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Movie Review: “M3GAN” is a Fun Start to the New Year

After so many heavy award contenders, it’s nice to have a fun palette cleanser like the new sci-fi/thriller, “M3GAN”. January is known to be dump month. So going into this film, I had no expectations but to hopefully have a good time. Luckily, the film turned out to be a whole lot of deadly fun.

Chucky, you’ve met your match. It’s the model 3 generative android, aka M3GAN for short. She is a child’s greatest companion and a parent’s greatest ally. She’s a life-like doll that listens, teaches, and looks after the child she has bonded with. However, when it comes to protecting her owner, M3GAN may go off program and leave a bloody mess behind.

In the film, Allison Williams stars as Gemma, a brilliant roboticist who is obsessed with her job and perfecting the AI for her company’s new toy. Unfortunately, a terrible accident leaves her responsible for her 8-year-old niece, Cady (Violet McGraw). She rushes her newest project so that M3GAN can take on the responsibilities of a guardian that she doesn’t want to be bothered with. But soon M3GAN takes her role to the extreme, and Gemma must do everything she can to deactivate the AI for good.

This hilarious, campy horror is written by Akela Cooper and James Wan; and directed by Gerald Johnstone. It has all the makings for an instant horror classic. The film provides the similar thrills and humor of “Child’s Play”, while adding its own original spin. “M3GAN” is self-aware and embraces the silliness of its premise. Though, the plot is ridiculous, the film also has a lot of heart by exploring grief and its impact on children, as well as people’s dependency on technology. There is a reason why these AI’s shouldn’t replace parents, and at some point, children need to outgrow their toys.

“M3GAN” is a comical story with some foolish scenes, but man, is it one hell of a good time! From her random dance break to her creepy spider crawl chase, you’ll be laughing and shuddering at the thought of M3GAN as your new best friend.

Rating: B+

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Movie Review: “The Night House” Gives Thrills & Chills


I’ll admit, I scare easily. Films that aren’t even scary (Boo! A Madea Halloween) make me jump. But when I watch a truly, good horror film, I am on the edge of my seat, holding my breath during the entirety of the film. The only breather breaks are my screams. In David Bruckner’s new horror, “The Night House”, I screamed three times. 

After her husband, Owen’s (Evan Jonigkeit) unexpected suicide, Beth (Rebecca Hall) is left alone in their large lake house, and suddenly haunted by a mysterious spirit. Beth heads down a dangerous rabbit hole as this leads her to digging into her husband’s dark secrets. 

What Bruckner captures here is a very real and painful portrayal grief and depression. It’s not an easy subject matter to tackle, but it’s handled so well here. From Beth’s drinking, re-watching old videos of her husband, to how she interacts with her colleagues and people around her. Owen’s death has consumed Beth and is affecting her daily life and personal relationships. 

If you saw Hall in the underrated drama, “Christine”, you already know how well she can portray a woman on the edge struggling with depression. So, it comes as no surprise that Hall’s performance as a grief-stricken widow is incredibly powerful. Your heart absolutely breaks for Beth as she asks the questions one would probably have if their husband chose to end their life: Why? Was he that unhappy? How was he so good at hiding it? Did I really know him at all? Was he a monster and I had no idea? These are just a few of the questions the film will answer. 

“The Night House” is shot and edited beautifully. Paired with Kathrin Eder’s unsettling production design and the eerie music by Ben Lovett, the film makes for an engaging and terrifying experience. 

Where the film falls short, is that it’s slightly over ambitious. Though questions are answered for the most part, there might be some confusion at the end, and there are a few small plot holes. But if you can piece together a narrative that satisfies you, then this may not be an issue. 

“The Night House” is a creative story with gripping visuals and captivating performances.  

Rating: B +

Movie Review: “The King of Staten Island” tells a Compelling Story

The King of Staten Island - Who Is Pete? - YouTube

Judd Apatow is responsible for some of the best comedies of our time including, “Knocked Up”, “40 Year-Old Virgin”, and “Trainwreck”. His films typically dive deeper than the usual comedy. He takes the time to have audiences understand his leads and provides a sincere character study. We continue to gain perspective on another lost soul in Apatow’s new heartfelt comedy, “The King of Staten Island”.

This time Apatow has teamed up with Saturday Night Live standout, Pete Davidson. Together, alongside co-writer Dave Sirus, they bring Davidson’s personal experiences to life.

“The King of Staten Island” is about a young man named Scott (Davidson) who’s still living in his mother’s basement, and seems to be going nowhere in life. Scott has had issues ever since his father passed away on the job responding to a fire when he was seven. Since then, he hasn’t been able to grow up and become an independent adult. Everything changes when his younger sister Claire (Maude Apatow) goes off to college, and his mother Margie (Marisa Tomei) starts dating another firefighter named Ray (Bill Burr).

Margie is finally able to move on and think about her own happiness. This forces Scott to get a job, and look for a new place to live. Unfortunately, Ray gets the blame for this sudden shift in Scott’s life, and naturally he hates him. The two butt heads and carry on a hilarious banter throughout the movie; which eventually leads to a powerful and emotional realization of unresolved grief.

The King of Staten Island Is the Rare Comedy That May Play Better ...

What I have always loved about Apatow’s movies is the writing. Not only is it authentic and honest, but it’s also so damn funny. The dialogue is awkwardly realistic and witty. And his always talented casts help elevate the script.

Apatow’s daughter is a knock out; and Tomei does a fantastic job, as usual, playing an endearing, sweet mom. But it’s Davidson and Burr who shine. Davidson solidifies his career by bringing humor and genuine emotion without ever appearing to try too hard. Burr is obviously funny and sarcastic, but he also has depth and just the right amount of heart to make you understand why Margie could fall for him so quickly.

“The King of Staten Island” tells a unique story about grief, loss, and love. Showing that for your own health, it’s important to confront your issues, and allow the people around you to help in the healing process.

Some may be discouraged by the nearly two and half hour runtime, but don’t let the semi-slow pace deter you from this beautiful, well made, coming-of-age film.

Rating: 4/5

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