Love is in the air AND in the palm of our hands as the new sci-fi romantic thriller, Companion, pushes all the right buttons for an instant cult classic.
Filmmaker Drew Hancock’s directorial feature follows a seemingly happy couple, Iris and Josh, who go on a weekend getaway with friends at a remote cabin. But things take a chaotic and bloody turn when it’s revealed Iris is a robot companion. The less you know about this plot the better, as the number of twists and turns are endless. But “Companion is already being raved about as the first best film of the year. What I can tell you is that it excels through enthralling performances by the entire cast, especially stars, Jack Quaid and Sophie Thatcher.
Horror fans may recognize Thatcher from the popular series, Yellowjackets or more recently the acclaimed psychological thriller, Heretic. But after this role, it’s safe to say, Thatcher is going to be an unforgettable talent we will be seeing a lot more of. Aside from the fact that she can cry from one eye at a time on command, she impressively emotes a robotic character who is truly in love and can feel every emotion. And we feel for her. Quaid, who normally plays the good guy, tackles the villainous role in a subtle and humorous manner. All the while the two have great on-screen chemistry. There isn’t anything too revolutionary in the film, but it does entertainingly warn audiences about the dangers of technology and why it’s best not to have full control of your partner.
Companion” touches on feminism, greed, loneliness, and hones in on how we should treat our significant others with respect, while taking audiences on an unpredictable and hilarious thrill ride. It’s an unexpected must-see that’s sure to capture your heart.
From an iconic sculpture to a wild robot. Peter Brown’s literary sensation comes to life in one of the most talked about films of the year. The Wild Robot is already a front runner for Best Animated Feature as its moving story is touching the hearts of all audiences.
The film follows an intelligent robot called Roz, who’s voiced by Academy Award winner, Lupita Nyong’o. After a shipwreck, Roz is stranded on an uninhabited island where to survive the harsh environment, she bonds with the island’s animals. After accidentally crushing a goose nest, a single egg survives and hatches to reveal a little baby goose. Roz decides her purpose on this island is to now raise the goose, now named Brightbill, as her own and help get him ready for the upcoming winter migration. She gains the help of a scheming Fox, voiced by Pedro Pascal and the three of them naturally become family. Roz is goal is to complete this mission before finding her way back home.
While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.
And though the film may have you reaching for tissues, The Wild Robot is also filled with plenty of laughs and thrills. It’s a wonderfully immersive family adventure featuring a superb cast with an unforgettable message audiences of all ages can relate to.
“The Wild Robot” is currently playing in theaters.
A Real Pain follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The movie premiered at the Sundance Film Festival with high praise as it dives into the two character’s emotions and backstory.
Jessie Eisenberg plays the high strung, anxious family man, David and Emmy winner, Kieran Culkin plays the charming, carefree, erratic Benji, who will say whatever is on his mind even if it is inappropriate. These characters grew up like brothers, but eventually life drove them apart, affecting one of them more painfully than the other. Culkin and Eisenberg are the perfect “odd” couple that you would think are related in real life. This is due to Eisenberg’s deeply personal screenplay.
Though the two are on a journey to see the home their grandmother grew up in, along the way they take an impactful tour with a group of strangers to explore their Jewish roots, igniting a roller coaster of emotions as they visit stunning landscapes of their ancestor’s and the Holocaust camps near their grandmother’s old town. And surprisingly, this is the first time a narrative feature has been allowed to shoot on location at an actual concentration camp, making those scenes even more touching and powerful. But what’s going to move audiences are the performances. Eisenberg doesn’t veer from the type of characters we are used to seeing him play, but he is at his best in a role that feels his most authentic. While Culkin leaves you in tears from his heartfelt portrayal of Benji’s constant high and lows throughout the film as he grieves his grandma and deals with his own internal struggles.
The pain both characters are going through impressively speaks louder from their actions and sometimes silence, more so than any words they express to each other. A Real Pain is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances. It’s a rare gem that will stay with you all year.
Audiences seemed to have mixed feelings about the songs performed in Joker Folie a Deux. This might have to do with the fact that the original film was not a musical and the unexpected addition to the serious drama feels a little out of place. The original film was not even meant to have a sequel, but maybe having Lady Gaga sign on to play the iconic Harley Quinn, was a musical opportunity that director Todd Phillips couldn’t pass up. But just because Gaga’s voice is incredible doesn’t mean that’s enough to make this film worth the watch.
Joker: Folie a Deux follows Arthur Fleck while in Arkham and awaiting trial for his crimes as Joker. While struggling with his dual identity, he not only stumbles upon true love with Harley Quinn, but also finds the music that’s always been inside him. It’s upsetting to say that this film is probably not at all what fans will be expecting. Gaga fans should be warned from the start, she is severely underutilized. However, what we do see of her and Joaquin Phoenix is still incredible. The problem is not the performances, it’s the material these actors were given. The lack of substance and purpose, makes the sequel struggle to find the energy and emotion it’s so desperately seeking.
The musical numbers are fine, but they bog down the story and never really push it forward. And at a runtime of nearly 2 and half hours, it’s likely audiences will get anxious. However, visually Phillips succeeds in bold, striking theatrics. But sadly, any good in this movie is going to be overshadowed by the bad. The first Joker was critically acclaimed for its realistic portrayal of a Batman villain with mental health issues who we understood and sometimes empathized with. It was so good, Pheonix won his first Oscar for it. So, to go from that film to this somewhat random musical is an unfortunate miss.
Joker Folie a Deux will likely not be everyone’s cup of tea and moviegoers should set low expectations for the plot but have fair expectations for the vocals and performances by Pheonix and Gaga. If you’re fan of the Batman universe, or even more so a fan of The Joker, you’ll still be curious and want to form your own opinion.
“Joker: Folie a Deux” opens in theaters October 4, 2024.
Mother’s have a tendency to want to care for everyone and handle everything. Making it hard for them to find any time for themselves. In the new comedy, “I’ll Be Right There”, Edie Falco stars as a mom who is constantly giving rides and all of herself to the loved ones in her life.
The film begins with Wanda (Falco) at the doctor’s office consoling her mom, Grace (Jeannie Berlin), who is convinced she has lung cancer. She then has to drive her pregnant daughter, Sarah (Kayli Carter) to the doctor’s office to check on the baby. After that she has to meet her son, Mark (Charlie Tahan) for his therapy appointment, where he shows clear signs of resentment towards his mother. You see, in addition to Wanda continuously trying her best to there for everyone, they don’t appear to be appreciative of her efforts. And Wanda’s ex-husband, Henry (Bradley Whitford) is no help because he’s too busy with his new wife and kids that he can’t seem to support either.
I know what I have described is far from groundbreaking and we’ve have certainly seen versions of this story before, but that doesn’t mean “I’ll Be Right There” isn’t offering something fresh. The heart and soul of this movie is Falco, who you connect with from the start. It’s her authentic and relatable performance as a mother who’s just trying to keep it all together that makes her so easy to care for her. She naturally shines and those around her are a solid supporting cast.
“I’ll Be Right There” has a simplistic charm to its mild story. The screenplay could have used a little more meat, but writer Jim Beggarly got the point across; writing about the ups and downs of family drama and Wanda being forced to re-examine herself. And in just under an hour and half, you will feel as though that comedic, yet bittersweet journey of self-discovery flew by.
After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her teenage daughter accidentally opens the portal to the afterlife. I review the long-awaited sequel to one of Michael Keaton’s legendary roles, “Beetlejuice Beetlejuice”.
“Beetlejuice Beetlejuice” is currently
playing in theaters.
This week I review the new romantic comedy, “Fly me to the Moon.” The film follows marketing maven Kelly Jones (Scarlett Johansson), who wreaks havoc on launch director Cole Davis’s (Channing Tatum) already difficult task. When the White House deems the mission too important to fail, Jones is directed to stage a fake moon landing as back-up.
“Fly Me to the Moon” opens in
theaters on July 12, 2024.
“The Watchers” follows a young artist who gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night. I spoke with filmmaker, Ishana Night Shyamalan (daughter of horror icon, M. Night Shyamalan) about her directorial debut.
Froy Gutierrez as “Ryan” and Madelaine Petsch as “Maya” in THE STRANGERS Trilogy, a Lionsgate release. Photo Credit: John Armour for Lionsgate
You might remember the 2008 film, “The Strangers” based on a horrifying true story of a home invasion. “The Strangers: Chapter 1” is based on the series but is the first installment of a new trilogy directed by Renny Harlin.
After a young couple’s car breaks down in an eerie small town, they are forced to spend the night in a remote cabin. What was supposed to be a relaxing evening turns into a nightmare, as they are terrorized by three masked strangers who attack them with no mercy and seemingly no motive. This first chapter is a promising start to the new saga, as Harlin creates a disturbing, realistic setting with subtle jump scares that make you uneasy from the moment they enter the secluded home.
The film does have a bumpy start. The acting and dialogue feel very much like a CW drama, but once the couple arrive at the cabin, the story really finds its footing and succeeds in making you never want to take a vacation in the middle of nowhere. However, you will be eager to see what’s to come after this first movie, as it does end with a “to-be-continued”. Another draw to the film is the two leads, Riverdale’s Madelaine Petsch and local Dallas native, Froy Gutierrez do a solid job as a long-time couple with natural chemistry. It’s the care you have for them that makes you want to see this tragedy through. And I’m sure you’re wondering how this story compares to the 2008 movie. No surprise, there’s a lot of similarities, don’t expect anything original, outside of a different romantic dynamic and possibly a different outcome.
“The Strangers: Chapter 1” may not leave a lasting impression, but it does provide all the ingredients for a decent scary movie. There’s mounting tension, creative shots, and enough haunting images that make for a thrilling good time. And with all 3 films planned to take place over only a few days, you can’t help but want to see what’s coming next.
“The Strangers: Chapter 1” opens in theaters May 17, 2024.
It’s rare these days to not be able to predict the end of a movie, especially one that appears to be formulaic, but I can assure you, you won’t know what to expect from Universal Pictures’ new, surprisingly funny thriller, “Abigail”.
After a group of criminals kidnap the ballerina daughter of a powerful, wealthy man, they must wait 24 hours in an isolated mansion to collect their 50-million-dollar ransom, but things quickly go awry when the group discovers they are locked inside with no normal little girl. What proceeds to happen is an entertaining, creatively shot blood bath that will shock and humor audiences.
The plot is straight-forward, but the production and performances elevate what could have been a bore. Directors Matt Bettinelli-Olpin and Tyler Gillett film a balanced narrative that flows much like a ballet performance. There’s a good rhythm at the start and engaging theatrics throughout with Abigail’s random, but impressive dance moves right before she remarkably lands her bait. And while the band of crooks do a fine job, it’s our young star, Alisha Weir who steals the show. She’s natural at playing an angelic scared little girl, who in an instant can flip the switch to a terrifying demonic tiny dancer.
But “Abigail” does have its flaws. Towards the end, the film does waver and stubble over its steady beat with too many betrayals and inconsistent character identities. Which prevents it from providing the depth that was potentially there. That being said, there is still more positive than negative here, especially from the comedic timing of the entire cast. It’s very much M3GAN meets Ready or Not, just nowhere near as good. But, if you’re a fan of the horror genre, then “Abigail” is satisfying, mindless bloody fun.
