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Movie Review: “Ticket to Paradise” is a Decent Trip w/ Scenic Sights

It’s kind of hard to say no to anything with George Clooney or Julia Roberts. But when they team up for a rom-com, I’m sold! 

“Ticket to Paradise” tells a predictable story about a divorced couple, David (Clooney) and Georgia (Roberts), who can barely tolerate sitting next to each other at their daughter’s law school graduation. But, when their daughter, Lily (played by Kaitlyn Dever) goes on what was supposed to be a summer trip to Bali and falls in love/gets engaged to a native named Gede (Maxime Bouttier); David and Georgia put their differences aside to stop the wedding.

Like most romantic comedies, I’m sure you see where this story is going. When it comes to rom-coms, it’s not the predictability that is the issue, it’s whether or not we are served a fresh perspective and/or a handful of laughs. “Ticket to Paradise” offers nothing new story wise and, sadly, not a whole lot of laughs.

The film’s runtime is around an hour and 40 minutes, but the pacing is a lot slower compared to other films in that genre. This is due to the lack of comedy. The best moments are when Clooney and Roberts are at each other’s throats. Their disdain for each other is funny, and the audience will crave more bitter banter as the two have wonderful comedic chemistry. I’m just shocked they didn’t utilize their humor more. We have seen Roberts go much bigger in past rom-coms, and it’s always a joy to see. That being said, it seems that, Director/Writer, OI Parker’s intentions with this film were to have more serious conversations with subtle humor verses the typical slapstick comedy tropes. I absolutely respect this choice, but also seems like a missed opportunity with these two stars.

What “Ticket to Paradise” does offer, is a stunning setting that’s its own character, and a charming, talented cast you can’t help but fall for. Dever and Billie Lourd team up again since “Booksmart” and continue to shine on-screen. Bouttier and the rest of the actors playing island natives are also a joy to watch. And of course, the whole purpose of this movie– George Clooney and Julia Roberts are magnetizing. I think we’d be entertained watching these two have a conversation about drywall.

There’s nothing wrong with the film, but in a year where there have been some fresh romantic comedies like, “Bros” or “I Want You Back”, it’s hard to get excited about this one.

However, with such a lovable cast, and beautiful location, “Ticket to Paradise” can be an enjoyable, lighthearted comedy to escape all the madness in our lives.

Rating: B-

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Movie Review: “Old” Shrivels Up a Talented Cast

At this point, we know walking into any M. Night Shyamalan (Writer/Director) film is a gamble. You’re either going to get a quality movie like “Split”, or you could get the dragged-out disaster that came after, “Glass”. Regardless, we take that risk every time because we know Shyamalan is capable of greatness (i.e. “Unbreakable” and “The Sixth Sense”). Unfortunately, Shyamalan’s newest mystery thriller is far from great. 

The premise of “Old” is incredibly intriguing. A family on a tropical vacation visit a beach that somehow causes you to age nearly a lifetime in a single day!  Sounds good, but it seems the preview alluded to a more satisfying script. 

From the get-go we are introduced to Guy (Gael Garcia Bernel), his wife Prisca (Vicky Krieps), their 11-year-old daughter, Maddox (Alexa Swinton), and 6-year-old son, Trent (Nolan River). The parents want to have one last trip together as a family before they announce their separation and reveal Prisca’s illness. Not so coincidentally, the family is offered a ride to a secluded beach for the day. Why anyone would trust a secluded anything in the middle of a shady beach, I’ll never understand. But, this family is not alone in their stupidity. They are joined by another family of 4, a married couple, and a famous rap star?  Sure, why not?

It does not take long for this bunch to figure out something is wrong with the beach. People are dying, and there is no way to get back to their drop off point.

Again, the plot of the film is actually good. It’s original, and you have no idea how it’s going to end or why it’s happening. I can appreciate Shyamalan’s creativity. The man can come up with the most thought-provoking ideas. But sometimes it’s just poorly executed.

The dialogue in “Old” is painful. From the start of the movie to the very end, it’s as if the story was written for toddlers.  Everything is spoon fed to the audience, and so many lines are forced. I’m not certain if many of the actors were bad, or they just didn’t believe in what they are saying.  Either way, it makes for a slow and difficult watch.

I would be remiss if I didn’t at least shine a light on the two glimmers of light, Thomasin McKenzie and Alex Wolff, who play teenage versions of Maddox and Trent. These two give their all in their performances and are committed to that script. If anything, “Old” will further launch these two talented actors.

I wouldn’t be so harsh if I didn’t know Shyamalan’s skills. “Old” is a great idea that deserved a better screenplay, and maybe a better secondary cast. The premise pulls you in, but ultimately, the film leaves you out to dry.

Rating: C-

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Movie Review: “The Rental” is a Chilling Weekend Getaway

In Dave Franco’s directorial debut, “The Rental”, two couples rent a vacation home for what they hoped would be a celebratory weekend getaway. Unfortunately, this relaxing trip turns into a nightmare.

After Charlie (Dan Stevens) and Mina (Shelia Vand) close a big deal for their company, they decide to rent an Airbnb for them and their significant others. Charlie seems to be in a happy enough marriage with an aloof Michelle (Alison Brie), but at the same time he is dumbfounded by the fact that Mina is dating his ex-convict brother, Josh (Jeremy Allen White). Needless to say, there is a lot of sexual tension during the weekend.

When the group arrives at the secluded waterfront home, they are impressed with the house; but not so much with the creepy and racist property manager. They don’t let that doesn’t stop their fun. They carry on with drinking, drugs, and sex.

The partying comes to a halt when Mina discovers a hidden camera in the shower, and suddenly, the couples must fight to survive the night.

“The Rental” is an easy horror to digest. The film is only 88 minutes long, and during that time you’re entertained by the complex relationships and intensity. There’s just a few moments of comic relief to ease the tension, but the thought of them being watched is constantly on your mind.

Franco and his co-writer, Joe Swanberg do a fantastic job with their character development. Right away we’re locked into engaging characters who start off with one persona and gradually reveal another. The writers manage to get through many different plot points, while still being cohesive. Less is more here. The set, the score, the character traits, and other small details enhance the story.

All four stars do a fantastic job, but it’s the women that steal the show. It’s impossible not to sympathize with Brie’s character, Michelle. She plays the happy and naïve wife so well. Unaware of the fact that her husband isn’t as great as he’d like everyone to believe. And we can only hope to see more of Vand after an incredibly strong performance as Mina. She’s the whole package– smart, beautiful, and not afraid to stand up for herself against a racist.

Now “The Rental” isn’t as inventive as Jordan Peele’s feature film debut, “Get Out”. There are some holes in the movie. And not everyone will be satisfied with the ending, but it’s a solid thriller that subtly goes from nerve-racking drama to shocking slasher. It’s a lot of fun, and is a promising start for Dave Franco’s filmmaking career.

Rating: 3.75/5

“The Rental” is available On Demand July 24.

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