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While America celebrates the red, white, and blue, the box office is embracing red, blue, and yellow — as Supergirl flies into theaters. The question is: does the latest DC adventure soar to the same heights as last year’s crowd-pleasing, “Superman”?
Audiences first met Kara Zor-El, better known as Supergirl, during the closing credits of “Superman”, when she abruptly arrives to pick up her beloved dog, Krypto. As we follow her journey, we discover a heroine who is still grappling with loneliness and emotional scars, finding solace in Krypto’s companionship while keeping the rest of the world at arm’s length. But when an unexpected enemy threatens her only companion, Kara is forced to team up with an unlikely ally on a quest fueled by vengeance. Read full review here.
10. Sorry, Baby- “Sorry, Baby” begins with the audience knowing something bad happened to Agnes (earnestly played by filmmaker Eva Victor). As the story unfolds, it is as if we are flies on a wall, witnessing one of the most aching and profoundly authentic depictions of the aftermath of sexual assault. “Sorry, Baby” is a compelling and honest dark comedy about significant trauma.
9. Twinless- This movie is about two grieving men, who bond in a support group for those who have lost their twins. They form a brotherly friendship, but it is soon revealed that all is not what it seems. That sounds more eerie than it needs to be. However, you never know where this story is headed. “Twinless” is a smart screenplay with the right balance of dark humor, and features Dylan O’ Brien’s best performance to date. This story cleverly explores the pain of grief and loneliness.
8. KPop Demon Hunters- The best animated feature of the year is also one of the best films of the year (with one of the best soundtracks of the year)! “KPop Demon Hunters” is a visually and musically captivating, creative tale about friendship, self-acceptance, and overcoming shame. The film features incredible voice acting (and singing) with a stunning representation of the Korean culture. Believe the hype with this one!
7. The Ugly Stepsister- It’s a twisted take on the classic Cinderella story I didn’t know I needed. “The Ugly Stepsister” is a comedic, body horror about the “physical perfection” pressured on young women looking for a husband. While the film can be gruesome at times, it is an unforgettable watch that brings a whole new and unexpected meaning to “happily ever after”.
6. Eternity- Set in an afterlife where souls have one week to decide where to spend eternity. Joan is faced with the impossible choice between the man she spent her life with or her first love, who died young in war and has waited 67 years for her to arrive. This is a charming, original, and surprisingly moving romantic comedy with a thought-provoking message about what “eternal love” truly means.
5. F1- What I expected to be a loud, long, and hallow joy ride, turned into a swift, exhilarating, and gripping race! “F1” brings excitement and heart with some ’90s nostalgia to this true cinematic experience. Fantastic casting all around, including an incredible breakthrough performance by Damson Idris.
4. Sinners- I was pleasantly surprised to discover “Sinners” was a bluesy, bloody horror. This film goes beyond a typical “vampire movie”. Ryan Coogler masterfully layers his frightening story with interracial conflicts, cultural history, a powerful soundtrack, and riveting thrills. Michael B. Jordan gives TWO award-worthy performances along with the seamless ensemble cast.
3. Weapons- I can see why there was a bidding war over the “Weapons” spec script. I can’t remember the last time I was truly scared while watching a scary movie in theaters. I had a sense of panic and struggled to fall asleep that night. Zach Cregger is known for his wild horror, “The Barbarian”, but this time around, Cregger elevates his storytelling with a unique and sharp-witted screenplay. The film is wisely crafted with effective jump scares and an appropriate amount comic relief.
2. Materialists- It’s a refreshing spin on the rom-com genre. Lucy is an ambitious young New York City matchmaker, who finds herself torn between the perfect match and her imperfect ex. The plot raises a lot of questions about dating in the modern world today. Primarily, what is it that you are not willing to compromise. It is deep and there is an ongoing discussion about the “math” of dating and how it can become a business transaction. How much does “love” truly factor in the equation? “Materialists” is an authentic perspective on dating, brilliantly told through Celine Song’s detail and insightful mind.
1. Superman- In the current state of superhero movie fatigue, it is rare that one could still blow me away. James Gunn has revitalized the genre, especially for DC, and given us a Superman (with a sense of humor) we can truly look up to. He has resuscitated the tired story and given life to this tale with a contemporary take told by a stellar cast, including a scene stealing dog. This Superman leads with kindness, so much so that in the heat of battle he will stop to save a squirrel. His desire to be accepted by society, while still staying true to his innate virtue, pulls at your heart and inspires hope.
The Rest of the Best:
11. Jay Kelly
12. Together
13. Predator: Badlands
14. My Dead Friend Zoe
15. One Battle After Another
16. Dead Man’s Wire
17. It Was Just an Accident
18. The Perfect Neighbor
19. Baltimorons
20. Bob Trevino Likes It
Top 5 Worst Film of 2024
5. Wolf Man – Shockingly boring and pointless.
4. The Fantastic Four: First Steps – Waste of a perfectly good cast, AGAIN! But oh, the CGI on that baby is unforgiveable.
3. Anemone – Nepotism at its worst. Can’t believe Daniel Day-Lewis came out of retirement for this one.
2. Black Phone 2 – A sequel was clearly not necessary, but this movie was just an insult to the incredible original film. I’m still so disappointed.
1. Ella McCay – What in the world was this movie? Was the script not finished? Did the editor’s quit midway through? I’m not sure what happened here, but it was bad. VERY bad.
James Gunn tries his hand at a new Superman movie, and because of my love for the filmmaker, I went into this film cautiously optimistic, even though there hasn’t been a good Superman adaption since Smallville, no offense to Henry Cavill who did an amazing job with what he had to work with. And as I have said many times before, audiences are experiencing superhero fatigue, but I am happy to say this film blew me away. Gunn has revitalized the genre, especially for DC, and given us a Superman we can truly look up to.
Luckily for everyone, this is not an origin story. The film begins with him as an established superhero in Metropolis for 3 years, while, as many of us know, also working at the Daily Planet as Clark Kent. He is already dating Lois Lane and Lex Luthor is on a mission to destroy him. This is not a retelling of what we have seen a hundred times before, instead this story addresses real world issues, struggling with your identity and acceptance in world you’re not from, and, showing a vulnerable and humorous side to the man of steel, we haven’t seen before. Read full review here.
Since the overhaul of Marvel films that have been released since Endgame, it’s been difficult to get excited for any of the upcoming sequel or spinoffs. However, the 36th installment to the Marvel Cinematic Universe, Thunderbolts* offers something more original and more cathartic than the traditional superhero formula.
This film follows the misfit anti-heroes we have previously been introduced, including Yelena, Ava Starr, and if you watched the Disney Plus series, The Falcon and the Winter Soldier, you’ll remember John Walker. Read the full review here.
The idea of Deadpool and Wolverine starring in a film together has been teased for years, and now that dream is coming to fruition with the action-packed and hilarious new Marvel movie.
In the film, Deadpool’s peaceful existence comes crashing down when the Time Variance Authority, also known as the TVA, recruits him to help safeguard the multiverse, which requires him to bring back one of the living Wolverines from a different timeline. As expected, the two butt heads immediately and struggle to work as team to take down their common enemy. But as they go on a mission filled with throwback MCU characters and numerous obstacles, they learn the two have more in common then they think.
We still need a break from superhero movies and from the multiverse/timeline plots, but this film isn’t a formulaic Marvel movie. Some might even complain that there is no narrative, but that seems to director Shawn Levy’s intent. “Deadpool & Wolverine” is meant to make fun of the over bloated superhero films and the mistakes of studios, while paying homage to the former X-Men universe that has created iconic movies, good and bad, featuring memorable characters we will forever hold dear to our hearts. Not to say there isn’t a story, it’s just more along the lines of a high-quality spoof w/ a ton of A-list actors. The on-screen chemistry between Hugh Jackman and Ryan Reynolds is enough to make this a must-see.
And while the plot won’t really stick with you, the fight sequences paired with one of the best soundtracks will, proving Madonna’s “Like A Prayer” has powerful effect when it is played in any circumstance. Deadpool & Wolverine is non-stop laughs, surprises, and fun. The dynamic duo we have been waiting for delivers with energetic, witty, and unforgettable performances that leave you wanting more.
(Los Angeles, CA – March 17, 2022) – The Critics Choice Association (CCA) announced today the winners of the 2nd annual Critics Choice Super Awards, honoring the most popular, fan-obsessed genres across both movies and television, including Superhero, Science Fiction/Fantasy, Horror, and Action.
“Spider-Man: No Way Home” led the film winners this year, garnering three awards overall. The film was awarded Best Superhero Movie, while Andrew Garfield took the prize for Best Actor in a Superhero Movie, and Willem Dafoe won Best Villain in a Movie.
“Squid Game” and “WandaVision” tied for most series wins, earning three awards each. “Squid Game” swept the Action Series categories, with Lee Jung-jae winning Best Actor in an Action Series, HoYeon Jung winning Best Actress in an Action Series, and the show taking home the Best Action Series award. “WandaVision” was named Best Superhero Series, and Elizabeth Olsen was awarded Best Actress in a Superhero Series, while her co-star Kathryn Hahn won Best Villain in a Series.
“This year’s slate of Critics Choice Super Awards nominees and winners represents the absolute best in genre storytelling,” said Sean O’Connell, Critics Choice Super Awards Branch President. “It’s an honor to showcase these incredible accomplishments in Horror, Sci-Fi, Fantasy, and Comic Book films and television. The Super Awards will proudly continue to shine a brighter light on the talented people telling stories in these fields.”
I didn’t think we needed a remake of “West Side Story.” Turns out we needed Steven Spielberg’s remake! I’ll admit, at the start of the film I was thinking “What is happening?” I didn’t appreciate what the choreography was saying right away. But about 15 minutes into the movie, I was hooked. Spielberg created a beautiful musical with a modern-day Romeo and Juliet tale that’s sadly still relevant.
9. Pig
“Pig” is the sleeper hit that has stayed with me since viewing it earlier this year. The film follows a truffle hunter (Nicolas Cage) who lives alone in the Oregonian wilderness, but must return to Portland in search of his beloved, stolen, truffle pig. I didn’t know much going into this movie, but I was quickly reminded of what a talented actor Nicolas Cage is. Even though he’s had some questionable roles, “Pig” solidifies him as one of the greats. I love the simplicity of the story, and the power behind all the performances; especially, Alex Wolff, who plays opposite Cage. You’d expect this film to go full on “John Wick”, but instead it’s more of a subtle human, drama of a man living with regret and grief.
8. A Hero
Over the years, director Asghar Farhadi has tried to create empathy between audiences and the characters he writes. In his newest film, “A Hero”, we follow Rahim (Amir Jadidi) – A man who was in prison for unpaid debt. During his two-day leave he tries to end his prison time, but things get a little out of hand. “A Hero” is another fantastic piece of work by Farhadi. He continues to keep audiences on the edge of their seat as he constructs an intricate story that powerfully showcases manipulation through social media.
7. Shang Chi and the Legend of the Ten Rings
“Shang-Chi and the Legend of the Ten Rings” is another notch in the Marvel belt of quality superhero movies with fleshed out characters and heartfelt stories. In this film, Shang Chi has been secretly going by the name Shawn (Simu Liu), and spending most of his time with his best friend, Katy (Awkwafina), as a valet in San Francisco. But when they are unexpectedly attacked by his father’s terrorist organization, the Ten Rings, he is forced to return to his old home, and confront the past he so desperately tried to run away from. The film provides a well-thought-out storyline with an emotional backstory. It stuns visually with its seamless choreography and electrifying special effects. It is also the Asian-inspired action flick audiences have been needing to see as Disney continues to successfully showcase diversity and inclusion in their productions.
6. Don’t Look Up
When two scientists (Leonardo DiCaprio and Jennifer Lawrence) discover a comet will soon destroy the Earth, they try everything they can to warn the world and prevent the destruction. But for some reason, people won’t take it seriously. What was intended to be a social commentary on climate change, happens to also relate to our current pandemic and how society chooses to deal with or ignore a global issue. Director/writer Adam McKay creates a hilarious script featuring an all-star, talented cast. The film is timely, terrifying, and laugh-out-loud funny. It’s a comical cautionary tale everyone should watch.
5. The Last Duel
I have no idea why this film didn’t get more award attention! Jodie Comer at the very least deserves a nomination. “The Last Duel” is based on a true story set in France during the 14th century. Sir Jean de Carrouges (Matt Damon) accuses Jacques Le Gris (Adam Driver) of raping his wife, Marguerite de Carrouges (Jodie Comer), and challenges him to a duel to the death. Damon and Ben Affleck reunite to write a gripping tale told from three different perspectives. With their words and Ridley Scott’s masterful vision, “The Last Duel” is a painful, but important reminder of the #MeToo survivors.
4. The Mitchells vs the Machines
“Mitchell’s vs the Machines was one of my early favorites of 2021. It follows Katie Mitchell (Abbi Jacobson), a teenager who has felt like an outcast most of her life and spends a lot of her time making funny videos. She’s lost the bond she once had with her father (Danny McBride), and is looking forward to going away for college. But, in an effort to rebuild their relationship, Katie’s dad plans a last-minute family road trip. Unfortunately, this bumpy ride finds the Mitchells in the middle of a robot apocalypse, and they become humanity’s last hope. “The Mitchells vs. The Machines” is original, clever, funny, touching, and an absolute blast. This is a movie both kids and adults will connect with and enjoy. Though Katie and her dad have had their arguments, the entire family has drifted apart by burying themselves in their electronics. Katie’s mom, Linda (Maya Rudolph), is obsessed with other families’ online personas; admiring a life she wished she had. And her brother is obsessed with everything dinosaurs. Rick is the only one in the family who hates technology and enjoys more of the outdoors. It’s enough to make you think twice before pulling out your phones when you’re spending time with your family.
3. Our Friend
Before I gush about this film, I’m sure some of my colleagues are wondering why a movie that qualified for awards in 2020 is on my top 10 list for 2021. Well, I first saw “Our Friend” in January this year and if you check the official US theatrical release date (not TIFF or other festivals), it opened on January 22, 2021. Moving on! “Our Friend” is an incredibly moving, true story that still brings me to tears when I talk about it. Matt (Casey Affleck) and Nicole (Dakota Johnson) are a loving couple with two daughters; but when they discover Nicole has ovarian cancer, they struggle to keep their life together. When their best friend, Dane (Jason Segel) hears of the tragic news, he decides to put his own life on hold and be there for the whole family. As many times as I have seen a story about losing a loved one from cancer, I have never seen one told like this. Even though it seemed as though Dane was helping Matt and Nicole during a difficult time, in actuality, they were saving him. I think we can all relate to feeling as though a friend may not care as much as you do when you’re sick, or when you just want to feel valued. This is a beautiful portrayal of a mutually loving friendship, and the powerful affect it can have on your life.
2. Spider-Man: No Way Home
I can still remember how I felt when I first saw “Spider-Man” (2002) in theaters. I got chills, my jaw dropped a few times, and I could not stop thinking about what I had just seen. As time went on, we got more Spider-Man movies and different Spider-Man actors. I truly enjoyed them all, some more than others. But never did I think I would be treated to such a theatrical experience in 2021. I’m scared to share any details, because for those who have yet to watch, it’s best to know nothing about the plot. “Spider-Man: No Way Home” weaves together decades of characters we loved and hated to honor a true hero. Tom Holland gives his best performance to date. The film is a nostalgic gift to fans as it engages us in laughter, pulls at our heartstrings, revisits the past, and gives us hope for the future.
1. King Richard
This probably comes as no surprise as I have raved about this movie since I first saw it. I’ve seen it 3 times, and each time I fall more in love with it. “King Richard” breaks the mold of a formulaic sports biopic. There’s a lot to learn from this film. Though it’s about the Williams sisters’ journey to greatness, it’s also a character study on a flawed man. Richard (Will Smith) is overbearing, selfish, and hard-headed. But he’s also humble, kind, and a loving father. Yes, he wants his daughters to go to Wimbledon, but his first priority for them is to do well in school and enjoy being kids. He also teaches them the importance of good sportsmanship and never forgetting where you came from.
The Rest of the Best:
11. Licorice Pizza
12. Cruella
13. Raya and the Last Dragon
14. The Lost Daughter
15. A Quiet Place Part II
16. Lady of the Manor
17. The Novice
18. House of Gucci
19. Mass
20. Language Lessons
Top 5 Worst Films of 2021
5. Without Remorse – Like a bad date with a good looking person.
4. Space Jam: A New Legacy – Do yourself a favor, just re-watch the original film and forget this exists.
3. Things Heard and Seen – What the actual hell?
2. The Comeback Trail – Luckily, for this all-star cast, most people didn’t know this ever came out.
1. Halloween Kills – An all around joke of a movie that wasn’t funny or fun.
Chris Edwards, the founder/CEO of visualization studio THE THIRD FLOOR
ASU FILM SPARK HOSTS ONLINE QUESTION AND ANSWER SESSIONS WITH TOP HOLLYWOOD PROFESSIONALS ON YOUTUBE FOR EVERYONE TO STREAM
Mondays throughout the month of April, cinematographers, producers and other Hollywood professionals who helped bring audiences “Avengers: Endgame,” “Joker,” “The Amazing Spider-Man,” “Venom” and more will explore
the debate on whether or not superhero movies are cinema.
TEMPE, ARIZONA – April 17, 2020 – ASU Film Spark, Arizona State University’s industry relations program in Hollywood,
is hosting a series of free online Q&A sessions with respected Hollywood professionals on Mondays throughout the month of April on the Film
Spark YouTube channel. ASU Film Spark welcomes anyone who is interested in hearing from some of the people who help create your favorite films to join them at 7:30PM PST for the live-streamed events.
This series features conversations with cinematographers, producers and other Hollywood professionals who aim to answer the question, Are Superhero Movies Cinema? Speakers
include:
April 13: Larry Sher, cinematographer, “Joker” and “The Hangover” – Watch his session here
April 20: Chris Edwards, founder/CEO of visualization studio THE THIRD FLOOR, “Avengers: Endgame”; “The Mandalorian”; “Star Wars Episode IX: Rise of Skywalker”
April 27: Matt Tolmach, producer and executive producer, “The Amazing Spider-Man,” ”Venom,” “Jumanji” and “Future Man”
“Martin Scorsese’s claim that superhero movies aren’t cinema gives aspiring filmmakers the chance to think hard about the definition of ‘cinema,’” said Adam Collis, founding director of ASU Film Spark. “And who better
to explore this question than some of the best filmmakers working today. ASU Film Spark has been sharing this special class with our friends at Santa Monica College, and, during these stay-at-home times, we are honored and excited to now share the class with
anyone who loves movies, cinema or both.”
Arizona State University, which has been ranked as the most innovative school in the nation for the last five years in a row, is also the nation’s largest university and built on a charter which puts inclusivity in its very first sentence. In this spirit, ASU Film Spark is thrilled to include film students, cinephiles, comic fans, aspiring moviemakers and movie-lovers of all stripes in conversation.
“I’m proud to have been the first industry guest Adam connected to ASU back in 2009, when we did a video conference with his students,” said Lawrence Sher, cinematographer for “Joker” and “The Hangover” series. “Since
then, I’ve seen Film Spark and the film program grow in astonishing ways. ASU really is the most innovative school in the nation, and their students are spectacular. Our exploration of the superhero genre and the definition of cinema was a blast and one of
the more thought-provoking conversations I’ve had on the subject.”
“Are Superhero Movies CINEMA?” is
the latest example of innovative Film Spark classes and programming. Their Feature Film Internship Initiative gave 85 ASU students and 15 recent alumni the chance
to learn filmmaking on an actual feature film set from an Oscar-winning cast and crew including Octavia Spencer, George Lopez and Nia Vardalos. Other examples include their Women
in Film Zoom Q&A class featuring producer/former studio chief Nina Jacobson, director/co-chair of the DGA diversity committee Bethany Rooney and others; a semester-long class with Lionsgate in which students case-studied the film “Wonder” just before it was
released; and a two-day symposium with producer Walter Parkes called “Inventing the Future All Over Again,” for which Film Spark reassembled the team of futurists Parkes gathered in 1999 to help Steven Spielberg create the futuristic world of Minority Report.
Film Spark has also brought Spike Lee, Patricia Cardoso, Fanny Grande, Salvador Carrasco and Boots Riley to campus for special events and screenings at Sun Devil Stadium.
Guests who would like to receive an email reminder on the day of the event as well as updates about future events may RSVP here. RSVPs are not required and you may view each live session by visiting the Film Spark YouTube channel at 7:30PM MST on Mondays in April.
About ASU Film Spark
In Fall of 2009, ASU film professor Adam Collis hosted a simple video-conference between his students and Lawrence Sher, the cinematographer of “Garden State” and “The Hangover” films. The students liked it so much,
Collis set upon a mission to connect ASU students with the best filmmakers and executives in the world. Since then, Film Spark has connected ASU with 5 Oscar-winners, 5 Oscar-nominees, 8 studio chiefs, the presidents of the Academy and the Directors Guild,
as well as numerous blockbuster producers, award-winning directors and world class depart heads. Film Spark has grown to become the ASU
Embassy in Hollywood—hosting career fairs, connecting students to jobs and internships, and building the Hollywood Sun Devil alumni network through mixers and professional development events for the School of Film, Dance and Theatre in ASU’s Herberger Institute
for Design and the Arts. To learn more, visit filmspark.asu.edu