"Wealth, Travel, Fame…I can take you to movies that have all of that." -Me and Orson Welles
I’ll admit I never read “The Odyssey” in school. Does not mean it wasn’t assigned to me; I was just always more of a I’d rather watch the movie...
While America celebrates the red, white, and blue, the box office is embracing red, blue, and yellow — as Supergirl flies into theaters. The question...
“AVATAR: THE LAST AIRBENDER follows Aang, the young Avatar, as he learns to master the four elements (Water, Earth, Fire, Air) to restore balance...
“Jill copes with her sister’s death by leaving her voicemails chronicling her chaotic life in San Francisco. When the number is unknowingly reassigned,...
The summer blockbusters are rolling in! Steven Spielberg’s newest alien sci-fi, thriller, “Disclosure Day,” has arrived. And after bringing...
“Little Women” returns to the screen, this time compliments of Greta Gerwig. The cast is top notch and the production elements, writing and cinematography are stellar, so you won’t go wrong if you choose this one for your holiday break.
Check out the video below to see my full review of the film!
“Little Women” opens in theaters December 25.
“Waves” goes from bad to unbearable within the first hour; however, the second half of the film remarkably heals itself.
Director/writer Trey Edward Shults wrote “Waves” after his critically acclaimed thriller, “It Comes At Night”. He continues to keep our tensions high with his new family drama. It’s a story he explained that, “was inspired from a number of real life experiences, including meeting my girlfriend and Kelvin Harrison Jr.”
As the film begins we meet Tyler (Kelvin Harrison Jr.). He’s a senior in high school who as it all: Popularity, a hot girlfriend (Alexa Demie), and star wrestler. Life at home isn’t too shabby either. His father Ronald (Sterling K. Brown) owns his own construction business, his mother Catharine (Renée Elise Goldsberry) is a counselor, and his sister Emily (Taylor Russell) is quiet and reserved, hiding in the shadow of her brother.
Though Tyler is pretty well off, we come to discover his father is constantly pushing him both physically and mentally. He puts a lot of pressure on Tyler to be the best; pointing out that because the family is African American they don’t have the luxury of being average. So when Tyler learns of his shoulder injury, which would end his wrestling career, he decides to hide it and self-medicate. Matters only get worse when his girlfriend reveals she is pregnant.
You might think you know what happens from there, but you don’t. And you’re going to find out here.
By the second half of the film the family is barely keeping it together, and suddenly we’ve gone from Tyler’s movie to Emily’s. She is even more introverted, and doesn’t seem to have any friends at school. That is until she meets Luke (Lucas Hedges), an awkward, but nice boy who also wrestles. The film completely shifts in tone as we see love blossom in a steady and beautiful manner. Emily and Luke’s relationship is the cure we need after an unnerving first half.
Shults wanted to essentially split the film in two and show the dichotomy of our lives. “I wanted audiences to see, in it’s structure, separate views from a male and female. How different they handle conflict, and what are their highs and lows,” Shults elaborates.
Both Tyler and Emily continuously use Instagram in a way that make us question our own use of the app. It’s a way to track a significant other’s location, stalk a crush and, of course post lots of pictures. “I was trying to make it real and honest. I don’t have social media anymore, but I can imagine how it would feel to have one. I’ve even followed crushes, but in an appropriate way (Laughs).” explains Shults.
At the core, “Waves” is a film about family. The parents are connected to both Tyler and Emily’s stories, especially their father. Ronald is more invasive in Tyler’s life and almost absent in Emily’s. This raises the question, what is the right balance of a parent’s involvement in there children’s lives? Shults went on to answer, “It’s hard to say what’s the right amount of involvement, but for this movie communication is big. It’s important that parents make their kids feel like they can always come to them for anything. It sounds easy, but it isn’t.”
As the film comes to an end, a shattered family struggles to put themselves back together. What you witness will make you want to embrace your own family and loved ones. Shults’ hope is that audiences will “connect with the complex characters, and have a lot to think about. And maybe even give them hope in their own lives”
“Waves” is a tough start. But if you allow yourself to stay on this emotional roller coaster, it will be a ride worth taking.
Rating: 4/5
“Waves” opens in select theater November 27 (Playing at Landmark Magnolia)
Check out my reviews of two fall films that just might show up during Oscar season: “Knives Out” and “Honey Boy.” “Knives Out” is a whodunit with even more twists than a Bavarian pretzel and “Honey Boy” is Shia LeBeouf’s compelling revisit of his years as a child/teen star with a problematic father.
“Knives Out” is currently in theaters.
“Honey Boy” hits theaters December 6.
Fourth Annual Critics’ Choice Documentary Award Winners Revealed
Apollo 11 Named Best Documentary Feature
Peter Jackson (They Shall Not Grow Old) Ties with Julia Reichert and Steven Bognar (American Factory) for Best Director
Apollo 11 Takes Home Five Awards
(Brooklyn, NY – November 10, 2019) – The Critics Choice Association (CCA) announced the winners of the fourth annual Critics’ Choice Documentary Awards tonight at a gala event, hosted by HGTV’s Property Brothers Jonathan Scott at BRIC in Brooklyn.
Apollo 11 took home the evening’s most prestigious award for Best Documentary Feature as well as Best Editing for Todd Douglas Miller, Best Score for Matt Morton, Best Archival Documentary, and Best Science/Nature Documentary.
There was a tie for Best Director between Peter Jackson for They Shall Not Grow Old, and Julia Reichert and Steven Bognar for American Factory. They Shall Not Grow Old also brought home the award for Most Innovative Documentary. American Factory also won the award for Best Political Documentary.
“Once again, we are thrilled to celebrate and support the vibrant and groundbreaking work of these talented documentarians. We are proud that our yearly gala event has become an informed and valuable way for people to find the best films out there and for the work of these filmmakers to find their audiences,” said CCA CEO Joey Berlin. “It was a great night of lauding the greats in the documentary field as well as some outstanding newcomers.”
At the ceremony a special new honor, The D A Pennebaker Award, was presented to legendary documentarian Frederick Wiseman. The award, formerly known as the Critics’ Choice Lifetime Achievement Award, is named for prior winner D A Pennebaker, who passed away last summer. It was presented by filmmaker Chris Hegedus, Pennebaker’s long-time collaborator and widow.
Acclaimed filmmaker Michael Apted was presented with The Landmark Award, an honor bestowed upon him for his extraordinary and unparalleled achievement with the Up series, which has just added 63 Up, distributed by BritBox,to this historic work. The award was presented by Michael Moore, who was honored with the Critics’ Choice Lifetime Achievement Award last year.
Presenters at the star-studded event included Jim Gaffigan (The Pale Tourist Comedy Tour), Zooey Deschanel, Rose McGowan (Citizen Rose), Dr. Ruth Westheimer, Wyatt Cenac (Wyatt Cenac’s Problem Areas), Lou Diamond Phillips, Gloria Reuben (Mr. Robot), Erich Bergen (Madam Secretary), Nicole J. Butler and Reggie Currelley (She Shed State Farm commercial), Aasif Mandvi (The Daily Show), Ryan Serhant (Million Dollar Listing New York), and Amir Arison (The Blacklist).
The award for Best Cinematography went to John Chester for The Biggest Little Farm.
Best Narration went to Bruce Springsteen for Western Stars.
Honeyland took home the award for Best First Documentary Feature for directors Tamara Kotevska an Ljubomir Stefanov.
The award for Best Biographical Documentary went to Toni Morrison: The Pieces I Am.
The Best Music Documentary award went to Linda Ronstadt: The Sound of My Voice.
Maiden won the Best Sports Documentary award.
The Best Short Documentary Award was given to Period. End of Sentence.
This year’s honorees for Most Compelling Living Subject of a Documentary are Dr. Amani Ballor (The Cave), David Crosby (David Crosby: Remember My Name), Tracy Edwards (Maiden), Imelda Marcos (The Kingmaker), Hatidze Muratova (Honeyland), Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin (Knock Down the House), Linda Ronstadt (Linda Ronstadt: The Sound of My Voice), and Dr. Ruth Westheimer (Ask Dr. Ruth).
Last year, the Critics’ Choice Documentary Awards introduced the Catalyst Sponsorship, a program for industry leaders to support the event. The 2019 sponsors include National Geographic Documentary Films, Netflix and Showtime Documentary Films..
About CRITICS’ CHOICE DOCUMENTARY AWARDS
The fourth annual awards ceremony took place Sunday, November 10, 2019 at BRIC in Brooklyn, New York. The Critics’ Choice Documentary Awards was again produced by Bob Bain Productions.
About CRITICS’ CHOICE AWARDS
The Critics’ Choice Documentary Awards are an off-shoot of The Critics’ Choice Awards, which are bestowed annually by CCA to honor the finest in cinematic and television achievement. Historically, the Critics’ Choice Awards are the most accurate predictor of the Academy Award nominations.
The CW Television Network will again partner with CCA as the exclusive broadcast home for the 25th annual Critics’ Choice Awards, honoring the finest achievements in both movies and television as part of a three-hour special on The CW on January 12, 2020. For more information, visit: www.CriticsChoice.com
“Jojo Rabbit” is one of the best films of the year. I was thrilled to sit down with one of the stars, Thomasin McKenzie (Elsa) to discuss how adults should teach children to be kind to others, how she likes to pass the time and we play a fun rapid fire game!
“Jojo Rabbit” opens in theaters November 1.
In “Maleficent: Mistress of Evil” Aurora get engaged to Prince Philip and Maleficent (Angelina Jolie) isn’t happy. And in “Dolemite is My Name” Rudy Ray Moore (Eddie Murphy) wants to be on the big screen and make a movie, but has no clue how to go about it. Check out my full review of both these films in the video below!
“Maleficent: Mistress of Evil” in theaters October 18 & “Dolemite is My Name” is available on Netflix October 25.
The Critics Choice Association (CCA) has announced the nominees for the fourth annual Critics’ Choice Documentary Awards (CCDA). The winners will be presented their awards at a gala event, hosted by Property Brothers’ Jonathan Scott, on Sunday, November 10, at BRIC in Brooklyn, New York.
The Critics Choice Association will once again be honoring the finest achievements in documentaries released in theaters, on TV and on major digital platforms, as determined by the voting of qualified CCA members.
BEST DOCUMENTARY FEATURE
American Factory (Netflix)
Apollo 11 (Neon)
The Biggest Little Farm (Neon)
The Cave (National Geographic)
Honeyland (Neon)
The Kingmaker (Showtime)
Knock Down the House (Netflix)
Leaving Neverland (HBO)
Maiden (Sony Pictures Classics)
One Child Nation (Amazon Studios)
They Shall Not Grow Old (Warner Bros.)
BEST DIRECTOR
Waad Al-Kateab and Edward Watts, For Sama (PBS)
Steven Bognar and Julia Reichert, American Factory (Netflix)
John Chester, The Biggest Little Farm (Neon)
Feras Fayyad, The Cave (National Geographic)
Peter Jackson, They Shall Not Grow Old (Warner Bros.)
Todd Douglas Miller, Apollo 11 (Neon)
Nanfu Wang and Jialing Zhang, One Child Nation (Amazon Studios)
BEST CINEMATOGRAPHY
Ben Bernhard and Viktor Kossakovsky, Aquarela (Sony Pictures Classics)
John Chester, The Biggest Little Farm (Neon)
Fejmi Daut and Samir Ljuma, Honeyland (Neon)
Nicholas de Pencier, Anthropocene: The Human Epoch (Kino Lorber)
Muhammed Khair Al Shami, Ammar Suleiman, and Mohammad Eyad, The Cave (National Geographic)
Richard Ladkani, Sea of Shadows (National Geographic)
BEST EDITING
Georg Michael Fischer and Verena Schönauer, Sea of Shadows (National Geographic)
Todd Douglas Miller, Apollo 11 (Neon)
Jabez Olssen, They Shall Not Grow Old (Warner Bros.)
Amy Overbeck, The Biggest Little Farm (Neon)
Lindsay Utz, American Factory (Netflix)
Nanfu Wang, One Child Nation (Amazon Studios)
BEST SCORE
Jeff Beal, The Biggest Little Farm (Neon)
Matthew Herbert, The Cave (National Geographic)
Matt Morton, Apollo 11 (Neon)
Plan 9, They Shall Not Grow Old (Warner Bros.)
H. Scott Salinas, Sea of Shadows (National Geographic)
Eicca Toppinen, Aquarela (Sony Pictures Classics)
BEST NARRATION
Anthropocene: The Human Epoch (Kino Lorber)
Alicia Vikander, narrator
Jennifer Baichwal, writer
The Biggest Little Farm (Neon)
John Chester and Molly Chester, narrators
John Chester, writer
The Edge of Democracy (Netflix)
Petra Costa, narrator
Petra Costa, Carol Pires, David Barker and Moara Passoni, writers
The Elephant Queen (Apple)
Chiwetel Ejiofor, narrator
Mark Deeble, writer
For Sama (PBS)
Waad Al-Kateab, narrator
Waad Al-Kateab, writer
Joseph Pulitzer: Voice of the People (First Run)
Adam Driver, narrator
Oren Rudavsky and Bob Seidman, writers
One Child Nation (Amazon Studios)
Nanfu Wang, narrator
Nanfu Wang, writer
Western Stars (Warner Bros.)
Bruce Springsteen, narrator
Bruce Springsteen, writer
BEST FIRST DOCUMENTARY FEATURE
Midge Costin, Making Waves: The Art of Cinematic Sound (Matson Films)
A.J. Eaton, David Crosby: Remember My Name (Sony Pictures Classics)
Pamela B. Green, Be Natural: The Untold Story of Alice Guy-Blaché (Kino Lorber/Zeitgeist Films)
Tamara Kotevska and Ljubomir Stefanov, Honeyland (Neon)
Richard Miron, For the Birds (Dogwoof)
Garret Price, Love, Antosha (Lurker Films)
BEST ARCHIVAL DOCUMENTARY
Amazing Grace (Neon)
Apollo 11 (Neon)
Maiden (Sony Pictures Classics)
Mike Wallace is Here (Magnolia)
Pavarotti (CBS Films)
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (Netflix)
They Shall Not Grow Old (Warner Bros.)
What’s My Name: Muhammad Ali (HBO)
BEST BIOGRAPHICAL DOCUMENTARY
David Crosby: Remember My Name (Sony Pictures Classics)
The Kingmaker (Showtime)
Linda Ronstadt: The Sound of My Voice (Greenwich)
Love, Antosha (Lurker Films)
Mike Wallace is Here (Magnolia)
Pavarotti (CBS Films)
Toni Morrison: The Pieces I Am (Magnolia)
BEST MUSIC DOCUMENTARY
Amazing Grace (Neon)
David Crosby: Remember My Name (Sony Pictures Classics)
Linda Ronstadt: The Sound of My Voice (Greenwich)
Miles Davis: Birth of the Cool (Abramorama)
Pavarotti (CBS Films)
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (Netflix)
Western Stars (Warner Bros.)
BEST POLITICAL DOCUMENTARY
American Factory (Netflix)
The Edge of Democracy (Netflix)
Hail Satan? (Magnolia)
The Kingmaker (Showtime)
Knock Down the House (Netflix)
One Child Nation (Amazon Studios)
BEST SCIENCE/NATURE DOCUMENTARY
Anthropocene: The Human Epoch (Kino Lorber)
Apollo 11 (Neon)
Aquarela (Sony Pictures Classic)
The Biggest Little Farm (Neon)
The Elephant Queen (Apple)
Honeyland (Neon)
Penguins (Disney)
Sea of Shadows (National Geographic)
BEST SPORTS DOCUMENTARY
Bethany Hamilton: Unstoppable (Entertainment Studios)
Diego Maradona (HBO)
Maiden (Sony Pictures Classics)
Rodman: For Better or Worse (ESPN)
The Spy Behind Home Plate (Ciesla Foundation)
What’s My Name: Muhammad Ali (HBO)
MOST INNOVATIVE DOCUMENTARY
Aquarela (Sony Pictures Classics)
Cold Case Hammarskjöld (Magnolia)
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (Netflix)
Screwball (Greenwich)
Serendipity (Cohen Media)
They Shall Not Grow Old (Warner Bros.)
BEST SHORT DOCUMENTARY
The Chapel at the Border (Atlantic Documentaries)
(Director and Producer: Jeremy Raff)
Death Row Doctor (The New York Times Op-Docs)
(Director: Lauren Knapp)
In the Absence (Field of Vision)
(Director: Yi Seung-Jun. Producer: Gary Byung-Seok Kam)
Lost World
(Director and Producer: Kalyanee Mam. Producers: Adam Loften and Emmanuel Vaughan-Lee)
Mack Wrestles (ESPN)
(Directors and Producers: Taylor Hess and Erin Sanger. Producers: Erin Leyden and Gentry Kirby)
Period. End of Sentence. (Netflix)
(Director: Rayka Zehtabchi. Producers: Melissa Berton, Garrett K. Schiff and Lisa Taback)
The Polaroid Job (The New York Times Op-Docs)
(Director: Mike Plante)
Sam and the Plant Next Door (The Guardian)
(Director and Producer: Ömer Sami)
The Unconditional
(Director and Producer: Dave Adams. Producers: Adam Soltis, Renee Woodruff Adams, Josie Swantek Heitz, and Chris Tuss)
The Waiting Room (The Guardian)
(Director and Producer: Victoria Mapplebeck)
MOST COMPELLING LIVING SUBJECTS OF A DOCUMENTARY
Dr. Amani Ballor – The Cave (National Geographic)
David Crosby – David Crosby: Remember My Name (Sony Pictures Classics)
Tracy Edwards – Maiden (Sony Pictures Classics)
Imelda Marcos – The Kingmaker (Showtime)
Hatidze Muratova – Honeyland (Neon)
Alexandria Ocasio-Cortez, Amy Vilela, Cori Bush, and Paula Jean Swearengin – Knock Down the House (Netflix)
Linda Ronstadt – Linda Ronstadt: The Sound of My Voice (Greenwich)
Dr. Ruth Westheimer – Ask Dr. Ruth (Hulu)
AMAZON’S TREASURE TRUCK HITS THE ROAD FOR MULTI-CITY ELECTRIC BEAUTY POP-UP TOUR, PAMPERING GUESTS WITH STOP IN DALLAS
WHO: Amazon Treasure Truck Pop-Up Beauty Experience hosted in collaboration with Aveeno, Bed Head, Butter London, Gillette, L’Oréal Paris, Maybelline New York, Neutrogena, Pantene, Philips Norelco, and Venus.
WHAT: Amazon’s Treasure Truck experience hits the road once again for a multi-city Electric Beauty Pop-Up Tour, providing consumers with a day of pampering and so much more. Kicking off on Saturday, Sept. 21, the Beauty Pop-Up Tour will travel from New York to Chicago on Saturday, Sept. 28, then to Dallas on Saturday, Oct. 5, and culminate in Los Angeles on Saturday, Oct. 12, bringing with it an exciting and interactive beauty-themed experience. The pop-up will feature hands-on demonstrations and product samples from leading brands such as Aveeno, Bed Head, Butter London, Gillette, L’Oréal Paris, Maybelline New York, Neutrogena, Pantene, Philips Norelco, and Venus.
Beauty-product-lovers can experience the following in Dallas on Saturday, Oct. 5:
WHEN: Saturday, Oct. 5, 11:00 a.m. – 6:00 p.m. CT
WHERE: Fashion Industry Gallery
1807 Ross Ave #167
Dallas, TX 75201
DETAILS: Amazon’s Treasure Truck is a unique rolling, immersive shopping experience with top-tier products. To find out when Treasure Truck will be out in your city, you can sign up for text message notifications at amazon.com/treasuretruck. You can also follow Treasure Truck on social media @treasuretruck.
Dion is an eight year old boy who has just discovered he has super powers. His mother, Nicole (Alisha Wainwright), is a widowed single mom who’s learning how to best raise her son and protect him from a mysterious villain. “Raising Dion” is a thrilling, family sci-fi/drama premiering on Netflix October 4. Alisha Wainwright and Jason Ritter join Susan Stephens to talk about the show.
“The Adventures of Wolfboy features an all-star cast including Jaeden Martell, Chris Messina, and Chloe Sevigny. The film is about Paul (Martell), a young boy with Hypertrichosis – a disease that causes him to have hair all over him, making him look like a wolf. Paul is bullied and feels alone in this world, even though he has a supportive and loving father (Messina) who only wants to make Paul happy.
On Paul’s 13th birthday, he receives a mysterious gift from his estranged mother. He sneaks out of the house on a journey to find her, and hopes she has an explanation for his condition. In an attempt to make money, he stops at the local circus. He ends up gaining an enemy in Mr. Silk (John Turturro). While on the run, Paul eventually makes some new friends, including Aristiana (Sophie Giannamore). This adventure quickly turns into a wild ride.
The film is far from original, and it’s a pretty basic story. Luckily, there are one or two surprises in there that make up for its predictability. And even though the premise is familiar, “The True Adventures of Wolfboy” finds a sweet way to portray the message of self-acceptance.
Side note: This film’s soundtrack was the best of the fest!
Rating: 3.5/5
Lifetime should pick up this movie right way. It is basically made for TV gold.
“Homewrecker” follows Michelle (Alex Essoe), a young woman who has clearly been stalked by a slightly older and unhinged Linda (Precious Chong). After a “chance encounter” at a cafe, Linda persuades Michelle to stop by her house for a business opportunity. What was supposed to be a quick visit, turns into a nightmare.
There are a lot of problems with this movie. The editing is questionable. Mainly the bath bomb transitions that throw off the flow of the film. The script is hardly original or good, and everyone besides the two leads are weak actors. At the same time, there’s a lot to like!
Essoe is a terrific actress; quite possibly too good for this movie. Chong does a fantastic job at playing a deranged stranger whose blank stares are enough to freak anyone out. It’s actually these two who make the film a pleasure. Watching these two go from one extreme to another is a lot of fun. Bouncing from a friendship, to jealousy, to hate, to sympathizing with one another, and the emotions go on.
This is honestly a ridiculous film and an avoidable situation. But somehow, Essoe and Chong make it work. So much so, that I didn’t want their madness to end. If you like the typical Lifetime movie formula, then you’ll enjoy the hell out of “Homewrecker”.
Rating: 3/5