Some of us, like myself, try to forget the abysmal 2021 Mortal Kombat movie. Thankfully, the filmmakers took notes from dissatisfied fans and made a sequel...
Meryl Streep and Anne Hathaway return to portray their iconic roles as Miranda Priestley and Andy Sachs. While some may have been skeptical at first, this...
Featuring 1,200 synchronized illuminated drones moving in perfect harmony with the unforgettable music, this extraordinary experience celebrates 25 Years...
The summer blockbusters are rolling in! Steven Spielberg’s newest alien sci-fi, thriller, “Disclosure Day,” has arrived. And after bringing us legendary extraterrestrial stories like “E.T.” and “Close Encounters of the Third Kind”, I’m sad to say this highly anticipated alien mystery lacks the Spielberg magic we’ve come to love from his previous theatrical treasures.
“Disclosure Day” asks the question, what if you found out we are not alone and someone was able to show you undeniable evidence of alien life. Would that scare you? It’s an interesting question and could be an interesting movie if the script and the characters were not all over the place. In the film, Dr. Daniel Kellner is on the run from his underground government boss; he carries a great deal of proof that aliens are among us and feels that entire world should finally know the truth. Luckily for him, a Kansas weather girl, who shockingly is linked to the aliens, can help Kellner get the message out.
There are several issues with this film. It appears; there wasn’t a clear intention of which direction they wanted to go. The tone bounces around from a serious drama to a hokey and unconvincing kids’ movie. There are numerous plot holes in the convoluted storylines, and the underdeveloped characters make any “emotional” or climatic scenes feel unearned. The saving grace of “Disclosure Day” and the real reason to watch, is Emily Blunt’s award-worthy performance as Margaret Fairchild. She brings energy and personality, as well as humor to the very long, two and half hour, underwhelming sci-fi. Though the rest of the all-star cast, including Josh O’ Connor, Colin Firth, and Coleman Domingo do a fine job, their surface-level roles are not as memorable.
There is thrilling action that entertains, and the comedic relief makes the film worth a trip to the box office but set your expectations low. It does pain me to speak negatively about this movie, especially because of Blunt’s performance, but Spielberg can and has done much better than this. The intent to reflect on humanity and have empathy for the known is admirable and greatly appreciated, but the efforts made to bring that message to the screen fell flat and rings hallow.
The last two Jurassic World films were a convoluted mess: a disappointing misfire after such a promising start to the revived franchise. After nearly three years, director Gareth Edwards tries his hand at a new installment with a brand-new cast. And while it is miles better than “Fallen Kingdom” and “Dominion”, that may not be saying much about “Jurassic World Rebirth”.
The film is set five years after the events of “Jurassic World: Dominion”. Dinosaurs are on the brink of extinction again as our ecosystem is not built for them and they are struggling to survive. Those still alive have made a home for themselves in a more tropical environment similar to where they once thrived. Three of the most colossal creatures carry genetic material that could be the key to a life-saving drug that could benefit humankind. Read full review here.
Rating: C+
“Jurassic World Rebirth” opens in theaters July 2, 2025
“Drop” premiered at this year’s South by Southwest with rave reviews about the exhilarating new thriller. It’s not easy to get back into the dating world, especially after a traumatic relationship. Director Christopher Landon takes audiences on a horrifying first date in what might eventually become an instant cult classic.
The film follows Violet, a widowed mother, played by “White Lotus” star Meghann Fahy who is going on her first date in years. With the help of her sister, who’s agreed to babysit her son while out, she musters up the courage to put herself back out there and meets with a charming photographer played by Brandon Sklenar. Unfortunately, this potential for romance turns into a mother’s worst nightmare as Violet is bombarded with anonymous texts that threaten her son’s life. Trapped in a high rise, upscale restaurant, she must figure out who is behind the messages to save both her son and her date’s life.
If you’re familiar with Landon’s work on films like “Freaky” or “Happy Death Day”, you’ll have an idea of his style of horror. He adds an element of comedy that allows you to breathe a little easier through his character’s high stressed situations. While there are moments of comic relief, “Drop” creates an anxiety-inducing setting with time constraints and focus on suspense. But don’t be fooled by its frightening premise, the film has a few jump scares, but it never takes itself too seriously. In fact, expect a few eye rolls when entering ridiculous and campy territory. It’s Fahy’s devoted and captivating performance that will sell you on any absurd action.
The heart of this film lies with Meghann Fahy, who continues to shine in any role she plays. But “Drop” succeeds in blending romance, wit, and tension into a simple yet tech-savvy, entertaining thrill ride that will keep audiences on the edge of their seats.
It’s January so most moviegoers know this is what we call “dump month”, it’s where films like the new horror reboot, “Wolf Man” go to die. That’s right, this is not a rare January horror gem like MEGAN. Unfortunately, filmmaker Leigh Whannell fails to bring the wit and care he has provided in his past films.
The film stars Christopher Abbott and Julia Garner as a couple looking to reconnect and build a stronger relationship with their daughter, who is apparently disconnected from her working mom. This subplot is briefly mentioned, in an aimless way, and we’re supposed to feel for this family’s apparent struggle with no background or character development to their strained marriage. The only backstory is at the top of the film, where we see Abbott’s character, Blake, at a young age with his stern father in a remote house in the woods. It is there we first learn about the bigfoot type creature lurking in the forest. Fast forward 30 years later, Blake has learned about his father’s passing and now wants to take this opportunity to rebuild his own family with a trip to this abandon farmhouse. On their way there, they are attacked by an unseen animal, and as the night goes on, Blake begins to transform into something unrecognizable.
Early reactions called this film a hardcore, terrifying watch. Outside of a couple of jump scares, “Wolf Man” lacks fear, suspense, and most importantly, fun. We don’t expect a film like this to be groundbreaking or have an amazing story, but at the very least, provide some entertainment. The film is slow, spending most of its time sitting around in the dimly lit home waiting for the dad to turn full werewolf. This might have to do with Whannell’s attempt at a “deeper” story about how to parent and love your child. But this message is completely lost on audiences, as the film never finds its footing and the actors never fully commit to their performance. Both Abbott and Garner deserve more from their script and it’s evident, they showed up for the paycheck and nothing more.
Horror fans should still form their own opinion but be warned; besides a few creative shots and the previously mentioned scares, “Wolf Man” is more of a slow dumpster fire rather than a slow burn. It’s a predictable, uninspired story that’s all bark and no bite.
“Wicked” has been a beloved stage production. Wicked has been a beloved stage production. Now you can see the story on the big screen in theaters with the whole family during the holiday season. Visionary director Jon M. Chu, who brought us “Crazy Rich Asians” and “In the Heights” inspires audiences with a truly magical retelling of the emotional Broadway hit.
For those who don’t know the story, it’s about Elphaba, a young woman who’s misunderstood because of her green skin, and Glinda, a popular girl she meets at Shiz University in the Land of Oz. The two don’t get along at first, Glinda is completely unaware of how self-absorbed and offensive she is and Elphaba doesn’t make much of an effort with her. But when they are forced to room together, the two eventually get to know each other in a way that no one else has. They form a beautiful friendship that moviegoers can’t help but fall in love with. However, that friendship is challenged when they have what they hoped would be a dream meeting with the Wonderful Wizard of Oz.
The film is a vibrant reimagining of the classic Wizard of Oz movie and spotlights the untold origin story of the Wicked Witch of the West and her once dear friend, Glinda the Good Witch. And in a lot of ways, I enjoy this story more. It raises the questions – are people born evil? Are those who claim to be heroes truly good? But more importantly, it sends a powerful message about not judging people for the way look, but for who they are on the inside. Thankfully, Cynthia Erivo and Ariana Grande’s chemistry leaps off the screen. And if you have seen them during this press tour, it’s clear they have built a genuine friendship of their own. The two pour their hearts into unforgettable, award worthy performances. Especially, a hilarious and scene stealing Ariana Grande.
Though some have complained about the film’s nearly three-hour runtime, it allows for effective character development while impressively moving quickly and surprisingly leaves you wanting more. Thankfully, this is only the first part for the bold adaptation and fans can look forward to part 2 next year. In the meantime, this is the holiday film you want to see in theaters as you will be swept away by the dazzling visuals and moving musical numbers that undeniably defy gravity. “Wicked” is a breathtaking spectacle everyone can enjoy.
From an iconic sculpture to a wild robot. Peter Brown’s literary sensation comes to life in one of the most talked about films of the year. The Wild Robot is already a front runner for Best Animated Feature as its moving story is touching the hearts of all audiences.
The film follows an intelligent robot called Roz, who’s voiced by Academy Award winner, Lupita Nyong’o. After a shipwreck, Roz is stranded on an uninhabited island where to survive the harsh environment, she bonds with the island’s animals. After accidentally crushing a goose nest, a single egg survives and hatches to reveal a little baby goose. Roz decides her purpose on this island is to now raise the goose, now named Brightbill, as her own and help get him ready for the upcoming winter migration. She gains the help of a scheming Fox, voiced by Pedro Pascal and the three of them naturally become family. Roz is goal is to complete this mission before finding her way back home.
While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.
And though the film may have you reaching for tissues, The Wild Robot is also filled with plenty of laughs and thrills. It’s a wonderfully immersive family adventure featuring a superb cast with an unforgettable message audiences of all ages can relate to.
“The Wild Robot” is currently playing in theaters.
This week I review the thrilling new sequel starring Glen Powell and Daisy-Edgar Jones, “Twisters”. How does it compare to the original? Find out by watching my full interview in the video below!
It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know what to expect from Universal Pictures’ new, surprisingly funny thriller, “Abigail”.
After a group of criminals kidnap the ballerina daughter of a powerful, wealthy man, they must wait 24 hours in an isolated mansion to collect their 50-million-dollar ransom, but things quickly go awry when the group discovers they are locked inside with no normal little girl. What proceeds to happen is an entertaining, creatively shot blood bath that will shock and humor audiences.
The plot is straight-forward, but the production and performances elevate what could have been a bore. Directors Matt Bettinelli-Olpin and Tyler Gillett film a balanced narrative that flows much like a ballet performance. There’s a good rhythm at the start and engaging theatrics throughout with Abigail’s random, but impressive dance moves right before she remarkably lands her bait. And while the band of crooks do a fine job, it’s our young star, Alisha Weir who steals the show. She’s natural at playing an angelic scared little girl, who in an instant can flip the switch to a terrifying demonic tiny dancer.
But “Abigail” does have its flaws. Towards the end, the film does waver and stubble over its steady beat with too many betrayals and inconsistent character identities. Which prevents it from providing the depth that was potentially there. That being said, there is still more positive than negative here, especially from the comedic timing of the entire cast. It’s very much M3GAN meets Ready or Not, just nowhere near as good. But, if you’re a fan of the horror genre, then “Abigail” is satisfying, mindless bloody fun.
This week I review “Five Nights at Freddy’s”. It’s about a security guard who begins working at Freddy Fazbear’s Pizza and discovers the animatronic costumes that reside there, aren’t just robots. They are alive. Find out if I think the film is a fun thriller.
“Five Nights at Freddy’s” is playing in theaters and streaming on Peacock.
After so many heavy award contenders, it’s nice to have a fun palette cleanser like the new sci-fi/thriller, “M3GAN”. January is known to be dump month. So going into this film, I had no expectations but to hopefully have a good time. Luckily, the film turned out to be a whole lot of deadly fun.
Chucky, you’ve met your match. It’s the model 3 generative android, aka M3GAN for short. She is a child’s greatest companion and a parent’s greatest ally. She’s a life-like doll that listens, teaches, and looks after the child she has bonded with. However, when it comes to protecting her owner, M3GAN may go off program and leave a bloody mess behind.
In the film, Allison Williams stars as Gemma, a brilliant roboticist who is obsessed with her job and perfecting the AI for her company’s new toy. Unfortunately, a terrible accident leaves her responsible for her 8-year-old niece, Cady (Violet McGraw). She rushes her newest project so that M3GAN can take on the responsibilities of a guardian that she doesn’t want to be bothered with. But soon M3GAN takes her role to the extreme, and Gemma must do everything she can to deactivate the AI for good.
This hilarious, campy horror is written by Akela Cooper and James Wan; and directed by Gerald Johnstone. It has all the makings for an instant horror classic. The film provides the similar thrills and humor of “Child’s Play”, while adding its own original spin. “M3GAN” is self-aware and embraces the silliness of its premise. Though, the plot is ridiculous, the film also has a lot of heart by exploring grief and its impact on children, as well as people’s dependency on technology. There is a reason why these AI’s shouldn’t replace parents, and at some point, children need to outgrow their toys.
“M3GAN” is a comical story with some foolish scenes, but man, is it one hell of a good time! From her random dance break to her creepy spider crawl chase, you’ll be laughing and shuddering at the thought of M3GAN as your new best friend.
