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Nominations for the 91th Academy Awards

Performance by an actor in a leading role

  • Christian Bale in “Vice”
  • Bradley Cooper in “A Star Is Born”
  • Willem Dafoe in “At Eternity’s Gate”
  • Rami Malek in “Bohemian Rhapsody”
  • Viggo Mortensen in “Green Book”

Performance by an actor in a supporting role

  • Mahershala Ali in “Green Book”
  • Adam Driver in “BlacKkKlansman”
  • Sam Elliott in “A Star Is Born”
  • Richard E. Grant in “Can You Ever Forgive Me?”
  • Sam Rockwell in “Vice”

Performance by an actress in a leading role

  • Yalitza Aparicio in “Roma”
  • Glenn Close in “The Wife”
  • Olivia Colman in “The Favourite”
  • Lady Gaga in “A Star Is Born”
  • Melissa McCarthy in “Can You Ever Forgive Me?”

Performance by an actress in a supporting role

  • Amy Adams in “Vice”
  • Marina de Tavira in “Roma”
  • Regina King in “If Beale Street Could Talk”
  • Emma Stone in “The Favourite”
  • Rachel Weisz in “The Favourite”

Best animated feature film of the year

  • “Incredibles 2” Brad Bird, John Walker and Nicole Paradis Grindle
  • “Isle of Dogs” Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
  • “Mirai” Mamoru Hosoda and Yuichiro Saito
  • “Ralph Breaks the Internet” Rich Moore, Phil Johnston and Clark Spencer
  • “Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

Achievement in cinematography

  • “Cold War” Łukasz Żal
  • “The Favourite” Robbie Ryan
  • “Never Look Away” Caleb Deschanel
  • “Roma” Alfonso Cuarón
  • “A Star Is Born” Matthew Libatique

Achievement in costume design

  • “The Ballad of Buster Scruggs” Mary Zophres
  • “Black Panther” Ruth Carter
  • “The Favourite” Sandy Powell
  • “Mary Poppins Returns” Sandy Powell
  • “Mary Queen of Scots” Alexandra Byrne

Achievement in directing

  • “BlacKkKlansman” Spike Lee
  • “Cold War” Paweł Pawlikowski
  • “The Favourite” Yorgos Lanthimos
  • “Roma” Alfonso Cuarón
  • “Vice” Adam McKay

Best documentary feature

  • “Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
  • “Hale County This Morning, This Evening” RaMell Ross, Joslyn Barnes and Su Kim
  • “Minding the Gap” Bing Liu and Diane Quon
  • “Of Fathers and Sons” Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
  • “RBG” Betsy West and Julie Cohen

Best documentary short subject

  • “Black Sheep” Ed Perkins and Jonathan Chinn
  • “End Game” Rob Epstein and Jeffrey Friedman
  • “Lifeboat” Skye Fitzgerald and Bryn Mooser
  • “A Night at The Garden” Marshall Curry
  • “Period. End of Sentence.” Rayka Zehtabchi and Melissa Berton

Achievement in film editing

  • “BlacKkKlansman” Barry Alexander Brown
  • “Bohemian Rhapsody” John Ottman
  • “The Favourite” Yorgos Mavropsaridis
  • “Green Book” Patrick J. Don Vito
  • “Vice” Hank Corwin

Best foreign language film of the year

  • “Capernaum” Lebanon
  • “Cold War” Poland
  • “Never Look Away” Germany
  • “Roma” Mexico
  • “Shoplifters” Japan

Achievement in makeup and hairstyling

  • “Border” Göran Lundström and Pamela Goldammer
  • “Mary Queen of Scots” Jenny Shircore, Marc Pilcher and Jessica Brooks
  • “Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney

Achievement in music written for motion pictures (Original score)

  • “Black Panther” Ludwig Goransson
  • “BlacKkKlansman” Terence Blanchard
  • “If Beale Street Could Talk” Nicholas Britell
  • “Isle of Dogs” Alexandre Desplat
  • “Mary Poppins Returns” Marc Shaiman

Achievement in music written for motion pictures (Original song)

  • “All The Stars” from “Black Panther”
    Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe
  • “I’ll Fight” from “RBG”
    Music and Lyric by Diane Warren
  • “The Place Where Lost Things Go” from “Mary Poppins Returns”
    Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman
  • “Shallow” from “A Star Is Born”
    Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
  • “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”
    Music and Lyric by David Rawlings and Gillian Welch

Best motion picture of the year

  • “Black Panther” Kevin Feige, Producer
  • “BlacKkKlansman” Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers
  • “Bohemian Rhapsody” Graham King, Producer
  • “The Favourite” Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers
  • “Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers
  • “Roma” Gabriela Rodríguez and Alfonso Cuarón, Producers
  • “A Star Is Born” Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers
  • “Vice” Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers

Achievement in production design

  • “Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart
  • “The Favourite” Production Design: Fiona Crombie; Set Decoration: Alice Felton
  • “First Man” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
  • “Mary Poppins Returns” Production Design: John Myhre; Set Decoration: Gordon Sim
  • “Roma” Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

Best animated short film

  • “Animal Behaviour” Alison Snowden and David Fine
  • “Bao” Domee Shi and Becky Neiman-Cobb
  • “Late Afternoon” Louise Bagnall and Nuria González Blanco
  • “One Small Step” Andrew Chesworth and Bobby Pontillas
  • “Weekends” Trevor Jimenez

Best live action short film

  • “Detainment” Vincent Lambe and Darren Mahon
  • “Fauve” Jeremy Comte and Maria Gracia Turgeon
  • “Marguerite” Marianne Farley and Marie-Hélène Panisset
  • “Mother” Rodrigo Sorogoyen and María del Puy Alvarado
  • “Skin” Guy Nattiv and Jaime Ray Newman

Achievement in sound editing

  • “Black Panther” Benjamin A. Burtt and Steve Boeddeker
  • “Bohemian Rhapsody” John Warhurst and Nina Hartstone
  • “First Man” Ai-Ling Lee and Mildred Iatrou Morgan
  • “A Quiet Place” Ethan Van der Ryn and Erik Aadahl
  • “Roma” Sergio Díaz and Skip Lievsay

Achievement in sound mixing

  • “Black Panther” Steve Boeddeker, Brandon Proctor and Peter Devlin
  • “Bohemian Rhapsody” Paul Massey, Tim Cavagin and John Casali
  • “First Man” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
  • “Roma” Skip Lievsay, Craig Henighan and José Antonio García
  • “A Star Is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

Achievement in visual effects

  • “Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
  • “Christopher Robin” Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
  • “First Man” Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm
  • “Ready Player One” Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
  • “Solo: A Star Wars Story” Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

Adapted screenplay

  • “The Ballad of Buster Scruggs” Written by Joel Coen & Ethan Coen
  • “BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
  • “Can You Ever Forgive Me?” Screenplay by Nicole Holofcener and Jeff Whitty
  • “If Beale Street Could Talk” Written for the screen by Barry Jenkins
  • “A Star Is Born” Screenplay by Eric Roth and Bradley Cooper & Will Fetters

Original screenplay

  • “The Favourite” Written by Deborah Davis and Tony McNamara
  • “First Reformed” Written by Paul Schrader
  • “Green Book” Written by Nick Vallelonga, Brian Currie, Peter Farrelly
  • “Roma” Written by Alfonso Cuarón
  • “Vice” Written by Adam McKay

The 91st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2018 and will take place at the Dolby Theatre in Hollywood on February 24, 2019.

Top 10 Best Films of 2018

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10. Searching

I admit, the trailer makes this film seem like a well produced Lifetime movie. But if you actually watched it, you’ll uncover a surprisingly great mystery, thriller! The beginning is essentially a live-action adaptation of the first 5 minutes of Up. The story is told through a computer screen bouncing around different platforms, from Facebook to FaceTime. Emotions are conveyed from all kinds of computer movements, even a conflicted mouse cursor.  Searching is so brilliantly executed and is furthered by its well-rounded cast.

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9. Crazy Rich Asians

Who knew that when Warner Bros acquired Crazy Rich Asians they were producing one of the most talked about films of the year! I’ve said it before and I’ll say it again, the romantic comedies are sadly dying. Rarely are any seeing the light of the big screen, but films like last year’s The Big Sick and Crazy Rich Asians are reviving the genre. And, thank God for it. Something as simple as taking a formula we’ve already seen, but through the eyes of a different culture makes the story fresh. And it doesn’t hurt that we’re getting to see elaborate, colorful parties and the most beautiful wedding scene. Crazy Rich Asians is both visually and emotionally captivating.‬

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8. Beautiful Boy

Steve Carell and Timothee Chalamet excellently play real life father/son, David and Nic Sheff. Their relationship starts off as an admirable one. They are close and truly care for each other. Which is why it is so hard to watch Nic’s addiction to crystal meth. Never have I seen and felt the pain parents must feel when all they want and try to do is help their child in need. But ultimately, they are enabling their problem. It’s gut-wrenching when you have to come to terms with the fact that you can’t help someone who doesn’t want to help themselves. Carell does a fine job, but it’s Chalamet who gives his best performance yet.  Quite possibly an Oscar worthy one?

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7. Tully

Tully has stayed with me ever since I watched it back in May. It wasn’t what I expected at all and you have to power through a very uncomfortable scene. But once you get to the end, it will all be worth it. Charlize Theron plays a mother of 3 who hires a night nanny (MacKenzie Davis). In case you don’t know what that is; it’s a baby sister that comes to your house in the middle of the night and allows you to sleep while she watches your baby until the morning. I’d prefer to not reveal anymore about the film, but just know it’s a good one. Tully will leave you appreciating all the efforts moms go through everyday, and understanding why any bit of help can go a long way.

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6. BlacKkKlansman

So, I did not know this actually happened! Ron Stallworth (played by John David Washington) was an African American police officer, who successfully managed to infiltrate a local Ku Klux Klan branch with the help of a Jewish surrogate (Adam Driver) who eventually became the group’s leader. It’s an incredible and mind blowing story that is unfortunately relevant to today. Just wait for that ending. Though the film tackles a serious subject, they sprinkle a lot of laughs along the way. Not only is BlacKkKlansman a good movie, it truly is a film EVERYONE should see.

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5. Avengers: Infinity War

Back in 2012 when the first Avengers film came out, I was blown away by the merging of all these superheroes in one movie. It was the greatest thing ever, because Marvel knew how to develop characters and make us care about each of the superheroes on screen; while also hooking us into an entertaining story-line. Since then, they have continued to keep us enthralled with stand alone Avenger films and sequels. Finally leading up to what we’ve all been waiting for, the show down with Thanos! With even more characters to follow, Marvel handled Infinity War perfectly. Giving our heroes and villains the right balance of screen time, and also providing audiences with an original premise. Our villain doesn’t want to destroy the world, he actually wants to save it. Unfortunately, his plan requires wiping out half of everyone on earth. Infinity War is filled with emotion, thrilling action, and a haunting cliff-hanger.

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4. Love, Simon

Remember that talk about reviving romantic comedies?  Well, Love, Simon is also another great example of just that. It’s a fun and surprisingly deep film that sets a new standard for the teen romantic comedy genre, while also breaking new ground in its portrayal of coming out. A film like this one is long overdue, but better late than never.   The movie is elevated by its strong cast and beautifully written script. From High School crushes to fears of being your true self,  Love, Simon is relatable on so many levels. And prepare for an inspiring monologue by Jennifer Garner that will move you to tears.

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3. Green Book

This true story will warm everyone’s heart! I cried at the end because I was so happy over what I had just seen. Green Book follows an Italian-American bouncer (Viggo Mortensen) whose been hired to chauffeur and protect and African-American classical pianist (Mahershala Ali) on a tour through the deep South in the 1960s. Mortensen’s performance is my favorite of the year. He and Ali are a dynamic duo, sharing wonderful on-screen chemistry. Though this is a film about it’s characters, there is still an engaging story about a beautiful friendship.

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2. Black Panther

Seeing Black Panther for the first time this past February was a true cinematic experience. When we first met Chadwick Boseman’s character, T’Challa, in the Civil War, he was seeking revenge for his father’s death. In Black Panther, T’Challa returns as the new king of the secretive and technologically advanced African nation of Wakanda.  But the mysterious Erik Killmonger (superbly played by Michael B. Jordan),threatens Wakanda when he challenges T’Challa’s title as King. Black Panther remains intriguing from start to finish with its heart-pounding action sequences and its socially relevant, complex narrative. It explores issues of power and privilege, as Wakanda is torn about whether or not they should share its technological advances and risk having it fall into the wrong hands.

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1. A Quiet Place

I rarely ever call movies “perfect”. But this is a perfect film in the sense that I wouldn’t change a thing about it. John Krasniski’s passion project, in which he directed, wrote and starred in, is about a family’s fight for survival from alien-like monsters with a keen sense of hearing. Such a simple premise is crafted into an original, genuinely horrifying thriller. The film forces audiences to BE SILENT, as this is an excruciatingly quiet movie. It will essentially have you holding your breath until the very end. You are left thinking about A Quiet Place long after the film is over.

The Rest of the Films that Deserve Recognition:

11. A Star is Born
12. Instant Family
13. Boy Erased
14. Spider-Man: Into the Spider-Verse
15. The Oath
16. Isle of Dogs
17. Eighth Grade
18. Deadpool 2
19. Aquaman
20. Creed 2

Top 5 Worst Films of 2018

5. The Nun- So much potential, but falls so flat.

4. Jurassic World: Fallen Kingdom- How dare you put us through this movie and the death of that Brachiosaurus!

3. Pacific Rim: Uprising- I had forgotten I watched this movie.  It’s too bad I couldn’t keep it that way.

2. Venom- Turns out to be a comedy with no laughs.

1. The 15:17 to Paris- WTF happened here!?

Trevor’s Top 10

Honorable Mention: Creed 2
10. Beautiful Boy
9. Sicario: Day of the Dead
8. BlacKkKlansman
7. Spider-Man Into the Spider-Verse
6. Avengers: Infinity War
5. A Quiet Place
4. Tully
3. Boy Erased
2. Black Panther
1. Green Book

North Texas Film Critics Name “GREEN BOOK” As Best Picture Of 2018

NORTH TEXAS FILM CRITICS NAME GREEN BOOK AS BEST PICTURE OF 2018

The North Texas Film Critics Association voted the biographical dramedy GREEN BOOK as best film of 2018, according to the results of its annual critics’ poll. Completing the list of the top 9 films of the year were: ROMA (2), THE FAVOURITE (3), BLACKkKLANSMAN (4), FIRST MAN (5), BOHEMIAN RHAPSODY (6), EIGHTH GRADE (7), VICE (8) and A STAR IS BORN (9).

For Best Actor, the association named Rami Malek for BOHEMIAN RHAPSODY. Runners-up included Viggo Mortensen for GREEN BOOK (2), Christian Bale for VICE (3), Ryan Gosling for FIRST MAN (4) and John David Washington for BLACKkKLANSMAN (5).

Toni Collette was voted Best Actress for HEREDITARY. Next in the voting were Olivia Colman for THE FAVOURITE (2), Rosamund Pike for A PRIVATE WAR (3), Viola Davis for WIDOWS (4) and Melissa McCarthy for CAN YOU EVER FORGIVE ME? (5).

In the Best Supporting Actor category, the winner was Mahershala Ali for GREEN BOOK. He was followed by Michael B. Jordan for BLACK PANTHER (2), Adam Driver for BLACKkKLANSMAN (3), Timothée Chalamet for BEAUTIFUL BOY (4) and Sam Elliott for A STAR IS BORN (5).

For Best Supporting Actress, the association named Emma Stone for THE FAVOURITE. Runners-up included Claire Foy for FIRST MAN (2), Elizabeth Debicki for WIDOWS (3), Rachel Weisz for THE FAVOURITE (4) and Tessa Thompson for CREED II (5).

Alfonso Cuarón was voted Best Director for ROMA. Next in the voting were Peter Farrelly for GREEN BOOK (2), Spike Lee for BLACKkKLANSMAN (3), Yorgos Lanthimos for THE FAVOURITE (4) and Damien Chazelle for FIRST MAN (5).

The association voted ROMA (Mexico) as the Best Foreign Language Film of the year. Runners-up were COLD WAR (Poland) (2), BURNING (South Korea) (3), SHOPLIFTERS (Japan) (4), and NEVER LOOK AWAY (Germany) (5).

WON’T YOU BE MY NEIGHBOR? won for Best Documentary over FREE SOLO (2), SHIRKERS (3), THREE IDENTICAL STRANGERS (4) and RGB (5).

ISLE OF DOGS was named the Best Animated Film of 2018, over INCREDIBLES 2 (2), and SPIDER-MAN: INTO THE SPIDER-VERSE (3).

The award for Best Cinematography went to Alfonso Cuarón for ROMA, followed by Linus Sandgren for FIRST MAN (2), Chayse Irvin for BLACKkKLANSMAN (3),  Rachel Morrison for BLACK PANTHER (4) and Newton Thomas Sigel for BOHEMIAN RHAPSODY (5).

Elsie Fisher was awarded BEST NEWCOMER for EIGHTH GRADE.

The association also voted BLACK PANTHER as the winner of the 2nd annual Gary Murray Award, named for the late NTFCA president. The honor will be bestowed annually to the BEST ENSEMBLE.

The North Texas Film Critics Association consists of 15 broadcast, print and online journalists from throughout the North Texas area. Visit us at www.northtexasfilmcritics.com or follow us on Facebook at https://www.facebook.com/NTFCA/. Contact Susan Kandell at dabronx101@gmail or 214.878.2700 for more information.

Fantastic Fest Reviews: “Halloween”, “An Evening with Beverly Luff Linn” & “Cam”

Halloween (2018)

The opening night film at Fantastic Fest was none other than the highly anticipated sequel, Halloween (2018). Jamie Lee Curtis returns to her iconic role as Laurie Strode to come face-to-face with masked serial killer, Michael Myers, who has haunted her since the traumatic night four decades ago.

The film is inspired by John Carpenter’s classic. But filmmakers David Gordon Green and Danny McBride decided to ignore all the other sequels that followed the original Halloween from 1978, and create a story that changes Laurie’s past. In other words, 40 years later Laurie is a bad ass. Michael Myers is not her brother. And, she’s prepared to take on whatever he throws her way.

Laurie Strode is one hell of a grandma in Halloween (2018). Though her daughter (Judy Greer) still resents her for making her grow up as a survivalist since childhood, her granddaughter, Allyson, (Andi Matichak) adores her. This creates tension anytime the family is all together. It isn’t until Halloween night that Michael Myers returns to wreak havoc, and finally finish the job he started 40 years ago. Only this time he’s up against 3 generations of Strode women.

Halloween (2018) far from a stand out horror flick. We’re basically seeing the same formula just different ways of murder. However, this film is a lot of fun! McBride’s writing shines throughout the film, and it’s the comic relief that provides any sort of originality. But don’t get me wrong, I love this formula and it’s great to see Curtis back in action in a role she handles so naturally. The movie entertains the whole time through and will leave you satisfied.

Rating: 3.5/5

 

An Evening with Beverly Luff Linn

Surprisingly enough, the people that brought us The Greasy Strangler, which I hated; has now made An Evening with Beverly Luff Linn, which I really liked a lot. Jim Hosking is back with a second feature that maintain his same style and his same personal dialect. Only this time, he let go of the nauseating grease murderers and swapped it out for characters we could actually care for.

Aubrey Plaza (Parks and Recreation) stars a Lulu Danger, a recently unemployed woman who is unsatisfied with her marriage to sleazy Shane Danger (Emile Hirsch) and life all together. In an attempt to fix the couples financial troubles, Shane steals from his brother-in-law. Which then makes him the target of the world’s worst hitman (Jermaine Clement). But Lulu sees this as an opportunity, she runs off with the hitman in hopes that he can help her track down her old flame, Beverly Luff Linn (Craig Robinson).

This offbeat comedy takes a minute to warm up to. You might not be sure of the flow it’s taking. But once it gets going, it’s actually quite delightful. The all-star cast does a fantastic job, and this might be my favorite performance by Aubrey Plaza. There’s a very unique and corky chemistry between Plaza and Clement that’s almost endearing.

An Evening with Beverly Luff Linn is the light-hearted deadpan comic relief that I was craving during a marathon of graphic horrors at Fantastic Fest.

Rating: 4/5

 

Cam

After letting Cam marinate for a bit, it quickly became one of my favorite films of the fest. Daniel Goldhaber’s feature debut is smart, sexy, and disturbing.

The film stars Madeline Brewer (Orange is the New Black and The Handmaid’s Tale) as Alice, a young web cam girl who is on the rise to breaking top 50 rank on a pornographic site.  Alice lives a normal life by day, but at night she is “Lola” and constantly comes up with wild narratives to spice up her online shows. She is anxious to reach the top and beat out the other cam girls in the network. However, she never breaks her 3 rules: No public shows, no fake orgasms, and never telling “her guys” that she loves them.

Just when Alice is moving up in her ranking, she has an unwelcoming surprise when she sees a girl who looks just like her live on her web cam profile. Frantic and paranoid, Alice is on a mission to find out who has taken her identity and stolen her top rank.

Even though 60 percent of Cam consists of a bunch of web cam girls performing erotic acts, the film is incredibly magnetizing. It’s as if you’re in a trance the minute the film begins and you can’t stop watching. The neon lighting, the shocking sequences, and the captivating performance by Brewer is enough to suck you in.

Cam is the movie you didn’t know you wanted to see. It’s a tantalizing thrill-ride with a bone-crushing end that will leave you wanting more.

Rating: 4.5/5

Star Wars: The Last Jedi Blu-ray & DVD Release

You can now purchase “Star Wars: The Last Jedi” on DVD, Blu-ray, 4K Ultra HD and Digital HD!

Picking up where “The Force Awakens” left off,  Rey (Daisy Ridley) has located Skywalker and hopes to learn Jedi skills from him. Skywalker is extremely reluctant to train Rey in the ways of The Force because of his past experience with Kylo Ren (Adam Driver).

While this drama and back story are unfolding, we have another story in another galaxy far, far away, where the rebels are under attack by forces led by the evil Snoke, Kylo Ren and General Hux (Domhnall Gleeson). Ace fighter pilot Poe Dameron (Oscar Isaac) leads a daring attack on a First Order dreadnought, against the orders of Leia (Carrie Fisher). Weakened, the rebels must retreat under close pursuit by the First Order fleet.

Finn (John Boyega) wakes up and immediately gets into trouble after several desperate plans cooked up by him, Rose Tico  (Kelly Marie Tran) are attempted. Another interesting new character is DJ (Benicio Del Toro) a devious hacker and thief. Laura Dern puts in a memorable performance as heroic fleet admiral Holdo.

With all that’s going on, the movie sounds like it’s all over the place, but the story is compelling and there are some solid characters to follow on this journey through many twists and turns. The acting is solid, and of course, great visual effects.

Relive the adventure in the comfort of your own home along with tons of additional content!

Bonus features include:

The Director and the Jedi – Go deep behind the scenes with writer-director Rian Johnson on an intimate and personal journey through the production of the movie—and experience what it’s like to helm a global franchise and cultural phenomenon.

Balance of the Force – Explore the mythology of the Force and why Rian Johnson chose to interpret its role in such a unique way.

Scene Breakdowns

  • Lighting the Spark: Creating the Space Battle – Get a close-up look at the epic space battle, from the sounds that help propel the action, through the practical and visual effects, to the characters who bring it all to life.
  • Snoke and Mirrors – Motion capture and Star Wars collide as the filmmakers take us through the detailed process of creating the movie’s malevolent master villain.
  • Showdown on Crait – Break down everything that went into creating the stunning world seen in the movie’s final confrontation, including the interplay between real-word locations and visual effects, reimagining the walkers, designing the crystal foxes, and much more.

Andy Serkis Live! (One Night Only) – Writer-director Rian Johnson presents two exclusive sequences from the movie featuring Andy Serkis’ riveting, raw on-set performance before his digital makeover into Snoke.

Deleted Scenes – With an introduction and optional commentary by writer-director Rian Johnson.

Audio Commentary – View the movie with in-depth feature audio commentary by writer-director Rian Johnson.

 

“Waitress” at Music Hall at Fair Park

Waitress the Musical

Dallas Summer Musicals, Inc. (DSM) and Broadway Across America (BAA) are thrilled to announce Waitress will play the Music Hall at Fair Park for a limited two-week engagement March 28 – April 8, 2018.

Brought to life by a groundbreaking all-female creative team, this irresistible new hit features original music and lyrics by 6-time Grammy® nominee Sara Bareilles (“Brave,” “Love Song”), a book by acclaimed screenwriter Jessie Nelson (I Am Sam), choreography by Lorin Latarro (Les Dangereuse Liasons, Waiting For Godot) and direction by Tony Award® winner Diane Paulus (Hair, Pippin, Finding Neverland).

Inspired by Adrienne Shelly’s beloved film, Waitress tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.

“It’s an empowering musical of the highest order!” raves the Chicago Tribune. “Waitress is a little slice of heaven!” says Entertainment Weekly and “a monumental contribution to Broadway!” according to Marie Claire. Don’t miss this uplifting musical celebrating friendship, motherhood, and the magic of a well-made pie.

For more tour information, please visit http://waitressthemusical.com

Single tickets for the Dallas engagement of Waitress, starting at $20 (pricing subject to change), are now on sale at DallasSummerMusicals.org or by phone at 1 (800) 745-3000. They can also be purchased in person at the Music Hall at Fair Park Box Office Monday through Friday from 10 a.m. to 6 p.m. and Saturday from 10 a.m. to 4 p.m.

Predicting the Winners: 90th Academy Awards

Best Picture:

“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“Get Out”
“Lady Bird”
“Phantom Thread”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

Will Win: “Three Billboards Outside Ebbing, Missouri”
Could Win: “The Shape of Water”
Want to Win: “Get Out”

Lead Actor:

Timothée Chalamet, “Call Me by Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out”
Gary Oldman, “Darkest Hour”
Denzel Washington, “Roman J. Israel, Esq.”

Will Win: Gary Oldman, “Darkest Hour”
Could Win: Timothée Chalamet, “Call Me by Your Name”
Want to Win: Timothée Chalamet, “Call Me by Your Name”

Lead Actress:

Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”
Meryl Streep, “The Post”

Will Win: Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Could Win: Saoirse Ronan, “Lady Bird”
Want to Win: Margot Robbie, “I, Tonya”

Supporting Actor:

Willem Dafoe, “The Florida Project”
Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”
Richard Jenkins, “The Shape of Water”
Christopher Plummer, “All the Money in the World”
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Will Win: Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”
Could Win: Willem Dafoe, “The Florida Project”
Want to Win: Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Supporting Actress:

Mary J. Blige, “Mudbound”
Allison Janney, “I, Tonya”
Lesley Manville, “Phantom Thread”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

Will Win: Allison Janney, “I, Tonya”
Could Win: Laurie Metcalf, “Lady Bird”
Want to Win: Allison Janney, “I, Tonya”

Director:

“Dunkirk,” Christopher Nolan
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Phantom Thread,” Paul Thomas Anderson
“The Shape of Water,” Guillermo del Toro

Will Win: “The Shape of Water,” Guillermo del Toro
Could Win: “Dunkirk,” Christopher Nolan
Want to Win: “Get Out,” Jordan Peele

Animated Feature:

“The Boss Baby,” Tom McGrath, Ramsey Ann Naito
“The Breadwinner,” Nora Twomey, Anthony Leo
“Coco,” Lee Unkrich, Darla K. Anderson
“Ferdinand,” Carlos Saldanha
“Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Will Win: “Coco,” Lee Unkrich, Darla K. Anderson
Could Win: No Contest
Want to Win: “Coco,” Lee Unkrich, Darla K. Anderson

Animated Short:

“Dear Basketball,” Glen Keane, Kobe Bryant
“Garden Party,” Victor Caire, Gabriel Grapperon
“Lou,” Dave Mullins, Dana Murray
“Negative Space,” Max Porter, Ru Kuwahata
“Revolting Rhymes,” Jakob Schuh, Jan Lachauer

Will Win: “Dear Basketball,” Glen Keane, Kobe Bryant
Could Win: “Lou,” Dave Mullins, Dana Murray
Want to Win: “Lou,” Dave Mullins, Dana Murray

Adapted Screenplay:

“Call Me by Your Name,” James Ivory
“The Disaster Artist,” Scott Neustadter & Michael H. Weber
“Logan,” Scott Frank & James Mangold and Michael Green
“Molly’s Game,” Aaron Sorkin
“Mudbound,” Virgil Williams and Dee Rees

Will Win: “Call Me by Your Name,” James Ivory
Could Win: Mudbound,” Virgil Williams and Dee Rees
Want to Win: “The Disaster Artist,” Scott Neustadter & Michael H. Weber

Original Screenplay:

“The Big Sick,” Emily V. Gordon & Kumail Nanjiani
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“The Shape of Water,” Guillermo del Toro, Vanessa Taylor
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Will Win: “Get Out,” Jordan Peele
Could Win: “Three Billboards Outside Ebbing, Missouri,” Martin McDonagh
Want to Win: “The Big Sick,” Emily V. Gordon & Kumail Nanjiani or “Get Out,” Jordan Peele

Cinematography:

“Blade Runner 2049,” Roger Deakins
“Darkest Hour,” Bruno Delbonnel
“Dunkirk,” Hoyte van Hoytema
“Mudbound,” Rachel Morrison
“The Shape of Water,” Dan Laustsen

Will Win: “Blade Runner 2049,” Roger Deakins
Could Win: “Dunkirk,” Hoyte van Hoytema
Want to Win: “Blade Runner 2049,” Roger Deakins

Best Documentary Feature:

“Abacus: Small Enough to Jail,” Steve James, Mark Mitten, Julie Goldman
“Faces Places,” JR, Agnès Varda, Rosalie Varda
“Icarus,” Bryan Fogel, Dan Cogan
“Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen
“Strong Island,” Yance Ford, Joslyn Barnes

Will Win: “Faces Places,” JR, Agnès Varda, Rosalie Varda
Could Win: “Last Men in Aleppo,” Feras Fayyad, Kareem Abeed, Soren Steen Jepersen
Want to Win: “Faces Places,” JR, Agnès Varda, Rosalie Varda

Best Documentary Short Subject:

“Edith+Eddie,” Laura Checkoway, Thomas Lee Wright
“Heaven is a Traffic Jam on the 405,” Frank Stiefel
“Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon
“Knife Skills,” Thomas Lennon
“Traffic Stop,” Kate Davis, David Heilbroner

Will Win: “Edith+Eddie,” Laura Checkoway, Thomas Lee Wright
Could Win: “Knife Skills,” Thomas Lennon
Want to Win: “Edith+Eddie,” Laura Checkoway, Thomas Lee Wright

Best Live Action Short Film:

“DeKalb Elementary,” Reed Van Dyk
“The Eleven O’Clock,” Derin Seale, Josh Lawson
“My Nephew Emmett,” Kevin Wilson, Jr.
“The Silent Child,” Chris Overton, Rachel Shenton
“Watu Wote/All of Us,” Katja Benrath, Tobias Rosen

Will Win: “DeKalb Elementary,” Reed Van Dyk
Could Win: “The Eleven O’Clock,” Derin Seale, Josh Lawson
Want to Win: “DeKalb Elementary,” Reed Van Dyk

Best Foreign Language Film:

“A Fantastic Woman” (Chile)
“The Insult” (Lebanon)
“Loveless” (Russia)
“On Body and Soul (Hungary)
“The Square” (Sweden)

Will Win: “A Fantastic Woman” (Chile)
Could Win: “The Insult” (Lebanon)
Want to Win: “The Insult” (Lebanon)

Film Editing:

“Baby Driver,” Jonathan Amos, Paul Machliss
“Dunkirk,” Lee Smith
“I, Tonya,” Tatiana S. Riegel
“The Shape of Water,” Sidney Wolinsky
“Three Billboards Outside Ebbing, Missouri,” Jon Gregory

Will Win: “Dunkirk,” Lee Smith
Could Win: “Baby Driver,” Jonathan Amos, Paul Machliss
Want to Win: “Baby Driver,” Jonathan Amos, Paul Machliss

Sound Editing:

“Baby Driver,” Julian Slater
“Blade Runner 2049,” Mark Mangini, Theo Green
“Dunkirk,” Alex Gibson, Richard King
“The Shape of Water,” Nathan Robitaille, Nelson Ferreira
“Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

Will Win: “Dunkirk,” Alex Gibson, Richard King
Could Win: “Baby Driver,” Julian Slater
Want to Win: “Baby Driver,” Julian Slater

Sound Mixing:

“Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin
“Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill
“Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo
“The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern
“Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Will Win: “Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo
Could Win: “Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin
Want to Win: “Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin

Production Design:

“Beauty and the Beast,” Sarah Greenwood; Katie Spencer
“Blade Runner 2049,” Dennis Gassner, Alessandra Querzola
“Darkest Hour,” Sarah Greenwood, Katie Spencer
“Dunkirk,” Nathan Crowley, Gary Fettis
“The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Will Win: “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau
Could Win: “Blade Runner 2049,” Dennis Gassner, Alessandra Querzola
Want to Win: “The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Original Score:

“Dunkirk,” Hans Zimmer
“Phantom Thread,” Jonny Greenwood
“The Shape of Water,” Alexandre Desplat
“Star Wars: The Last Jedi,” John Williams
“Three Billboards Outside Ebbing, Missouri,” Carter Burwell

Will Win: “The Shape of Water,” Alexandre Desplat
Could Win: “Dunkirk,” Hans Zimmer
Want to Win: “The Shape of Water,” Alexandre Desplat

Original Song:

“Mighty River” from “Mudbound,” Mary J. Blige
“Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens
“Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez
“Stand Up for Something” from “Marshall,” Diane Warren, Common
“This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

Will Win: “This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul
Could Win: “Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez
Want to Win: “This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

Makeup and Hair:

“Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
“Victoria and Abdul,” Daniel Phillips and Lou Sheppard
“Wonder,” Arjen Tuiten

Will Win: “Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
Could Win: “Wonder,” Arjen Tuiten
Want to Win: “Wonder,” Arjen Tuiten

Costume Design:

“Beauty and the Beast,” Jacqueline Durran
“Darkest Hour,” Jacqueline Durran
“Phantom Thread,” Mark Bridges
“The Shape of Water,” Luis Sequeira
“Victoria and Abdul,” Consolata Boyle

Will Win: “Phantom Thread,” Mark Bridges
Could Win: “Victoria and Abdul,” Consolata Boyle
Want to Win: “Phantom Thread,” Mark Bridges

Visual Effects:

“Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
“Guardians of the Galaxy Vol. 2,” Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick
“Kong: Skull Island,” Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus
“Star Wars: The Last Jedi,”  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon
“War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

Will Win: “War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist
Could Win: “Blade Runner 2049,” John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Want to Win: “War for the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

We will see how many of my predictions are right…Watch the 90th Academy Awards Sunday, March 4, 2018- on ABC.  Hosted by Jimmy Kimmel!

Tickets for Disney’s The Lion King On Sale Now!

Tickets for Disney’s The Lion King On Sale Now! 

Performances Begin on June 13, 2018 and Play for 4 Weeks

Through July 7, 2018 at the Music Hall at Fair Park

Disney Theatrical Productions, Dallas Summer Musicals, Inc. (DSM) and Broadway Across America (BAA) announced today that tickets for the long-awaited return engagement of Disney’s The Lion King go on sale to the public today. Disney’s The Lion King will leap onto the Music Hall at Fair Park stage on June 13, 2018 for a limited 4 week engagement through July 7, 2018.

Beginning today, tickets will be available at DallasSummerMusicals.org or by calling Ticketmaster at (866) 270-2717. They can also be purchased in person at the Music Hall at Fair Park Box Office Monday through Friday from 10:00am to 6:00pm and Saturday from 10:00am to 4:00pm. Orders for groups of ten (10) or more may be placed by calling (214) 426-4768 or emailing Groups@DallasSummerMusicals.org.VIP Ticket Packages, which include a prime seat location, a commemorative souvenir program and an exclusive merchandise item, are also available.

Ticket buyers are reminded that Dallas Summer Musicals and Ticketmaster are the only official retail ticket outlets for all performances. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that Dallas Summer Musicals is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.

The North American touring productions of The Lion King have been seen by more than 19 million theatergoers.  Having already played more than 70 cities across North America, The Lion King now proudly makes its 4th return to the Music Hall at Fair Park.

About The Lion King

In its 20th year, The Lion King continues ascendant as one of the most popular stage musicals in the world.  Since its Broadway premiere on November 13, 1997, 24 global productions have been seen by more than 95 million people.  Produced by Disney Theatrical Productions (under the direction of Thomas Schumacher), The Lion King is only the second show in history to generate five productions worldwide running 10 or more years.  Performed in eight different languages (Japanese, German, Korean, French, Dutch, Spanish, Mandarin and Portuguese), productions of The Lion King can currently be seen on Broadway; London’s West End; Hamburg; Tokyo; Madrid; Scheveningen; Sapporo and on tour across North America, for a total of eight productions running concurrently across the globe.

Having played over 100 cities in 19 countries on every continent except Antarctica, The Lion King’s worldwide gross exceeds that of any film, Broadway show or other entertainment title in box office history.

The Lion King won six 1998 Tony Awards®:  Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical.  The Lion King has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy® for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design.

The show’s director, costume designer and mask co-designer Julie Taymor continues to play an integral part in the show’s ongoing success.  The first woman to win a Tony Award for Direction of a Musical, Taymor has in recent years supervised new productions of the show around the world.

The Broadway score features Elton John and Tim Rice’s music from The Lion King animated film along with three new songs by John and Rice; additional musical material by South African Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor and Hans Zimmer; and music from “Rhythm of the Pride Lands,” an album inspired by the original music in the film, written by Lebo M, Mark Mancina and Hans Zimmer.  The resulting sound of The Lion King is a fusion of Western popular music and the distinctive sounds and rhythms of Africa, ranging from the Academy Award®-winning song “Can You Feel the Love Tonight” to the haunting ballad “Shadowland.”

The book has been adapted by Roger Allers, who co-directed The Lion King animated feature, and Irene Mecchi, who co-wrote the film’s screenplay.  Other members of the creative team include:  Michael Curry, who designed the masks and puppets with Taymor, Steve Canyon Kennedy (sound design), Michael Ward (hair and makeup design), John Stefaniuk (associate director), Marey Griffith (associate choreographer), Clement Ishmael (music supervisor) and Doc Zorthian (production supervisor). Anne Quart serves as co-producer.

For more information worldwide, visit LionKing.com.

“Get Out” One Year Later – Free Screenings on President Day!

First-Come, First-Served Offer Valid at 55 AMC Theatres Nationwide to Guests of the 7:00 P.M. Screenings on Monday, February 19

Universal City, CA, February 13, 2018—Filmmaker Jordan Peele, in conjunction with Universal Pictures, today announced free screenings of Universal’s Get Out on Presidents’ Day, February 19, at 55 AMC locations nationwide.  Each guest who requests a ticket the day of the screening—at a participating location—will be given one free admission to the 7:00 p.m. showing, up to theatre capacity.

Since its release in theatres in February 2017, Get Out has been nominated for four Academy Awards®, while inspiring audiences and artists worldwide.  A compilation video was also released that showcases the artwork inspired by Get Out—featuring the hashtag #GetOutOneYearLater—to encourage audiences to share more of their artwork, experiences and discussions that were influenced by the movie.

The promotion will be available at each of the 55 AMC Theatres playing the special screening of Get Out at 7:00 p.m. on February 19.  Free tickets will be available on a first-come, first-served basis and may only be picked up at the AMC box office that day.  Each guest must present a valid ID to receive their ticket, with a limit of one free ticket for each ID presented, while supplies last.  This offer is valid for the 7:00 p.m. showing of the film on February 19, only.

Markets that will playing Get Out on Presidents’ Day include ones in Atlanta, GA; Baltimore, MD; Boston, MA; Charlotte, NC; Chicago, IL; Cincinnati, OH; Columbus, OH; Dallas, TX; Denver, CO; Detroit, MI; Houston, TX; Indianapolis, IN; Jacksonville, FL; Kansas City, MO; Los Angeles, CA; Miami/Ft. Lauderdale, FL; Minneapolis, MN; Nashville, TN; New Orleans, LA; New York City, NY; Oklahoma City, OK; Orlando, FL; Philadelphia, PA; Phoenix, AZ; Pittsburgh, PA; Raleigh/Durham, NC; San Diego, CA; San Francisco/Oakland/San Jose, CA; Seattle/Tacoma, WA; St. Louis, MO; Tallahassee, FL; Tampa, FL; and Washington, D.C.  To find out more information, visit www.getoutoneyearlater.com.

“When Jordan approached us about a way to thank fans one year after the release of Get Out, we thought a Presidents’ Day screening during Black History Month would be a wonderful way to commemorate the film’s impact,” said Jim Orr, President, Distribution, Universal Pictures.  “The success of his stunning vision would not have been possible without the audience’s passion for both Get Out’s groundbreaking storytelling and its deft use of art as society’s mirror.”

For more information and a list of theatres offering the special screenings, please visit www.getoutoneyearlater.com.  Broadcast-quality clips from Get Out are available at www.epk.tv, and stills are available at www.image.net.

 

About Universal Pictures

Universal Pictures is a division of Universal Studios (www.universalstudios.com).  Universal Studios is part of NBCUniversal.  NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience.  NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks.  NBCUniversal is a subsidiary of Comcast Corporation.

Nominations for the 90th Academy Awards

Here is the list of 2018 Oscar nominations:

Best Picture:

“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“Get Out”
“Lady Bird”
“Phantom Thread”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

Lead Actor:

Timothée Chalamet, “Call Me by Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out”
Gary Oldman, “Darkest Hour”
Denzel Washington, “Roman J. Israel, Esq.”

Lead Actress:

Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”
Meryl Streep, “The Post”

Supporting Actor:

Willem Dafoe, “The Florida Project”
Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”
Richard Jenkins, “The Shape of Water”
Christopher Plummer, “All the Money in the World”
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

Supporting Actress:

Mary J. Blige, “Mudbound”
Allison Janney, “I, Tonya”
Lesley Manville, “Phantom Thread”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

Director:

“Dunkirk,” Christopher Nolan
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Phantom Thread,” Paul Thomas Anderson
“The Shape of Water,” Guillermo del Toro

Animated Feature:

“The Boss Baby,” Tom McGrath, Ramsey Ann Naito
“The Breadwinner,” Nora Twomey, Anthony Leo
“Coco,” Lee Unkrich, Darla K. Anderson
“Ferdinand,” Carlos Saldanha
“Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Animated Short:

“Dear Basketball,” Glen Keane, Kobe Bryant
“Garden Party,” Victor Caire, Gabriel Grapperon
“Lou,” Dave Mullins, Dana Murray
“Negative Space,” Max Porter, Ru Kuwahata
“Revolting Rhymes,” Jakob Schuh, Jan Lachauer

Adapted Screenplay:

“Call Me by Your Name,” James Ivory
“The Disaster Artist,” Scott Neustadter & Michael H. Weber
“Logan,” Scott Frank & James Mangold and Michael Green
“Molly’s Game,” Aaron Sorkin
“Mudbound,” Virgil Williams and Dee Rees

Original Screenplay:

“The Big Sick,” Emily V. Gordon & Kumail Nanjiani
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“The Shape of Water,” Guillermo del Toro, Vanessa Taylor
“Three Billboards Outside Ebbing, Missouri,” Martin McDonagh

Cinematography:

“Blade Runner 2049,” Roger Deakins
“Darkest Hour,” Bruno Delbonnel
“Dunkirk,” Hoyte van Hoytema
“Mudbound,” Rachel Morrison
“The Shape of Water,” Dan Laustsen

Best Documentary Feature:

Best Documentary Short Subject:

“Edith+Eddie,” Laura Checkoway, Thomas Lee Wright
“Heaven is a Traffic Jam on the 405,” Frank Stiefel
“Heroin(e),” Elaine McMillion Sheldon, Kerrin Sheldon
“Knife Skills,” Thomas Lennon
“Traffic Stop,” Kate Davis, David Heilbroner

Best Live Action Short Film:

“DeKalb Elementary,” Reed Van Dyk
“The Eleven O’Clock,” Derin Seale, Josh Lawson
“My Nephew Emmett,” Kevin Wilson, Jr.
“The Silent Child,” Chris Overton, Rachel Shenton
“Watu Wote/All of Us,” Katja Benrath, Tobias Rosen

Best Foreign Language Film:

“A Fantastic Woman” (Chile)
“The Insult” (Lebanon)
“Loveless” (Russia)
“On Body and Soul (Hungary)
“The Square” (Sweden)

Film Editing:

“Baby Driver,” Jonathan Amos, Paul Machliss
“Dunkirk,” Lee Smith
“I, Tonya,” Tatiana S. Riegel
“The Shape of Water,” Sidney Wolinsky
“Three Billboards Outside Ebbing, Missouri,” Jon Gregory

Sound Editing:

“Baby Driver,” Julian Slater
“Blade Runner 2049,” Mark Mangini, Theo Green
“Dunkirk,” Alex Gibson, Richard King
“The Shape of Water,” Nathan Robitaille, Nelson Ferreira
“Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

Sound Mixing:

“Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin
“Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill
“Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo
“The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern
“Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Production Design:

“Beauty and the Beast,” Sarah Greenwood; Katie Spencer
“Blade Runner 2049,” Dennis Gassner, Alessandra Querzola
“Darkest Hour,” Sarah Greenwood, Katie Spencer
“Dunkirk,” Nathan Crowley, Gary Fettis
“The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Original Score:

“Dunkirk,” Hans Zimmer
“Phantom Thread,” Jonny Greenwood
“The Shape of Water,” Alexandre Desplat
“Star Wars: The Last Jedi,” John Williams
“Three Billboards Outside Ebbing, Missouri,” Carter Burwell

Original Song:

“Mighty River” from “Mudbound,” Mary J. Blige
“Mystery of Love” from “Call Me by Your Name,” Sufjan Stevens
“Remember Me” from “Coco,” Kristen Anderson-Lopez, Robert Lopez
“Stand Up for Something” from “Marshall,” Diane Warren, Common
“This Is Me” from “The Greatest Showman,” Benj Pasek, Justin Paul

Makeup and Hair:

“Darkest Hour,” Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
“Victoria and Abdul,” Daniel Phillips and Lou Sheppard
“Wonder,” Arjen Tuiten

Costume Design:

“Beauty and the Beast,” Jacqueline Durran
“Darkest Hour,” Jacqueline Durran
“Phantom Thread,” Mark Bridges
“The Shape of Water,” Luis Sequeira
“Victoria and Abdul,” Consolata Boyle

Visual Effects: