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Movie Review: “The Other Lamb” Needs more Meat

Lots of intrigue from the start, only to fall flat in the end. “The Other Lamb” fails to seek it’s full potential.

“The Other Lamb” begins with two young girls eerily sitting by a waterfall. It is clear there is something off with them. When they return home, it is to one man and a bunch of different women; some who may have been conceived out of incest. Michiel Huisman (Game of Thrones) plays the cult leader who goes by Shepard. He has taken in weak and vulnerable women, brought them into a secluded forest to brainwash and isolate them from the modern world. The film follows, Selah (Raffey Cassidy), a young girl who is questioning the Shepard’s teachings.

The only real storyline is Selah’s slow realization that the women’s treatment is not right and what she discovers about her mother’s death. Director Malgorzata Szumowska and writer C.S. McMullen opt to give more of a visual telling over a compelling narrative. This allows the audience to stay interested in the movie, but not invested in the story or its characters.

Though we gain some sort of background from Selah, it’s not enough to really know how she ended up here in the first place? Who was her mother? What led to her meeting the Shepard? How did any of these women get sucked into this warped reality? These questions and much more are left unanswered. The film even shys away from showing the extent of the Shepard’s cruelty. We’re aware of his sexual and violent acts, but being able to witness just one horrendous action would strike more anger and empathy for these women.

However, not all is lost. The cinematography by Michal Englert successfully utilizes graphic shots of mangled animals to parallel Selah’s growing body and her inner conflicts. The film is beautifully shot and at times leads you to believe something bigger is going to happen here.

The film relies too much on it’s visuals and score (Rafael Leloup & Pawel Mykieytn) to make up for it’s lack of content. The performances are decent, but that actors aren’t given enough meat to chew. Cassidy has her moments, but even the talents of Huisman are under utilized.

The slow-burn intensity of “The Other Lamb” mildly entertains, but ultimately leaves you unsatisfied.

Rating: 2.5/5

“The Other Lamb” is available on VOD and other digital platforms on April 3

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TV Movie Review: “The Grim Sleeper” is a Disturbing Murder Mystery

Once again, Lifetime is reiterating the fact that you should never accept rides from strangers.  Only this time they have taken a frightening and sympathetic route.

The film is based on the true story of a serial killer who went unknown for nearly 20 years killing dozens of women in Los Angeles beginning in the 1980s.   Known as “The Grim Sleeper,” he would shoot or strangle his victims before having sexual contact with them.  He would then take Polaroids of the dead, naked women and store them in his garage as keepsakes.  The film follows LA Weekly reporter, Christine Pelisek (Dreama Walker), as she persistently investigates these unsolved murders.  Things turn slightly more emotional when Christine finds out the families of the victims have no idea that their loved ones were killed by the same psychopathic murderer.  Accusations of racial discrimination surface when it becomes known that the killer is targeting African American women.  The victims’ families and Christine unite to finally push the police into finding “The Grim Sleeper” and put him to rest.

I particularly enjoyed this Lifetime murder mystery more than most for many reasons.  The lead actors all performed remarkably well, especially the star of the film, Dreama Walker.  Her portrayal as the feisty and amusing LA reporter was not only fun to watch, but touching as well.  There was much more to her character besides getting a career changing front page story.  She cared about the victims, and realized they all had someone that loved them.  It was interesting to see a reporter care from the start, instead of halfway through their investigation where they “grow a heart.”  The scene stealer was the man behind the eerie voice of “The Grim Sleeper.”  I prefer not to say who played the role of the terrorizing killer.  I know you can just look it up like I did before watching the film, but I recommend that you go in blindly if you haven’t heard anything about this story before.

Director Stanley T. Brooks did such an incredible job of keeping you locked in and dying to know “who done it,”  that I would hate to spoil that reveal for you now.  I will say that when you finally see “the sleeper” in the end shot, it is one of the most haunting faces that is almost impossible to forget.

There are a lot of elements to this film that will seem familiar to past Lifetime dramas; rape, murder, mystery, strong woman.  But after a repetitive streak of the usual story-line, “The Grim Sleeper” stands out among the rest with actually succeeding in getting the audience to care and look beyond a crazy killer.  We are reminded that every life matters, and if there is anything we can do to prevent actions like these from happening again, we should take them.  An example of that action in this film was notifying the press.  If you make enough “noise” somebody is bound to listen.

The film wasn’t perfect in every aspect.  There are some forced relationships and a few subpar supporting actors, but it doesn’t matter.  “The Grim Sleeper” achieves its goal as an entertaining and intriguing film that sends a valuable message.

“The Grim Sleeper” premieres Saturday, March 15 at 8pm ET/PT.

Originally posted on RedCarpetCrash.com