Archives for : Mystery
This may be the last time audiences will see Tom Cruise as Ethan Hunt from the widely known Mission Impossible franchise. While there is no official word on the exit, the film’s title and ending, along with rumors of Cruise moving on, indicate it is likely that if the franchise were to continue, it would be with a new team. But in the meantime, we can focus on the latest film, Mission Impossible: The Final Reckoning.
Director Christopher McQuarrie returns to pick up where he left off from the last movie, Mission Impossible: Dead Reckoning. Read full review here.
Rating: B
“Mission Impossible – The Final Reckoning” opens in theaters May 23, 2025.
The first “Accountant” surprisingly charmed and entertained audiences. While I did not expect a sequel, I certainly don’t mind getting to see Ben Affleck and Jon Bernthal team up again. Though it’s hard to beat the refreshing plot of the original film, this second installment adds up to a solid watch.
Ben Affleck returns as Christian Wolff, an unusual accountant with a brilliant mind that can calculate far more than tax returns. Read the full review here.
Rating: B
“The Accountant 2” opens in theaters April 25, 2025
In TYLER PERRY’S DUPLICITY, high-powered attorney Marley (Kat Graham) faces her most personal case yet when she is tasked with uncovering the truth behind the shooting of her best friend Fela’s (Meagan Tandy) husband (Joshua Adeyeye). With the help of her boyfriend (Tyler Lepley) – a former cop turned private investigator – Marley’s search for what really happened leads her down a treacherous maze of deception and betrayal.
I had the opportunity to speaks with the stars of the film, Kat Graham Meaghan Tandy, Tyler Lepley, & RonReaco Lee about the power of the media and their captivating characters.
Check out the interview and the movie, streaming on Prime March 20, 2025.
“The Watchers” follows a young artist who gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night. I spoke with filmmaker, Ishana Night Shyamalan (daughter of horror icon, M. Night Shyamalan) about her directorial debut.
“The Watchers” opens in theaters June 7, 2024.
It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know what to expect from Universal Pictures’ new, surprisingly funny thriller, “Abigail”.
After a group of criminals kidnap the ballerina daughter of a powerful, wealthy man, they must wait 24 hours in an isolated mansion to collect their 50-million-dollar ransom, but things quickly go awry when the group discovers they are locked inside with no normal little girl. What proceeds to happen is an entertaining, creatively shot blood bath that will shock and humor audiences.
The plot is straight-forward, but the production and performances elevate what could have been a bore. Directors Matt Bettinelli-Olpin and Tyler Gillett film a balanced narrative that flows much like a ballet performance. There’s a good rhythm at the start and engaging theatrics throughout with Abigail’s random, but impressive dance moves right before she remarkably lands her bait. And while the band of crooks do a fine job, it’s our young star, Alisha Weir who steals the show. She’s natural at playing an angelic scared little girl, who in an instant can flip the switch to a terrifying demonic tiny dancer.
But “Abigail” does have its flaws. Towards the end, the film does waver and stubble over its steady beat with too many betrayals and inconsistent character identities. Which prevents it from providing the depth that was potentially there. That being said, there is still more positive than negative here, especially from the comedic timing of the entire cast. It’s very much M3GAN meets Ready or Not, just nowhere near as good. But, if you’re a fan of the horror genre, then “Abigail” is satisfying, mindless bloody fun.
Rating: B-
“Abigail” opens in theaters April 19, 2024
This week I review “Five Nights at Freddy’s”. It’s about a security guard who begins working at Freddy Fazbear’s Pizza and discovers the animatronic costumes that reside there, aren’t just robots. They are alive. Find out if I think the film is a fun thriller.
“Five Nights at Freddy’s” is playing in theaters and streaming on Peacock.
Rating: D+
This week I review Jordan Peele’s latest sci-fi horror, “Nope” and the film adaption of the Delia Owens’ best-selling novel, “Where the Crawdads Sing”.
“Nope” and “Where the Crawdads Sing” are currently playing in theaters.
I spoke with the star of the highly anticipated new Jack Reacher series (“Reacher”), Alan Ritchson. We talk about what small detail says the most about him, what he was like as a teenager, and we play a rapid fire game related to the show.
“Reacher” is based on Lee Child’s first Jack Reacher book, “Killing Floor”.
“Reacher” streams on Amazon Prime February 4, 2022.
Even as I write this review, I am a little nervous to type “Candyman”. After seeing the new film, that name instills the same fear I felt after watching the original 1992 movie.
In case you’re new to the franchise, the original film follows Helen Lyle (Virginia Madsen), a grad student researching urban legends who learns of the mysterious murders that happened at the Cabrini-Green housing projects. Residents suspect the killer is the notorious Candyman (Tony Todd). He was born in the late 1800s and was the son of a slave. He grew up to be a well-known artist that wealthy white people sought out for their portraits. But when he fell in love with the daughter of one his upper-class customers, her father sent a lynch mob after him. They cut off his right hand, smeared him with honeycomb, let the bees sting him to death, and burned his body on the land that the Cabrini-Green neighborhood was eventually built. When a person says his name 5 times to a mirror, bees trickle in and a few candies drop before he appears and kills you with the hook attached to his bloody arm.
Fast forward to 2019 and we’re in the middle of a dinner party where couple, Anthony and Brianna (Yahya Abdul-Mateen II and Teyonah Parris) are learning about Candyman for the first time. Brianna is an art gallery director and her partner, Anthony is an aspiring artist whose suddenly fixated with Candyman. He paints the images of the most recent Candyman symbol, a misunderstood resident named Sherman Fields (Michael Hargrove), who was mistakenly accused of putting razorblades in Halloween candy. Eventually Anthony’s disturbing artwork inspires others to start uttering the word “Candyman” into a mirror 5 times, and that’s when the bodies begin to pile.
Director Nia DaCosta (Little Woods), Producer/Co-Writer Jordan Peele (Get Out), and Co-Writer Win Rosenfeld had a keen vision for this continuation of the legendary horror. Lots of praise goes into the storytelling. Instead of flashbacks of the original film, they use silhouettes of puppet paper cut-outs to explain the history. The images are unique and engaging. They also don’t take an extremely graphic route. Although blood is shed, there’s more reaction to the gore than action. One of my favorite scenes is the death shown through an apartment window as the camera zooms out. It’s subtle, but effective bloody art.
Abdul-Mateen II, Parris, and Coleman Domingo (plays William Burke) shine as standouts with their harrowing performances. But the movie does suffer from a few amateur, secondary characters. Luckily, they are not on screen for very long.
“Candyman” (2021) does a wonderful job connecting to the first film. There’s still the same essence of the original, with a modern and more stylistic vision complimented by a stellar score. But perhaps, the most unforgettable addition to this sequel is how DaCosta, Peele, and Rosenfeld turned Candyman into a metaphor for the trauma that has haunted the black community for years. To repeat a powerful quote from the film, “Candyman’s how we deal with the fact that these things happened. That they’re still happening!” Making Candyman a frightening but significant figure.
Audiences will be buzzing about “Candyman” (2021). It’s a fun and refreshing spin on the iconic cult classic.
Rating: A-