It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know...
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It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know what to expect from Universal Pictures’ new, surprisingly funny thriller, “Abigail”.
After a group of criminals kidnap the ballerina daughter of a powerful, wealthy man, they must wait 24 hours in an isolated mansion to collect their 50-million-dollar ransom, but things quickly go awry when the group discovers they are locked inside with no normal little girl. What proceeds to happen is an entertaining, creatively shot blood bath that will shock and humor audiences.
The plot is straight-forward, but the production and performances elevate what could have been a bore. Directors Matt Bettinelli-Olpin and Tyler Gillett film a balanced narrative that flows much like a ballet performance. There’s a good rhythm at the start and engaging theatrics throughout with Abigail’s random, but impressive dance moves right before she remarkably lands her bait. And while the band of crooks do a fine job, it’s our young star, Alisha Weir who steals the show. She’s natural at playing an angelic scared little girl, who in an instant can flip the switch to a terrifying demonic tiny dancer.
But “Abigail” does have its flaws. Towards the end, the film does waver and stubble over its steady beat with too many betrayals and inconsistent character identities. Which prevents it from providing the depth that was potentially there. That being said, there is still more positive than negative here, especially from the comedic timing of the entire cast. It’s very much M3GAN meets Ready or Not, just nowhere near as good. But, if you’re a fan of the horror genre, then “Abigail” is satisfying, mindless bloody fun.
It’s crazy to think that “Bros” is the first romantic comedy about two men falling in love to be produced by a mainstream studio. It’s long overdue. But, if we had to wait this long, I’m glad we put it in the hands of Billy Eichner (Co-Writer) and Nick Stoller (Director/Co-Writer) to be the first ones to make it.
The film centers on Bobby (Eichner), a popular podcast host and LGBTQ+ historian who prides himself on being guarded and non-committal when it comes to relationships. He seems perfectly satisfied with his one-night stands and Grindr hook ups even though all the people in his life are in serious relationships. But everything changes when Bobby meets Aaron (Luke MacFarlane) at a night club. The two are total opposites. Aaron gives off meathead vibes, Ken doll looks, and a bro-like personality. However, the two are insanely drawn to each other. What starts off as a no-strings attached kind of fling, quickly turns into something much deeper. But like any romcom, the couple face some obstacles that will challenge their newfound romance.
In addition to the film’s historic romantic storyline, the movie also features and entirely LGBTQ+ cast. And it’s entertaining to watch some of those characters poke fun at their own current identity politics. “Bros” goes beyond the surface level romcom with its conversation about the importance of LGBTQ+ historical figures. It will likely spark a debate about what age children should learn about these figures, but the way the film handles this topic is one of my favorite parts of the movie.
“Bros” does follow the typical romcom formula with many familiar tropes, which are well done and nice to see in theaters again. What’s also great to see is the chemistry between Eichner and MacFarlane. The banter between the two of them is exciting foreplay, and the romance it leads to actually brought back the butterflies I use to feel from 90’s romcom classics. Not to mention, the two of them are fantastic actors. MacFarlane throws a nod to his “Hallmark” movies resume, but proves he deserves to be on the big screen. And Eichner is more than a supporting role or “Billy on the Street”, he’s a damn good leading man!
I should add, the film is produced by the one and only, Judd Apatow. Meaning, yes, it holds all the same magic that his previous, successful romcoms had, like “Knocked Up” and “Trainwreck”. “Bros” is just as raunchy, original, and HILARIOUS! The laugh out loud moments are greatly due to the witty screenplay.
“Bros” is an important watch for many reasons, but it’s also an incredibly fun one. I highly encourage moviegoers see this one in theaters and spread the word! Also, can we get started on a “Bros 2”?
Rating: A+
Check out my interview w/ the stars, Billy Eichner and Luke MacFarlane in the video below!
I got the chance to speak with the director and stars of the Netflix action/comedy, “Day Shift”. Jamie Foxx, Dave Franco, and J.J. Perry discuss the film, which ring tone they would choose for each other, who they fanned out over and more!
Be sure to watch the hilarious interview, and the movie when it releases on Netflix August 12, 2022.
