It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know...
Documentary Explores Legendary Dancer Who Ignited Flames of the 1960s Sexual Revolution; Dallas’s Top Burlesque Dancers With Minxe Mimieux As The Lead...
Documentary Explores Legendary Dancer Who Ignited Flames of the 1960s
Sexual Revolution; Dallas’s Top Burlesque Dancers With Minxe Mimieux As The Lead Dancer Will Perform Live Revue at Select Opening Weekend Shows
Picturehouse’s CAROL DODA TOPLESS AT THE CONDOR, exploring the history and impact of the legendary topless dancer who ignited the 1960s sexual revolution, will open in Dallas exclusively at the Angelika Film Center (5321 E Mockingbird Ln #230) on Friday, April 19.
Opening weekend audiences will experience a special live pre-show revue, “Doda-esque Burlesque,” featuring a bevy of Dallas’s own top burlesque dancers with Minxe Mimieux as the lead dancer in a spectacular tribute to Carol Doda’s with a special post screening Q&A.
As the lights go down…experience a special live pre-show performance of “Doda-esque Burlesque!” A spectacular tribute to Carol Doda featuring a bevy of enchanting local burlesque performers. Sit back and enjoy as the divas of today pay tribute to the ultimate diva of yesterday. Come early! Taking place prior to the film, this live performance will have NO NUDITY, and promises to be an exciting and teasing good time!
Rated: R for nudity/graphic nudity throughout, some sexual material, language and drug content
Synopsis Against the backdrop of the 1964 Republican Convention, a San Francisco cocktail waitress became one of the city’s most popular entertainers after making her debut as America’s first topless dancer. The new documentary feature Carol Doda Topless at the Condor tells the story of the fresh-faced girl next door who defied convention and the law by gyrating atop a white baby grand piano and turning a North Beach nightclub into the city’s second-most-popular tourist attraction after the Golden Gate Bridge. Meanwhile, Doda’s very public use of silicone to enhance her breasts launched a new industry. Directors Marlo McKenzie and Jonathan Parker share an unprecedented look at Doda’s life and legacy, as well as a behind-the-scenes tour of the vibrant, sometimes outrageous and always entertaining world of North Beach.
Chris Edwards, the founder/CEO of visualization studio THE THIRD FLOOR
ASU FILM SPARK HOSTS ONLINE QUESTION AND ANSWER SESSIONS WITH TOP HOLLYWOOD PROFESSIONALS ON YOUTUBE FOR EVERYONE TO STREAM
Mondays throughout the month of April, cinematographers, producers and other Hollywood professionals who helped bring audiences “Avengers: Endgame,” “Joker,” “The Amazing Spider-Man,” “Venom” and more will explore
the debate on whether or not superhero movies are cinema.
TEMPE, ARIZONA – April 17, 2020 – ASU Film Spark, Arizona State University’s industry relations program in Hollywood,
is hosting a series of free online Q&A sessions with respected Hollywood professionals on Mondays throughout the month of April on the Film
Spark YouTube channel. ASU Film Spark welcomes anyone who is interested in hearing from some of the people who help create your favorite films to join them at 7:30PM PST for the live-streamed events.
This series features conversations with cinematographers, producers and other Hollywood professionals who aim to answer the question, Are Superhero Movies Cinema? Speakers
include:
April 13: Larry Sher, cinematographer, “Joker” and “The Hangover” – Watch his session here
April 20: Chris Edwards, founder/CEO of visualization studio THE THIRD FLOOR, “Avengers: Endgame”; “The Mandalorian”; “Star Wars Episode IX: Rise of Skywalker”
April 27: Matt Tolmach, producer and executive producer, “The Amazing Spider-Man,” ”Venom,” “Jumanji” and “Future Man”
“Martin Scorsese’s claim that superhero movies aren’t cinema gives aspiring filmmakers the chance to think hard about the definition of ‘cinema,’” said Adam Collis, founding director of ASU Film Spark. “And who better
to explore this question than some of the best filmmakers working today. ASU Film Spark has been sharing this special class with our friends at Santa Monica College, and, during these stay-at-home times, we are honored and excited to now share the class with
anyone who loves movies, cinema or both.”
Arizona State University, which has been ranked as the most innovative school in the nation for the last five years in a row, is also the nation’s largest university and built on a charter which puts inclusivity in its very first sentence. In this spirit, ASU Film Spark is thrilled to include film students, cinephiles, comic fans, aspiring moviemakers and movie-lovers of all stripes in conversation.
“I’m proud to have been the first industry guest Adam connected to ASU back in 2009, when we did a video conference with his students,” said Lawrence Sher, cinematographer for “Joker” and “The Hangover” series. “Since
then, I’ve seen Film Spark and the film program grow in astonishing ways. ASU really is the most innovative school in the nation, and their students are spectacular. Our exploration of the superhero genre and the definition of cinema was a blast and one of
the more thought-provoking conversations I’ve had on the subject.”
“Are Superhero Movies CINEMA?” is
the latest example of innovative Film Spark classes and programming. Their Feature Film Internship Initiative gave 85 ASU students and 15 recent alumni the chance
to learn filmmaking on an actual feature film set from an Oscar-winning cast and crew including Octavia Spencer, George Lopez and Nia Vardalos. Other examples include their Women
in Film Zoom Q&A class featuring producer/former studio chief Nina Jacobson, director/co-chair of the DGA diversity committee Bethany Rooney and others; a semester-long class with Lionsgate in which students case-studied the film “Wonder” just before it was
released; and a two-day symposium with producer Walter Parkes called “Inventing the Future All Over Again,” for which Film Spark reassembled the team of futurists Parkes gathered in 1999 to help Steven Spielberg create the futuristic world of Minority Report.
Film Spark has also brought Spike Lee, Patricia Cardoso, Fanny Grande, Salvador Carrasco and Boots Riley to campus for special events and screenings at Sun Devil Stadium.
Guests who would like to receive an email reminder on the day of the event as well as updates about future events may RSVP here. RSVPs are not required and you may view each live session by visiting the Film Spark YouTube channel at 7:30PM MST on Mondays in April.
About ASU Film Spark
In Fall of 2009, ASU film professor Adam Collis hosted a simple video-conference between his students and Lawrence Sher, the cinematographer of “Garden State” and “The Hangover” films. The students liked it so much,
Collis set upon a mission to connect ASU students with the best filmmakers and executives in the world. Since then, Film Spark has connected ASU with 5 Oscar-winners, 5 Oscar-nominees, 8 studio chiefs, the presidents of the Academy and the Directors Guild,
as well as numerous blockbuster producers, award-winning directors and world class depart heads. Film Spark has grown to become the ASU
Embassy in Hollywood—hosting career fairs, connecting students to jobs and internships, and building the Hollywood Sun Devil alumni network through mixers and professional development events for the School of Film, Dance and Theatre in ASU’s Herberger Institute
for Design and the Arts. To learn more, visit filmspark.asu.edu
