfonso Cuarón, Producers
  • “A Star Is Born” Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers
  • “Vice” Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers

Achievement in production design

  • “Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart
  • “The Favourite” Production Design: Fiona Crombie; Set Decoration: Alice Felton
  • “First Man” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
  • “Mary Poppins Returns” Production Design: John Myhre; Set Decoration: Gordon Sim
  • “Roma” Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

Best animated short film

  • “Animal Behaviour” Alison Snowden and David Fine
  • “Bao” Domee Shi and Becky Neiman-Cobb
  • “Late Afternoon” Louise Bagnall and Nuria González Blanco
  • “One Small Step” Andrew Chesworth and Bobby Pontillas
  • “Weekends” Trevor Jimenez

Best live action short film

  • “Detainment” Vincent Lambe and Darren Mahon
  • “Fauve” Jeremy Comte and Maria Gracia Turgeon
  • “Marguerite” Marianne Farley and Marie-Hélène Panisset
  • “Mother” Rodrigo Sorogoyen and María del Puy Alvarado
  • “Skin” Guy Nattiv and Jaime Ray Newman

Achievement in sound editing

  • “Black Panther” Benjamin A. Burtt and Steve Boeddeker
  • “Bohemian Rhapsody” John Warhurst and Nina Hartstone
  • “First Man” Ai-Ling Lee and Mildred Iatrou Morgan
  • “A Quiet Place” Ethan Van der Ryn and Erik Aadahl
  • “Roma” Sergio Díaz and Skip Lievsay

Achievement in sound mixing

  • “Black Panther” Steve Boeddeker, Brandon Proctor and Peter Devlin
  • “Bohemian Rhapsody” Paul Massey, Tim Cavagin and John Casali
  • “First Man” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
  • “Roma” Skip Lievsay, Craig Henighan and José Antonio García
  • “A Star Is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

Achievement in visual effects

  • “Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
  • “Christopher Robin” Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
  • “First Man” Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm
  • “Ready Player One” Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
  • “Solo: A Star Wars Story” Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

Adapted screenplay

  • “The Ballad of Buster Scruggs” Written by Joel Coen & Ethan Coen
  • “BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
  • “Can You Ever Forgive Me?” Screenplay by Nicole Holofcener and Jeff Whitty
  • “If Beale Street Could Talk” Written for the screen by Barry Jenkins
  • “A Star Is Born” Screenplay by Eric Roth and Bradley Cooper & Will Fetters

Original screenplay

  • “The Favourite” Written by Deborah Davis and Tony McNamara
  • “First Reformed” Written by Paul Schrader
  • “Green Book” Written by Nick Vallelonga, Brian Currie, Peter Farrelly
  • “Roma” Written by Alfonso Cuarón
  • “Vice” Written by Adam McKay

The 91st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2018 and will take place at the Dolby Theatre in Hollywood on February 24, 2019.

Movie Review: “Glass” Might Not Have Been Worth the Wait

Before you read this review in disappointment, know that there are some moments of glimmer in Glass.

The end of Split (2016) left everyone in awe after realizing it was actually a long awaited sequel to M. Night Shyamalan’s Unbreakable (2000). This left us anxious to see the final chapter and how Kevin (James McAvoy), David (Bruce Willis), and Mr. Glass (Samuel L. Jackson) all tie together!

Glass takes place weeks after the events in Split. Kevin Crumb, a multiple-personality case nicknamed The Horde, remains on the loose with 20-something individuals living inside him. Among them: The Beast, a superhuman with an occasional taste for human flesh. He is continuing to kidnap teenage girls (this time cheerleaders), and introducing them to each persona before unleashing The Beast on them.

But he is now targeted by Unbreakable’s David Dunn. After being the sole survivor of a horrific train crash, David discovered he was indestructible and capable of absorbing memories of other people’s misdeeds at a touch. He’s a masked vigilante, who wears a hooded jacket and nicknamed The Overseer.

When David and Kevin come head to head, they are apprehended and sent to a mental hospital for the criminally insane. It’s there that we discover Elijah Price, aka Mr. Glass, is being held at there as well. All three have been brought here to be treated by Dr. Staple (Sarah Paulson), who wants to cure them of their delusions of having superpowers. Meanwhile David’s son Joseph (Spencer Treat Clark), Casey Cooke (Anya Talyor-Joy), the Horde captive who got away, and Elijah’s mother (Charlayne Woodard) are trying to help their respective others. They each try to vouch for their loved ones.

Keep in mind Glass is 2 hours and 9 minutes long. A lot of that time will feel very dragged and wasted.  Sadly, the major downfall here is the weak script. Hyping this film as a project in the making for 19 years comes with high hopes. Unfortunately, it seems evident that Shyamalan had great idea with an interesting beginning, but might have lost his way towards the end.

There are some silver-linings, like the fact that James McAvoy is just incredible with his ability to abruptly change personalities and deliver such a captivating performance. Of the few that were given, there is also a solid twist in the film (The other twists are a bit of head scratchers).

Glass is hardly a film to write home about, and I can’t say it’s worth paying full price for in a theater. However, it is worth watching, if nothing more than to see the conclusion of this “interesting” trilogy.

Rating: 2.5

Glass opens in theaters January 18.

Top 10 Best Films of 2018

Image result for searching movie 2018

10. Searching

I admit, the trailer makes this film seem like a well produced Lifetime movie. But if you actually watched it, you’ll uncover a surprisingly great mystery, thriller! The beginning is essentially a live-action adaptation of the first 5 minutes of Up. The story is told through a computer screen bouncing around different platforms, from Facebook to FaceTime. Emotions are conveyed from all kinds of computer movements, even a conflicted mouse cursor.  Searching is so brilliantly executed and is furthered by its well-rounded cast.

Related image

9. Crazy Rich Asians

Who knew that when Warner Bros acquired Crazy Rich Asians they were producing one of the most talked about films of the year! I’ve said it before and I’ll say it again, the romantic comedies are sadly dying. Rarely are any seeing the light of the big screen, but films like last year’s The Big Sick and Crazy Rich Asians are reviving the genre. And, thank God for it. Something as simple as taking a formula we’ve already seen, but through the eyes of a different culture makes the story fresh. And it doesn’t hurt that we’re getting to see elaborate, colorful parties and the most beautiful wedding scene. Crazy Rich Asians is both visually and emotionally captivating.‬

Related image

8. Beautiful Boy

Steve Carell and Timothee Chalamet excellently play real life father/son, David and Nic Sheff. Their relationship starts off as an admirable one. They are close and truly care for each other. Which is why it is so hard to watch Nic’s addiction to crystal meth. Never have I seen and felt the pain parents must feel when all they want and try to do is help their child in need. But ultimately, they are enabling their problem. It’s gut-wrenching when you have to come to terms with the fact that you can’t help someone who doesn’t want to help themselves. Carell does a fine job, but it’s Chalamet who gives his best performance yet.  Quite possibly an Oscar worthy one?

Related image

7. Tully

Tully has stayed with me ever since I watched it back in May. It wasn’t what I expected at all and you have to power through a very uncomfortable scene. But once you get to the end, it will all be worth it. Charlize Theron plays a mother of 3 who hires a night nanny (MacKenzie Davis). In case you don’t know what that is; it’s a baby sister that comes to your house in the middle of the night and allows you to sleep while she watches your baby until the morning. I’d prefer to not reveal anymore about the film, but just know it’s a good one. Tully will leave you appreciating all the efforts moms go through everyday, and understanding why any bit of help can go a long way.

Related image

6. BlacKkKlansman

So, I did not know this actually happened! Ron Stallworth (played by John David Washington) was an African American police officer, who successfully managed to infiltrate a local Ku Klux Klan branch with the help of a Jewish surrogate (Adam Driver) who eventually became the group’s leader. It’s an incredible and mind blowing story that is unfortunately relevant to today. Just wait for that ending. Though the film tackles a serious subject, they sprinkle a lot of laughs along the way. Not only is BlacKkKlansman a good movie, it truly is a film EVERYONE should see.

Related image

5. Avengers: Infinity War

Back in 2012 when the first Avengers film came out, I was blown away by the merging of all these superheroes in one movie. It was the greatest thing ever, because Marvel knew how to develop characters and make us care about each of the superheroes on screen; while also hooking us into an entertaining story-line. Since then, they have continued to keep us enthralled with stand alone Avenger films and sequels. Finally leading up to what we’ve all been waiting for, the show down with Thanos! With even more characters to follow, Marvel handled Infinity War perfectly. Giving our heroes and villains the right balance of screen time, and also providing audiences with an original premise. Our villain doesn’t want to destroy the world, he actually wants to save it. Unfortunately, his plan requires wiping out half of everyone on earth. Infinity War is filled with emotion, thrilling action, and a haunting cliff-hanger.

Image result for love simon

4. Love, Simon

Remember that talk about reviving romantic comedies?  Well, Love, Simon is also another great example of just that. It’s a fun and surprisingly deep film that sets a new standard for the teen romantic comedy genre, while also breaking new ground in its portrayal of coming out. A film like this one is long overdue, but better late than never.   The movie is elevated by its strong cast and beautifully written script. From High School crushes to fears of being your true self,  Love, Simon is relatable on so many levels. And prepare for an inspiring monologue by Jennifer Garner that will move you to tears.

Image result for green book

3. Green Book

This true story will warm everyone’s heart! I cried at the end because I was so happy over what I had just seen. Green Book follows an Italian-American bouncer (Viggo Mortensen) whose been hired to chauffeur and protect and African-American classical pianist (Mahershala Ali) on a tour through the deep South in the 1960s. Mortensen’s performance is my favorite of the year. He and Ali are a dynamic duo, sharing wonderful on-screen chemistry. Though this is a film about it’s characters, there is still an engaging story about a beautiful friendship.

Related image

2. Black Panther

Seeing Black Panther for the first time this past February was a true cinematic experience. When we first met Chadwick Boseman’s character, T’Challa, in the Civil War, he was seeking revenge for his father’s death. In Black Panther, T’Challa returns as the new king of the secretive and technologically advanced African nation of Wakanda.  But the mysterious Erik Killmonger (superbly played by Michael B. Jordan),threatens Wakanda when he challenges T’Challa’s title as King. Black Panther remains intriguing from start to finish with its heart-pounding action sequences and its socially relevant, complex narrative. It explores issues of power and privilege, as Wakanda is torn about whether or not they should share its technological advances and risk having it fall into the wrong hands.

Image result for a quiet place

1. A Quiet Place

I rarely ever call movies “perfect”. But this is a perfect film in the sense that I wouldn’t change a thing about it. John Krasniski’s passion project, in which he directed, wrote and starred in, is about a family’s fight for survival from alien-like monsters with a keen sense of hearing. Such a simple premise is crafted into an original, genuinely horrifying thriller. The film forces audiences to BE SILENT, as this is an excruciatingly quiet movie. It will essentially have you holding your breath until the very end. You are left thinking about A Quiet Place long after the film is over.

The Rest of the Films that Deserve Recognition:

11. A Star is Born
12. Instant Family
13. Boy Erased
14. Spider-Man: Into the Spider-Verse
15. The Oath
16. Isle of Dogs
17. Eighth Grade
18. Deadpool 2
19. Aquaman
20. Creed 2

Top 5 Worst Films of 2018

5. The Nun- So much potential, but falls so flat.

4. Jurassic World: Fallen Kingdom- How dare you put us through this movie and the death of that Brachiosaurus!

3. Pacific Rim: Uprising- I had forgotten I watched this movie.  It’s too bad I couldn’t keep it that way.

2. Venom- Turns out to be a comedy with no laughs.

1. The 15:17 to Paris- WTF happened here!?

Trevor’s Top 10

Honorable Mention: Creed 2
10. Beautiful Boy
9. Sicario: Day of the Dead
8. BlacKkKlansman
7. Spider-Man Into the Spider-Verse
6. Avengers: Infinity War
5. A Quiet Place
4. Tully
3. Boy Erased
2. Black Panther
1. Green Book

Interview: Director Sean Anders talks “Instant Family”

Sean Anders’ new film “Instant Family” will be opening this weekend and he is making the rounds to promote it.  The film is based on his on experience of adopting 3 kids.  Check out my interview Anders as we discuss when it’s the right time to have kids, the best part of being a parent and more!

“Instant Family” opens in theaters November 16.

Share

Movie Review: “Wildlife” is a Frustrating Slow Burn

Sometimes there’s only so much a strong cast can do to make up for a story that drags. Wildlife creates some smoke but hardly ignites any flames.

Wildlife is based on the Richard Ford novel and directed by actor Paul Dano. Set in 1960s’ Montana, a young boy, Joe Brinson (Ed Oxenbould), quietly observes the gradual dissolution of his parent’s marriage. His father, Jerry (Jake Gyllenhaal), is an uncompromising and principled man of meager means, but Joe has strong admiration for his dad. His mother, Jeanette (Carey Mulligan), is more practical and driven. She is a conventional stay at home wife and mother. When Jerry loses his job and sees no other option than to sign up to fight wild fires, the dangerous undertaking separates him from his family for weeks at a time. Jeanette stays home and cuts as many corners as possible until she feels she has no other choice but to embark on an affair with her boss (Bill Camp).

I’m not going to lie, I think I made this film sound more interesting than it was from that previous paragraph. With the exception of the very beginning and the very end, the rest of the film is a whole lot of nothing. So much so that it’s hard to stay interested. Once Gyllenhaal’s character leaves his family, we are stuck in a story that feels like it will never end.

Though Mulligan’s performance in Wildlife is fantastic, her character is insufferable. There are times when you truly feel for her as a lonely mother trying to provide for her child, but it’s tough to stand by her during her affair and what she allows her son to witness. Oxenbould does a fine job as the naive, yet wide-eyed son and Gyllenhaal might have stood out more, if he was actually in the film for longer than 10 minutes. However, he creates a spark toward the end of the movie that might give audiences the jolt they need to get back into this narrative.

Though it may not seem like this, I don’t think that Wildlife is a “bad movie”.  It’s not.  It’s just not anything special.  The story-line feels deflated and it is extremely dragged out.  All the performances are solid, but that’s not enough to bring life into this film.

Rating: 2.5/5

Wildlife is in theaters now.

Share

 

Interview: Rupert Everett talks “The Happy Prince”

Image result for the happy prince movie

Rupert Everett has/had roles in a number of acclaimed television series, he is a busy voice actor and an occasional collaborator with Madonna, and he is the voice of Prince Charming in the Shrek films.  And now we got a chance to sit down with Rupert to discuss his latest project, a classic Shakespearian tragedy, the story of the end of Oscar Wilde, “The Happy Prince”.  Check out the interview below!

“The Happy Prince” is in theaters now!

Share

Interview: Ike Barinholtz talks “The Oath”

Ike Barinholtz, one of the Mad Minds from MAD TV, has a remarkable resume. He has credits for every creative role in television production and he has worked as a voice actor, a romantic interest, comic relief, and as a strong action character (Suicide Squad, anyone?). Currently he is making the rounds to promote his latest project: “The Oath”, a dark political comedy. (He is the producer, writer, director, and lead character.)  I sat down with Barinholtz and we discussed the sensitive topic of politics, we play a rapid fire question game, and there might be an Obama & Trump impression in there.

“The Oath” hits theaters October 12.

Share

Fantastic Fest Reviews: “Halloween”, “An Evening with Beverly Luff Linn” & “Cam”

Halloween (2018)

The opening night film at Fantastic Fest was none other than the highly anticipated sequel, Halloween (2018). Jamie Lee Curtis returns to her iconic role as Laurie Strode to come face-to-face with masked serial killer, Michael Myers, who has haunted her since the traumatic night four decades ago.

The film is inspired by John Carpenter’s classic. But filmmakers David Gordon Green and Danny McBride decided to ignore all the other sequels that followed the original Halloween from 1978, and create a story that changes Laurie’s past. In other words, 40 years later Laurie is a bad ass. Michael Myers is not her brother. And, she’s prepared to take on whatever he throws her way.

Laurie Strode is one hell of a grandma in Halloween (2018). Though her daughter (Judy Greer) still resents her for making her grow up as a survivalist since childhood, her granddaughter, Allyson, (Andi Matichak) adores her. This creates tension anytime the family is all together. It isn’t until Halloween night that Michael Myers returns to wreak havoc, and finally finish the job he started 40 years ago. Only this time he’s up against 3 generations of Strode women.

Halloween (2018) far from a stand out horror flick. We’re basically seeing the same formula just different ways of murder. However, this film is a lot of fun! McBride’s writing shines throughout the film, and it’s the comic relief that provides any sort of originality. But don’t get me wrong, I love this formula and it’s great to see Curtis back in action in a role she handles so naturally. The movie entertains the whole time through and will leave you satisfied.

Rating: 3.5/5

 

An Evening with Beverly Luff Linn

Surprisingly enough, the people that brought us The Greasy Strangler, which I hated; has now made An Evening with Beverly Luff Linn, which I really liked a lot. Jim Hosking is back with a second feature that maintain his same style and his same personal dialect. Only this time, he let go of the nauseating grease murderers and swapped it out for characters we could actually care for.

Aubrey Plaza (Parks and Recreation) stars a Lulu Danger, a recently unemployed woman who is unsatisfied with her marriage to sleazy Shane Danger (Emile Hirsch) and life all together. In an attempt to fix the couples financial troubles, Shane steals from his brother-in-law. Which then makes him the target of the world’s worst hitman (Jermaine Clement). But Lulu sees this as an opportunity, she runs off with the hitman in hopes that he can help her track down her old flame, Beverly Luff Linn (Craig Robinson).

This offbeat comedy takes a minute to warm up to. You might not be sure of the flow it’s taking. But once it gets going, it’s actually quite delightful. The all-star cast does a fantastic job, and this might be my favorite performance by Aubrey Plaza. There’s a very unique and corky chemistry between Plaza and Clement that’s almost endearing.

An Evening with Beverly Luff Linn is the light-hearted deadpan comic relief that I was craving during a marathon of graphic horrors at Fantastic Fest.

Rating: 4/5

 

Cam

After letting Cam marinate for a bit, it quickly became one of my favorite films of the fest. Daniel Goldhaber’s feature debut is smart, sexy, and disturbing.

The film stars Madeline Brewer (Orange is the New Black and The Handmaid’s Tale) as Alice, a young web cam girl who is on the rise to breaking top 50 rank on a pornographic site.  Alice lives a normal life by day, but at night she is “Lola” and constantly comes up with wild narratives to spice up her online shows. She is anxious to reach the top and beat out the other cam girls in the network. However, she never breaks her 3 rules: No public shows, no fake orgasms, and never telling “her guys” that she loves them.

Just when Alice is moving up in her ranking, she has an unwelcoming surprise when she sees a girl who looks just like her live on her web cam profile. Frantic and paranoid, Alice is on a mission to find out who has taken her identity and stolen her top rank.

Even though 60 percent of Cam consists of a bunch of web cam girls performing erotic acts, the film is incredibly magnetizing. It’s as if you’re in a trance the minute the film begins and you can’t stop watching. The neon lighting, the shocking sequences, and the captivating performance by Brewer is enough to suck you in.

Cam is the movie you didn’t know you wanted to see. It’s a tantalizing thrill-ride with a bone-crushing end that will leave you wanting more.

Rating: 4.5/5