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Archives for : Susan Kamyab Stephens

Top 10 Best Films of 2019

10. Once Upon a Time…in Hollywood

Right off the bat, I’m already intrigued by any film about Charles Manson and the infamous murders. But if you slap on Tarantino’s name and his all-star cast, I’m pretty much sold. “Once Upon a Time…in Hollywood” is hilarious, surprising and a whole lot of fun.  Not to mention, Brad Pitt is my favorite male supporting performance this year.

9. Honey Boy

“Honey Boy” is a therapy session we have no business sitting in on, but we’re grateful to be there. The film gradually reveals the tragedies and misdeeds that shaped Shia LaBouf. We gain a better and beneficial understanding of the actor, as well as empathy for his father, who ended up being a blessing and a curse in his life. “Honey Boy” is still my favorite original screenplay of the year. It’s intense, powerful, and an all-around great film.

8. Bombshell

Okay, before anyone gets political about this movie, let me remind you that the film is about the lawsuit again Roger Ailes and the other men involved in sexually harassing certain female employees at Fox News. It’s a gripping “ripped from the headlines” story that depicts abuse of power and the struggles women face in the work place. Theron, Robbie, and Kidman shine, while Charles Randolph’s script pulls you in and holds you tight.

7. Knives Out

“Knives Out” showcases Rian Johnson’s remarkable artistry as a writer/director. The film follows a fairly standard murder mystery formula in its initial set up. But as the mystery begins to unfold, there’s enough twists and turns to prove nothing is what it seems. Audiences are left guessing till the very end. Throw in a stellar cast and great social commentary, and you’ve got one of the best whodunit movies.

6. Booksmart

At first glance you may be thinking that this is just a female version of “Superbad”. While there are times that it feels reminiscent of that film, “Booksmart” is its own kind of wonderful. There’s a great message about balancing hard work and a social life, and through Kaitlyn Dever’s and Beanie Feldstein’s chemistry and quick-witted performance, we also learn that if you can go through life with just one good friend then you can count yourself lucky.  Olivia Wilde succeeds in making a hilarious, raunchy teen comedy from a female perspective. It’s a rarity that’s a true pleasure to watch.

5. Little Women

Why make another “Little Women” adaptation? Because we all needed Greta Gerwig’s magical touch on this delightful tale. Gerwig taps into the same honest vulnerability she succeed in through her Oscar nominated film, “Lady Bird”. Because the truth is, she knows how to write complex and emotional characters.”Little Women” is a beautiful and uplifting movie with a message that women’s stories and their endeavors are worth telling.

4. Long Shot

I’ve said this before, but romantic comedies are a dying genre. So when there’s actually a refreshing spin on one with a good story, I have to give it credit. Honestly, I just enjoyed the hell out of “Long Shot”. And believe it or not, Charlize Theron and Seth Rogen make a great couple. The film goes beyond the clichés of a “Pretty Women” storyline. Fred (Rogen) doesn’t get some big makeover to become a socially acceptable partner for Charlotte (Theron). Instead, the film is about being with someone who you’re truly yourself with and loves you for YOU. Whether it be at a raging night club or elegant gala, the two are always goofing around in a flirty/romantic manner that everyone can admire.

3. Avengers: Endgame

This one doesn’t need much of an explanation, because this film was AWESOME! After 10 years and 21 films, Marvel carefully weaved all these characters and storylines together to create one of the best super hero movies of all time. Watching these beloved characters fight together in the battle we’ve anticipated for so long brought me tears of joy and sadness. More than anything, I’m proud of “Avengers: Endgame”.

2. Marriage Story

Yes, this film is about a couple, Charlie (Adam Driver) and Nicole (Scarlett Johansson) getting a divorce. But, there’s so much more to this movie. First off, Driver and Johansson give two of the best performances of the year. There is a screaming match between these two that makes me want to give them both the Oscar right now. There’s also so much to learn. You can take “Marriage Story” as a lesson in love. Get to know these characters, understand why they didn’t work as a couple and avoid their mistakes. A major one being lack of communication. And remember, this is a dark comedy.  So, even though there’s dark times, there’s also some laughs and sweet, lighthearted moments.

1. Jojo Rabbit

Director/writer/actor, Taika Waititi, plays an imaginary friend version of Hitler to a young boy named Jojo (Roman Griffin Davis). Jojo is a Nazi fanboy who idolizes Adolf Hitler like a celebrity. But things change for Jojo when he discovers his mother (Scarlett Johansson) has been hiding a teenage Jewish girl (Thomasin McKenzie) in their attic. “Jojo Rabbit” is a satire that reminds audiences how comical and ridiculous it is to discriminate against people who are different from you. The film also does a wonderful job at relaying the message that kindness can prevail over evil. Stop the hate and open your hearts. “Jojo Rabbit” is an enlightening story with uplifting and positive values.

The Rest of the Best:

11. The Peanut Butter Falcon

12. The Perfection

13. Late Night

14. The Art of Self-Defense

15. Dolemite is My Name

16. Brittany Runs a Marathon

17. Parasite

18. Fighting with My Family

19. Blinded by the Light

20. Waves

Top 5 Worst Films of 2019

5. Greta – One of the worst Lifetime movies I’ve ever seen.

4. Dumbo –This was just so boring.

3. Godzilla: King of the Monsters – Lots of people died in this movie, but I can’t remember who any of them were.

2. Lucy in the Sky – The 3 men who made this might as well have blamed everything on Lucy’s period. God awful script.

1. Dora and the Lost City of Gold – No! Just no!

Trevor’s Top 10

Honorable Mention: Parasite
10. Little Women
9. Ready or Not
8. Dolemite is My Name
7. Bombshell
6. The King
5. Marriage Story
4. Jojo Rabbit
3. Long Shot
2. Rocketman
1. Avengers: Endgame

“1917” Interview: Sam Mendes, Krysty Wilson-Cairns, George MacKay, Dean-Charles Chapman

Sam Mendes, “1917” Director

“1917” takes us on a desperate trip across the bleak landscape of World War I, following two British soldiers carrying a vitally important message. I sat down with director/writer Sam Mendes, co-writer Krysty Wilson-Cairns, and stars George Mackay and Dean-Charles Chapman to discuss the film.

“1917” opens in select theaters on December 25 and opens everywhere on January 10.

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Movie Review: “1917” is a Thrilling Cinematic Experience

Do you remember the 2017 war film, “Dunkirk”? It was a chaotic mess that left us wondering “who were those characters we just met?” Well, Sam Mendes’ (American Beauty, Road to Perdition) new war/drama is the exact opposite of that.

In “1917” we follow two young British privates, Blake (Dean-Charles Chapman) and Schofield (George MacKay) during the First World War. They are given the impossible mission to deliver a message across enemy lines to stop 1,600 men from walking into a deadly trap. Among those men is Blake’s brother, which makes the journey to get there that much more intense.

The two soldiers make their way through seemingly empty trenches, tunnels, and bombed-out towns with no one but each other to rely on. Along the way, they encounter other men who have clearly been through their own struggles, a woman hiding in a basement, and some not so friendly Germans. But every new face is a mere acquaintance as the boys are on a ticking clock.

There’s tension between the pair, but also a sense of purpose. Scholfield is unhappy to have been chosen by Blake to tag along on this mission, yet they both know this is for a worthy and life-saving cause.

Mendes gives audiences an immersive cinematic experience, supported by cinematography from Roger Deakins, through the one-take display. It makes you truly feel as if you are right there with the soldiers walking behind every step they take. And as you hold your breath till the final scene, you yourself hope you will make it out alive.

Though the film is exciting and will keep you on the edge of your seat at times, this more of a technical achievement. This is far from an original story; it’s pretty basic. Which isn’t necessarily a bad thing. The filmmakers have taken a simple premise and gone with a “less is more” tactic. This allows for more focus on a beautifully shot film, and a highlight on the actors who give their all emotionally and physically in their spectacular performances. This also gives us the courtesy of understanding who we’re following and character development.

“1917” isn’t a groundbreaking war film, but it is a good one. It’s one you can appreciate and hooks you in from the start. Be sure to watch this one on the big screen!

Rating: 4/5

“1917” opens in Dallas and Plano on Christmas Day and opens in wide release on January 10, 2020.

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DFW Film Critics Association’s Best Of 2019!

The Dallas-Fort Worth Film Critics Association voted the war epic 1917 as the best film of 2019, according to the results of its 26th annual critics’ poll. Following is a complete list of award winners, with choices listed in order of votes received.

BEST PICTURE

Winner: 1917

Runners-up: MARRIAGE STORY (2); PARASITE (3); THE IRISHMAN (4); ONCE UPON A TIME IN HOLLYWOOD (5); JOJO RABBIT (6); LITTLE WOMEN (7); THE FAREWELL (8); THE TWO POPES (9); KNIVES OUT (10)

BEST ACTOR

Winner: Adam Driver, MARRIAGE STORY

Runners-up: Joaquin Phoenix, JOKER (2); Antonio Banderas, PAIN AND GLORY (3); Leonardo DiCaprio, ONCE UPON A TIME IN HOLLYWOOD (4); Robert De Niro, THE IRISHMAN (5)

BEST ACTRESS

Winner: Scarlett Johansson, MARRIAGE STORY

Runners-up: Renee Zellweger, JUDY (2); Charlize Theron, BOMBSHELL (3); Saoirse Ronan, LITTLE WOMEN (4); Awkwafina, THE FAREWELL (5, tie); Lupita Nyong’o, US (5, tie)

BEST SUPPORTING ACTOR

Winner: Brad Pitt, ONCE UPON A TIME IN HOLLYWOOD

Runners-up: Willem Dafoe, THE LIGHTHOUSE (2); Joe Pesci, THE IRISHMAN (3); Al Pacino, THE IRISHMAN (4); Shia LaBeouf, HONEY BOY (5)

BEST SUPPORTING ACTRESS

Winner: Laura Dern, MARRIAGE STORY

Runners-up: Margot Robbie, BOMBSHELL (2); Florence Pugh, LITTLE WOMEN (3); Jennifer Lopez, HUSTLERS (4); Annette Bening, THE REPORT (5)

BEST DIRECTOR

Winner: Sam Mendes, 1917

Runners-up: Bong Joon-ho, PARASITE (2); Martin Scorsese, THE IRISHMAN (3); Quentin Tarantino, ONCE UPON A TIME IN HOLLYWOOD (4); Noah Baumbach, MARRIAGE STORY (5)

BEST FOREIGN LANGUAGE FILM

Winner: PARASITE

Runners-up: PAIN AND GLORY (2); THE FAREWELL (3); LES MISERABLES (4); PORTRAIT OF A LADY ON FIRE (5)

BEST DOCUMENTARY

Winner: APOLLO 11

Runners-up: ONE CHILD NATION (2); AMERICAN FACTORY (3); HONEYLAND (4); FOR SAMA (5)

BEST ANIMATED FILM

Winner: TOY STORY 4

Runner-up: I LOST MY BODY

BEST SCREENPLAY

Winner: Noah Baumbach, MARRIAGE STORY

Runner-up: Steven Zaillian, THE IRISHMAN

BEST CINEMATOGRAPHY

Winner: Roger Deakins, 1917

Runner-up: Hong Kyung-pyo, PARASITE

BEST MUSICAL SCORE

Winner: Thomas Newman, 1917

Runner-up: Alexandre Desplat, LITTLE WOMEN

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: THE LIGHTHOUSE

The Dallas-Fort Worth Film Critics Association consists of 32 broadcast, print and online journalists from throughout North Texas. For more information, visit dfwcritics.com or follow us on Facebook or Twitter @dfwfilmcritics.

Movie Review: “Little Women”

“Little Women” returns to the screen, this time compliments of Greta Gerwig. The cast is top notch and the production elements, writing and cinematography are stellar, so you won’t go wrong if you choose this one for your holiday break.

Check out the video below to see my full review of the film!

“Little Women” opens in theaters December 25.

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Interview/Review: Trey Edward Shults talks “Waves”

Trey Edward Shults, Writer/Director of “Waves”

“Waves” goes from bad to unbearable within the first hour; however, the second half of the film remarkably heals itself.

Director/writer Trey Edward Shults wrote “Waves” after his critically acclaimed thriller, “It Comes At Night”. He continues to keep our tensions high with his new family drama. It’s a story he explained that, “was inspired from a number of real life experiences, including meeting my girlfriend and Kelvin Harrison Jr.”

Kelvin Harrison Jr. and Alexa Demie in “Waves”

As the film begins we meet Tyler (Kelvin Harrison Jr.). He’s a senior in high school who as it all: Popularity, a hot girlfriend (Alexa Demie), and star wrestler. Life at home isn’t too shabby either. His father Ronald (Sterling K. Brown) owns his own construction business, his mother Catharine (Renée Elise Goldsberry) is a counselor, and his sister Emily (Taylor Russell) is quiet and reserved, hiding in the shadow of her brother.

Though Tyler is pretty well off, we come to discover his father is constantly pushing him both physically and mentally. He puts a lot of pressure on Tyler to be the best; pointing out that because the family is African American they don’t have the luxury of being average. So when Tyler learns of his shoulder injury, which would end his wrestling career, he decides to hide it and self-medicate. Matters only get worse when his girlfriend reveals she is pregnant.

You might think you know what happens from there, but you don’t. And you’re going to find out here.

By the second half of the film the family is barely keeping it together, and suddenly we’ve gone from Tyler’s movie to Emily’s. She is even more introverted, and doesn’t seem to have any friends at school. That is until she meets Luke (Lucas Hedges), an awkward, but nice boy who also wrestles.  The film completely shifts in tone as we see love blossom in a steady and beautiful manner. Emily and Luke’s relationship is the cure we need after an unnerving first half. 

Taylor Russell and Lucas Hedges in “Waves”

Shults wanted to essentially split the film in two and show the dichotomy of our lives. “I wanted audiences to see, in it’s structure, separate views from a male and female. How different they handle conflict, and what are their highs and lows,” Shults elaborates.

Both Tyler and Emily continuously use Instagram in a way that make us question our own use of the app. It’s a way to track a significant other’s location, stalk a crush and, of course post lots of pictures. “I was trying to make it real and honest. I don’t have social media anymore, but I can imagine how it would feel to have one. I’ve even followed crushes, but in an appropriate way (Laughs).” explains Shults.

At the core, “Waves” is a film about family. The parents are connected to both Tyler and Emily’s stories, especially their father. Ronald is more invasive in Tyler’s life and almost absent in Emily’s. This raises the question, what is the right balance of a parent’s involvement in there children’s lives? Shults went on to answer, “It’s hard to say what’s the right amount of involvement, but for this movie communication is big. It’s important that parents make their kids feel like they can always come to them for anything.  It sounds easy, but it isn’t.”

As the film comes to an end, a shattered family struggles to put themselves back together. What you witness will make you want to embrace your own family and loved ones. Shults’ hope is that audiences will “connect with the complex characters, and have a lot to think about. And maybe even give them hope in their own lives”

“Waves” is a tough start. But if you allow yourself to stay on this emotional roller coaster, it will be a ride worth taking. 

Rating: 4/5

“Waves” opens in select theater November 27 (Playing at Landmark Magnolia)

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Movie Review: “Knives Out” & “Honey Boy”

Check out my reviews of two fall films that just might show up during Oscar season: “Knives Out” and “Honey Boy.” “Knives Out” is a whodunit with even more twists than a Bavarian pretzel and “Honey Boy” is Shia LeBeouf’s compelling revisit of his years as a child/teen star with a problematic father.

“Knives Out” is currently in theaters.

“Honey Boy” hits theaters December 6.

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Fourth Annual Critics’ Choice Documentary Award Winners

Fourth Annual Critics’ Choice Documentary Award Winners Revealed

Apollo 11 Named Best Documentary Feature

Peter Jackson (They Shall Not Grow Old) Ties with Julia Reichert and Steven Bognar (American Factory) for Best Director 

Apollo 11 Takes Home Five Awards
 

(Brooklyn, NY – November 10, 2019) – The Critics Choice Association (CCA) announced the winners of the fourth annual Critics’ Choice Documentary Awards tonight at a gala event, hosted by HGTV’s Property Brothers Jonathan Scott at BRIC in Brooklyn.

Apollo 11 took home the evening’s most prestigious award for Best Documentary Feature as well as Best Editing for Todd Douglas Miller, Best Score for Matt Morton, Best Archival Documentary, and Best Science/Nature Documentary.

There was a tie for Best Director between Peter Jackson for They Shall Not Grow Old, and Julia Reichert and Steven Bognar for American FactoryThey Shall Not Grow Old also brought home the award for Most Innovative Documentary. American Factory also won the award for Best Political Documentary.

“Once again, we are thrilled to celebrate and support the vibrant and groundbreaking work of these talented documentarians. We are proud that our yearly gala event has become an informed and valuable way for people to find the best films out there and for the work of these filmmakers to find their audiences,” said CCA CEO Joey Berlin. “It was a great night of lauding the greats in the documentary field as well as some outstanding newcomers.” 

At the ceremony a special new honor, The D A Pennebaker Award, was  presented to legendary documentarian Frederick Wiseman. The award, formerly known as the Critics’ Choice Lifetime Achievement Award, is named for prior winner D A Pennebaker, who passed away last summer. It was presented by filmmaker Chris Hegedus, Pennebaker’s long-time collaborator and widow.

Acclaimed filmmaker Michael Apted was presented with The Landmark Award, an honor bestowed upon him for his extraordinary and unparalleled achievement with the Up series, which has just added 63 Up, distributed by BritBox,to this historic work. The award was presented by Michael Moore, who was honored with the Critics’ Choice Lifetime Achievement Award last year.

Presenters at the star-studded event included Jim Gaffigan (The Pale Tourist Comedy Tour), Zooey Deschanel, Rose McGowan (Citizen Rose), Dr. Ruth Westheimer, Wyatt Cenac (Wyatt Cenac’s Problem Areas), Lou Diamond Phillips, Gloria Reuben (Mr. Robot), Erich Bergen (Madam Secretary), Nicole J. Butler and Reggie Currelley (She Shed State Farm commercial), Aasif Mandvi (The Daily Show), Ryan Serhant (Million Dollar Listing New York), and Amir Arison (The Blacklist).

The award for Best Cinematography went to John Chester for The Biggest Little Farm.

Best Narration went to Bruce Springsteen for Western Stars.

Honeyland took home the award for Best First Documentary Feature for directors Tamara Kotevska an Ljubomir Stefanov.

The award for Best Biographical Documentary went to Toni Morrison: The Pieces I Am.

The Best Music Documentary award went to Linda Ronstadt: The Sound of My Voice.

Maiden won the Best Sports Documentary award.

The Best Short Documentary Award was given to Period. End of Sentence.

This year’s honorees for Most Compelling Living Subject of a Documentary are Dr. Amani Ballor (The Cave), David Crosby (David Crosby: Remember My Name), Tracy Edwards (Maiden), Imelda Marcos (The Kingmaker), Hatidze Muratova (Honeyland), Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin (Knock Down the House), Linda Ronstadt (Linda Ronstadt: The Sound of My Voice), and Dr. Ruth Westheimer (Ask Dr. Ruth).

Last year, the Critics’ Choice Documentary Awards introduced the Catalyst Sponsorship, a program for industry leaders to support the event. The 2019 sponsors include National Geographic Documentary Films, Netflix and Showtime Documentary Films..

About CRITICS’ CHOICE DOCUMENTARY AWARDS
The fourth annual awards ceremony took place Sunday, November 10, 2019 at BRIC in Brooklyn, New York. The Critics’ Choice Documentary Awards was again produced by Bob Bain Productions. 

About CRITICS’ CHOICE AWARDS
The Critics’ Choice Documentary Awards are an off-shoot of The Critics’ Choice Awards, which are bestowed annually by CCA to honor the finest in cinematic and television achievement. Historically, the Critics’ Choice Awards are the most accurate predictor of the Academy Award nominations.

The CW Television Network will again partner with CCA as the exclusive broadcast home for the 25th annual Critics’ Choice Awards, honoring the finest achievements in both movies and television as part of a three-hour special on The CW on January 12, 2020. For more information, visit: www.CriticsChoice.com

Movie Interview: Thomasin McKenzie talks “Jojo Rabbit”

“Jojo Rabbit” is one of the best films of the year. I was thrilled to sit down with one of the stars, Thomasin McKenzie (Elsa) to discuss how adults should teach children to be kind to others, how she likes to pass the time and we play a fun rapid fire game!

“Jojo Rabbit” opens in theaters November 1.

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Movie Review: “Maleficent: Mistress of Evil” & “Dolemite is My Name”

In “Maleficent: Mistress of Evil” Aurora get engaged to Prince Philip and Maleficent (Angelina Jolie) isn’t happy. And in “Dolemite is My Name” Rudy Ray Moore (Eddie Murphy) wants to be on the big screen and make a movie, but has no clue how to go about it. Check out my full review of both these films in the video below!

“Maleficent: Mistress of Evil” in theaters October 18 & “Dolemite is My Name” is available on Netflix October 25.

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