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Archives for : February2018

Tickets for Disney’s The Lion King On Sale Now!

Tickets for Disney’s The Lion King On Sale Now! 

Performances Begin on June 13, 2018 and Play for 4 Weeks

Through July 7, 2018 at the Music Hall at Fair Park

Disney Theatrical Productions, Dallas Summer Musicals, Inc. (DSM) and Broadway Across America (BAA) announced today that tickets for the long-awaited return engagement of Disney’s The Lion King go on sale to the public today. Disney’s The Lion King will leap onto the Music Hall at Fair Park stage on June 13, 2018 for a limited 4 week engagement through July 7, 2018.

Beginning today, tickets will be available at DallasSummerMusicals.org or by calling Ticketmaster at (866) 270-2717. They can also be purchased in person at the Music Hall at Fair Park Box Office Monday through Friday from 10:00am to 6:00pm and Saturday from 10:00am to 4:00pm. Orders for groups of ten (10) or more may be placed by calling (214) 426-4768 or emailing Groups@DallasSummerMusicals.org.VIP Ticket Packages, which include a prime seat location, a commemorative souvenir program and an exclusive merchandise item, are also available.

Ticket buyers are reminded that Dallas Summer Musicals and Ticketmaster are the only official retail ticket outlets for all performances. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that Dallas Summer Musicals is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.

The North American touring productions of The Lion King have been seen by more than 19 million theatergoers.  Having already played more than 70 cities across North America, The Lion King now proudly makes its 4th return to the Music Hall at Fair Park.

About The Lion King

In its 20th year, The Lion King continues ascendant as one of the most popular stage musicals in the world.  Since its Broadway premiere on November 13, 1997, 24 global productions have been seen by more than 95 million people.  Produced by Disney Theatrical Productions (under the direction of Thomas Schumacher), The Lion King is only the second show in history to generate five productions worldwide running 10 or more years.  Performed in eight different languages (Japanese, German, Korean, French, Dutch, Spanish, Mandarin and Portuguese), productions of The Lion King can currently be seen on Broadway; London’s West End; Hamburg; Tokyo; Madrid; Scheveningen; Sapporo and on tour across North America, for a total of eight productions running concurrently across the globe.

Having played over 100 cities in 19 countries on every continent except Antarctica, The Lion King’s worldwide gross exceeds that of any film, Broadway show or other entertainment title in box office history.

The Lion King won six 1998 Tony Awards®:  Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical.  The Lion King has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy® for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design.

The show’s director, costume designer and mask co-designer Julie Taymor continues to play an integral part in the show’s ongoing success.  The first woman to win a Tony Award for Direction of a Musical, Taymor has in recent years supervised new productions of the show around the world.

The Broadway score features Elton John and Tim Rice’s music from The Lion King animated film along with three new songs by John and Rice; additional musical material by South African Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor and Hans Zimmer; and music from “Rhythm of the Pride Lands,” an album inspired by the original music in the film, written by Lebo M, Mark Mancina and Hans Zimmer.  The resulting sound of The Lion King is a fusion of Western popular music and the distinctive sounds and rhythms of Africa, ranging from the Academy Award®-winning song “Can You Feel the Love Tonight” to the haunting ballad “Shadowland.”

The book has been adapted by Roger Allers, who co-directed The Lion King animated feature, and Irene Mecchi, who co-wrote the film’s screenplay.  Other members of the creative team include:  Michael Curry, who designed the masks and puppets with Taymor, Steve Canyon Kennedy (sound design), Michael Ward (hair and makeup design), John Stefaniuk (associate director), Marey Griffith (associate choreographer), Clement Ishmael (music supervisor) and Doc Zorthian (production supervisor). Anne Quart serves as co-producer.

For more information worldwide, visit LionKing.com.

“Get Out” One Year Later – Free Screenings on President Day!

First-Come, First-Served Offer Valid at 55 AMC Theatres Nationwide to Guests of the 7:00 P.M. Screenings on Monday, February 19

Universal City, CA, February 13, 2018—Filmmaker Jordan Peele, in conjunction with Universal Pictures, today announced free screenings of Universal’s Get Out on Presidents’ Day, February 19, at 55 AMC locations nationwide.  Each guest who requests a ticket the day of the screening—at a participating location—will be given one free admission to the 7:00 p.m. showing, up to theatre capacity.

Since its release in theatres in February 2017, Get Out has been nominated for four Academy Awards®, while inspiring audiences and artists worldwide.  A compilation video was also released that showcases the artwork inspired by Get Out—featuring the hashtag #GetOutOneYearLater—to encourage audiences to share more of their artwork, experiences and discussions that were influenced by the movie.

The promotion will be available at each of the 55 AMC Theatres playing the special screening of Get Out at 7:00 p.m. on February 19.  Free tickets will be available on a first-come, first-served basis and may only be picked up at the AMC box office that day.  Each guest must present a valid ID to receive their ticket, with a limit of one free ticket for each ID presented, while supplies last.  This offer is valid for the 7:00 p.m. showing of the film on February 19, only.

Markets that will playing Get Out on Presidents’ Day include ones in Atlanta, GA; Baltimore, MD; Boston, MA; Charlotte, NC; Chicago, IL; Cincinnati, OH; Columbus, OH; Dallas, TX; Denver, CO; Detroit, MI; Houston, TX; Indianapolis, IN; Jacksonville, FL; Kansas City, MO; Los Angeles, CA; Miami/Ft. Lauderdale, FL; Minneapolis, MN; Nashville, TN; New Orleans, LA; New York City, NY; Oklahoma City, OK; Orlando, FL; Philadelphia, PA; Phoenix, AZ; Pittsburgh, PA; Raleigh/Durham, NC; San Diego, CA; San Francisco/Oakland/San Jose, CA; Seattle/Tacoma, WA; St. Louis, MO; Tallahassee, FL; Tampa, FL; and Washington, D.C.  To find out more information, visit www.getoutoneyearlater.com.

“When Jordan approached us about a way to thank fans one year after the release of Get Out, we thought a Presidents’ Day screening during Black History Month would be a wonderful way to commemorate the film’s impact,” said Jim Orr, President, Distribution, Universal Pictures.  “The success of his stunning vision would not have been possible without the audience’s passion for both Get Out’s groundbreaking storytelling and its deft use of art as society’s mirror.”

For more information and a list of theatres offering the special screenings, please visit www.getoutoneyearlater.com.  Broadcast-quality clips from Get Out are available at www.epk.tv, and stills are available at www.image.net.

 

About Universal Pictures

Universal Pictures is a division of Universal Studios (www.universalstudios.com).  Universal Studios is part of NBCUniversal.  NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience.  NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks.  NBCUniversal is a subsidiary of Comcast Corporation.

Movie Review: “Fifty Shades Freed” Brings the Franchise to Sizzling End

It’s been a fun 3 years, but we finally close the book on the provocative “Fifty Shades” franchise.

When we last saw Anna (Dakota Johnson) and Christian (Jamie Dornan) in “Fifty Shades Darker” they were rekindling their romance. Anna started a new job at a publishing company where her creep of a boss, Jack Hyde (Eric Johnson), came on to her. While Anna dealt with him, Christian dealt with some troubling ladies from his past. Eventually, the two over came those obstacles and the film ended with the couple getting engaged.

Now we are at the beginning of the end. “Fifty Shades Freed” opens with a montage of Christian and Anna’s wedding followed by what looks like a dream honeymoon in Europe. However, the newlywed’s aren’t in bliss for too long once they find out Jack Hyde is back and pissed at the couple for “ruining his career”. This puts a damper on married life all together, as Christian continues his controlling ways and has Anna continuously followed by his security.

Besides this bigger plot, there is a lot of other stuff going on. This is the negative part of turning a book into a movie, you can never fit everything in. And even with cutting things from the third book, they jammed a lot into only and hour and 45 minutes (the shortest of the 3 films). In a nutshell, Christian and Anna buy a house, another couple gets engaged, Anna gets a job promotion, there are spur of the moment trips, a pregnancy, and of course, lots of sporadic sex.

Oh, and if for some reason you thought the previous films lacked in sex scenes, this one makes up for it and then-some. It seems married life has only made them hotter! They are making love any chance they can, in the car, with ice cream, red room of pain, etc. Though Dornan’s acting is weak, especially in comparison to Johnson’s spot on performance, their sexual chemistry continues to heat up the screen. In a tantalizing scene where Anna is forced to use her safe word, I nearly shouted “Red” myself.

Unfortunately, out of the three films, I had the most problems with “Fifty Shades Freed”. It was by far the most rushed installment and slightly anticlimactic. The film makes you feel like it is building up to a showdown between Jack and Christian, but instead glances over their shocking history and squashes any conflict in a mere 60 seconds.

That being said, “Fifty Shades Freed” is still just as fun as the first two movies and it’s a great “Girls Night Out” flick. And once again, we are treated to an incredible soundtrack that distracts us from whatever nonsense is happening on screen.

“Fifty Shades Freed” has its flaws and by no means is it a “good movie”, but it is a solid end to a ridiculous romance. The story stays true to the books and ultimately, Christian and Anna are given the happy ending all us fans so desperately wanted to see.

Rating: 3/5

“Fifty Shades Freed” hits theaters February 9.

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Interview: Spencer Stone, Alek Skarlatos, & Anthony Sadler talk “The 15:17 to Paris”

On a summer vacation to Europe, three friends experience a terrifying ordeal when a terrorist threatens the passengers on a high speed train. Now THAT sounds like a movie. And it is! Clint Eastwood’s newest film, “The 15:17 to Paris” is based on a real life event that happened in France in 2015 and three American lads (Spencer Stone, Alek Skarlatos, and Anthony Sadler) are the heroes! Check out my interview with the real life heroes/stars of the movie!

“The 15:17 to Paris” opens in theaters February 9.