It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know...
Documentary Explores Legendary Dancer Who Ignited Flames of the 1960s Sexual Revolution; Dallas’s Top Burlesque Dancers With Minxe Mimieux As The Lead...
It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know what to expect from Universal Pictures’ new, surprisingly funny thriller, “Abigail”.
After a group of criminals kidnap the ballerina daughter of a powerful, wealthy man, they must wait 24 hours in an isolated mansion to collect their 50-million-dollar ransom, but things quickly go awry when the group discovers they are locked inside with no normal little girl. What proceeds to happen is an entertaining, creatively shot blood bath that will shock and humor audiences.
The plot is straight-forward, but the production and performances elevate what could have been a bore. Directors Matt Bettinelli-Olpin and Tyler Gillett film a balanced narrative that flows much like a ballet performance. There’s a good rhythm at the start and engaging theatrics throughout with Abigail’s random, but impressive dance moves right before she remarkably lands her bait. And while the band of crooks do a fine job, it’s our young star, Alisha Weir who steals the show. She’s natural at playing an angelic scared little girl, who in an instant can flip the switch to a terrifying demonic tiny dancer.
But “Abigail” does have its flaws. Towards the end, the film does waver and stubble over its steady beat with too many betrayals and inconsistent character identities. Which prevents it from providing the depth that was potentially there. That being said, there is still more positive than negative here, especially from the comedic timing of the entire cast. It’s very much M3GAN meets Ready or Not, just nowhere near as good. But, if you’re a fan of the horror genre, then “Abigail” is satisfying, mindless bloody fun.
This week I review “Five Nights at Freddy’s”. It’s about a security guard who begins working at Freddy Fazbear’s Pizza and discovers the animatronic costumes that reside there, aren’t just robots. They are alive. Find out if I think the film is a fun thriller.
“Five Nights at Freddy’s” is playing in theaters and streaming on Peacock.
This week I review “It Lives Inside”. It’s the new horror film by Bishal Dutta about a demonic entity that feeds on loneliness. Find out if I think the movie is as scary as it looks!
“It Lives Inside” is currently playing in theaters.
At first glance, “The Black Phone” could come off as a “ripped from the headlines” Lifetime movie. In actuality, the film is a familiar story about a child kidnapper/serial killer that unfolds in a completely unnerving and original way! It also features an incredible and disturbingly eerie performance by Ethan Hawke.
9. I Want You Back
When I watched this film back in February, I knew it would be in my top 10. Not just because I love the genre, but because this one felt reminiscent of some of my favorite 90’s romcoms. The film follows Emma (Jenny Slate) and Peter (Charlie Day) after they have both been dumped by their significant others. They bond over their losses and decide to work together to get their exes back. “I Want You Back” has a refreshing and hilarious screenplay that shines even brighter through Slate and Day’s chemistry.
8. Hustle
Less is more when it comes to the brilliance that is “Hustle”. Adam Sandler plays a basketball scout whose goal is to become a coach. In the midst of that journey, he stumbles upon a talented baller in Spain. They connect as two underdogs trying to prove themselves worthy of coming out on top. This is just one of those movies that excels through incredible performances and it’s a feel-good story. It’s easily my favorite performance by Sandler to date. “Hustle” is the hidden gem of 2022 that I hope everyone was able to find.
7. The Woman King
Based on true events, “The Woman King” is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s. The women are fierce warriors with unbelievable fighting skills. From its opening scene, the film hooks you in, and keeps you enthralled with exciting action sequences and a thrilling journey. It’s an inspiring and powerful movie.
6. Bros
Finally, a good romcom was shown in theaters this year! It’s crazy to think that “Bros” is the first romantic comedy about two men falling in love to be produced by a mainstream studio. It’s long overdue. But, if we had to wait this long, I’m glad we put it in the hands of Billy Eichner (Co-Writer) and Nick Stoller (Director/Co-Writer). In addition to the film’s historic romantic storyline, the movie also features and entirely LGBTQ+ cast. And it’s entertaining to watch some of those characters poke fun at their own current political identities. “Bros” goes beyond the surface level romcom with its conversation about the importance of LGBTQ+ historical figures.
5. Vengeance
B.J. Novak’s directorial debut is a dark comedy thriller about a podcaster who travels from New York to West Texas to investigate the death of a girl he was hooking up with. I may be bias, being from Texas, but anyone can relate to this story. It’s a hilarious satire about politics, media and technology. Novak is a tour de force, providing a sharp and witty script with a valuable message about how we “connect” with people. “Vengeance” is an original “whodunit” with a shocking and unforgettable ending.
4. Fresh
Mimi Cave’s debut feature goes from rom-com to a dark, provocative horror. Audiences may think they’ve seen this story before, but it hasn’t been told quite like this. For starters, the film features a Grade-A cast. Sebastian Stan’s character is unlike anything he’s played before. And Daisy Edgar-Jones gives an unforgettable performance, as she brings a whole new level to the “damsel turns badass” story arc. The film’s images range from picturesque to beautifully grotesque. “Fresh” delivers the whole package. It’s a deliciously, twisted horror/comedy that leaves you craving more.
3. The Menu
The best original screenplay award should go to “The Menu”. Talk about a brilliant script! This was one that audiences didn’t really know what they were walking into, but should have left very satisfied. In the film, a couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises. As the story unfolds, we find this is an exploration of the toxic relationship between art, artist and consumer. Are we still making the art that we were passionate about for ourselves or have we become sell outs? “The Menu” is a clever and delectable story.
2. The Batman
“The Batman” is one of the best Batman movies since “The Dark Knight”. I was hesitant when Robert Pattinson was cast, but he nails it with a brooding Bruce Wayne in his 20’s. The entire cast is fantastic, especially, the quick-witted Zoe Kravitz as probably the most realistic Cat woman, and a stunning, unrecognizable Colin Farrell as Penguin, and of course, a chilling Paul Dano as The Riddler. In this story, citizens know Batman’s name, but don’t quite know his full potential. However, when The Riddler, sadistically begins to murder key political figures and dirty cops in Gotham, Batman is pulled into the investigation to uncover the city’s hidden corruption and his family’s involvement. The film’s dark and gritty atmosphere paired with Matt Reeves’ alluring shots heightens the thrills and suspense during this enthralling murder mystery.
1. Top Gun: Maverick
My number one had to go to my favorite cinematic experience this year. This film had no business being as good as it was. But I am so happy to say it pulled off a sequel rarity in being better than the original. In “Top Gun: Maverick”, Pete Mitchell aka Maverick (Tom Cruise), has been serving as one the Navy’s top aviators for more than 30 years. He is ordered to return to “Top Gun” and instruct the new class of fighter pilots. Only problem, that class includes his late best friend, Goose’s son, Bradley (Miles Teller), who has unresolved issues with Maverick. What director Joseph Kosinski did here is no easy feat. He managed to take the good of the original film and elevate the story and special effects to new heights. The script is sharp, with a perfect combination of nostalgia and modern day. The acting is top notch, as these characters are portrayed with more emotion and vulnerability, and the flight sequences are heart pounding thrills.
The Rest of the Best:
11. Glass Onion: A Knives Out Mystery
12. Guillermo del Toro’s Pinocchio
13. The Good Nurse
14. Women Talking
15. Bodies, Bodies, Bodies
16. Bullet Train
17. Everything Everywhere All at Once
18. The Whale
19. The Fabelmans
20. Senior Year
Top 5 Worst Films of 2022
5. Jurassic World: Dominon – You bring everyone back for a messy story about giant locusts?
4. Firestarter (2022) – Not even Zac Efron could make this reboot worth it.
3. They/Them – Such a great idea with poor delivery and some of the worst acting.
2. Pinocchio (2022) – A lazy remake with poor graphics and the most annoying Pinocchio.
1. Halloween Ends – I didn’t think it could get any worse than the last film, but then this monstrosity was made. Barely any Michael Myers and too much unwanted romance.
“The Watcher” is the newest Netflix mini-series based on the shocking true story of a family that moved into their dream home only to be terrorized and threatened by stalker immediately after. This week I spoke with 5 of the stars of the horror/mystery, Naomi Watts, Jennifer Coolidge, Mia Farrow, Margo Martindale, and Noma Dumezweni. We discussed the things in their homes they don’t want messed with, what makes them feel safe in their house and more!
I got the chance to speak with the director and stars of the Netflix action/comedy, “Day Shift”. Jamie Foxx, Dave Franco, and J.J. Perry discuss the film, which ring tone they would choose for each other, who they fanned out over and more!
Be sure to watch the hilarious interview, and the movie when it releases on Netflix August 12, 2022.
This week I review Jordan Peele’s latest sci-fi horror, “Nope” and the film adaption of the Delia Owens’ best-selling novel, “Where the Crawdads Sing”.
“Nope” and “Where the Crawdads Sing” are currently playing in theaters.
(Los Angeles, CA – March 17, 2022) – The Critics Choice Association (CCA) announced today the winners of the 2nd annual Critics Choice Super Awards, honoring the most popular, fan-obsessed genres across both movies and television, including Superhero, Science Fiction/Fantasy, Horror, and Action.
“Spider-Man: No Way Home” led the film winners this year, garnering three awards overall. The film was awarded Best Superhero Movie, while Andrew Garfield took the prize for Best Actor in a Superhero Movie, and Willem Dafoe won Best Villain in a Movie.
“Squid Game” and “WandaVision” tied for most series wins, earning three awards each. “Squid Game” swept the Action Series categories, with Lee Jung-jae winning Best Actor in an Action Series, HoYeon Jung winning Best Actress in an Action Series, and the show taking home the Best Action Series award. “WandaVision” was named Best Superhero Series, and Elizabeth Olsen was awarded Best Actress in a Superhero Series, while her co-star Kathryn Hahn won Best Villain in a Series.
“This year’s slate of Critics Choice Super Awards nominees and winners represents the absolute best in genre storytelling,” said Sean O’Connell, Critics Choice Super Awards Branch President. “It’s an honor to showcase these incredible accomplishments in Horror, Sci-Fi, Fantasy, and Comic Book films and television. The Super Awards will proudly continue to shine a brighter light on the talented people telling stories in these fields.”
