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Predicting the Winners: 96th Academy Awards

Posted by :Susan Kamyab On : March 2, 2024
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Category: Movie Reviews, Special Events, Special Features

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Performance by an Actor in a Leading Role

  • Bradley Cooper in “Maestro”
  • Colman Domingo in “Rustin”
  • Paul Giamatti in “The Holdovers”
  • Cillian Murphy in “Oppenheimer”
  • Jeffrey Wright in “American Fiction”

Will Win: Cillian Murphy

Could Win: Paul Giamatti

Want to Win: Bradley Cooper or Jeffrey Wright

Performance by an Actor in a Supporting Role

  • Sterling K. Brown in “American Fiction”
  • Robert De Niro in “Killers of the Flower Moon”
  • Robert Downey Jr. in “Oppenheimer”
  • Ryan Gosling in “Barbie”
  • Mark Ruffalo in “Poor Things”

Will Win: Rober Downey Jr.

Could Win: No Contest

Want to Win: Ryan Gosling

Performance by an Actress in a Leading Role

  • Annette Bening in “Nyad”
  • Lily Gladstone in “Killers of the Flower Moon”
  • Sandra Hüller in “Anatomy of a Fall”
  • Carey Mulligan in “Maestro”
  • Emma Stone in “Poor Things”

Will Win: Lily Gladstone

Could Win: Emma Stone

Want to Win: Carey Mulligan or Lily Gladstone

Performance by an Actress in a Supporting Role

  • Emily Blunt in “Oppenheimer”
  • Danielle Brooks in “The Color Purple”
  • America Ferrera in “Barbie”
  • Jodie Foster in “Nyad”
  • Da’Vine Joy Randolph in “The Holdovers”

Will Win: Da’Vine Joy Randolph

Could Win: No Contest

Want to Win: Da’Vine Joy Randolph

Best Animated Feature Film of the Year

  • “The Boy and the Heron” Hayao Miyazaki and Toshio Suzuki
  • “Elemental” Peter Sohn and Denise Ream
  • “Nimona” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
  • “Robot Dreams” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
  • “Spider-Man: Across the Spider-Verse” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Will Win: Spider-Man: Across the Spider-Verse

Could Win: The Boy and the Heron

Want to Win: Spider-Man: Across the Spider-Verse

Achievement in Cinematography

  • “El Conde” Edward Lachman
  • “Killers of the Flower Moon” Rodrigo Prieto
  • “Maestro” Matthew Libatique
  • “Oppenheimer” Hoyte van Hoytema
  • “Poor Things” Robbie Ryan

Will Win: Oppenheimer

Could Win: Poor Things

Want to Win: Maestro

Achievement in Costume Design

  • “Barbie” Jacqueline Durran
  • “Killers of the Flower Moon” Jacqueline West
  • “Napoleon” Janty Yates and Dave Crossman
  • “Oppenheimer” Ellen Mirojnick
  • “Poor Things” Holly Waddington

Will Win: Barbie

Could Win: Poor Things

Want to Win: Barbie

Achievement in Directing

  • “Anatomy of a Fall” Justine Triet
  • “Killers of the Flower Moon” Martin Scorsese
  • “Oppenheimer” Christopher Nolan
  • “Poor Things” Yorgos Lanthimos
  • “The Zone of Interest” Jonathan Glazer

Will Win: Christopher Nolan

Could Win: No Contest

Want to Win: Christopher Nolan

Best Documentary Feature Film

  • “Bobi Wine: The People’s President” Moses Bwayo, Christopher Sharp and John Battsek
  • “The Eternal Memory” Nominees to be determined
  • “Four Daughters” Kaouther Ben Hania and Nadim Cheikhrouha
  • “To Kill a Tiger” Nisha Pahuja, Cornelia Principe and David Oppenheim
  • “20 Days in Mariupol” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Will Win: 20 Days in Mariupol

Could Win: Four Daughters

Want to Win: 20 Days in Mariupol

Best Documentary Short Film

  • “The ABCs of Book Banning” Sheila Nevins and Trish Adlesic
  • “The Barber of Little Rock” John Hoffman and Christine Turner
  • “Island in Between” S. Leo Chiang and Jean Tsien
  • “The Last Repair Shop” Ben Proudfoot and Kris Bowers
  • “Nǎi Nai & Wài Pó” Sean Wang and Sam Davis

Will Win: The Last Repair Shop

Could Win: The Barber of Little Rock

Want to Win: The Last Repair Shop or The ABCs of Book Banning

Achievement in Film Editing

  • “Anatomy of a Fall” Laurent Sénéchal
  • “The Holdovers” Kevin Tent
  • “Killers of the Flower Moon” Thelma Schoonmaker
  • “Oppenheimer” Jennifer Lame
  • “Poor Things” Yorgos Mavropsaridis

Will Win: Oppenheimer

Could Win: Poor Things

Want to Win: Oppenheimer

Best International Feature Film of the Year

  • “Io Capitano” Italy
  • “Perfect Days” Japan
  • “Society of the Snow” Spain
  • “The Teachers’ Lounge” Germany
  • “The Zone of Interest” United Kingdom

Will Win: The Zone of Interest

Could Win: Society of Snow

Want to Win: The Zone of Interest

Achievement in Makeup and Hairstyling

  • “Golda” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
  • “Maestro” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
  • “Oppenheimer” Luisa Abel
  • “Poor Things” Nadia Stacey, Mark Coulier and Josh Weston
  • “Society of the Snow” Ana López-Puigcerver, David Martí and Montse Ribé

Will Win: Maestro

Could Win: Poor Things

Want to Win: Maestro

Achievement in Music Written for Motion Pictures (Original score)

  • “American Fiction” Laura Karpman
  • “Indiana Jones and the Dial of Destiny” John Williams
  • “Killers of the Flower Moon” Robbie Robertson
  • “Oppenheimer” Ludwig Göransson
  • “Poor Things” Jerskin Fendrix

Will Win: Oppenheimer

Could Win: Poor Things

Want to Win: American Fiction

Achievement in Music Written for Motion Pictures (Original song)

  • “The Fire Inside” from “Flamin’ Hot”
    Music and Lyric by Diane Warren
  • “I’m Just Ken” from “Barbie”
    Music and Lyric by Mark Ronson and Andrew Wyatt
  • “It Never Went Away” from “American Symphony”
    Music and Lyric by Jon Batiste and Dan Wilson
  • “Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon”
    Music and Lyric by Scott George
  • “What Was I Made For?” from “Barbie”
    Music and Lyric by Billie Eilish and Finneas O’Connell

Will Win: “What Was I Made For”

Could Win: “I’m Just Ken”

Want to Win: “I’m Just Ken”

Best Motion Picture of the Year

  • “American Fiction” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers
  • “Anatomy of a Fall” Marie-Ange Luciani and David Thion, Producers
  • “Barbie” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers
  • “The Holdovers” Mark Johnson, Producer
  • “Killers of the Flower Moon” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers
  • “Maestro” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers
  • “Oppenheimer” Emma Thomas, Charles Roven and Christopher Nolan, Producers
  • “Past Lives” David Hinojosa, Christine Vachon and Pamela Koffler, Producers
  • “Poor Things” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers
  • “The Zone of Interest” James Wilson, Producer

Will Win: Oppenheimer

Could Win: Barbie

Want to Win: Barbie or American Fiction

Achievement in Production Design

  • “Barbie” Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
  • “Killers of the Flower Moon” Production Design: Jack Fisk; Set Decoration: Adam Willis
  • “Napoleon” Production Design: Arthur Max; Set Decoration: Elli Griff
  • “Oppenheimer” Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
  • “Poor Things” Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek

Will Win: Barbie

Could Win: Poor Things

Want to Win: Poor Things or Barbie

Best Animated Short Film

  • “Letter to a Pig” Tal Kantor and Amit R. Gicelter
  • “Ninety-Five Senses” Jerusha Hess and Jared Hess
  • “Our Uniform” Yegane Moghaddam
  • “Pachyderme” Stéphanie Clément and Marc Rius
  • “WAR IS OVER! Inspired by the Music of John & Yoko” Dave Mullins and Brad Booker

Will Win: WAR IS OVER!

Could Win: Letter to a Pig

Want to Win: WAR IS OVER or Our Uniform

Best Live Action Short Film

  • “The After” Misan Harriman and Nicky Bentham
  • “Invincible” Vincent René-Lortie and Samuel Caron
  • “Knight of Fortune” Lasse Lyskjær Noer and Christian Norlyk
  • “Red, White and Blue” Nazrin Choudhury and Sara McFarlane
  • “The Wonderful Story of Henry Sugar” Wes Anderson and Steven Rales

Will Win: Red, White and Blue

Could Win: The Wonderful Story of Henry Sugar

Want to Win: Red, White and Blue

Achievement in Sound

  • “The Creator” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
  • “Maestro” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
  • “Mission: Impossible – Dead Reckoning Part One” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
  • “Oppenheimer” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
  • “The Zone of Interest” Tarn Willers and Johnnie Burn

Will Win: Oppenheimer

Could Win: The Zone of Interest

Want to Win: Maestro

Achievement in Visual Effects

  • “The Creator” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
  • “Godzilla Minus One” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
  • “Guardians of the Galaxy Vol. 3” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
  • “Mission: Impossible – Dead Reckoning Part One” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
  • “Napoleon” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

Will Win: Guardians of the Galaxy Vol. 3

Could Win: Godzilla Minus One

Want to Win: Guardians of the Galaxy Vol. 3

Adapted Screenplay

  • “American Fiction” Written for the screen by Cord Jefferson
  • “Barbie” Written by Greta Gerwig & Noah Baumbach
  • “Oppenheimer” Written for the screen by Christopher Nolan
  • “Poor Things” Screenplay by Tony McNamara
  • “The Zone of Interest” Written by Jonathan Glazer

Will Win: Barbie

Could Win: American Fiction

Want to Win: American Fiction or Barbie

Original Screenplay

  • “Anatomy of a Fall” Screenplay – Justine Triet and Arthur Harari
  • “The Holdovers” Written by David Hemingson
  • “Maestro” Written by Bradley Cooper & Josh Singer
  • “May December” Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
  • “Past Lives” Written by Celine Song

Will Win: Anatomy of a Fall

Could Win: Past Lives

Want to Win: May December

THE OSCARS ARE SET TO AIR LIVE, MARCH 10, ON ABC

Movie Review: “Honk for Jesus. Save Your Soul.”

Posted by :Susan Kamyab On : September 1, 2022
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Category: Movie Reviews

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This week I review Focus Feature’s newest comedy, “Honk for Jesus. Save Your Soul”. The film stars Sterling K. Brown and Regina Hall. It’s a thought-provoking dark comedy that stays with you long after it’s over.

The film opens in theaters and available on Peacock September 2, 2022.

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2nd Annual African American Film Critics Association Award Winners

Posted by :Susan Kamyab On : August 22, 2020
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Category: Movie Reviews, Special Events

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THE AFRICAN AMERICAN FILM CRITICS ASSOCIATION (AAFCA) FETED TELEVISION’S BEST OF THE YEAR AT THE 2ND ANNUAL AAFCA TV HONORS ON SATURDAY, AUGUST 22

John Legend, Viola Davis, Sterling K. Brown, Mindy Kaling, Rashida Jones, Josh Gad,
 Leslie Odom, Jr. and more gathered virtually to celebrate

The full awards ceremony will be available to the public for viewing at 3:00pm Pacific Time today on the  AAFCA YouTube Channel


Photos of winners and honorees are available at the AAFCA TV Honors web site August 22nd, 2020 – The African American Film Critics Association (AAFCA) handed out 11 awards, two honorary awards, and the inaugural AAFCA ADCOLOR Breakout Creative of the Year award today to celebrate the excellence, innovation and diversity in television this year.  In addition to celebrity presenters such as Octavia Spencer, Rashida Jones and William Jackson Harper, the virtual awards ceremony also celebrated the extraordinary work of our first responders, government leaders, firefighters, reporters, and others from around the country by featuring these local heroes as presenters during the event. A portion of the proceeds from the event were donated to the National Association of Black Journalists’ Covid-19 Relief Fund. The event, hosted by actress/comedian Aida Rodriguez, was sponsored by Morgan Stanley.

2nd ANNUAL AAFCA TV HONORS AWARD RECIPIENTS & PRESENTERS:

Best Animated Series: “Central Park” (Apple TV+)
Creator and star Josh Gad and cast member Leslie Odom, Jr. accepted the award, presented to them by Oscar® winning filmmaker Matthew A. Cherry (“Hair Love”) and the Honorable Hank Johnson, Congressman for Georgia’s 4th District.

Best Young Adult Series: “Never Have I Ever” (Netflix)
Co-Creators and Executive Producers Mindy Kaling and Lang Fisher were joined by series star, Maitreyi Ramakrishnan to accept the award, presented to them by young actor Niles Fitch (“This is Us”) and Cherelle Barsdale, a frontline Nurse from the University of Michigan Medical Center.

Best Short Form: “I Promise” (Quibi)
Executive Producer, Jamal Henderson accepted the award, which is the inaugural award for short form at the AAFCA TV Honors, presented by actor Derek Luke and Dr. Christopher Emdin, Associate Professor of Science Education at the Teachers College at Columbia University.

AAFCA ADCOLOR Breakout Creative of the Year: Janet Mock, “Pose” & “Hollywood” (Netflix)
Awarded to a creative of color whose career, in its early stages, demonstrates a vision and commitment to diverse and inclusive stories that reset and disrupt the industry across multiple platforms. Presented to writer/director/producer, Janet Mock by “Pose” stars MJ Rodriquez, Hallie Sahar, and Indya Moore.

Best Docuseries: “Atlanta’s Missing and Murdered: The Lost Children” (HBO) and “The Last Dance” (ESPN Films/Netflix)
The Executive Producers of “Atlanta’s Missing and Murdered: The Lost Children,” John Legend, Mike Jackson, Ty Stiklorius, Maro Chermayeff, and Sam Pollard accepted the award, presented to them by “P-Valley” stars Brandee Evans and Nicco Annan and Chicago Fire Lieutenant Quentin Curtis who is also the founder and president of the Black Fire Brigade. “The Last Dance” team was unable to attend and AAFCA accepted the honor on their behalf.

Best TV Movie: “The Clark Sisters: First Ladies of Gospel” (Lifetime)
Music Director Donald Lawrence, Director Christine Swanson and Co-Executive Producer Holly Carter accepted the award, presented by Simone Missick, the star of CBS’ “All Rise,” the Emmy® nominated star of NBC’s “The Good Place” William Jackson Harper and Reverend Dr. Jamal H. Bryant from the New Birth Church in Atlanta, GA.

Breakthrough Performers: Jeremy Pope / Laura Harrier “Hollywood” (Netflix)
Jeremy Pope and Laura Harrier accepted the award, presented to them by “Entertainment Tonight” host Kevin Frazier and EMT professional Chief Tanya Rivers.

Best Male Performance: Sterling K. Brown “This is Us” (NBC)
This marks the second year in a row that Sterling K. Brown, the Emmy® winning star of “This is Us” has won the Best Actor award at the AAFCA TV Honors. Brown is currently nominated for two Emmys® – Best Actor in a Drama Series for “This is Us” and Best Supporting Actor in a Comedy Series for “The Marvelous Mrs. Maisel,”- making Emmy history as the first Black lead/supporting actor to be nominated in both drama and comedy categories.  Actress Sheryl Lee Ralph (“Ray Donovan”) and Dr. Ala Stanford of Stanford Pediatric Surgery, who founded the Black Doctors COVID-19 Consortium in Philadelphia, PA., presented the award.

Best TV Comedy: “Insecure” (HBO)
Showrunner Prentice Penny accepted the honor which was presented by actress Tichina Arnold (star of CBS’ “The Neighborhood”) and LAPD Deputy Police Chief Regina A. Scott.

Best TV Drama: “For Life” (ABC)
Creator Hank Steinberg and series star Nicholas Pinnock accepted the honor, presented by “Queen Sugar” stars Tina Lifford and Omar J. Dorsey and WeDat’s Chicken and Shrimp Restaurant Founder and Owner Greg Tillery of New Orleans, who has been on the front lines of Covid-19 donating food to frontline workers and others in need.

Inclusion Award: MACRO Television Studios
Marta Fernandez, the President of MACRO Television Studios accepted the award which recognizes a network or production entity that demonstrates a powerful commitment to diversity and inclusion. AAFCA Founder and President Gil Robertson and award-winning KNBC Journalist Beverly White presented the award.

Best Actress: Viola Davis, “How to Get Away with Murder” (ABC)
Viola Davis was presented the award by fellow Oscar® winner Octavia Spencer and Mayor of Montgomery, AL Steven Reed.

TV Icon Award: Kenya Barris
Kenya Barris, creator of ABC’s “Black-ish” and “#blackAF” on Netflix, accepted this honor which recognizes a veteran of television who has forged a path in greatness and demonstrates a commitment to telling diverse stories. The honor was presented by Rashida Jones.

ABOUT AAFCA
Established in 2003, AAFCA is the premier body of Black film critics in the world, actively reviewing film and television, with a particular emphasis on entertainment highlighting the Black experience in the US and throughout the rest of the African Diaspora. For more information on AAFCA and its programs visit http://AAFCA.com.

Interview/Review: Trey Edward Shults talks “Waves”

Posted by :Susan Kamyab On : November 25, 2019
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Category: Interviews, Movie Reviews

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Trey Edward Shults, Writer/Director of “Waves”

“Waves” goes from bad to unbearable within the first hour; however, the second half of the film remarkably heals itself.

Director/writer Trey Edward Shults wrote “Waves” after his critically acclaimed thriller, “It Comes At Night”. He continues to keep our tensions high with his new family drama. It’s a story he explained that, “was inspired from a number of real life experiences, including meeting my girlfriend and Kelvin Harrison Jr.”

Kelvin Harrison Jr. and Alexa Demie in “Waves”

As the film begins we meet Tyler (Kelvin Harrison Jr.). He’s a senior in high school who as it all: Popularity, a hot girlfriend (Alexa Demie), and star wrestler. Life at home isn’t too shabby either. His father Ronald (Sterling K. Brown) owns his own construction business, his mother Catharine (Renée Elise Goldsberry) is a counselor, and his sister Emily (Taylor Russell) is quiet and reserved, hiding in the shadow of her brother.

Though Tyler is pretty well off, we come to discover his father is constantly pushing him both physically and mentally. He puts a lot of pressure on Tyler to be the best; pointing out that because the family is African American they don’t have the luxury of being average. So when Tyler learns of his shoulder injury, which would end his wrestling career, he decides to hide it and self-medicate. Matters only get worse when his girlfriend reveals she is pregnant.

You might think you know what happens from there, but you don’t. And you’re going to find out here.

By the second half of the film the family is barely keeping it together, and suddenly we’ve gone from Tyler’s movie to Emily’s. She is even more introverted, and doesn’t seem to have any friends at school. That is until she meets Luke (Lucas Hedges), an awkward, but nice boy who also wrestles.  The film completely shifts in tone as we see love blossom in a steady and beautiful manner. Emily and Luke’s relationship is the cure we need after an unnerving first half. 

Taylor Russell and Lucas Hedges in “Waves”

Shults wanted to essentially split the film in two and show the dichotomy of our lives. “I wanted audiences to see, in it’s structure, separate views from a male and female. How different they handle conflict, and what are their highs and lows,” Shults elaborates.

Both Tyler and Emily continuously use Instagram in a way that make us question our own use of the app. It’s a way to track a significant other’s location, stalk a crush and, of course post lots of pictures. “I was trying to make it real and honest. I don’t have social media anymore, but I can imagine how it would feel to have one. I’ve even followed crushes, but in an appropriate way (Laughs).” explains Shults.

At the core, “Waves” is a film about family. The parents are connected to both Tyler and Emily’s stories, especially their father. Ronald is more invasive in Tyler’s life and almost absent in Emily’s. This raises the question, what is the right balance of a parent’s involvement in there children’s lives? Shults went on to answer, “It’s hard to say what’s the right amount of involvement, but for this movie communication is big. It’s important that parents make their kids feel like they can always come to them for anything.  It sounds easy, but it isn’t.”

As the film comes to an end, a shattered family struggles to put themselves back together. What you witness will make you want to embrace your own family and loved ones. Shults’ hope is that audiences will “connect with the complex characters, and have a lot to think about. And maybe even give them hope in their own lives”

“Waves” is a tough start. But if you allow yourself to stay on this emotional roller coaster, it will be a ride worth taking. 

Rating: 4/5

“Waves” opens in select theater November 27 (Playing at Landmark Magnolia)

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