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YOU ARE SO NOT INVITED TO MY BAT MITZVAH Interview w/ Director Sammi Cohen

“You Are So Not Invited to My Bat Mitzvah” follows Stacey Friedman as she prepares for her bat mitzvah, but her plans comedically unravel and threaten to ruin the event. I got a chance to speak with the director, Sammi Cohen to discuss this new coming-of-age film. We talked about friendships, hardest part of being a teenage girl, and more!

Check out the interview and movie when it streams on Netflix August 25th! It is easily one of my favorite films of the year.

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Top 10 Best Films of 2022

10. The Black Phone

At first glance, “The Black Phone” could come off as a “ripped from the headlines” Lifetime movie. In actuality, the film is a familiar story about a child kidnapper/serial killer that unfolds in a completely unnerving and original way! It also features an incredible and disturbingly eerie performance by Ethan Hawke.

9. I Want You Back

When I watched this film back in February, I knew it would be in my top 10. Not just because I love the genre, but because this one felt reminiscent of some of my favorite 90’s romcoms. The film follows Emma (Jenny Slate) and Peter (Charlie Day) after they have both been dumped by their significant others. They bond over their losses and decide to work together to get their exes back. “I Want You Back” has a refreshing and hilarious screenplay that shines even brighter through Slate and Day’s chemistry.

8. Hustle

Less is more when it comes to the brilliance that is “Hustle”. Adam Sandler plays a basketball scout whose goal is to become a coach. In the midst of that journey, he stumbles upon a talented baller in Spain. They connect as two underdogs trying to prove themselves worthy of coming out on top. This is just one of those movies that excels through incredible performances and it’s a feel-good story. It’s easily my favorite performance by Sandler to date. “Hustle” is the hidden gem of 2022 that I hope everyone was able to find.

7. The Woman King

Based on true events, “The Woman King” is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s. The women are fierce warriors with unbelievable fighting skills. From its opening scene, the film hooks you in, and keeps you enthralled with exciting action sequences and a thrilling journey. It’s an inspiring and powerful movie.

6. Bros

Finally, a good romcom was shown in theaters this year! It’s crazy to think that “Bros” is the first romantic comedy about two men falling in love to be produced by a mainstream studio. It’s long overdue. But, if we had to wait this long, I’m glad we put it in the hands of Billy Eichner (Co-Writer) and Nick Stoller (Director/Co-Writer). In addition to the film’s historic romantic storyline, the movie also features and entirely LGBTQ+ cast. And it’s entertaining to watch some of those characters poke fun at their own current political identities. “Bros” goes beyond the surface level romcom with its conversation about the importance of LGBTQ+ historical figures.

5. Vengeance

B.J. Novak’s directorial debut is a dark comedy thriller about a podcaster who travels from New York to West Texas to investigate the death of a girl he was hooking up with. I may be bias, being from Texas, but anyone can relate to this story. It’s a hilarious satire about politics, media and technology. Novak is a tour de force, providing a sharp and witty script with a valuable message about how we “connect” with people. “Vengeance” is an original “whodunit” with a shocking and unforgettable ending.

4. Fresh

Mimi Cave’s debut feature goes from rom-com to a dark, provocative horror. Audiences may think they’ve seen this story before, but it hasn’t been told quite like this. For starters, the film features a Grade-A cast. Sebastian Stan’s character is unlike anything he’s played before. And Daisy Edgar-Jones gives an unforgettable performance, as she brings a whole new level to the “damsel turns badass” story arc. The film’s images range from picturesque to beautifully grotesque. “Fresh” delivers the whole package. It’s a deliciously, twisted horror/comedy that leaves you craving more.

3. The Menu

The best original screenplay award should go to “The Menu”. Talk about a brilliant script! This was one that audiences didn’t really know what they were walking into, but should have left very satisfied. In the film, a couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises. As the story unfolds, we find this is an exploration of the toxic relationship between art, artist and consumer. Are we still making the art that we were passionate about for ourselves or have we become sell outs? “The Menu” is a clever and delectable story.

2. The Batman

“The Batman” is one of the best Batman movies since “The Dark Knight”. I was hesitant when Robert Pattinson was cast, but he nails it with a brooding Bruce Wayne in his 20’s. The entire cast is fantastic, especially, the quick-witted Zoe Kravitz as probably the most realistic Cat woman, and a stunning, unrecognizable Colin Farrell as Penguin, and of course, a chilling Paul Dano as The Riddler. In this story, citizens know Batman’s name, but don’t quite know his full potential. However, when The Riddler, sadistically begins to murder key political figures and dirty cops in Gotham, Batman is pulled into the investigation to uncover the city’s hidden corruption and his family’s involvement. The film’s dark and gritty atmosphere paired with Matt Reeves’ alluring shots heightens the thrills and suspense during this enthralling murder mystery.

1. Top Gun: Maverick

My number one had to go to my favorite cinematic experience this year. This film had no business being as good as it was. But I am so happy to say it pulled off a sequel rarity in being better than the original. In “Top Gun: Maverick”, Pete Mitchell aka Maverick (Tom Cruise), has been serving as one the Navy’s top aviators for more than 30 years. He is ordered to return to “Top Gun” and instruct the new class of fighter pilots. Only problem, that class includes his late best friend, Goose’s son, Bradley (Miles Teller), who has unresolved issues with Maverick. What director Joseph Kosinski did here is no easy feat. He managed to take the good of the original film and elevate the story and special effects to new heights. The script is sharp, with a perfect combination of nostalgia and modern day. The acting is top notch, as these characters are portrayed with more emotion and vulnerability, and the flight sequences are heart pounding thrills.

The Rest of the Best:

11. Glass Onion: A Knives Out Mystery

12. Guillermo del Toro’s Pinocchio

13. The Good Nurse

14. Women Talking

15. Bodies, Bodies, Bodies

16. Bullet Train

17. Everything Everywhere All at Once

18. The Whale

19. The Fabelmans

20. Senior Year

Top 5 Worst Films of 2022

5. Jurassic World: Dominon – You bring everyone back for a messy story about giant locusts?

4. Firestarter (2022) – Not even Zac Efron could make this reboot worth it.

3. They/Them – Such a great idea with poor delivery and some of the worst acting.

2. Pinocchio (2022) – A lazy remake with poor graphics and the most annoying Pinocchio.

1. Halloween Ends – I didn’t think it could get any worse than the last film, but then this monstrosity was made. Barely any Michael Myers and too much unwanted romance.

Trevor’s Top 10

10. Thor: Love and Thunder
9. The Black Phone
8. Fresh
7. Bullet Train
6. The Whale
5. Everything Everywhere All At Once
4. The Menu
3. Vengeance
2. The Batman
1. Top Gun: Maverick

25th Annual Critics’ Choice Awards Nominees

“THE IRISHMAN” LEADS FILM NOMINATIONS FOR 25TH ANNUAL CRITICS’ CHOICE AWARDS

NETFLIX GARNERS 61 TOTAL NOMINATIONS, HBO EARNS 33

GALA EVENT WILL AIR LIVE ON THE CW NETWORK SUNDAY, JANUARY 12, 2020 FROM THE BARKER HANGAR IN SANTA MONICA

 The Critics Choice Association (CCA) announced today the nominees for the 25th Annual Critics’ Choice Awards. The winners will be revealed at the star-studded Critics’ Choice Awards gala, which will once again be hosted by film, television, and stage star Taye Diggs, and broadcast live on The CW Television Network on Sunday, January 12 from 7:00 – 10:00 pm ET (delayed PT).

FILM NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS

BEST PICTURE

1917

Ford v Ferrari

The Irishman

Jojo Rabbit

Joker

Little Women

Marriage Story

Once Upon a Time… in Hollywood

Parasite

Uncut Gems

BEST ACTOR

Antonio Banderas – Pain and Glory

Robert De Niro – The Irishman

Leonardo DiCaprio – Once Upon a Time… in Hollywood

Adam Driver – Marriage Story

Eddie Murphy – Dolemite Is My Name

Joaquin Phoenix – Joker

Adam Sandler – Uncut Gems

BEST ACTRESS

Awkwafina – The Farewell

Cynthia Erivo – Harriet

Scarlett Johansson – Marriage Story

Lupita Nyong’o – Us

Saoirse Ronan – Little Women

Charlize Theron – Bombshell

Renée Zellweger – Judy

BEST SUPPORTING ACTOR

Willem Dafoe – The Lighthouse

Tom Hanks – A Beautiful Day in the Neighborhood

Anthony Hopkins – The Two Popes

Al Pacino – The Irishman

Joe Pesci – The Irishman

Brad Pitt – Once Upon a Time… in Hollywood

BEST SUPPORTING ACTRESS

Laura Dern – Marriage Story

Scarlett Johansson – Jojo Rabbit

Jennifer Lopez – Hustlers

Florence Pugh – Little Women

Margot Robbie – Bombshell

Zhao Shuzhen  – The Farewell

BEST YOUNG ACTOR/ACTRESS

Julia Butters – Once Upon a Time… in Hollywood

Roman Griffin Davis – Jojo Rabbit

Noah Jupe – Honey Boy

Thomasin McKenzie – Jojo Rabbit

Shahadi Wright Joseph – Us

Archie Yates – Jojo Rabbit

BEST ACTING ENSEMBLE

Bombshell

The Irishman

Knives Out

Little Women

Marriage Story

Once Upon a Time… in Hollywood

Parasite

BEST DIRECTOR

Noah Baumbach – Marriage Story

Greta Gerwig – Little Women

Bong Joon Ho – Parasite

Sam Mendes – 1917

Josh Safdie and Benny Safdie – Uncut Gems

Martin Scorsese – The Irishman

Quentin Tarantino – Once Upon a Time… in Hollywood

BEST ORIGINAL SCREENPLAY

Noah Baumbach – Marriage Story

Rian Johnson – Knives Out

Bong Joon Ho and Han Jin Won – Parasite

Quentin Tarantino – Once Upon a Time… in Hollywood

Lulu Wang – The Farewell

BEST ADAPTED SCREENPLAY

Greta Gerwig – Little Women

Noah Harpster and Micah Fitzerman-Blue – A Beautiful Day in the Neighborhood

Anthony McCarten – The Two Popes

Todd Phillips & Scott Silver – Joker

Taika Waititi – Jojo Rabbit

Steven Zaillian  – The Irishman

BEST CINEMATOGRAPHY

Jarin Blaschke – The Lighthouse

Roger Deakins – 1917

Phedon Papamichael   – Ford v Ferrari

Rodrigo Prieto – The Irishman

Robert Richardson – Once Upon a Time… in Hollywood

Lawrence Sher – Joker

BEST PRODUCTION DESIGN

Mark Friedberg, Kris Moran – Joker

Dennis Gassner, Lee Sandales  – 1917

Jess Gonchor, Claire Kaufman – Little Women

Lee Ha Jun – Parasite

Barbara Ling, Nancy Haigh – Once Upon a Time… in Hollywood

Bob Shaw, Regina Graves – The Irishman

Donal Woods, Gina Cromwell – Downton Abbey

BEST EDITING

Ronald Bronstein, Benny Safdie – Uncut Gems

Andrew Buckland, Michael McCusker – Ford v Ferrari

Yang Jinmo  – Parasite

Fred Raskin – Once Upon a Time… in Hollywood

Thelma Schoonmaker – The Irishman

Lee Smith – 1917

BEST COSTUME DESIGN

Ruth E. Carter – Dolemite Is My Name

Julian Day – Rocketman

Jacqueline Durran – Little Women

Arianne Phillips – Once Upon a Time… in Hollywood

Sandy Powell, Christopher Peterson – The Irishman

Anna Robbins – Downton Abbey

BEST HAIR AND MAKEUP

Bombshell

Dolemite Is My Name

The Irishman

Joker

Judy

Once Upon a Time… in Hollywood

Rocketman

BEST VISUAL EFFECTS

1917

Ad Astra

The Aeronauts

Avengers: Endgame

Ford v Ferrari

The Irishman

The Lion King

BEST ANIMATED FEATURE

Abominable

Frozen II

How to Train Your Dragon: The Hidden World

I Lost My Body

Missing Link

Toy Story 4

BEST ACTION MOVIE

1917

Avengers: Endgame

Ford v Ferrari

John Wick: Chapter 3 – Parabellum

Spider-Man: Far From Home

BEST COMEDY

Booksmart

Dolemite Is My Name

The Farewell

Jojo Rabbit

Knives Out

BEST SCI-FI OR HORROR MOVIE

Ad Astra

Avengers: Endgame

Midsommar

Us

BEST FOREIGN LANGUAGE FILM

Atlantics

Les Misérables

Pain and Glory

Parasite

Portrait of a Lady on Fire

BEST SONG

Glasgow (No Place Like Home) – Wild Rose

(I’m Gonna) Love Me Again – Rocketman

I’m Standing With You – Breakthrough

Into the Unknown – Frozen II

Speechless – Aladdin

Spirit – The Lion King

Stand Up – Harriet

BEST SCORE

Michael Abels – Us

Alexandre Desplat   – Little Women

Hildur Guðnadóttir – Joker

Randy Newman – Marriage Story

Thomas Newman  – 1917

Robbie Robertson – The IrishmanN

TELEVISION NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS

BEST DRAMA SERIES

The Crown (Netflix)

David Makes Man (OWN)

Game of Thrones (HBO)

The Good Fight (CBS All Access)

Pose (FX)

Succession (HBO)

This Is Us (NBC)

Watchmen (HBO)

BEST ACTOR IN A DRAMA SERIES

Sterling K. Brown – This Is Us (NBC)

Mike Colter – Evil (CBS)

Paul Giamatti – Billions (Showtime)

Kit Harington – Game of Thrones (HBO)

Freddie Highmore – The Good Doctor (ABC)

Tobias Menzies – The Crown (Netflix)

Billy Porter – Pose (FX)

Jeremy Strong – Succession (HBO)

BEST ACTRESS IN A DRAMA SERIES

Christine Baranski – The Good Fight (CBS All Access)

Olivia Colman – The Crown (Netflix)

Jodie Comer – Killing Eve (BBC America)

Nicole Kidman – Big Little Lies (HBO)

Regina King – Watchmen (HBO)

Mj Rodriguez – Pose (FX)

Sarah Snook – Succession (HBO)

Zendaya – Euphoria (HBO)

BEST SUPPORTING ACTOR IN A DRAMA SERIES

Asante Blackk – This Is Us (NBC)

Billy Crudup – The Morning Show (Apple)

Asia Kate Dillon – Billions (Showtime)

Peter Dinklage – Game of Thrones (HBO)

Justin Hartley – This Is Us (NBC)

Delroy Lindo – The Good Fight (CBS All Access)

Tim Blake Nelson – Watchmen (HBO)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES

Helena Bonham Carter – The Crown (Netflix)

Gwendoline Christie – Game of Thrones (HBO)

Laura Dern – Big Little Lies (HBO)

Audra McDonald – The Good Fight (CBS All Access)

Jean Smart – Watchmen (HBO)

Meryl Streep – Big Little Lies (HBO)

Susan Kelechi Watson – This Is Us (NBC)

BEST COMEDY SERIES

Barry (HBO)

Fleabag (Amazon)

The Marvelous Mrs. Maisel (Amazon)

Mom (CBS)

One Day at a Time (Netflix)

PEN15 (Hulu)

Schitt’s Creek (Pop)

BEST ACTOR IN A COMEDY SERIES

Ted Danson – The Good Place (NBC)

Walton Goggins – The Unicorn (CBS)

Bill Hader – Barry (HBO)

Eugene Levy – Schitt’s Creek (Pop)

Paul Rudd – Living with Yourself (Netflix)

Bashir Salahuddin – Sherman’s Showcase (IFC)

Ramy Youssef – Ramy (Hulu)

BEST ACTRESS IN A COMEDY SERIES

Christina Applegate – Dead to Me (Netflix)

Alison Brie – GLOW (Netflix)

Rachel Brosnahan – The Marvelous Mrs. Maisel (Amazon)

Kirsten Dunst – On Becoming a God in Central Florida (Showtime)

Julia Louis-Dreyfus – Veep (HBO)

Catherine O’Hara – Schitt’s Creek (Pop)

Phoebe Waller-Bridge – Fleabag (Amazon)

BEST SUPPORTING ACTOR IN A COMEDY SERIES

Andre Braugher – Brooklyn Nine-Nine (NBC)

Anthony Carrigan – Barry (HBO)

William Jackson Harper – The Good Place (NBC)

Daniel Levy – Schitt’s Creek (Pop)

Nico Santos – Superstore (NBC)

Andrew Scott – Fleabag (Amazon)

Henry Winkler – Barry (HBO)

BEST SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein – The Marvelous Mrs. Maisel (Amazon)

D’Arcy Carden – The Good Place (NBC)

Sian Clifford – Fleabag (Amazon)

Betty Gilpin – GLOW (Netflix)

Rita Moreno – One Day at a Time (Netflix)

Annie Murphy – Schitt’s Creek (Pop)

Molly Shannon – The Other Two (Comedy Central)

BEST LIMITED SERIES

Catch-22 (Hulu)

Chernobyl (HBO)

Fosse/Verdon (FX)

The Loudest Voice (Showtime)

Unbelievable (Netflix)

When They See Us (Netflix)

Years and Years (HBO)

BEST MOVIE MADE FOR TELEVISION

Brexit (HBO)

Deadwood: The Movie (HBO)

El Camino: A Breaking Bad Movie (Netflix)

Guava Island (Amazon)

Native Son (HBO)

Patsy & Loretta (Lifetime)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Christopher Abbott – Catch-22 (Hulu)

Mahershala Ali – True Detective (HBO)

Russell Crowe – The Loudest Voice (Showtime)

Jared Harris – Chernobyl (HBO)

Jharrel Jerome – When They See Us (Netflix)

Sam Rockwell – Fosse/Verdon (FX)

Noah Wyle – The Red Line (CBS)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Kaitlyn Dever – Unbelievable (Netflix)

Anne Hathaway – Modern Love (Amazon)

Megan Hilty – Patsy & Loretta (Lifetime)

Joey King – The Act (Hulu)

Jessie Mueller – Patsy & Loretta (Lifetime)

Merritt Wever – Unbelievable (Netflix)

Michelle Williams – Fosse/Verdon (FX)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Asante Blackk – When They See Us (Netflix)

George Clooney – Catch-22 (Hulu)

John Leguizamo – When They See Us (Netflix)

Dev Patel – Modern Love (Amazon)

Jesse Plemons – El Camino: A Breaking Bad Movie (Netflix)

Stellan Skarsgård – Chernobyl (HBO)

Russell Tovey – Years and Years (HBO)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION

Patricia Arquette – The Act (Hulu)

Marsha Stephanie Blake – When They See Us (Netflix)

Toni Collette – Unbelievable (Netflix)

Niecy Nash – When They See Us (Netflix)

Margaret Qualley – Fosse/Verdon (FX)

Emma Thompson – Years and Years (HBO)

Emily Watson – Chernobyl (HBO)

BEST ANIMATED SERIES

Big Mouth (Netflix)

BoJack Horseman (Netflix)

The Dark Crystal: Age of Resistance (Netflix)

She-Ra and the Princesses of Power (Netflix)

The Simpsons (Fox)

Undone (Amazon)

BEST TALK SHOW

Desus & Mero (Showtime)

Full Frontal with Samantha Bee (TBS)

The Kelly Clarkson Show (NBC)

Last Week Tonight with John Oliver (HBO)

The Late Late Show with James Corden (CBS)

Late Night with Seth Meyers (NBC)

BEST COMEDY SPECIAL 

Amy Schumer: Growing (Netflix)

Jenny Slate: Stage Fright (Netflix)

Live in Front of a Studio Audience: Norman Lear’s All in the Family and The Jeffersons (ABC)

Ramy Youssef: Feelings (HBO)

Seth Meyers: Lobby Baby (Netflix)

Trevor Noah: Son of Patricia (Netflix)

Wanda Sykes: Not Normal (Netflix)

Movie Review: “Blended” is Nothing more than a Desirable Trip to Africa

Let’s begin with the real star of this film, Africa!  It is one of the most beautiful locations to visit for either a romantic getaway or a fun-filled family vacation.

Now that we got that out of the way, let’s talk about this generic romantic comedy that sadly does no favors for Happy Madison productions.

We’ve grown accustomed to Adam Sandler’s raunchy and outlandish sense of humor, which for a good period of time produced authentic comedies.   Recently, Sandler’s projects have been quite the disappointment.  Obviously it’s hard to top Billy Madison or Happy Gilmore, but among his past flubs there are some truly wonderful classics.  The Wedding Singer is easily one of his greater films.  It’s the first time we got see an enchanting blend of Adam Sandler and Drew Barrymore.  The chemistry was there, and I don’t blame Sandler for wanting to continue making movies with the adorable comedic actress.  Seven years after their first collaboration, they reunited for the off-beat comedy, 50 First Dates.  Given this was such a unique story and their chemistry was slightly apparent, I would categorize 50 First Dates in the “wonderful classics” pile.  Not my favorite, but definitely a memorable romantic comedy.  Now, after nine years since their second film, the two have joined forces once again for their new family rom-com, Blended.

After Jim (Adam Sandler) and Lauren (Drew Barrymore) endure a horrible blind date they hope to never cross paths again.  Jim a widowed father with 3 girls is still grieving his deceased wife.   Lauren a divorced mother with 2 boys just wants to bring romance back into her life.  While dealing with their own personal issues, they make sure to put their kids’ happiness first.  So when they get the chance to vacation in a luxurious African resort, the single parents jump at the opportunity hoping their kids will be thrilled.  Unfortunately they have been suckered into a family “blending” vacation, purposely meant to bring families closer together.  Oh no!  But they hate each other… I think you can already see where this is going.

Blended is not as bad as the trailers make it look, especially if you compare it to movies like Jack and Jill or That’s My Boy.  It’s a cute film. The problem is there isn’t anything special about this story to make it stand out.  In fact, his flubs may stand out more just because they were that bad.  This is a forced love story with the most cliché subplots, and the expected slap-stick moments.  The climax had to be the weakest turning point I’ve seen in any romantic comedy.

I did enjoy seeing Adam Sandler play a loving father for once.  And though he and Barrymore still play off each other well, they seemed to have lost their romantic spark in this film.  All the kids did a nice job.   Bella Thorne (Shake It Up) had some laugh out loud moments as the tomboy daughter desperate to show her feminine side.  Terry Crews (White Chicks) makes for some chuckles as the ultra-exuberant, wide-eyed, muscled lead singer of the resort’s Thathoo Harmony Group.  Also, keep an eye out for some familiar faces you’ll recognize from the stars’ past two films.

Blended is a sweet and at times heartfelt film that is exceptionally fun while watching, but when it’s over you’ll remember the scenery and not necessarily the scenes.

Rating: 2.5/5

Blended hits theaters May 23.

 “Blended” Official Trailer HD

Originally posted on RedCarpetCrash.com

Coming Soon: Jason Reitman begins Production on “Men, Women & Children”

HOLLYWOOD, CA (December 16, 2013) – Paramount Pictures, a division of Viacom, Inc, announced today that principal photography has commenced on “MEN, WOMEN & CHILDREN,” from Academy Award®-nominated filmmaker Jason Reitman (“LABOR DAY,” “YOUNG ADULT,” “UP IN THE AIR”).  The film stars Rosemarie Dewitt (“KILL THE MESSENGER,” “RACHEL GETTING MARRIED”), Jennifer Garner (“DALLAS BUYERS CLUB,” “DRAFT DAY”), Judy Greer (“DAWN OF THE PLANET OF THE APES,” “TOMORROWLAND”), Dean Norris (“Breaking Bad,” “THE COUNSELOR”), Adam Sandler (“GROWN UPS 1 and 2,” “THE LONGEST YARD”) and Emma Thompson (“SAVING MR. BANKS,” “LOVE ACTUALLY”). The film is shooting in and around Austin, Texas.

“MEN, WOMEN & CHILDREN” is based on Chad Kultgen’s novel of the same name with Reitman directing from a screenplay he co-wrote with Erin Cressida Wilson (“SECRETARY,” “CHLOE”).  He is producing the feature with his partner Helen Estabrook through their Right of Way Films banner.  Michael Beugg (“UP IN THE AIR,” “LITTLE MISS SUNSHINE”) and Mason Novick (“BAD WORDS,” “JUNO”) will serve as executive producers.

The young ensemble cast includes Timothée Chalamet (“INTERSTELLAR”), Olivia Crocicchia (“TERRI”), Kaitlyn Dever (“SHORT TERM 12”), Ansel Elgort (“THE FAULT IN OUR STARS,” “DIVERGENT”), Katherine Hughes (“ROADIES”), Elena Kampouris (“LABOR DAY”) and Travis Tope (“THE TOWN THAT DREADED SUNDOWN”).

“MEN, WOMEN & CHILDREN” follows the story of a group of high school teenagers and their parents as they attempt to navigate the many ways the internet has changed their relationships, their communication, their self-image, and their love lives. The film attempts to stare down social issues such as video game culture, anorexia, infidelity, fame hunting, and the proliferation of illicit material on the internet. As each character and each relationship is tested, we are shown the variety of roads people choose – some tragic, some hopeful – as it becomes clear that no one is immune to this enormous social change that has come through our phones, our tablets, and our computers.

Narrated by Emma Thompson, the film’s ensemble cast features Sandler and DeWitt as Don and Rachel Truby, and Tope as their son Chris.  Garner stars as Patricia Beltmeyer with Dever as her daughter Brandy.  Greer is Joan Clint and Crocicchia is daughter Hannah.  Norris plays Kent Mooney with Elgort playing his son Tim.  Hughes and Kampouris play cheerleaders Brooke Benton and Allison Doss, respectively, and Chalamet is football player Danny Vance.

Rounding out the cast are David Denman (“The Office”), Jason Douglas (“Revolution”), Dennis Haysbert (“SIN CITY: A DAME TO KILL FOR”), Shane Lynch (“Ray Donovan”), Will Peltz (“PARANOIA”) and J.K. Simmons (“Growing Up Fisher”).