Archives for : singing
Roger & Hammerstein’s “Oklahoma!” at Winspear Opera House – Dallas, TX
Where to start with this production of Daniel Fish’s “Oklahoma!”. I’ll admit, even though I knew this was a different version of the 1943 production, I still had no idea what I would be walking into. The moment I sat down and saw the very bare, wooden set with walls of guns, I quickly knew, this wasn’t like anything I had imagined.
Due to the recent shootings and, unfortunately, the Tulsa shooting that happened during opening night, there was an insert card explaining a “prop gun use warning” in our playbills. It was slightly alarming, and may have overshadowed a bit of the story.
Fish’s revival of the beloved Broadway classic is far from a traditional musical production. The set lacks color with wooden walls and tables, the cast sits around until their turn to speak, and there is no big musical, choregraphed numbers. This show is much more relaxed, and the dance numbers seem less rehearsed, with the exception of a emotionally heavy, solo dance in the second opening act.
I can appreciate a modern twist on an old school tale; however, this show never picked a lane. One minute you’re in a comical, old western setting, next you’re in the dark listening to a depressing conversation about death. It took me out of the story multiple times, till eventually I gave up trying to stay in.
Though, the production was not my cup of tea, the talent of the entire cast was! Sean Grandillo does a fine job as Curly, offering his vocal and instrumental gifts while playing the guitar. Sasha Hutchings as Laurey stuns audiences the moment she first sings onstage. She effortlessly embodies her character from the beginning to the sad end. BUT the hilarious shining star is Sis as Ado Annie! Talk about a showstopper. Whether she’s singing or flirting, you can’t take your eyes off of her. In some dark times during the show, she was a bright light. Confidently juggling two men, while acting like a sweet innocent little girl to her shotgun carrying daddy.
I’m all about creative, artistic liberties, but this production of “Oklahoma!” was just a little too outside of the box. However, it is still enjoyable to watch this talented ensemble and hear their renditions of the beautiful soundtrack.
Rodgers & Hammerstein’s OKLAHOMA! at the Winspear Opera House from May 31 – June 12. Get tickets at https://broadwaydallas.org/shows/oklahoma/
Mamma Mia makes it almost impossible for you not to jump out of your chair and dance along to the music!
The first time I saw this musical was in theaters with Meryl Streep and Amanda Seyfried as the leading ladies. I remember how much fun I had while watching that film. The music, the color, the dancing, it was a blast! But, that was before I got to experience the live Broadway musical performance in which I was truly able to feel the energy and joy of this story by such a talented cast.
For those who don’t know the story or haven’t seen popular film, let me sum it up. Three months before Sophie’s (Chelsea Williams) wedding day she decides to send out a letter to three men, one of whom could possibly be her father, in hopes that she will have her dad walk her down the aisle. Surprisingly enough, all three men agree to come only because they believe Donna (Rebecca Mason-Wygall), Sophie’s mother, sent the invites. The day before her wedding the three men arrive and they reluctantly agree to not tell Donna what Sophie did and just act like they are in town coincidently. When Donna finally runs into her past lovers, old feelings return and a possible relationship is rekindled. As Sophie struggles to figure out which man is her father, she begins to discover a realization in herself.
Talk about a vibrant cast, from the leads to the chorus, everyone involved gave their all while on that stage. Once you hear t the soft, angelic, voice of Chelsea Williams in the opening number, goose bumps will appear and eyes will be glued to that riveting star. That is until you meet Rebecca Mason-Wygall. Her sultry voice will awe you in the hypnotic “Money, Money, Money” number. The two women make for a fantastic mother/daughter pairing.
Even though these ladies lead the show, each cast member managed to have plenty of “star” moments. Each of the three men had no problem making a fool of himself for this ridiculously entertaining story. Mark A. Harmon, who plays Harry Bright, lets loose as the “head banging” British gentleman. Michael Colavolpe gives a raunchy comedic performance as Bill Austin. And with a voice that demands to be heard, Jeff Drushal solidifies the fact that Pierce Brosnan should probably leave the singing to the pros. Expect plenty of laughs anytime Gabrielle Mirabella and Carly Sakolove make an appearance. The two play Tanya and Rosie, Donna’s long time best friends. They are immature, outlandish and downright hilarious! And boys, Tanya’s got a pair of legs that goes on for days.
After an already exciting start, Act II comes back with a bang. The entire musical flies by, but if you’re sad to watch it end (like me), don’t fret; you will be treated with THREE encore performances. And this time, everyone is already standing from the deserved ovations, so you can feel free to foolishly dance (like me).
Mamma Mia is running at the Dallas Music Hall at Fair Park through Sunday, June 15.
Rating: 4.5/5
Originally posted on RedCarpetCrash.com