Archives for : Susan Kamyab Stephens
Neil Burger’s new sci-fi thriller, “Voyagers” fails to make any significant impact.
The start of the film explains how earth is growing hotter. Drought and disease have caused severe damage to the population. Scientists are looking for a new planet that can support human life, and they find one in 2063. They decide to send a group bioengineered teens into space in order to populate the new world that is hundreds of light years away. The trip will take them 86 years. Meaning their future grandkids will be the ones carrying out the end of the mission. The only adult on board is Richard (Colin Ferrell), who leads and counsels the kids as if they were his own. To prevent chaos and create order, the teens are given a “blue drink” that has essentially been drugging them, and inhibits them from feeling, really, anything. Two of the voyagers, Christopher (Tye Sheridan) and Zac (Fionn Whitehead), figure this out. Zac angrily stops taking the substance, then all hell breaks loose.
Suddenly, the movie turns into “Lord of the Flies” IN SPACE. It becomes so predictable and wild, that you just want to skip to the end. It’s not that the storyline is boring. In fact, at times it can be engaging; but it offers nothing new. The beginning makes you think this familiar tale will have a refreshing spin. But when it’s over, you’re left wondering if this really needed to be a movie?
Story wise, “Voyagers” is nothing special. But perhaps, the purpose was to showcase the talented, young actors. However, most of their impressive diverse cast were merely background noise. The film primarily focuses on Sheridan, Whitehead and Lily-Rose Depp, who plays Sela. Depp and Sheridan play off each other well and have great chemistry, but the film never dives too deep with its characters. We get to know everyone at a surface level, except for maybe Zac whose villain-like qualities gradually grow, the more jealous he gets of Christopher.
“Voyagers” is well shot. The cinematography by Enrique Chediak is beautiful. The music by Trevor Gureckis compliments the tone of the film, and provides the right amount of suspense.
Burger’s script is not bad, either, it just feels derivative. It’s disappointing when the premise of the film allowed for so much more. I mostly wish we explored the other world. The concept is realistic, and it would have been interesting to learn more about why they chose to create new life on this particular planet. Instead, “Voyagers” chooses to focus on the characters resenting their isolation, and their lack of “feeling”. They want to take advantage of getting to experience pain and all sorts of pleasure. This raises the question of whether or not they prefer a wild-life of “freedom”, or to go back to their routine, monotonous life that serves a greater purpose; one they won’t be alive to see come to fruition.
“Voyagers” may still be worth the watch for purely entertainment purposes. It’s plays out like a teen drama you’d watch on the CW. So if that’s your cup of tea, then this film is right up your alley. Otherwise, keep your expectations low, and be prepared for a rushed and underwhelming ending.
Rating: 2/5
The new horror film “In The Earth” is the mystifying tale of a devastating virus and what it will take to stop it.
Watch my full ICTN review in the video below and see if the film strikes enough fear to make it worth your time.
“In The Earth” opens in select theaters April 16, 2021.
“Long Weekend” is a refreshing romantic drama/comedy about man who’s down on his luck until he unexpectedly meets the woman of his dreams. The film stars Finn Wittrock (American Horror Story) and Zoe Chao (Love Life). I chatted with Zoe to discuss the film, what it means to see yourself represented in the media, the current attacks on Asian-Americans and much more in this in-depth interview.
“Long Weekend” is currently playing in select theaters.
“Every Breath You Take is a searing psychological thriller about a psychiatrist (Casey Affleck), whose career is thrown into jeopardy when his patient takes her own life. When he invites his patient’s surviving brother (Sam Claflin) into his home to meet his wife (Michelle Monaghan) and daughter, his family life is suddenly torn apart. “
I sat down with director Vaughn Stein to discuss the importance of conveying grief, how he himself handles tragedies, the appeal of psychological thrillers and more. Listen to the full interview below!
“Every Breath You Take” opens in select theaters & premium VOD April 2, 2021.
Writer Derek Kolstad has graced us with the amazing “John Wick” movies; and for that I am forever grateful. If you don’t already know, John Wick is the badass who got ultimate revenge on those who murdered the dog his late wife left him. Each film has been an exciting thrill ride that leaves us wanting more. However, the same may not be said about Kolstad’s newest film, which feels almost too familiar.
Universal Pictures’ “Nobody” follows Hutch Mansell (Bob Odenkirk), a middle-aged family man who barely has any life left in him. His marriage is stale, his son thinks he’s a wuss, but his daughter seems to actually like him.
His repetitive, mundane routine is shaken up when two intruders break into his home and trigger a surprising rage in Hutch. We come to find out that Hutch is not just some mild-mannered man. He has a violent past and bears the skills of a trained assassin. He has sworn a life of normalcy, so he takes the high road and lets the intruders leave. But when he goes on a mission to take back what they stole from him, he witnesses a group of drunk men harassing a young woman on a bus. He channels all his pent up anger on them and goes full “Wick”. Unfortunately, those men have powerful ties that are now looking to get revenge on Hutch and his family.
Director Ilya Naishuller does a fine job with this movie overall, but the film has it’s flaws. The obvious being you are continuously comparing it to “John Wick”. Aside from that, there is a slow start. The action doesn’t really come into play until nearly halfway. Even the break-in scene is underwhelming for what is essentially the catalyst to Hutch getting back into his “old ways”. It doesn’t even come close to the feeling you have watching John Wick’s innocent puppy get killed by those monsters. (I wanted them all to pay!). In this movie they almost make you have empathy for the intruders. Which makes the later scene of him attacking the harassers on the bus feel a bit forced. Don’t get me wrong, it’s entertaining and fun to see the fight not take itself so seriously. But the entire time you’re watching, you’re wondering did these men really deserve such a blood bath?
However, it’s such a delight seeing Odenkirk in this role. He proves he is just as much of a badass as Keanu Reeves, Bruce Willis, and Denzel Washington. In fact, he’s the most realistic one. His minor injuries and reactions to pain makes him more human than the typical action star. The guy is a likeable character, which is more than I can say about his family. With the exception of his father played by the great and hilarious Christopher Lloyd.
“Nobody” is short and sweet. There’s lots of value in it’s simplicity. It’s just hard to label the film as a stand out, because films like “John Wick” and “Equalizer” have done this story better. That being said, Odenkirk’s performance alone is enough to make this film worth watching.
Rating: 3/5
“Nobody” opens in theaters March 26, 2021
I chatted with director Edward Drake to talk about the new sci-fi thriller, “Cosmic Sin”. We discuss the making of the film, the video games that inspired the film’s look, working with Bruce Willis, and much more. Watch the full interview below.
“Cosmic Sin” opens in theaters and is available On Demand March 12, 2021.
“Nomadland” is on a hot streak during this award season. The film has already won Best Director and Best Picture at both, the Golden Globes and Critics Choice Awards. I spoke with Author Jessica Bruder (“Nomadland: Surviving America in the Twenty-First Century”) and real life nomad, Bob Wells. We discussed the film, memories they enjoy reliving and more.
“Nomadland” is currently available to stream on Hulu.
“Raya and the Last Dragon” follows a warrior named Raya, whose on a mission to find the last dragon and save her world from the monsters that destroyed it. Watch the video below to see my full review of the movie.
“Raya and the Last Dragon” opens in theaters March 5 and available on Disney Plus Premier Access.
SUMMARY OF AWARD WINNERS
2020 Dallas-Fort Worth Film Critics Association awards
BEST PICTURE
Winner: NOMADLAND
Runners-up: PROMISING YOUNG WOMAN (2); THE TRIAL OF THE CHICAGO 7 (3); MINARI (4); ONE NIGHT IN MIAMI (5); MANK (6); MA RAINEY’S BLACK BOTTOM (7); SOUND OF METAL (8); DA 5 BLOODS (9); FIRST COW (10)
BEST ACTOR
Winner: Chadwick Boseman, MA RAINEY’S BLACK BOTTOM
Runners-up: Riz Ahmed, SOUND OF METAL (2); Gary Oldman, MANK (3); Delroy Lindo, DA 5 BLOODS (4); Anthony Hopkins, THE FATHER (5)
BEST ACTRESS
Winner: Carey Mulligan, PROMISING YOUNG WOMAN
Runners-up: Frances McDormand, NOMADLAND (2); Viola Davis, MA RAINEY’S BLACK BOTTOM (3); Vanessa Kirby, PIECES OF A WOMAN (4); Andra Day, THE UNITED STATES VS. BILLIE HOLIDAY (5)
BEST SUPPORTING ACTOR
Winner: Daniel Kaluuya, JUDAS AND THE BLACK MESSIAH
Runners-up: Leslie Odom Jr., ONE NIGHT IN MIAMI (2); Sacha Baron Cohen, THE TRIAL OF THE CHICAGO 7 (3); Bill Murray, ON THE ROCKS (4); Paul Raci, SOUND OF METAL (5)
BEST SUPPORTING ACTRESS
Winner: Amanda Seyfried, MANK
Runners-up: Youn Yuh-jung, MINARI (2); Helena Zengel, NEWS OF THE WORLD (3); Maria Bakalova, BORAT SUBSEQUENT MOVIEFILM (4); Olivia Colman, THE FATHER (5)
BEST DIRECTOR
Winner: Chloe Zhao, NOMADLAND
Runners-up: Emerald Fennell, PROMISING YOUNG WOMAN (2); Regina King, ONE NIGHT IN MIAMI (3); David Fincher, MANK (4); Aaron Sorkin, THE TRIAL OF THE CHICAGO 7 (5)
BEST FOREIGN LANGUAGE FILM
Winner: MINARI
Runners-up: ANOTHER ROUND (2); THE LIFE AHEAD (3); LA LLORONA (4); MARTIN EDEN (5)
BEST DOCUMENTARY
Winner: TIME
Runners-up: DICK JOHNSON IS DEAD (2); BOYS STATE (3); THE DISSIDENT (4); CRIP CAMP (5)
BEST ANIMATED FILM
Winner: SOUL
Runner-up: WOLFWALKERS
BEST SCREENPLAY
Winner: Emerald Fennell, PROMISING YOUNG WOMAN
Runner-up: Aaron Sorkin, THE TRIAL OF THE CHICAGO 7
BEST CINEMATOGRAPHY
Winner: Joshua James Richards, NOMADLAND
Runner-up: Erik Messerschmidt, MANK
BEST MUSICAL SCORE
Winner: Trent Reznor and Atticus Ross, MANK
Runner-up: James Newton Howard, NEWS OF THE WORLD
RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)
Winner: MINARI