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Archives for : Horror

Movie Review: “Come Play”

This week I review “Come Play”, based on the 2017 short film. The story follows Oliver (Azhy Robertson), a young boy who feels isolated from everyone. He seeks comfort in his cellphone and tablet, and it is there that he mysteriously comes across Larry – a disturbing creature who wants to be his friend.

Watch my full review, followed by previews of “Holidate” and “Borat Subsequent Moviefilm” in the video below.

“Come Play” opens in theaters October 30, 2020,

“Holidate” is available on Netflix October 28, 2020.

“Borat Subsequent Moviefilm” is available on Amazon Prime October 23, 2020.

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Movie Review: “Antebellum” and “Kajillionaire”

This week’s movie review features two very different films: Antebellum is a high profile mystery, thriller with a disturbing twist; Kajillionaire is a low key dark comedy that relies on quirky characters and dysfunctional family dynamic as a foundation for the story. Both films boast some highly respected actors and developing writers/directors. Which one should you go see?

“Antebellum” is available On Demand September 18, 2020.

“Kajillionaire” opens in select theaters September 25, 2020.

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Movie Review: “The Rental” is a Chilling Weekend Getaway

In Dave Franco’s directorial debut, “The Rental”, two couples rent a vacation home for what they hoped would be a celebratory weekend getaway. Unfortunately, this relaxing trip turns into a nightmare.

After Charlie (Dan Stevens) and Mina (Shelia Vand) close a big deal for their company, they decide to rent an Airbnb for them and their significant others. Charlie seems to be in a happy enough marriage with an aloof Michelle (Alison Brie), but at the same time he is dumbfounded by the fact that Mina is dating his ex-convict brother, Josh (Jeremy Allen White). Needless to say, there is a lot of sexual tension during the weekend.

When the group arrives at the secluded waterfront home, they are impressed with the house; but not so much with the creepy and racist property manager. They don’t let that doesn’t stop their fun. They carry on with drinking, drugs, and sex.

The partying comes to a halt when Mina discovers a hidden camera in the shower, and suddenly, the couples must fight to survive the night.

“The Rental” is an easy horror to digest. The film is only 88 minutes long, and during that time you’re entertained by the complex relationships and intensity. There’s just a few moments of comic relief to ease the tension, but the thought of them being watched is constantly on your mind.

Franco and his co-writer, Joe Swanberg do a fantastic job with their character development. Right away we’re locked into engaging characters who start off with one persona and gradually reveal another. The writers manage to get through many different plot points, while still being cohesive. Less is more here. The set, the score, the character traits, and other small details enhance the story.

All four stars do a fantastic job, but it’s the women that steal the show. It’s impossible not to sympathize with Brie’s character, Michelle. She plays the happy and naïve wife so well. Unaware of the fact that her husband isn’t as great as he’d like everyone to believe. And we can only hope to see more of Vand after an incredibly strong performance as Mina. She’s the whole package– smart, beautiful, and not afraid to stand up for herself against a racist.

Now “The Rental” isn’t as inventive as Jordan Peele’s feature film debut, “Get Out”. There are some holes in the movie. And not everyone will be satisfied with the ending, but it’s a solid thriller that subtly goes from nerve-racking drama to shocking slasher. It’s a lot of fun, and is a promising start for Dave Franco’s filmmaking career.

Rating: 3.75/5

“The Rental” is available On Demand July 24.

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Movie Review: “Irresistible” and “Relic”

This week I’ve got reviews of a couple hot new films for you to see. “Irresistible” is a sharp satire of political campaigning from Jon Stewart, and “Relic”, tells a haunting story that will hit close to home for many viewers.

“Irresistible” is available On Demand June 26.

“Relic” is available On Demand July 10.

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Movie Review: “The King of Staten Island”, “7500”, & “You Should Have Left”

In the latest ICTN movie review, we check out the new film by Judd Apatow, “The King of Staten Island.” We also have a preview of Joseph Gordon-Levitt’s intense, new thriller, “7500” and Kevin Bacon’s new horror film, “You Should Have Left.”

“The King of Staten Island” is available On Demand now.

“7500” is available to stream on Amazon Prime June 18th.

“You Should Have Left” is available On Demand June 19th.

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Movie Review: “The Other Lamb” Needs more Meat

Lots of intrigue from the start, only to fall flat in the end. “The Other Lamb” fails to seek it’s full potential.

“The Other Lamb” begins with two young girls eerily sitting by a waterfall. It is clear there is something off with them. When they return home, it is to one man and a bunch of different women; some who may have been conceived out of incest. Michiel Huisman (Game of Thrones) plays the cult leader who goes by Shepard. He has taken in weak and vulnerable women, brought them into a secluded forest to brainwash and isolate them from the modern world. The film follows, Selah (Raffey Cassidy), a young girl who is questioning the Shepard’s teachings.

The only real storyline is Selah’s slow realization that the women’s treatment is not right and what she discovers about her mother’s death. Director Malgorzata Szumowska and writer C.S. McMullen opt to give more of a visual telling over a compelling narrative. This allows the audience to stay interested in the movie, but not invested in the story or its characters.

Though we gain some sort of background from Selah, it’s not enough to really know how she ended up here in the first place? Who was her mother? What led to her meeting the Shepard? How did any of these women get sucked into this warped reality? These questions and much more are left unanswered. The film even shys away from showing the extent of the Shepard’s cruelty. We’re aware of his sexual and violent acts, but being able to witness just one horrendous action would strike more anger and empathy for these women.

However, not all is lost. The cinematography by Michal Englert successfully utilizes graphic shots of mangled animals to parallel Selah’s growing body and her inner conflicts. The film is beautifully shot and at times leads you to believe something bigger is going to happen here.

The film relies too much on it’s visuals and score (Rafael Leloup & Pawel Mykieytn) to make up for it’s lack of content. The performances are decent, but that actors aren’t given enough meat to chew. Cassidy has her moments, but even the talents of Huisman are under utilized.

The slow-burn intensity of “The Other Lamb” mildly entertains, but ultimately leaves you unsatisfied.

Rating: 2.5/5

“The Other Lamb” is available on VOD and other digital platforms on April 3

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Movie Review: “The Hunt”, “The Invisible Man”, & “Emma”

In this time of Pandemic, diversions help keep us sane. Now, more than ever, we need the cinema. But we need a new cinema, a safe cinema, a Shelter-at-Home cinema; and so streaming comes of age. Watch my review of “The Hunt” and recommendations of two other new films available for home viewing now: “The Invisible Man” and “Emma”. Will anyone trade some popcorn for this fine half-roll of paper towels? Anyone?

“The Hunt”, “The Invisible Man”, & “Emma” are available on Amazon, Apple, YouTube, and other various On Demand platforms at a starting price of $19.99.

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Movie Review: “The Hunt” is a Bloody Catch

In 2018, the hilarious political comedy “The Oath” showed audiences how harsh extremist on either side (Conservative or Liberal) can be. The film was about a politically divided family, trying to make it through Thanksgiving. Things got rough quick, and at times, it got violent. But in the new action/horror film, “The Hunt”, they take the violence and politics to a whole new level; while still trying to prove the same point, just not as effectively.

“The Hunt” caused a lot of controversy before it was ever released. It was originally slated to open in theaters last fall, but was halted due to the film’s premise and mass shootings during that time.

The film opens with a group text thread among liberal friends. They make a joke about taking out their anger on “deplorables” during an upcoming hunt at the Manor. The next scene shows a rich group of people on a plane with people they have drugged and stowed away. Soon 12 of them are all spread out, unconscious, and in a field with gags in their mouths. Once they are all awake, they see a big box with various weapons for them to have a fair fight. We eventually find out, these chosen conservatives are being hunted like animals by liberal elitists.

Before anyone gets heated or offended, this thriller has no real insight into politics. It is too afraid to pick a side. Instead they make both the Republicans and Democrats equally dumb, with the exception of two women (Hilary Swank and Becky Gilpin).

The film features a talented all-star cast including Swank, Gilpin, Emma Roberts, Justin Hartley, and Ike Barinholtz. Though everyone adds to the hilarious humor of the film, it’s Swank and Gilpin who steal the show. Gilpin is quietly comical, while impressing with her kickass survival instincts. But it’s her nail-biting showdown with Swank that will have you cringing and cheering. However, the gore is not for the faint of heart. At times, I couldn’t even watch. There’s a bloody, graphic death at every turn.

While the purpose of the film might be lost, the humor and action is easily found. There is a lot of fun to be had with these idiotic characters (on both sides) and the gruesome, sometimes, shocking deaths they experience. It encompasses the same kind of satire and excitement from last year’s “Ready or Not”. Sadly, the premise is not as unique.

Ultimately, “The Hunt” feels like a funny version of “The Purge” films with a role reversal. It’s an entertaining, fast-paced, mindless thriller that provides plenty of laughs and shrieks.

Rating: 3.5/5

“The Hunt” opens in theaters March 13.

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Top 10 Best Films of 2019

10. Once Upon a Time…in Hollywood

Right off the bat, I’m already intrigued by any film about Charles Manson and the infamous murders. But if you slap on Tarantino’s name and his all-star cast, I’m pretty much sold. “Once Upon a Time…in Hollywood” is hilarious, surprising and a whole lot of fun.  Not to mention, Brad Pitt is my favorite male supporting performance this year.

9. Honey Boy

“Honey Boy” is a therapy session we have no business sitting in on, but we’re grateful to be there. The film gradually reveals the tragedies and misdeeds that shaped Shia LaBouf. We gain a better and beneficial understanding of the actor, as well as empathy for his father, who ended up being a blessing and a curse in his life. “Honey Boy” is still my favorite original screenplay of the year. It’s intense, powerful, and an all-around great film.

8. Bombshell

Okay, before anyone gets political about this movie, let me remind you that the film is about the lawsuit again Roger Ailes and the other men involved in sexually harassing certain female employees at Fox News. It’s a gripping “ripped from the headlines” story that depicts abuse of power and the struggles women face in the work place. Theron, Robbie, and Kidman shine, while Charles Randolph’s script pulls you in and holds you tight.

7. Knives Out

“Knives Out” showcases Rian Johnson’s remarkable artistry as a writer/director. The film follows a fairly standard murder mystery formula in its initial set up. But as the mystery begins to unfold, there’s enough twists and turns to prove nothing is what it seems. Audiences are left guessing till the very end. Throw in a stellar cast and great social commentary, and you’ve got one of the best whodunit movies.

6. Booksmart

At first glance you may be thinking that this is just a female version of “Superbad”. While there are times that it feels reminiscent of that film, “Booksmart” is its own kind of wonderful. There’s a great message about balancing hard work and a social life, and through Kaitlyn Dever’s and Beanie Feldstein’s chemistry and quick-witted performance, we also learn that if you can go through life with just one good friend then you can count yourself lucky.  Olivia Wilde succeeds in making a hilarious, raunchy teen comedy from a female perspective. It’s a rarity that’s a true pleasure to watch.

5. Little Women

Why make another “Little Women” adaptation? Because we all needed Greta Gerwig’s magical touch on this delightful tale. Gerwig taps into the same honest vulnerability she succeed in through her Oscar nominated film, “Lady Bird”. Because the truth is, she knows how to write complex and emotional characters.”Little Women” is a beautiful and uplifting movie with a message that women’s stories and their endeavors are worth telling.

4. Long Shot

I’ve said this before, but romantic comedies are a dying genre. So when there’s actually a refreshing spin on one with a good story, I have to give it credit. Honestly, I just enjoyed the hell out of “Long Shot”. And believe it or not, Charlize Theron and Seth Rogen make a great couple. The film goes beyond the clichés of a “Pretty Women” storyline. Fred (Rogen) doesn’t get some big makeover to become a socially acceptable partner for Charlotte (Theron). Instead, the film is about being with someone who you’re truly yourself with and loves you for YOU. Whether it be at a raging night club or elegant gala, the two are always goofing around in a flirty/romantic manner that everyone can admire.

3. Avengers: Endgame

This one doesn’t need much of an explanation, because this film was AWESOME! After 10 years and 21 films, Marvel carefully weaved all these characters and storylines together to create one of the best super hero movies of all time. Watching these beloved characters fight together in the battle we’ve anticipated for so long brought me tears of joy and sadness. More than anything, I’m proud of “Avengers: Endgame”.

2. Marriage Story

Yes, this film is about a couple, Charlie (Adam Driver) and Nicole (Scarlett Johansson) getting a divorce. But, there’s so much more to this movie. First off, Driver and Johansson give two of the best performances of the year. There is a screaming match between these two that makes me want to give them both the Oscar right now. There’s also so much to learn. You can take “Marriage Story” as a lesson in love. Get to know these characters, understand why they didn’t work as a couple and avoid their mistakes. A major one being lack of communication. And remember, this is a dark comedy.  So, even though there’s dark times, there’s also some laughs and sweet, lighthearted moments.

1. Jojo Rabbit

Director/writer/actor, Taika Waititi, plays an imaginary friend version of Hitler to a young boy named Jojo (Roman Griffin Davis). Jojo is a Nazi fanboy who idolizes Adolf Hitler like a celebrity. But things change for Jojo when he discovers his mother (Scarlett Johansson) has been hiding a teenage Jewish girl (Thomasin McKenzie) in their attic. “Jojo Rabbit” is a satire that reminds audiences how comical and ridiculous it is to discriminate against people who are different from you. The film also does a wonderful job at relaying the message that kindness can prevail over evil. Stop the hate and open your hearts. “Jojo Rabbit” is an enlightening story with uplifting and positive values.

The Best of the Rest:

11. The Peanut Butter Falcon

12. The Perfection

13. Late Night

14. The Art of Self-Defense

15. Dolemite is My Name

16. Brittany Runs a Marathon

17. Parasite

18. Fighting with My Family

19. Blinded by the Light

20. Waves

Top 5 Worst Films of 2019

5. Greta – One of the worst Lifetime movies I’ve ever seen.

4. Dumbo –This was just so boring.

3. Godzilla: King of the Monsters – Lots of people died in this movie, but I can’t remember who any of them were.

2. Lucy in the Sky – The 3 men who made this might as well have blamed everything on Lucy’s period. God awful script.

1. Dora and the Lost City of Gold – No! Just no!

Trevor’s Top 10

Honorable Mention: Parasite
10. Little Women
9. Ready or Not
8. Dolemite is My Name
7. Bombshell
6. The King
5. Marriage Story
4. Jojo Rabbit
3. Long Shot
2. Rocketman
1. Avengers: Endgame

25th Annual Critics’ Choice Awards Nominees

“THE IRISHMAN” LEADS FILM NOMINATIONS FOR 25TH ANNUAL CRITICS’ CHOICE AWARDS

NETFLIX GARNERS 61 TOTAL NOMINATIONS, HBO EARNS 33

GALA EVENT WILL AIR LIVE ON THE CW NETWORK SUNDAY, JANUARY 12, 2020 FROM THE BARKER HANGAR IN SANTA MONICA

 The Critics Choice Association (CCA) announced today the nominees for the 25th Annual Critics’ Choice Awards. The winners will be revealed at the star-studded Critics’ Choice Awards gala, which will once again be hosted by film, television, and stage star Taye Diggs, and broadcast live on The CW Television Network on Sunday, January 12 from 7:00 – 10:00 pm ET (delayed PT).

FILM NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS

BEST PICTURE

1917

Ford v Ferrari

The Irishman

Jojo Rabbit

Joker

Little Women

Marriage Story

Once Upon a Time… in Hollywood

Parasite

Uncut Gems

BEST ACTOR

Antonio Banderas – Pain and Glory

Robert De Niro – The Irishman

Leonardo DiCaprio – Once Upon a Time… in Hollywood

Adam Driver – Marriage Story

Eddie Murphy – Dolemite Is My Name

Joaquin Phoenix – Joker

Adam Sandler – Uncut Gems

BEST ACTRESS

Awkwafina – The Farewell

Cynthia Erivo – Harriet

Scarlett Johansson – Marriage Story

Lupita Nyong’o – Us

Saoirse Ronan – Little Women

Charlize Theron – Bombshell

Renée Zellweger – Judy

BEST SUPPORTING ACTOR

Willem Dafoe – The Lighthouse

Tom Hanks – A Beautiful Day in the Neighborhood

Anthony Hopkins – The Two Popes

Al Pacino – The Irishman

Joe Pesci – The Irishman

Brad Pitt – Once Upon a Time… in Hollywood

BEST SUPPORTING ACTRESS

Laura Dern – Marriage Story

Scarlett Johansson – Jojo Rabbit

Jennifer Lopez – Hustlers

Florence Pugh – Little Women

Margot Robbie – Bombshell

Zhao Shuzhen  – The Farewell

BEST YOUNG ACTOR/ACTRESS

Julia Butters – Once Upon a Time… in Hollywood

Roman Griffin Davis – Jojo Rabbit

Noah Jupe – Honey Boy

Thomasin McKenzie – Jojo Rabbit

Shahadi Wright Joseph – Us

Archie Yates – Jojo Rabbit

BEST ACTING ENSEMBLE

Bombshell

The Irishman

Knives Out

Little Women

Marriage Story

Once Upon a Time… in Hollywood

Parasite

BEST DIRECTOR

Noah Baumbach – Marriage Story

Greta Gerwig – Little Women

Bong Joon Ho – Parasite

Sam Mendes – 1917

Josh Safdie and Benny Safdie – Uncut Gems

Martin Scorsese – The Irishman

Quentin Tarantino – Once Upon a Time… in Hollywood

BEST ORIGINAL SCREENPLAY

Noah Baumbach – Marriage Story

Rian Johnson – Knives Out

Bong Joon Ho and Han Jin Won – Parasite

Quentin Tarantino – Once Upon a Time… in Hollywood

Lulu Wang – The Farewell

BEST ADAPTED SCREENPLAY

Greta Gerwig – Little Women

Noah Harpster and Micah Fitzerman-Blue – A Beautiful Day in the Neighborhood

Anthony McCarten – The Two Popes

Todd Phillips & Scott Silver – Joker

Taika Waititi – Jojo Rabbit

Steven Zaillian  – The Irishman

BEST CINEMATOGRAPHY

Jarin Blaschke – The Lighthouse

Roger Deakins – 1917

Phedon Papamichael   – Ford v Ferrari

Rodrigo Prieto – The Irishman

Robert Richardson – Once Upon a Time… in Hollywood

Lawrence Sher – Joker

BEST PRODUCTION DESIGN

Mark Friedberg, Kris Moran – Joker

Dennis Gassner, Lee Sandales  – 1917

Jess Gonchor, Claire Kaufman – Little Women

Lee Ha Jun – Parasite

Barbara Ling, Nancy Haigh – Once Upon a Time… in Hollywood

Bob Shaw, Regina Graves – The Irishman

Donal Woods, Gina Cromwell – Downton Abbey

BEST EDITING

Ronald Bronstein, Benny Safdie – Uncut Gems

Andrew Buckland, Michael McCusker – Ford v Ferrari

Yang Jinmo  – Parasite

Fred Raskin – Once Upon a Time… in Hollywood

Thelma Schoonmaker – The Irishman

Lee Smith – 1917

BEST COSTUME DESIGN

Ruth E. Carter – Dolemite Is My Name

Julian Day – Rocketman

Jacqueline Durran – Little Women

Arianne Phillips – Once Upon a Time… in Hollywood

Sandy Powell, Christopher Peterson – The Irishman

Anna Robbins – Downton Abbey

BEST HAIR AND MAKEUP

Bombshell

Dolemite Is My Name

The Irishman

Joker

Judy

Once Upon a Time… in Hollywood

Rocketman

BEST VISUAL EFFECTS

1917

Ad Astra

The Aeronauts

Avengers: Endgame

Ford v Ferrari

The Irishman

The Lion King

BEST ANIMATED FEATURE

Abominable

Frozen II

How to Train Your Dragon: The Hidden World

I Lost My Body

Missing Link

Toy Story 4

BEST ACTION MOVIE

1917

Avengers: Endgame

Ford v Ferrari

John Wick: Chapter 3 – Parabellum

Spider-Man: Far From Home

BEST COMEDY

Booksmart

Dolemite Is My Name

The Farewell

Jojo Rabbit

Knives Out

BEST SCI-FI OR HORROR MOVIE

Ad Astra

Avengers: Endgame

Midsommar

Us

BEST FOREIGN LANGUAGE FILM

Atlantics

Les Misérables

Pain and Glory

Parasite

Portrait of a Lady on Fire

BEST SONG

Glasgow (No Place Like Home) – Wild Rose

(I’m Gonna) Love Me Again – Rocketman

I’m Standing With You – Breakthrough

Into the Unknown – Frozen II

Speechless – Aladdin

Spirit – The Lion King

Stand Up – Harriet

BEST SCORE

Michael Abels – Us

Alexandre Desplat   – Little Women

Hildur Guðnadóttir – Joker

Randy Newman – Marriage Story

Thomas Newman  – 1917

Robbie Robertson – The IrishmanN

TELEVISION NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS

BEST DRAMA SERIES

The Crown (Netflix)

David Makes Man (OWN)

Game of Thrones (HBO)

The Good Fight (CBS All Access)

Pose (FX)

Succession (HBO)

This Is Us (NBC)

Watchmen (HBO)

BEST ACTOR IN A DRAMA SERIES

Sterling K. Brown – This Is Us (NBC)

Mike Colter – Evil (CBS)

Paul Giamatti – Billions (Showtime)

Kit Harington – Game of Thrones (HBO)

Freddie Highmore – The Good Doctor (ABC)

Tobias Menzies – The Crown (Netflix)

Billy Porter – Pose (FX)

Jeremy Strong – Succession (HBO)

BEST ACTRESS IN A DRAMA SERIES

Christine Baranski – The Good Fight (CBS All Access)

Olivia Colman – The Crown (Netflix)

Jodie Comer – Killing Eve (BBC America)

Nicole Kidman – Big Little Lies (HBO)

Regina King – Watchmen (HBO)

Mj Rodriguez – Pose (FX)

Sarah Snook – Succession (HBO)

Zendaya – Euphoria (HBO)

BEST SUPPORTING ACTOR IN A DRAMA SERIES

Asante Blackk – This Is Us (NBC)

Billy Crudup – The Morning Show (Apple)

Asia Kate Dillon – Billions (Showtime)

Peter Dinklage – Game of Thrones (HBO)

Justin Hartley – This Is Us (NBC)

Delroy Lindo – The Good Fight (CBS All Access)

Tim Blake Nelson – Watchmen (HBO)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES

Helena Bonham Carter – The Crown (Netflix)

Gwendoline Christie – Game of Thrones (HBO)

Laura Dern – Big Little Lies (HBO)

Audra McDonald – The Good Fight (CBS All Access)

Jean Smart – Watchmen (HBO)

Meryl Streep – Big Little Lies (HBO)

Susan Kelechi Watson – This Is Us (NBC)

BEST COMEDY SERIES

Barry (HBO)

Fleabag (Amazon)

The Marvelous Mrs. Maisel (Amazon)

Mom (CBS)

One Day at a Time (Netflix)

PEN15 (Hulu)

Schitt’s Creek (Pop)

BEST ACTOR IN A COMEDY SERIES

Ted Danson – The Good Place (NBC)

Walton Goggins – The Unicorn (CBS)

Bill Hader – Barry (HBO)

Eugene Levy – Schitt’s Creek (Pop)

Paul Rudd – Living with Yourself (Netflix)

Bashir Salahuddin – Sherman’s Showcase (IFC)

Ramy Youssef – Ramy (Hulu)

BEST ACTRESS IN A COMEDY SERIES

Christina Applegate – Dead to Me (Netflix)

Alison Brie – GLOW (Netflix)

Rachel Brosnahan – The Marvelous Mrs. Maisel (Amazon)

Kirsten Dunst – On Becoming a God in Central Florida (Showtime)

Julia Louis-Dreyfus – Veep (HBO)

Catherine O’Hara – Schitt’s Creek (Pop)

Phoebe Waller-Bridge – Fleabag (Amazon)

BEST SUPPORTING ACTOR IN A COMEDY SERIES

Andre Braugher – Brooklyn Nine-Nine (NBC)

Anthony Carrigan – Barry (HBO)

William Jackson Harper – The Good Place (NBC)

Daniel Levy – Schitt’s Creek (Pop)

Nico Santos – Superstore (NBC)

Andrew Scott – Fleabag (Amazon)

Henry Winkler – Barry (HBO)

BEST SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein – The Marvelous Mrs. Maisel (Amazon)

D’Arcy Carden – The Good Place (NBC)

Sian Clifford – Fleabag (Amazon)

Betty Gilpin – GLOW (Netflix)

Rita Moreno – One Day at a Time (Netflix)

Annie Murphy – Schitt’s Creek (Pop)

Molly Shannon – The Other Two (Comedy Central)

BEST LIMITED SERIES

Catch-22 (Hulu)

Chernobyl (HBO)

Fosse/Verdon (FX)

The Loudest Voice (Showtime)

Unbelievable (Netflix)

When They See Us (Netflix)

Years and Years (HBO)

BEST MOVIE MADE FOR TELEVISION

Brexit (HBO)

Deadwood: The Movie (HBO)

El Camino: A Breaking Bad Movie (Netflix)

Guava Island (Amazon)

Native Son (HBO)

Patsy & Loretta (Lifetime)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Christopher Abbott – Catch-22 (Hulu)

Mahershala Ali – True Detective (HBO)

Russell Crowe – The Loudest Voice (Showtime)

Jared Harris – Chernobyl (HBO)

Jharrel Jerome – When They See Us (Netflix)

Sam Rockwell – Fosse/Verdon (FX)

Noah Wyle – The Red Line (CBS)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Kaitlyn Dever – Unbelievable (Netflix)

Anne Hathaway – Modern Love (Amazon)

Megan Hilty – Patsy & Loretta (Lifetime)

Joey King – The Act (Hulu)

Jessie Mueller – Patsy & Loretta (Lifetime)

Merritt Wever – Unbelievable (Netflix)

Michelle Williams – Fosse/Verdon (FX)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Asante Blackk – When They See Us (Netflix)

George Clooney – Catch-22 (Hulu)

John Leguizamo – When They See Us (Netflix)

Dev Patel – Modern Love (Amazon)

Jesse Plemons – El Camino: A Breaking Bad Movie (Netflix)

Stellan Skarsgård – Chernobyl (HBO)

Russell Tovey – Years and Years (HBO)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Patricia Arquette – The Act (Hulu)

Marsha Stephanie Blake – When They See Us (Netflix)

Toni Collette – Unbelievable (Netflix)

Niecy Nash – When They See Us (Netflix)

Margaret Qualley – Fosse/Verdon (FX)

Emma Thompson – Years and Years (HBO)

Emily Watson – Chernobyl (HBO)

BEST ANIMATED SERIES

Big Mouth (Netflix)

BoJack Horseman (Netflix)

The Dark Crystal: Age of Resistance (Netflix)

She-Ra and the Princesses of Power (Netflix)

The Simpsons (Fox)

Undone (Amazon)

BEST TALK SHOW

Desus & Mero (Showtime)

Full Frontal with Samantha Bee (TBS)

The Kelly Clarkson Show (NBC)

Last Week Tonight with John Oliver (HBO)

The Late Late Show with James Corden (CBS)

Late Night with Seth Meyers (NBC)

BEST COMEDY SPECIAL 

Amy Schumer: Growing (Netflix)

Jenny Slate: Stage Fright (Netflix)

Live in Front of a Studio Audience: Norman Lear’s All in the Family and The Jeffersons (ABC)

Ramy Youssef: Feelings (HBO)

Seth Meyers: Lobby Baby (Netflix)

Trevor Noah: Son of Patricia (Netflix)

Wanda Sykes: Not Normal (Netflix)