
Archives for : Susan Kamyab Stephens

NOMINATIONS UNVEILED FOR THE SEVENTH ANNUAL CRITICS CHOICE DOCUMENTARY AWARDS PRESENTED BY NATIONAL GEOGRAPHIC DOCUMENTARY FILMS
FIRE OF LOVE LEADS WITH SEVEN NOMINATIONS AND GOOD NIGHT OPPY RECEIVES SIX NOMINATIONS
GALA TO HONOR AWARD WINNERS ON NOVEMBER 13, 2022 AT THE EDISON BALLROOM IN MANHATTAN, MARKING A NEW VENUE FOR THE EVENT
ACTOR AND STANDUP COMEDIAN WYATT CENAC TO SERVE AS HOST
Acclaimed Documentarian Barbara Kopple to Receive The Pennebaker Award Presented by Chris Hegedus
For the Very First Time, the Ceremony Will Be Live-Streamed Through Facebook Live and Instagram Live at 7:00 PM ET on Sunday, November 13
The nominees for the Seventh Annual Critics Choice Documentary Awards Presented by National Geographic Documentary Films are:
BEST DOCUMENTARY FEATURE
Aftershock (Hulu)
The Automat (A Slice of Pie Productions)
Descendant (Netflix)
Fire of Love (National Geographic Documentary Films/Neon)
Gabby Giffords Won’t Back Down (Briarcliff Entertainment)
Good Night Oppy (Amazon Studios)
The Janes (HBO)
Moonage Daydream (HBO/Neon)
Navalny (HBO/CNN/Warner Bros. Pictures)
Sidney (Apple TV+)
BEST DIRECTOR
Judd Apatow, Michael Bonfiglio – George Carlin’s American Dream (HBO)
Margaret Brown – Descendant (Netflix)
Sara Dosa – Fire of Love (National Geographic Documentary Films/Neon)
Reginald Hudlin – Sidney (Apple TV+)
Brett Morgen – Moonage Daydream (HBO/Neon)
Laura Poitras – All the Beauty and the Bloodshed (HBO/Neon)
Daniel Roher – Navalny (HBO/CNN/Warner Bros. Pictures)
Ryan White – Good Night Oppy (Amazon Studios)
BEST FIRST DOCUMENTARY FEATURE
Andrea Arnold – Cow (IFC Films)
Lisa Hurwitz – The Automat (A Slice of Pie Productions)
Jono McLeod – My Old School (Magnolia Pictures)
Amy Poehler – Lucy and Desi (Amazon Studios)
Alex Pritz – The Territory (National Geographic Documentary Films)
David Siev – Bad Axe (IFC Films)
Bianca Stigter – Three Minutes: A Lengthening (Neon)
BEST CINEMATOGRAPHY
Benjamin Bernhard, Riju Das – All That Breathes (HBO)
Magda Kowalczyk – Cow (IFC Films)
Lucas Tucknott – McEnroe (Showtime)
Gabriela Osio Vanden, Jack Weisman, Sam Holling – Nuisance Bear (The New Yorker)
The Cinematography Team – Our Great National Parks (Netflix)
Alex Pritz, Tangãi Uru-eu-wau-wau – The Territory (National Geographic Documentary Films)
BEST EDITING
Jabez Olssen – The Beatles: Get Back (Disney+)
Erin Casper, Jocelyne Chaput – Fire of Love (National Geographic Documentary Films/Neon)
Joe Beshenkovsky – George Carlin’s American Dream (HBO)
Helen Kearns, Rejh Cabrera – Good Night Oppy (Amazon Studios)
Brett Morgen – Moonage Daydream (HBO/Neon)
Langdon Page, Maya Daisy Hawke – Navalny (HBO/CNN/Warner Bros. Pictures)
Katharina Wartena – Three Minutes: A Lengthening (Neon)
BEST SCORE
Hummie Mann – The Automat (A Slice of Pie Productions)
Nicolas Godin – Fire of Love (National Geographic Documentary Films/Neon)
Blake Neely – Good Night Oppy (Amazon Studios)
Max Avery Lichtenstein – The Janes (HBO)
David Schwartz – Lucy and Desi (Amazon Studios)
Marius de Vries, Matt Robertson – Navalny (HBO/CNN/Warner Bros. Pictures)
BEST NARRATION
Deep in the Heart: A Texas Wildlife Story (Fin and Fur Films), Written by Ben Masters, Performed by Matthew McConaughey
Fire of Love (National Geographic Documentary Films/Neon), Written by Shane Boris, Erin Casper, Jocelyne Chaput, Sara Dosa, Performed by Miranda July
Good Night Oppy (Amazon Studios), Written by Helen Kearns, Ryan White, Performed by Angela Bassett
Our Great National Parks (Netflix), Performed by Barack Obama
Riotsville, U.S.A. (Magnolia Pictures), Written by Tobi Haslett, Performed by Charlene Modeste
Three Minutes: A Lengthening (Neon), Written by Bianca Stigter, Performed by Helena Bonham Carter
BEST ARCHIVAL DOCUMENTARY
The Beatles: Get Back (Disney+)
Fire of Love (National Geographic Documentary Films/Neon)
Moonage Daydream (HBO/Neon)
Nothing Compares (Showtime)
Riotsville, U.S.A. (Magnolia Pictures)
Three Minutes: A Lengthening (Neon)
BEST HISTORICAL DOCUMENTARY
The Automat (A Slice of Pie Productions)
Descendant (Netflix)
The Janes (HBO)
Lowndes County and the Road to Black Power (Peacock)
Still Working 9 to 5 (Mighty Fine Entertainment)
Three Minutes: A Lengthening (Neon)
The U.S. and the Holocaust (PBS)
BEST BIOGRAPHICAL DOCUMENTARY
George Carlin’s American Dream (HBO)
The Last Movie Stars (HBO Max)
Lucy and Desi (Amazon Studios)
The Rebellious Life of Mrs. Rosa Parks (Peacock)
Salvatore: Shoemaker of Dreams (Sony Pictures Classics)
Sidney (Apple TV+)
Sr. (Netflix)
BEST MUSIC DOCUMENTARY
The Beatles: Get Back (Disney+)
Hallelujah: Leonard Cohen, a Journey, a Song (Sony Pictures Classics)
If These Walls Could Sing (Disney Original Documentary)
Louis Armstrong’s Black & Blues (Apple TV+)
Moonage Daydream (HBO/Neon)
Nothing Compares (Showtime)
The Return of Tanya Tucker – Featuring Brandi Carlile (Sony Pictures Classics)
BEST POLITICAL DOCUMENTARY
Aftershock (Hulu)
All the Beauty and the Bloodshed (HBO/Neon)
Gabby Giffords Won’t Back Down (Briarcliff Entertainment)
The Janes (HBO)
Navalny (HBO/CNN/Warner Bros. Pictures)
Retrograde (National Geographic Documentary Films)
Freedom on Fire: Ukraine’s Fight for Freedom (Netflix)
BEST SCIENCE/NATURE DOCUMENTARY
All That Breathes (HBO)
Cow (IFC Films)
Fire of Love (National Geographic Documentary Films/Neon)
Good Night Oppy (Amazon Studios)
Nuisance Bear (The New Yorker)
Return to Space (Netflix)
The Territory (National Geographic Documentary Films)
BEST SPORTS DOCUMENTARY
Citizen Ashe (Magnolia/HBO)
Hockeyland (Greenwich Entertainment)
Kaepernick & America (Dark Star Pictures)
McEnroe (Showtime)
The Redeem Team (Netflix)
Welcome to Wrexham (FX/Hulu)
BEST SHORT DOCUMENTARY
38 at the Garden (HBO)
Angola Do You Hear Us? Voices From a Plantation Prison (MTV Documentary Films)
The Flagmakers (National Geographic Documentary Films)
Four Seasons Total Documentary (MSNBC)
My Disability Roadmap (The New York Times Op Docs)
Nuisance Bear (The New Yorker)
Stranger at the Gate (The New Yorker)
BEST LIMITED DOCUMENTARY SERIES
The Beatles: Get Back (Disney+)
Hostages (HBO)
The Last Movie Stars (HBO Max)
The Lincoln Project (Showtime)
Our Great National Parks (Netflix)
The U.S. and the Holocaust (PBS)
We Need to Talk About Cosby (Showtime)
BEST ONGOING DOCUMENTARY SERIES
30 for 30 (ESPN)
American Masters (PBS)
Cheer (Netflix)
The Circus (Showtime)
Unsolved Mysteries (Netflix)
Welcome to Wrexham (FX/Hulu)
About the Critics Choice Awards
The Critics Choice Documentary Awards are an offshoot of the Critics Choice Awards, which are bestowed annually by the CCA to honor the finest in cinematic and television achievement. Historically, the Critics Choice Awards are the most accurate predictor of Academy Award nominations.
THE WATCHER Interview – Naomi Watts, Jennifer Coolidge, Mia Farrow, Margo Martindale, Noma Dumezweni

“The Watcher” is the newest Netflix mini-series based on the shocking true story of a family that moved into their dream home only to be terrorized and threatened by stalker immediately after. This week I spoke with 5 of the stars of the horror/mystery, Naomi Watts, Jennifer Coolidge, Mia Farrow, Margo Martindale, and Noma Dumezweni. We discussed the things in their homes they don’t want messed with, what makes them feel safe in their house and more!
“The Watcher” is currently streaming on Netflix.

This week I review one of the most talked about movies of the year. Drama has surrounded “Don’t Worry Darling” on and off the screen, but is there more to this movie than all the gossip? I share my thoughts on the thrilling new drama in the video below!
“Don’t Worry Darling” is currently playing in theaters.
Rating: B-

It’s crazy to think that “Bros” is the first romantic comedy about two men falling in love to be produced by a mainstream studio. It’s long overdue. But, if we had to wait this long, I’m glad we put it in the hands of Billy Eichner (Co-Writer) and Nick Stoller (Director/Co-Writer) to be the first ones to make it.
The film centers on Bobby (Eichner), a popular podcast host and LGBTQ+ historian who prides himself on being guarded and non-committal when it comes to relationships. He seems perfectly satisfied with his one-night stands and Grindr hook ups even though all the people in his life are in serious relationships. But everything changes when Bobby meets Aaron (Luke MacFarlane) at a night club. The two are total opposites. Aaron gives off meathead vibes, Ken doll looks, and a bro-like personality. However, the two are insanely drawn to each other. What starts off as a no-strings attached kind of fling, quickly turns into something much deeper. But like any romcom, the couple face some obstacles that will challenge their newfound romance.
In addition to the film’s historic romantic storyline, the movie also features and entirely LGBTQ+ cast. And it’s entertaining to watch some of those characters poke fun at their own current identity politics. “Bros” goes beyond the surface level romcom with its conversation about the importance of LGBTQ+ historical figures. It will likely spark a debate about what age children should learn about these figures, but the way the film handles this topic is one of my favorite parts of the movie.
“Bros” does follow the typical romcom formula with many familiar tropes, which are well done and nice to see in theaters again. What’s also great to see is the chemistry between Eichner and MacFarlane. The banter between the two of them is exciting foreplay, and the romance it leads to actually brought back the butterflies I use to feel from 90’s romcom classics. Not to mention, the two of them are fantastic actors. MacFarlane throws a nod to his “Hallmark” movies resume, but proves he deserves to be on the big screen. And Eichner is more than a supporting role or “Billy on the Street”, he’s a damn good leading man!
I should add, the film is produced by the one and only, Judd Apatow. Meaning, yes, it holds all the same magic that his previous, successful romcoms had, like “Knocked Up” and “Trainwreck”. “Bros” is just as raunchy, original, and HILARIOUS! The laugh out loud moments are greatly due to the witty screenplay.
“Bros” is an important watch for many reasons, but it’s also an incredibly fun one. I highly encourage moviegoers see this one in theaters and spread the word! Also, can we get started on a “Bros 2”?
Rating: A+
Check out my interview w/ the stars, Billy Eichner and Luke MacFarlane in the video below!

I got the chance to sit down with the stars of the new, groundbreaking romantic comedy, “Bros.” Billy Eichner and Luke MacFarlane discuss a time they tried to impress a significant other and what the representation in this film means to them. They also answer some rapid fire questions related to the movie in this hilarious and fun interview!
“Bros” opens in theaters on September 30, 2022.

This week I review Focus Feature’s newest comedy, “Honk for Jesus. Save Your Soul”. The film stars Sterling K. Brown and Regina Hall. It’s a thought-provoking dark comedy that stays with you long after it’s over.
The film opens in theaters and available on Peacock September 2, 2022.

THE ACCLAIMED HOLIDAY THEATRICAL
“TWAS THE NIGHT BEFORE…” BY CIRQUE DU SOLEIL
Will Run at Texas Trust CU Theatre in Grand Prairie
November 25 – December 11, 2022
Tickets Go On Sale Friday, August 26 at 10 a.m. at AXS.com
Dallas, TX (August 23, 2022) – The acclaimed family holiday theatrical – “‘Twas the Night Before…” by Cirque du Soleil – is making its Dallas debut at the Texas C. U. Theater fromFriday, November 25 – Sunday, December 11, 2022. The production will run for 25 performances.
Tickets start at $44 and will go on sale Friday, August 26th at 10 a.m. at AXS.com. Group tickets of 10 or more will be available at texasgrouptickets.com, via email at christina@texasgrouptickets.com or by calling (281) 367-9717 beginning August 26 at 10 a.m.
“‘Twas the Night Before…,” Cirque du Soleil’s exhilarating spin on the beloved Christmas tale, is about the wonders of sharing and friendship. The production marks Cirque du Soleil’s first-ever Christmas show and is a flurry of Christmas cheer – rip-roaring fun with hugely lovable characters that will introduce audiences to the magic of Cirque du Soleil.
Performance Schedule:
Friday, Nov. 25 7:30 p.m.
Saturday, Nov. 26 1 p.m., 4 p.m. & 7:30 p.m.
Sunday, Nov. 27 12 noon, 3 p.m. & 6 p.m.
Wednesday, Nov. 30 7:30 p.m.
Thursday, Dec. 1 7:30 p.m.
Friday, Dec. 2 7:30 p.m.
Saturday, Dec. 3 1 p.m., 4 p.m. & 7:30 p.m.
Sunday, Dec. 4 12 noon, 3 p.m. & 6 p.m.
Wednesday, Dec. 7 7:30 p.m.
Thursday, Dec. 8 7:30 p.m.
Friday, Dec. 9 7:30 p.m.
Saturday, Dec. 10 1 p.m., 4 p.m. & 7:30 p.m.
Sunday, Dec. 11 12 noon, 3 p.m. & 6 p.m.

Based on a true story, “Adopting Audrey” is about a young woman puts herself up for adoption and forms a bond with the misanthropic patriarch of her adoptive family. I got a chance to speak with the star and executive producer of the film, Jena Malone. We discussed the film, the importance of how you act around your child, what YouTube videos comfort her, and much more.
“Adopting Audrey” opens in theaters and is available OnDemand August 26, 2022.

If there’s any takeaway from Jeff Baena’s new comedy, “Spin Me Round”, it’s that Allison Brie and Aubrey Plaza need to be in more films together. But they aren’t the only shining stars in this movie.
Alison Brie plays Amber, a manager of an Italian chain restaurant (similar to Olive Garden) that gets selected to go on an all-expense paid trip to the company’s training program in Italy. Amber is not only thrilled at the chance to further her career, but she’s excited at the opportunity to fall in love. Once she arrives at the “institute”, she soon gets wrapped up in a different kind of “romance”.
Amber is not alone in this experience. The other managers in the program are Deb (Molly Shannon), Jen (Ayden Mayeri), Susie (Debby Ryan), Dana (Zach Woods), and Fran (Tim Heidecker), who are a little quirky. But they are the least of Amber’s worries. The group is not staying at a villa, but a rundown hotel. Their guide Craig (Ben Sinclair) is a mono-toned weirdo. And they can’t leave the compound. But, when Amber meets the restaurant’s handsome founder, Nick Martucci (Alessandro Nivola), his assistant, Kat (Aubrey Plaza) sneaks Amber away so that her and Nick can “get to know each other”. This eventually leads to one crazy adventure.
I’m not sure how many people will enjoy this film. There will be a lot of confusion, and some will wonder if there was a purpose for the movie. Well, the purpose is fun. Not every film is going to have a deep underlining meaning. “Spin Me Round” does touch on inappropriate power dynamics and manipulation tactics used in seduction, but that’s hardly the point. Director and co-writer, Jeff Baena (alongside co-writer Alison Brie), succeeds in making a hilarious, oddball comedy that is elevated by his excellent cast.
No surprise, Brie and Plaza are fantastic. They have great chemistry and engaging banter. While they may be the backbone of this wacky story, the ENTIRE comedic cast serve up plenty of laughs. Shannon might one of the best characters with her hot & cold, “mentally off” behavior. Mayeri plays a delightfully ditzy, overly positive manager. And Woods is the most endearing of the bunch, as he plays the awkward, number one fan of the chain.
The only negative is a certain character being removed from the film far too early and in a manner that felt unintentional, but the rest of the strong supporting cast makes up for this random disappearance.
If you allow yourself to be immersed in this weirdly entertaining story, then you’re in for a really great time. Believe it or not, I didn’t want it end. All these characters were so intriguing, I was craving an extended trip.
Rating: B