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Archives for : Gore

Movie Review: “Candyman” is a Terrifying Treat

Even as I write this review, I am a little nervous to type “Candyman”. After seeing the new film, that name instills the same fear I felt after watching the original 1992 movie.

In case you’re new to the franchise, the original film follows Helen Lyle (Virginia Madsen), a grad student researching urban legends who learns of the mysterious murders that happened at the Cabrini-Green housing projects. Residents suspect the killer is the notorious Candyman (Tony Todd). He was born in the late 1800s and was the son of a slave. He grew up to be a well-known artist that wealthy white people sought out for their portraits. But when he fell in love with the daughter of one his upper-class customers, her father sent a lynch mob after him. They cut off his right hand, smeared him with honeycomb, let the bees sting him to death, and burned his body on the land that the Cabrini-Green neighborhood was eventually built. When a person says his name 5 times to a mirror, bees trickle in and a few candies drop before he appears and kills you with the hook attached to his bloody arm.

Fast forward to 2019 and we’re in the middle of a dinner party where couple, Anthony and Brianna (Yahya Abdul-Mateen II and Teyonah Parris) are learning about Candyman for the first time. Brianna is an art gallery director and her partner, Anthony is an aspiring artist whose suddenly fixated with Candyman. He paints the images of the most recent Candyman symbol, a misunderstood resident named Sherman Fields (Michael Hargrove), who was mistakenly accused of putting razorblades in Halloween candy. Eventually Anthony’s disturbing artwork inspires others to start uttering the word “Candyman” into a mirror 5 times, and that’s when the bodies begin to pile.

Director Nia DaCosta (Little Woods),  Producer/Co-Writer Jordan Peele (Get Out), and Co-Writer Win Rosenfeld had a keen vision for this continuation of the legendary horror. Lots of praise goes into the storytelling. Instead of flashbacks of the original film, they use silhouettes of puppet paper cut-outs to explain the history. The images are unique and engaging. They also don’t take an extremely graphic route. Although blood is shed, there’s more reaction to the gore than action. One of my favorite scenes is the death shown through an apartment window as the camera zooms out. It’s subtle, but effective bloody art.

Abdul-Mateen II, Parris, and Coleman Domingo (plays William Burke) shine as standouts with their harrowing performances. But the movie does suffer from a few amateur, secondary characters. Luckily, they are not on screen for very long.

“Candyman” (2021) does a wonderful job connecting to the first film. There’s still the same essence of the original, with a modern and more stylistic vision complimented by a stellar score. But perhaps, the most unforgettable addition to this sequel is how DaCosta, Peele, and Rosenfeld turned Candyman into a metaphor for the trauma that has haunted the black community for years. To repeat a powerful quote from the film, “Candyman’s how we deal with the fact that these things happened. That they’re still happening!” Making Candyman a frightening but significant figure.

Audiences will be buzzing about “Candyman” (2021).  It’s a fun and refreshing spin on the iconic cult classic.

Rating: A-

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Movie Review: “The Hunt” is a Bloody Catch

In 2018, the hilarious political comedy “The Oath” showed audiences how harsh extremist on either side (Conservative or Liberal) can be. The film was about a politically divided family, trying to make it through Thanksgiving. Things got rough quick, and at times, it got violent. But in the new action/horror film, “The Hunt”, they take the violence and politics to a whole new level; while still trying to prove the same point, just not as effectively.

“The Hunt” caused a lot of controversy before it was ever released. It was originally slated to open in theaters last fall, but was halted due to the film’s premise and mass shootings during that time.

The film opens with a group text thread among liberal friends. They make a joke about taking out their anger on “deplorables” during an upcoming hunt at the Manor. The next scene shows a rich group of people on a plane with people they have drugged and stowed away. Soon 12 of them are all spread out, unconscious, and in a field with gags in their mouths. Once they are all awake, they see a big box with various weapons for them to have a fair fight. We eventually find out, these chosen conservatives are being hunted like animals by liberal elitists.

Before anyone gets heated or offended, this thriller has no real insight into politics. It is too afraid to pick a side. Instead they make both the Republicans and Democrats equally dumb, with the exception of two women (Hilary Swank and Becky Gilpin).

The film features a talented all-star cast including Swank, Gilpin, Emma Roberts, Justin Hartley, and Ike Barinholtz. Though everyone adds to the hilarious humor of the film, it’s Swank and Gilpin who steal the show. Gilpin is quietly comical, while impressing with her kickass survival instincts. But it’s her nail-biting showdown with Swank that will have you cringing and cheering. However, the gore is not for the faint of heart. At times, I couldn’t even watch. There’s a bloody, graphic death at every turn.

While the purpose of the film might be lost, the humor and action is easily found. There is a lot of fun to be had with these idiotic characters (on both sides) and the gruesome, sometimes, shocking deaths they experience. It encompasses the same kind of satire and excitement from last year’s “Ready or Not”. Sadly, the premise is not as unique.

Ultimately, “The Hunt” feels like a funny version of “The Purge” films with a role reversal. It’s an entertaining, fast-paced, mindless thriller that provides plenty of laughs and shrieks.

Rating: 3.5/5

“The Hunt” opens in theaters March 13.

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Movie Review: “Us” Cuts Deep and Beyond the Superficial Scares

Image result for us movie

Coming off of a critically acclaimed, Oscar nominated directorial debut (Get Out), Jordan Peele had a lot riding on his sophomore feature, Us. But let’s just get the question that’s on your mind out of the way now. Us is not better than Get Out, and don’t go into the movie expecting it will be. If you enter the theater with that mindset from the start, you’re more likely to enjoy this all new twisted, weekend getaway.

Adelaide (Lupita Nyong’o) and her husband Gabe (Winston Duke) have taken their two children, Zora (Shahadi Wright Joseph) and Jason (Evan Alex) to their family beach house expecting to unplug and unwind. Still scared from events that happened at the Santa Cruz boardwalk when she was a child, Adelaide is on edge from every strange or coincidental occurrence. And as the day turns to night, Adelaide’s suspicions turn into reality when eerie, uninvited guests show up in their driveway. Here’s the kicker; they look exactly like Adelaide and her family. From then on, these doppelgangers have turned what was supposed to be a relaxing trip into a horrifying nightmare.

It comes as no surprise that the cast does an incredible job. Nyong’o impresses with versatility and standout performance. Duke shows off his comedic chops; and newcomers, Joseph and Alex, give breakout performances that will likely have them, once again, on our movie screens.

Us takes you on an intense, chaotic thrill ride that will keep you physically and emotionally on the edge of your seat till the very end. Compared to his previous movie, Peele cranks up the scares, the gore, and the humor. It’s a combination that absolutely delivers. His visual techniques and writing have the essence of a modern day Hitchcock, but Peele still stays true to his own unique style of film-making. However, after seeing Us, I think we might be looking at the new master of horror.

Just like one of the many themes in Us, with the good comes the bad. Unlike Get OutUs is not a “perfect” movie.  Besides the fact that it may run a tad longer than it should (this is forgivable), there is A LOT to take in at first viewing. Get Out was straightforward and easy to understand, even though it had a complex narrative. To call Us “complex” would be an understatement. I’m still trying to figure out all the hidden meanings behind this one.  There are many layers you will only be able to peel back through multiple viewings. I already plan to watch the movie again this weekend. That being said, there are elements you’ll probably be able to figure out after first watch. One very obvious one is in the title. There’s a reason why Us has the same initials as the United States. Peele might be trying to tell us how he feels about the current status of our country and the way society treats outsiders.

Us cuts deep and leads you down a rabbit hole of theories. What has the world come to?  Do we need a fresh start? Do I have an evil, dark side? Though the questions you might have could be overwhelming, there’s no denying that Us is a witty and wickedly, entertaining horror flick.

I can’t wait to see what Jordan Peele has in store for us next!

Rating: 4.5/5

Us hits theaters March 22!

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