Archives for : Chadwick Boseman
SUMMARY OF AWARD WINNERS
2020 Dallas-Fort Worth Film Critics Association awards
BEST PICTURE
Winner: NOMADLAND
Runners-up: PROMISING YOUNG WOMAN (2); THE TRIAL OF THE CHICAGO 7 (3); MINARI (4); ONE NIGHT IN MIAMI (5); MANK (6); MA RAINEY’S BLACK BOTTOM (7); SOUND OF METAL (8); DA 5 BLOODS (9); FIRST COW (10)
BEST ACTOR
Winner: Chadwick Boseman, MA RAINEY’S BLACK BOTTOM
Runners-up: Riz Ahmed, SOUND OF METAL (2); Gary Oldman, MANK (3); Delroy Lindo, DA 5 BLOODS (4); Anthony Hopkins, THE FATHER (5)
BEST ACTRESS
Winner: Carey Mulligan, PROMISING YOUNG WOMAN
Runners-up: Frances McDormand, NOMADLAND (2); Viola Davis, MA RAINEY’S BLACK BOTTOM (3); Vanessa Kirby, PIECES OF A WOMAN (4); Andra Day, THE UNITED STATES VS. BILLIE HOLIDAY (5)
BEST SUPPORTING ACTOR
Winner: Daniel Kaluuya, JUDAS AND THE BLACK MESSIAH
Runners-up: Leslie Odom Jr., ONE NIGHT IN MIAMI (2); Sacha Baron Cohen, THE TRIAL OF THE CHICAGO 7 (3); Bill Murray, ON THE ROCKS (4); Paul Raci, SOUND OF METAL (5)
BEST SUPPORTING ACTRESS
Winner: Amanda Seyfried, MANK
Runners-up: Youn Yuh-jung, MINARI (2); Helena Zengel, NEWS OF THE WORLD (3); Maria Bakalova, BORAT SUBSEQUENT MOVIEFILM (4); Olivia Colman, THE FATHER (5)
BEST DIRECTOR
Winner: Chloe Zhao, NOMADLAND
Runners-up: Emerald Fennell, PROMISING YOUNG WOMAN (2); Regina King, ONE NIGHT IN MIAMI (3); David Fincher, MANK (4); Aaron Sorkin, THE TRIAL OF THE CHICAGO 7 (5)
BEST FOREIGN LANGUAGE FILM
Winner: MINARI
Runners-up: ANOTHER ROUND (2); THE LIFE AHEAD (3); LA LLORONA (4); MARTIN EDEN (5)
BEST DOCUMENTARY
Winner: TIME
Runners-up: DICK JOHNSON IS DEAD (2); BOYS STATE (3); THE DISSIDENT (4); CRIP CAMP (5)
BEST ANIMATED FILM
Winner: SOUL
Runner-up: WOLFWALKERS
BEST SCREENPLAY
Winner: Emerald Fennell, PROMISING YOUNG WOMAN
Runner-up: Aaron Sorkin, THE TRIAL OF THE CHICAGO 7
BEST CINEMATOGRAPHY
Winner: Joshua James Richards, NOMADLAND
Runner-up: Erik Messerschmidt, MANK
BEST MUSICAL SCORE
Winner: Trent Reznor and Atticus Ross, MANK
Runner-up: James Newton Howard, NEWS OF THE WORLD
RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)
Winner: MINARI
Get On Up may confuse with it’s non-linear timeline, but there is no misunderstanding the brilliance of Chadwick Boseman.
In last year’s 42, Boseman played baseball legend Jackie Robinson as a man suppressing his pride and bottling up his anger. It was a strong breakout performance by an actor we knew we’d be seeing again very soon. He then made a small appearance in the underrated Draft Day, as hopeful pick for the NFL draft. In Get On Up, Boseman gets the chance to let loose in a firehouse of passion, funk, and intense ferocity.
The story itself may not have audiences captivated, as the constant back and forth jump from one year to the next tends to scramble the brain. I understand not wanting to follow they typical bio-pic formula but in an attempt to be different, they might have lost track of what is more effective to moviegoers. Getting emotionally wrapped up in one scene only to be abruptly pulled away to a moment that occurs 5 years later is not only frustrating, but it is distracting. You don’t want to to forget what you just saw because you know they will be coming back at some point to finish the scenes they just started (confusing, I know). So instead of concentrating on the current sequence, you are bookmarking everything you watch. Luckily, this film isn’t about the story, it’s about the performances.
Chadwick Boseman’s phenomenal portrayal as James Brown and his A-list supporting cast is all you need to remember about this movie. The Help alums: Octavia Spencer, who plays Brown’s brothel-owning aunt, and Viola Davis, who plays Brown’s neglectful mother, slides in for the film’s most emotional scene. But it is Nelsan Ellis, who plays Bobby Bryd-Brown’s loyal best friend, that proves once again, he is more than the flamboyant comic relief as seen on True Blood every week. Boseman and Ellis share great chemistry on screen and complement each other extremely well.
In comparison to the recent bio-pic/musical, Jersey Boys, Get On Up wins by a landslide. The acting, the story, and most importantly the ability to have us care for the characters. Had the story just been slightly more chronological I would have given the film a much higher rating, but none of the faults in Get On Up deteriorates from the sensation that is Chadwick Boseman.
Rating: 3.5/5