“Poppy wants to explore the world and Alex prefers to stay home with a good book, but somehow they are the very best of friends. They live far apart,...
Lucy Hale continues to slay in the horror genre, this time
adding a hilarious romantic comedy element to her new whodunit thriller, “F
Marry Kill”.
Directed by Laura Murphy, the story follows Hale as Eva, a true crime junkie obsessed with the latest serial killer that’s targeting women on dating apps. After wasting 8 years with an egotistical boyfriend, she finally decides to put herself back out into the dating world. With encouragement from all her friends except for her happily married best friend, Kelly (Virginia Gardner), she takes a stab at the dating apps. Though hesitant, she succeeds in finding three seemingly nice potential suitors (Brendan Morgan, Samer Salem, and Jedidiah Goodacre). But as the news unveils alarming evidence about the infamous serial killer, Eva begins to suspect the new men in her life. This leads her to question which one of her three dates is an f-boy, marriage material, or a killer.
While the plot may sound ridiculous, it is surprisingly creative and laugh out loud funny. Hale leads the cast with a crass yet charmingly captivating performance. While her character is an overthinker and makes some obviously idiotic choices, she is relatable and hilarious. This is easily one of her most entertaining roles to date. The supporting cast around her kills it with their comedic timing, elevating the already witty script.
Fans of a good murder mystery can appreciate the clever storytelling.
Albeit a little formulaic, there is still some originality sprinkled in with its
topical references about social media and dating app, along with the film’s humorous
path and clues leading up to a killer reveal.
After a plethora of remakes and heavy award season dramas, “F Mary Kill” offers mischievous fun with a stellar cast. The film is a re-watchable comedic murder mystery that makes it the perfect watch for a friend’s night out.
No surprise that the most recent Marvel tale is crushing it at the box office. “Captain America: Brave New World” is a typical superhero film that still makes for a thrilling good time.
The film follows the events after the Disney+ series, which officially dubbed Sam Wilson as the new Captain America. A few years later he is more established in his new position, working for the United States government, with reservations about the new president, Thaddeus Ross, played by Harrison Ford. But when an attempt on Thaddeus’ life causes chaos. Sam must grab his shield and soar into action to uncover the motive behind a deadly global plan. Filmmaker Julius Onah’s daring whirl at this genre pays off for the most part as he succeeds in capturing the heart of a beloved character we want to know more about, while providing enough high-flying entertainment to keep audiences satisfied and engaged.
While the story is formulaic and I think Marvel needs to let us slowly digest their content, I can appreciate the effort in character development. Anthony Mackie thrives in the title he’s deservingly earned. Mackie provides depth and authenticity that humanizes his character. We’ve known the previous Falcon since 2014 when he was introduced in “The Winter Soldier”, and to see how far Mackie and his character have come is kind of heartwarming, especially for Marvel fans. There are flaws to this film, but they do not lie with Mackie. However, the villains lack substance, and the plot is a bit overcrowded, but this set up of a new and darker Marvel Universe with a more relatable lead, does have potential for the future.
“Captain America: Brave New World” is a box-office smash you want to see in theaters. With its gripping action-packed sequences and now, iconic red Hulk, the film is a riveting sci-fi theatrical experience.
Love is in the air AND in the palm of our hands as the new sci-fi romantic thriller, Companion, pushes all the right buttons for an instant cult classic.
Filmmaker Drew Hancock’s directorial feature follows a seemingly happy couple, Iris and Josh, who go on a weekend getaway with friends at a remote cabin. But things take a chaotic and bloody turn when it’s revealed Iris is a robot companion. The less you know about this plot the better, as the number of twists and turns are endless. But “Companion is already being raved about as the first best film of the year. What I can tell you is that it excels through enthralling performances by the entire cast, especially stars, Jack Quaid and Sophie Thatcher.
Horror fans may recognize Thatcher from the popular series, Yellowjackets or more recently the acclaimed psychological thriller, Heretic. But after this role, it’s safe to say, Thatcher is going to be an unforgettable talent we will be seeing a lot more of. Aside from the fact that she can cry from one eye at a time on command, she impressively emotes a robotic character who is truly in love and can feel every emotion. And we feel for her. Quaid, who normally plays the good guy, tackles the villainous role in a subtle and humorous manner. All the while the two have great on-screen chemistry. There isn’t anything too revolutionary in the film, but it does entertainingly warn audiences about the dangers of technology and why it’s best not to have full control of your partner.
Companion” touches on feminism, greed, loneliness, and hones in on how we should treat our significant others with respect, while taking audiences on an unpredictable and hilarious thrill ride. It’s an unexpected must-see that’s sure to capture your heart.
From an iconic sculpture to a wild robot. Peter Brown’s literary sensation comes to life in one of the most talked about films of the year. The Wild Robot is already a front runner for Best Animated Feature as its moving story is touching the hearts of all audiences.
The film follows an intelligent robot called Roz, who’s voiced by Academy Award winner, Lupita Nyong’o. After a shipwreck, Roz is stranded on an uninhabited island where to survive the harsh environment, she bonds with the island’s animals. After accidentally crushing a goose nest, a single egg survives and hatches to reveal a little baby goose. Roz decides her purpose on this island is to now raise the goose, now named Brightbill, as her own and help get him ready for the upcoming winter migration. She gains the help of a scheming Fox, voiced by Pedro Pascal and the three of them naturally become family. Roz is goal is to complete this mission before finding her way back home.
While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.
And though the film may have you reaching for tissues, The Wild Robot is also filled with plenty of laughs and thrills. It’s a wonderfully immersive family adventure featuring a superb cast with an unforgettable message audiences of all ages can relate to.
“The Wild Robot” is currently playing in theaters.
A Real Pain follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The movie premiered at the Sundance Film Festival with high praise as it dives into the two character’s emotions and backstory.
Jessie Eisenberg plays the high strung, anxious family man, David and Emmy winner, Kieran Culkin plays the charming, carefree, erratic Benji, who will say whatever is on his mind even if it is inappropriate. These characters grew up like brothers, but eventually life drove them apart, affecting one of them more painfully than the other. Culkin and Eisenberg are the perfect “odd” couple that you would think are related in real life. This is due to Eisenberg’s deeply personal screenplay.
Though the two are on a journey to see the home their grandmother grew up in, along the way they take an impactful tour with a group of strangers to explore their Jewish roots, igniting a roller coaster of emotions as they visit stunning landscapes of their ancestor’s and the Holocaust camps near their grandmother’s old town. And surprisingly, this is the first time a narrative feature has been allowed to shoot on location at an actual concentration camp, making those scenes even more touching and powerful. But what’s going to move audiences are the performances. Eisenberg doesn’t veer from the type of characters we are used to seeing him play, but he is at his best in a role that feels his most authentic. While Culkin leaves you in tears from his heartfelt portrayal of Benji’s constant high and lows throughout the film as he grieves his grandma and deals with his own internal struggles.
The pain both characters are going through impressively speaks louder from their actions and sometimes silence, more so than any words they express to each other. A Real Pain is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances. It’s a rare gem that will stay with you all year.
Audiences seemed to have mixed feelings about the songs performed in Joker Folie a Deux. This might have to do with the fact that the original film was not a musical and the unexpected addition to the serious drama feels a little out of place. The original film was not even meant to have a sequel, but maybe having Lady Gaga sign on to play the iconic Harley Quinn, was a musical opportunity that director Todd Phillips couldn’t pass up. But just because Gaga’s voice is incredible doesn’t mean that’s enough to make this film worth the watch.
Joker: Folie a Deux follows Arthur Fleck while in Arkham and awaiting trial for his crimes as Joker. While struggling with his dual identity, he not only stumbles upon true love with Harley Quinn, but also finds the music that’s always been inside him. It’s upsetting to say that this film is probably not at all what fans will be expecting. Gaga fans should be warned from the start, she is severely underutilized. However, what we do see of her and Joaquin Phoenix is still incredible. The problem is not the performances, it’s the material these actors were given. The lack of substance and purpose, makes the sequel struggle to find the energy and emotion it’s so desperately seeking.
The musical numbers are fine, but they bog down the story and never really push it forward. And at a runtime of nearly 2 and half hours, it’s likely audiences will get anxious. However, visually Phillips succeeds in bold, striking theatrics. But sadly, any good in this movie is going to be overshadowed by the bad. The first Joker was critically acclaimed for its realistic portrayal of a Batman villain with mental health issues who we understood and sometimes empathized with. It was so good, Pheonix won his first Oscar for it. So, to go from that film to this somewhat random musical is an unfortunate miss.
Joker Folie a Deux will likely not be everyone’s cup of tea and moviegoers should set low expectations for the plot but have fair expectations for the vocals and performances by Pheonix and Gaga. If you’re fan of the Batman universe, or even more so a fan of The Joker, you’ll still be curious and want to form your own opinion.
“Joker: Folie a Deux” opens in theaters October 4, 2024.
Mother’s have a tendency to want to care for everyone and handle everything. Making it hard for them to find any time for themselves. In the new comedy, “I’ll Be Right There”, Edie Falco stars as a mom who is constantly giving rides and all of herself to the loved ones in her life.
The film begins with Wanda (Falco) at the doctor’s office consoling her mom, Grace (Jeannie Berlin), who is convinced she has lung cancer. She then has to drive her pregnant daughter, Sarah (Kayli Carter) to the doctor’s office to check on the baby. After that she has to meet her son, Mark (Charlie Tahan) for his therapy appointment, where he shows clear signs of resentment towards his mother. You see, in addition to Wanda continuously trying her best to there for everyone, they don’t appear to be appreciative of her efforts. And Wanda’s ex-husband, Henry (Bradley Whitford) is no help because he’s too busy with his new wife and kids that he can’t seem to support either.
I know what I have described is far from groundbreaking and we’ve have certainly seen versions of this story before, but that doesn’t mean “I’ll Be Right There” isn’t offering something fresh. The heart and soul of this movie is Falco, who you connect with from the start. It’s her authentic and relatable performance as a mother who’s just trying to keep it all together that makes her so easy to care for her. She naturally shines and those around her are a solid supporting cast.
“I’ll Be Right There” has a simplistic charm to its mild story. The screenplay could have used a little more meat, but writer Jim Beggarly got the point across; writing about the ups and downs of family drama and Wanda being forced to re-examine herself. And in just under an hour and half, you will feel as though that comedic, yet bittersweet journey of self-discovery flew by.
After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her teenage daughter accidentally opens the portal to the afterlife. I review the long-awaited sequel to one of Michael Keaton’s legendary roles, “Beetlejuice Beetlejuice”.
“Beetlejuice Beetlejuice” is currently
playing in theaters.
This week I review the new romantic comedy, “Fly me to the Moon.” The film follows marketing maven Kelly Jones (Scarlett Johansson), who wreaks havoc on launch director Cole Davis’s (Channing Tatum) already difficult task. When the White House deems the mission too important to fail, Jones is directed to stage a fake moon landing as back-up.
“Fly Me to the Moon” opens in
theaters on July 12, 2024.
“The Watchers” follows a young artist who gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night. I spoke with filmmaker, Ishana Night Shyamalan (daughter of horror icon, M. Night Shyamalan) about her directorial debut.
