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Archives for : Susan Kamyab

Movie Review: “The Mummy” is a Mediocre Summer Blockbuster

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Just a heads up, this is NOT a reboot of the “The Mummy”(1999) film starring Brendan Fraser. Universal Pictures has relaunched classic monster movie characters as part of the Dark Universe franchise, beginning with “The Mummy” (2017).

Tom Cruise plays Nick Morton, a US soldier in Iraq who in his free time steals priceless antiquities with his reluctant partner in crime, Chris Vail (Jake Johnson).

During one of their “hunts for gold”, the two men and archaeologist Jenny Halsey (Annabelle Wallis) stumble upon the remains of Princess Ahmanet (Sofia Boutella), who was entombed for eternity after her treacherous acts of evil five thousand years ago. By uncovering her remains they have also awakened her spirit, allowing Ahmanet to finally finish out her plan to rule the world.

Okay, so the plot is pretty thin and hardly original, but the movie does have it’s entertaining moments thanks to Cruise and Johnson’s comic relief and the constant action-packed sequences.

The film also eases us into another Dark Universe character, Dr. Henry Jekyll, adequately played by Russell Crowe. Though his character was there to study Ahmanet, and be another obstacle for Nick and his quest to escape the supernatural madness, somehow Dr. Jekyll felt forced in this story. However, the possibility for an interesting Dr. Jekyll is there and I’m looking forward to seeing Crowe as the lead in a Jekyll and Hyde origin film.

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“The Mummy” as a whole isn’t much to brag about. The entire cast does a decent job, and the story is very basic. What we currently have here is an average, but fun fantasy adventure that has gotten the ball rolling on what is suppose to compete against Marvel and DC movies. Luckily, “The Mummy” has set the bar real low for the future Dark Universe films.

This film will probably get a lot of negative reaction as it brings nothing fresh beyond some jokes and cool CGI. Yet, I can’t help but see potential in what’s to come. Once the franchise finds its footing and brings this world together in a more natural way, it could be something special? Or maybe I’m just being optimistic, who knows!

In a summer filled with anticipated blockbusters it’s hard to say that “The Mummy” will rise above movies like “Guardians of the Galaxy Vol. 2” or “Wonder Woman”. However, if you’ve already seen those two films and you’re looking for a quick thrill to satisfy you in theaters till “Spider-man: Homecoming” comes out, then “The Mummy” is worth a few bucks.

Rating: 3/5

“The Mummy” opens in theaters June 9.

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Movie Review: “The Fate of the Furious” Surprisingly Entertains

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For many of you, it’s no surprise that the 8th installment of the Fast and Furious franchise is actually a fun watch. However, since I haven’t enjoyed these films since the first one, “Fate of the Furious” was oddly refreshing.

In comparison to “Furious 7”, this sequel has a more focused plot, better humor, and more jaw-dropping special effects.

“The Fate of the Furious” reunites the films’ core crew of Vin Diesel, Michelle Rodriguez, Chris “Ludacris” Bridges, Tyrese Gibson, and later additions Dwayne Johnson and Jason Statham. And even though Paul Walker is no longer with us, he is still recognized and even honored in this movie.

Without giving too much away, “The Fate of the Furious” continues with the theme of the family. This time with an expansion of family. This is very clear after the first sequence in which Dom (Diesel) beats a random guy in a car race and a street full of kids begin to surround them and cheer him on. In the midst of the praises, Letty (Rodriguez) notices a couple with a baby and then turns to Dom, asking him if he’s thought about having kids. Next, is a scene with Hobbs (Johnson) and his daughter, and so on…We see what the film is trying to relay here.

One day while Dom is walking on his way home, he runs into cyber-terrorist Cipher (Charlize Theron) who blackmails him into her latest mission, forcing him to turn on his crew. His team and the entire audience is bewildered by his betrayal, which leads to one ridiculous car crash after another as they hunt down Dom from places like New York to Berlin.

Like every Fast and Furious film there are flaws. As predicted, there are numerous unrealistic car chases. It’s mind-boggling how everyone can just jump out of an insanely fast car with no more than a scratch. And of course, there’s also the painfully cheesy one-liners which have lessened this time around, more so due to the fact that Vin Diesel has been given less dialogue.  Wise choice on the screenwriter’s part since Diesel is the weakest actor of the bunch and shines much more when he’s just looking tough or angry, or basically not speaking at all.

On the other hand, Diesel’s costar’s Dwayne Johnson and Jason Statham are much better performers and steal the show with their love/hate banter. And as silly as Theron’s hair may look, it doesn’t take away from her role as a truly heartless and conniving villain.

So, yes, as expected there is plenty to laugh and roll your eyes at in this film. But there is also a lot to be in awe of, mainly the incredibly entertaining action sequences and the few twists and turns that go along with it.

“The Fate of the Furious” has its speed bumps, but stays on a fun track.

Rating: 3/5

“The Fate of the Furious” opens in theaters April 14.

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Interview: Dax Shepard and Michael Pena talk “CHIPS”

I got a chance to sit down with Dax Shepard and Michael Pena for their new film, “CHIPS”.  And trust me when I say, this is the first laugh out loud comedy of the year! The stars discussed the best way to comfort a bro, what their weakness is when it comes to the opposite sex, and more!  Check out the fun interview below!

“CHIPS” hits theaters March 24.

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Interview: Power Rangers Cast Discuss New Film

I sat down with the stars (Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G., Ludi Lin) of the new Power Rangers movie to discuss their characters and what movie or show made them anticipate high school!

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Predicting the Winners: 89th Academy Awards

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Performance by an actor in a leading role

  • Casey Affleck in “Manchester by the Sea”
  • Andrew Garfield in “Hacksaw Ridge”
  • Ryan Gosling in “La La Land”
  • Viggo Mortensen in “Captain Fantastic”
  • Denzel Washington in “Fences”

Will Win: Casey Affleck
Could Win: Denzel Washington
Want to Win: Casey Affleck

Performance by an actor in a supporting role

  • Mahershala Ali in “Moonlight”
  • Jeff Bridges in “Hell or High Water”
  • Lucas Hedges in “Manchester by the Sea”
  • Dev Patel in “Lion”
  • Michael Shannon in “Nocturnal Animals”

Will Win: Mahershala Ali
Could Win: Dev Patel
Want to Win: Mahershala Ali, Dev Patel, or Michael Shannon

Performance by an actress in a leading role

  • Isabelle Huppert in “Elle”
  • Ruth Negga in “Loving”
  • Natalie Portman in “Jackie”
  • Emma Stone in “La La Land”
  • Meryl Streep in “Florence Foster Jenkins”

Will Win: Emma Stone
Could Win: Natalie Portman
Want to Win: Natalie Portman or Emma Stone

Performance by an actress in a supporting role

  • Viola Davis in “Fences”
  • Naomie Harris in “Moonlight”
  • Nicole Kidman in “Lion”
  • Octavia Spencer in “Hidden Figures”
  • Michelle Williams in “Manchester by the Sea”

Will Win: Viola Davis
Could Win: No Contest
Want to Win: Viola Davis

Best animated feature film of the year

  • “Kubo and the Two Strings” Travis Knight and Arianne Sutner
  • “Moana” John Musker, Ron Clements and Osnat Shurer
  • “My Life as a Zucchini” Claude Barras and Max Karli
  • “The Red Turtle” Michael Dudok de Wit and Toshio Suzuki
  • “Zootopia” Byron Howard, Rich Moore and Clark Spencer

Will Win: Zootopia
Could Win: Moana
Want to Win: Zootopia

Achievement in cinematography

  • “Arrival” Bradford Young
  • “La La Land” Linus Sandgren
  • “Lion” Greig Fraser
  • “Moonlight” James Laxton
  • “Silence” Rodrigo Prieto

Will Win: La La Land
Could Win: Arrival
Want to Win: La La Lan

Achievement in costume design

  • “Allied” Joanna Johnston
  • “Fantastic Beasts and Where to Find Them” Colleen Atwood
  • “Florence Foster Jenkins” Consolata Boyle
  • “Jackie” Madeline Fontaine
  • “La La Land” Mary Zophres

Will Win: Jackie
Could Win: Fantastic Beasts and Where to Find Them
Want to Win: Jackie

Achievement in directing

  • “Arrival” Denis Villeneuve
  • “Hacksaw Ridge” Mel Gibson
  • “La La Land” Damien Chazelle
  • “Manchester by the Sea” Kenneth Lonergan
  • “Moonlight” Barry Jenkins

Will Win: La La Land
Could Win: Moonlight
Want to Win: Manchester by the Sea

Best documentary feature

  • “Fire at Sea” Gianfranco Rosi and Donatella Palermo
  • “I Am Not Your Negro” Raoul Peck, Rémi Grellety and Hébert Peck
  • “Life, Animated” Roger Ross Williams and Julie Goldman
  • “O.J.: Made in America” Ezra Edelman and Caroline Waterlow
  • “13th” Ava DuVernay, Spencer Averick and Howard Barish

Will Win: OJ: Made in America
Could Win: I Am Not Your Negro
Want to Win: OJ: Made in America

Best documentary short subject

  • “Extremis” Dan Krauss
  • “4.1 Miles” Daphne Matziaraki
  • “Joe’s Violin” Kahane Cooperman and Raphaela Neihausen
  • “Watani: My Homeland” Marcel Mettelsiefen and Stephen Ellis
  • “The White Helmets” Orlando von Einsiedel and Joanna Natasegara

Blind Guess: The White Helmets

Achievement in film editing

  • “Arrival”Joe Walker
  • “Hacksaw Ridge” John Gilbert
  • “Hell or High Water” Jake Roberts
  • “La La Land” Tom Cross
  • “Moonlight” Nat Sanders and Joi McMillon

Will Win: La La Land
Could Win: Moonlight
Want to Win: La La Land

Best foreign language film of the year

  • “Land of Mine” Denmark
  • “A Man Called Ove” Sweden
  • “The Salesman” Iran
  • “Tanna” Australia
  • “Toni Erdmann” Germany

Will Win: The Salesman
Could Win: A Man Called Ove
Want to Win: The Salesman

Achievement in makeup and hairstyling

  • “A Man Called Ove” Eva von Bahr and Love Larson
  • “Star Trek Beyond” Joel Harlow and Richard Alonzo
  • “Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson

Will Win: Star Trek Beyond
Could Win: A Man Called Ove
Want to Win: Star Trek Beyond

Achievement in music written for motion pictures (Original score)

  • “Jackie” Mica Levi
  • “La La Land” Justin Hurwitz
  • “Lion” Dustin O’Halloran and Hauschka
  • “Moonlight” Nicholas Britell
  • “Passengers” Thomas Newman

Will Win: La La Land
Could Win: Moonight or Lion
Want to Win: La La Land or Lion

Achievement in music written for motion pictures (Original song)

  • “Audition (The Fools Who Dream)” from “La La Land”
    Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
  • “Can’t Stop The Feeling” from “Trolls”
    Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster
  • “City Of Stars” from “La La Land”
    Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
  • “The Empty Chair” from “Jim: The James Foley Story”
    Music and Lyric by J. Ralph and Sting
  • “How Far I’ll Go” from “Moana”
    Music and Lyric by Lin-Manuel Miranda

Will Win: City of Stars
Could Win: How Far I’ll Go
Want to Win: How Far I’ll Go

Best motion picture of the year

  • “Arrival” Shawn Levy, Dan Levine, Aaron Ryder and David Linde, Producers
  • “Fences” Scott Rudin, Denzel Washington and Todd Black, Producers
  • “Hacksaw Ridge” Bill Mechanic and David Permut, Producers
  • “Hell or High Water” Carla Hacken and Julie Yorn, Producers
  • “Hidden Figures” Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, Producers
  • “La La Land” Fred Berger, Jordan Horowitz and Marc Platt, Producers
  • “Lion” Emile Sherman, Iain Canning and Angie Fielder, Producers
  • “Manchester by the Sea” Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck and Kevin J. Walsh, Producers
  • “Moonlight” Adele Romanski, Dede Gardner and Jeremy Kleiner, Producers

Will Win: Moonlight
Could Win: La La Land or Hidden Figures
Want to Win: Manchester by the Sea or Hidden Figures

Achievement in production design

  • “Arrival” Production Design: Patrice Vermette; Set Decoration: Paul Hotte
  • “Fantastic Beasts and Where to Find Them” Production Design: Stuart Craig; Set Decoration: Anna Pinnock
  • “Hail, Caesar!” Production Design: Jess Gonchor; Set Decoration: Nancy Haigh
  • “La La Land” Production Design: David Wasco; Set Decoration: Sandy Reynolds-Wasco
  • “Passengers” Production Design: Guy Hendrix Dyas; Set Decoration: Gene Serdena

Will Win: La La Land
Could Win: Fantastic Beasts and Where to Find Them
Want to Win: La La Land

Best animated short film

  • “Blind Vaysha” Theodore Ushev
  • “Borrowed Time” Andrew Coats and Lou Hamou-Lhadj
  • “Pear Cider and Cigarettes” Robert Valley and Cara Speller
  • “Pearl” Patrick Osborne
  • “Piper” Alan Barillaro and Marc Sondheimer

Will Win: Piper
Could Win: Pearl
Want to Win: Pearl

Best live action short film

  • “Ennemis Intérieurs” Sélim Azzazi
  • “La Femme et le TGV” Timo von Gunten and Giacun Caduff
  • “Silent Nights” Aske Bang and Kim Magnusson
  • “Sing” Kristof Deák and Anna Udvardy
  • “Timecode” Juanjo Giménez

Will Win: Sing
Could Win: Ennemis Interieurs
Want to Win: Sing

Achievement in sound editing

  • “Arrival” Sylvain Bellemare
  • “Deepwater Horizon” Wylie Stateman and Renée Tondelli
  • “Hacksaw Ridge” Robert Mackenzie and Andy Wright
  • “La La Land” Ai-Ling Lee and Mildred Iatrou Morgan
  • “Sully” Alan Robert Murray and Bub Asman

Will Win: Hacksaw Ridge
Could Win: La La Land
Want to Win: Sully

Achievement in sound mixing

  • “Arrival” Bernard Gariépy Strobl and Claude La Haye
  • “Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace
  • “La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
  • “Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart Wilson
  • “13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth

Will Win: La La Land
Could Win: Hacksaw Ridge
Want to Win: Rogue One: A Star Wars Story

Achievement in visual effects

  • “Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington and Burt Dalton
  • “Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould
  • “The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon
  • “Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff
  • “Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

Will Win: The Jungle Book
Could Win: Doctor Strange
Want to Win: The Jungle Book or Doctor Strange

Adapted screenplay

  • “Arrival” Screenplay by Eric Heisserer
  • “Fences” Screenplay by August Wilson
  • “Hidden Figures” Screenplay by Allison Schroeder and Theodore Melfi
  • “Lion” Screenplay by Luke Davies
  • “Moonlight” Screenplay by Barry Jenkins; Story by Tarell Alvin McCraney

Will Win: Moonlight
Could Win: Hidden Figures
Want to Win: Moonlight

Original screenplay

  • “Hell or High Water” Written by Taylor Sheridan
  • “La La Land” Written by Damien Chazelle
  • “The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou
  • “Manchester by the Sea” Written by Kenneth Lonergan
  • “20th Century Women” Written by Mike Mills

Will Win: Manchest by the Sea
Could Win: The Lobster
Want to Win: Manchester by the Sea, 20th Century Women or The Lobster (JUST NOT LA LA LAND)

 

We will see how many of my predictions are right…Watch the 89th Academy Awards Sunday, February 26, 2017- on ABC.  Hosted by Jimmy Kimmel!

Movie Review: “Get Out” is an Excellent Mix of Horror and Comedy

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Every once in a while a horror flick comes along that not only scares, but also includes plenty of laughs along the way. In the past few years, films like “The Visit” and “The Guest” have provided this full package. And now at the start of 2017, comedian Jordan Peele (“Key and Peele”) has captured this rarity again, and presented us with the gift of his directorial debut, “Get Out”.

Based on the film’s trailer alone, audiences knew we were in for some race-savvy satire that would lead to a number of awkward scenes. But, these moments of comic relief are so subtle and well executed that they blend perfectly with the eerie tension, while still keeping you engrossed in the suspense of the movie.

“Get Out” follows Chris (Daniel Kaluuya), an African American photographer who’s planning to meet his Caucasian girlfriend’s parents for the first time. They are set to head upstate to her family’s secluded home, and of course, Chris expresses his concern by asking if they know he is black? Rose (Allison Williams) laughs it off and assures Chris that her parents are totally cool. To give him comfort, she lets him know that her dad would have voted for Obama a third term. Oh good, now we all feel so much better… Chris’ best friend (Lil Rel Howery) even warns him not go, but he does not listen.

On the drive to her parents’ house they hit a deer, foreshadowing an unpleasant visit ahead of them. And it’s here that we get our first act of racism with a cop who insists on seeing Chris’ ID after the accident, even though Rose was driving. Luckily, Rose diffuses the situation in a pretty knight in shining armor way.

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Finally, they arrive to her parents’ home, and both are welcomed with open arms. Rose’s mom Missy (Catherine Keener) and her dad Dean (Bradley Whitford) appear to be nice. Dean comes across a bit foolish at times with a few ignorant remarks when trying to “bond” with Chris, but other than that the parents seem harmless. However, their two African American servants, Georgina (Betty Gabriel) and Walter (Marcus Henderson) behave in a very odd manner with forced smiles and unusual emotional breakouts.

Things just continue to get stranger. Missy offers to hypnotize Chris so that he can quit smoking. Rose’s brother Jeremy (Caleb Landry Jones) makes it blatantly clear that he does not care for his sister’s new boyfriend. Then there’s a disturbing party in which Chris is hounded by the many white people in attendance. Soon enough, everything begins to unwind.

Jordan Peele’s script is sharp, witty, and an effective horror. There are subtle Hitchcock-like notes in his story telling. Peele’s cast only furthers his film with their well-rounded performances. Keener and Whitford do an incredible job maintaining their creepy, Stepford Wives composure. Major kudos to Lil Rel Howery for being the character that hilariously speaks on behalf of everyone in the audience.

“Get Out” is a refreshing horror-comedy that will keep you on edge till the very end!

Rating: 4/5

“Get Out” opens in theaters February 24th.

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Movie Review: “Fifty Shades Darker” – A Foolish Tale Laced with Sex and Thrills

Ana and Christian are back in an even hotter and more ridiculous film!

Let’s get one thing out of the way before I begin. Yes, E.L. James’ Fifty Shades book series is unrealistic and incredibly cheesy. And Fifty Shades Darker encourages even more eye-rolls with its Lifetime style drama. However, this time around the film has added enough excitement and sex to where you can let go of reality, and just have fun with this Made-for-TV quality movie.

When we last left off on Fifty Shades of Grey, Ana (Dakota Johnson) had broken up with Christian (Jamie Dornan) after discovering how much pleasure he got from giving her so much pain. She realized she couldn’t be in a submissive relationship with him.
 
As we pick up with Fifty Shades Darker, some time has gone by and Ana seems to have moved on with her life, working for a handsome, yet questionable boss (Eric Johnson) at a publishing company. But it’s at her friend Jose’s (Victor Rasuk) photography exhibit that we find out Christian has been lost without her. Christian wants Ana back and is willing to have a relationship with no rules, no punishments, and no secrets. Essentially giving Ana the “vanilla” relationship she always wanted. Of course, this now “normal” boyfriend/girlfriend status isn’t going to progress smoothly by any means.
 
The two sexual love birds, who literally are going at it during any spare moment, must deal with an inappropriate boss, a former submissive girlfriend (Bella Heathcote), and “Mrs. Robinson” (Kim Basinger) – the woman who turned Christian into the sex hungry dominatrix. All three of these new characters create thrilling turmoil and more intrigue, as opposed to the previous film’s lackluster conflict of “will they or wont they” stay together.
 
Though some may find all the different struggles going on in the film messy or idiotic, I found them extremely entertaining. I mean Christian and Ana go through so many near death experiences that you almost can’t blame them for wanting to continuously have sex. It could be their last time! And as Ana says in the film, “We haven’t had enough time.”
 
Speaking of sex! Fifty Shades Darker turns up the heat with plenty of steamy sexual sequences that will have audiences either immensely uncomfortable, or anxiously awaiting their own bedrooms. Director, James Foley, allows for more provocative sex scenes by introducing a few new toys and intensifying the couple’s “love making”. The scenes are tastefully filmed and still limits the nudity to topless and butt shots. And might I add, Jamie Dornan looks better than ever! The man is ripped and the film clearly wants to show off the efforts from his intensive work outs.
 
Dakota Johnson and Jamie Dornan have grown as actors since their last performance as these characters. They are what truly makes this film watchable. They succeed in delivering every cringe-worthy line with such conviction, that you might not notice the stupidity of what actually was said.
 

As much as I can ridicule Fifty Shades Darker, there’s no denying the moments of satisfaction. Though, this is still very much a film for fans of the book, the intended audience should sit back, throw away your thinking caps and enjoy the hell out of this electric and tantalizing romance.

Rating: 3/5

Fifty Shades Darker opens in theaters on February 10.

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AN AMERICAN IN PARIS The Most Awarded Musical of 2015 Makes North Texas Debut!

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MOST AWARDED MUSICAL OF 2015 MAKES NORTH TEXAS DEBUT

JANUARY 31 – FEBRUARY 12, 2017 AT THE MUSIC HALL AT FAIR PARK

& FEBRUARY 14-19 AT BASS PERFORMANCE HALL

Dallas-Fort Worth, TX (December 19, 2016) – AN AMERICAN IN PARIS, the most awarded new musical of 2015 and winner of four Tony Awards®, will play the Music Hall at Fair Park January 31 – February 12, 2017, for two weeks presented by Dallas Summer Musicals. This lavish modern classic will then head to Fort Worth, where it will play at Bass Performance Hall February 14-19, 2017, for one week presented by Performing Arts Fort Worth.

Inspired by the Academy-Award winning film, AN AMERICAN IN PARIS is the romantic story about an American soldier, a mysterious French girl and an indomitable European city, each yearning for a new beginning in the aftermath of war. Directed and choreographed by 2015 Tony Award-winner Christopher Wheeldon, the show features the music and lyrics of George Gershwin and Ira Gershwin, and a book by Craig Lucas.

Jerry Mulligan and Lise Dassin will be played by Garen Scribner and Sara Esty, who performed these leading roles on Broadway. Joining them are Etai Benson (Wicked) as Adam Hochberg; Emily Ferranti (Wicked, Dreamgirls) as Milo Davenport; Gayton Scott (Gypsy, The Women) as Madame Baurel; andNick Spangler (The Book of Mormon, Rogers + Hammerstein’s Cinderella) as Henri Baurel.

Leigh-Ann Esty (Miami City Ballet) and Ryan Steele (Newsies, Matilda) join the cast as the Lise and Jerry alternates. Rounding out the ensemble are:Karolina Blonski, Brittany Bohn, Stephen Brower, Randy Castillo, Jessica Cohen, Jace Coronado, Barton Cowperthwaite, Alexa De Barr, Ashlee Dupré, Erika Hebron, Christopher M. Howard, Colby Q. Lindeman, Nathalie Marrable, Tom Mattingly, Caitlin Meighan, Alida Michal, Don Noble,Sayiga Eugene Peabody, Alexandra Pernice, David Prottas, Danielle Santos, Lucas Segovia, Kyle Vaughn, Laurie Wells, Dana Winkle, Erica Wongand Blake Zelesnikar.

The creative team is also comprised of Tony Award-winners Bob Crowley (set and costume designer) and Natasha Katz (lighting designer); Jon Weston (sound designer); 59 Productions (projection designer); Rob Fisher (musical score adaption, arrangement and supervision); Todd Ellison (musical supervisor); David Andrews Rogers (musical director/conductor); Christopher Austin and Bill Elliott (orchestrations); Sam Davis (dance arrangements); Telsey + Company/Rachel Hoffman, C.S.A. (casting); Rick Steiger (production supervisor); Dontee Kiehn (associate director); and Sean Kelly (associate choreographer).

AN AMERICAN IN PARIS won four 2015 Tony Awards, four Drama Desk Awards, four Outer Critics Circle Awards, the Drama League Award for Best Musical, three Fred and Adele Astaire Awards, and two Theatre World Awards. The musical was included on the Year’s Best lists of The New York Times, The Wall Street Journal, Entertainment Weekly, The New Yorker, the Associated Press, The Hollywood Reporter, and The Pittsburgh Post-Gazette. The Masterworks Broadway Original Broadway Cast recording of AN AMERICAN IN PARIS was nominated for the Best Musical Theater Album Grammy Award.

The score of AN AMERICAN IN PARIS includes the songs “I Got Rhythm,” “Liza,” “‘S’Wonderful,” “But Not For Me,” “I’ll Build a Stairway to Paradise,” and orchestral music including “Concerto in F,” “Second Prelude,” “Second Rhapsody/Cuban Overture” and “An American In Paris.”

The production opened to widespread critical acclaim at the Palace Theatre on Broadway on April 12, 2015 after its world premiere at the Théâtre du Châtelet in Paris November 22, 2014-January 4, 2015. The New York production closed on October 9, 2016 after playing more than 600 performances. A West End production of AN AMERICAN IN PARIS will start in March 2017 at the Dominion Theatre.

The producers are Stuart Oken, Van Kaplan and Roy Furman by special arrangement with Elephant Eye Theatrical, Pittsburgh CLO and Théâtre du Châtelet.

For more information, visit www.AnAmericanInParisBroadway.com.

Single tickets for the Dallas engagement of AN AMERICAN IN PARIS, starting at $25, are now on sale at www.DallasSummerMusicals.org or by phone at 1-800-745-3000.

Groups of 10 or more receive a 15% discount, priority seating, and many more benefits. Please call 214-426-4768 or emailGroups@DallasSummerMusicals.org.

Single tickets for the Fort Worth engagement of AN AMERICAN IN PARIS, starting at $44, are now on sale. To charge tickets by phone, call 817-212-4280 in Fort Worth; 1-877-212-4280 (toll free) outside Fort Worth; or order online at www.basshall.com. Tickets are also available at the Bass Performance Hall ticket office at 525 Commerce Street. For group sales, call 817-212-4248.

Dallas Summer Musicals’ 2016-2017 season will continue with the explosive and vigorously choreographed STOMP, Feb. 14-19, 2017; followed by THE ILLUSIONISTS, Feb. 28 – Mar. 5, 2017; LET IT BE, Mar. 7-19, 2017; KINKY BOOTS, Mar. 28 – Apr. 9, 2017; CIRCUS 1903 – THE GOLDEN AGE OF CIRCUS, May 23 – June 4, 2017; and closing the season will be THE BODYGUARD, July 18-30, 2017.

23rd Annual Screen Actors Guild Awards Nominations

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FILM

Outstanding Performance by a Cast in a Motion Picture
Captain Fantastic
Fences
Hidden Figures
Manchester by the Sea
Moonlight

Outstanding Performance by a Male Actor in a Leading Role
Casey Affleck, Manchester by the Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Outstanding Performance by a Female Actor in a Leading Role
Amy Adams, Arrival
Emily Blunt, The Girl on the Train
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Outstanding Performance by a Male Actor in a Supporting Role
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Hugh Grant, Florence Foster Jenkins
Lucas Hedges, Manchester by the Sea
Dev Patel, Lion

Outstanding Performance by a Female Actor in a Supporting Role
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Outstanding Action Performance by a Stunt Ensemble
Captain America: Civil War
Doctor Strange
Hacksaw Ridge
Jason Bourne
Nocturnal Animals

TELEVISION

Outstanding Performance by an Ensemble in a Drama Series
The Crown
Downton Abbey
Game of Thrones
Stranger Things
Westworld

Outstanding Performance by an Ensemble in a Comedy Series
The Big Bang Theory
Blackish
Modern Family
Orange Is the New Black
Veep

Outstanding Performance by a Male Actor in a Drama Series
Sterling K. Brown, This Is Us
Peter Dinklage, Game of Thrones
John Lithgow, The Crown
Rami Malek, Mr. Robot
Kevin Spacey, House of Cards

Outstanding Performance by a Female Actor in a Drama Series
Millie Bobby Brown, Stranger Things
Claire Foy, The Crown
Thandie Newton, Westworld
Winona Ryder, Stranger Things
Robin Wright, House of Cards

Outstanding Performance by a Male Actor in a Comedy Series
Anthony Anderson, Blackish
Tituss Burgess, Unbreakable Kimmy Schmidt
Ty Burrell, Modern Family
William H. Macy, Shameless
Jeffrey Tambor, Transparent

Outstanding Performance by a Female Actor in a Comedy Series
Uzo Aduba, Orange Is the New Black
Jane Fonda, Grace and Frankie
Ellie Kemper, Unbreakable Kimmy Schmidt
Julia Louis-Dreyfus, Veep
Lily Tomlin, Grace and Frankie

Outstanding Performance by a Male Actor in a TV Movie or Miniseries
Riz Ahmed, The Night Of
Sterling K. Brown, The People vs. O.J. Simpson: American Crime Story
Bryan Cranston, All the Way
John Turturro, The Night Of
Courtney B. Vance, The People vs. O.J. Simpson: American Crime Story

Outstanding Performance by a Female Actor in a TV Movie or Miniseries
Bryce Dallas Howard, Black Mirror
Felicity Huffman, American Crime
Audra McDonald, Lady Day at Emerson’s Bar and Grill
Sarah Paulson, The People vs. O.J. Simpson: American Crime Story
Kerry Washington, Confirmation

Outstanding Action Performance by a Stunt Ensemble
Game of Thrones
Daredevil
Luke Cage
The Walking Dead
Westworld

LIFE ACHIEVEMENT AWARD

Screen Actors Guild Annual Life Achievement Award
LILY TOMLIN

The Screen Actors Guild Awards will air Sunday, January 29 on TBS and TNT.

Interview: Jovan Adepo talks “Fences”

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Jovan Adepo portrays Corey in Denzel Washington’s adaptation of August Wilson’s Pulitzer Prize winning drama, “Fences.” I got a chance to talk with Adepo about the new film. We discussed how much someone’s career can affect their personal life, daily movie references and more!

“Fences” opens in theaters December 24.

Click Here to Watch Jovan Adepo Interview

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