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While I loved Superman, the same cannot be said about the newest superhero movie to hit the big screen. The Fantastic Four always struggles to make a successful adaptation. They seemingly find the right cast, but the wrong script. The Fantastic Four: First Steps heads in a better direction than its predecessors but lacks the charm that typically leaves audiences wanting more.
Like James Gunn’s Superman, First Steps avoids an origin story. Set during a retro-futuristic 1960’s, the Fantastic Four and all their merchandise is adored in this world. Early in the film we learn that Sue Storm is pregnant with her and Reed Richard’s first child, which they had given up trying to conceive. This happy news is briefly celebrated around the world until Earth receives a harrowing warning by the Silver Surfer. She leads the Fantastic Four to a greedy and evil space God named Galactus, who threatens to destroy the planet unless Sue gives up her possibly superpowered baby.
I really wanted to love this one. The cast, including Pedro Pascal, Vanessa Kirby, Ebon Moss, and Joseph Quinn sounded so promising. But even their performances feel a little lackluster until the final act of the film. I do still have faith in them, but Marvel needs to figure out how to make audiences connect with their characters again. They had the right idea with Thunderbolts, but that may be because we already had established relationships with many of those characters. The only real attempt to feel anything here is Sue and Reed as first-time parents. Though we have empathy for them, what we know about those two, along with Johnny Storm and Ben Grimm is all surface level. And while the parenting storyline is sweet and I appreciate the simplicity of the plot, the embarrassingly poor CGI on their baby son is cringing and takes you out of the movie.
The biggest issue with First Steps is how it takes itself entirely too seriously. The jokes they attempt do not land, and with this group, you’d think there would be a few chuckles. The Fantastic Four: First Steps is the best out of the four adaptations so far, but that is not saying much. However, if you stick around for the end credit tease, they do leave audiences with something to look forward to. Giving a little bit of hope for these characters you so desperately want to root for.
Rating: C-
The last two Jurassic World films were a convoluted mess: a disappointing misfire after such a promising start to the revived franchise. After nearly three years, director Gareth Edwards tries his hand at a new installment with a brand-new cast. And while it is miles better than “Fallen Kingdom” and “Dominion”, that may not be saying much about “Jurassic World Rebirth”.
The film is set five years after the events of “Jurassic World: Dominion”. Dinosaurs are on the brink of extinction again as our ecosystem is not built for them and they are struggling to survive. Those still alive have made a home for themselves in a more tropical environment similar to where they once thrived. Three of the most colossal creatures carry genetic material that could be the key to a life-saving drug that could benefit humankind. Read full review here.
Rating: C+
“Jurassic World Rebirth” opens in theaters July 2, 2025
Materialists has officially revived the rom com genre with a modern take on a familiar story, and I for one, hope that this refreshing spin on love brings romantic comedies back to theaters. While the film is more of a romantic dramedy, it has all the makings of becoming one of my favorite films of the year.
Lucy is an ambitious young New York City matchmaker, who finds herself torn between the perfect match and her imperfect ex. Starring Dakota Johnson, Pedro Pascal, and Chris Evans, the plot raises a lot of questions about dating in the world today. Read full review here.
Rating: A+
“Materialists” opens in theaters June 13, 2025.
Shark movies have become a staple for this time of year, there’s something about watching “Jaws”, “Deep Blue Sea”, “The Shallows”, and many more during the outdoor swimming months that really gets us in the summer spirit. And now, audiences can add a refreshing twist to that list with “Dangerous Animals”.
Director Sean Bryne and writer Nick Lepard bring us the unexpected serial killer/shark combo horror fans will be chomping at the bit to see. Read full review here.
Rating: A-
“Dangerous Animals” opens in theaters June 6, 2025.
“Drop” premiered at this year’s South by Southwest with rave reviews about the exhilarating new thriller. It’s not easy to get back into the dating world, especially after a traumatic relationship. Director Christopher Landon takes audiences on a horrifying first date in what might eventually become an instant cult classic.
The film follows Violet, a widowed mother, played by “White Lotus” star Meghann Fahy who is going on her first date in years. With the help of her sister, who’s agreed to babysit her son while out, she musters up the courage to put herself back out there and meets with a charming photographer played by Brandon Sklenar. Unfortunately, this potential for romance turns into a mother’s worst nightmare as Violet is bombarded with anonymous texts that threaten her son’s life. Trapped in a high rise, upscale restaurant, she must figure out who is behind the messages to save both her son and her date’s life.
If you’re familiar with Landon’s work on films like “Freaky” or “Happy Death Day”, you’ll have an idea of his style of horror. He adds an element of comedy that allows you to breathe a little easier through his character’s high stressed situations. While there are moments of comic relief, “Drop” creates an anxiety-inducing setting with time constraints and focus on suspense. But don’t be fooled by its frightening premise, the film has a few jump scares, but it never takes itself too seriously. In fact, expect a few eye rolls when entering ridiculous and campy territory. It’s Fahy’s devoted and captivating performance that will sell you on any absurd action.
The heart of this film lies with Meghann Fahy, who continues to shine in any role she plays. But “Drop” succeeds in blending romance, wit, and tension into a simple yet tech-savvy, entertaining thrill ride that will keep audiences on the edge of their seats.
Rating: B+
“Drop” opens in theaters April 11, 2025
Is Walt Disney’s newest live-action remake of the 1937 classic, “Snow White” the fairest of them all? Not quite, but it is certainly not the worst remake.
The film stars the musically talented songbird, Rachel Zegler as the fairest of them all and Gal Godot trades her golden lasso for a poison apple as the Evil Queen. For those not already familiar with the tale, it follows Snow White, a young woman who is forced to run away from her jealous stepmother, the Evil Queen, and seeks shelter in a cottage in the forest by seven new friends with distinct personalities. There are a few changes to the original story that is better left unspoiled, but what I can tease is the beautiful music by writers Benj Pasek & Justin Paul, known for “La La Land” and “The Greatest Showman”. The two add the magical Disney touch to the film with songs like “Waiting on a Wish”. And no surprise Zegler and Gadot do a fine job, fully committing to their characters and bringing life and more depth to the dynamic of their relationship that was never fully developed in the original movie.
Of course, with every Disney live-action remake, we ask, was this film necessary or worth making? In all honesty, not really. There has yet to be one that is truly “better” than the animated classics. The quality, the writing, and even the animation was so good for its time, that when we rewatch we can appreciate the wonder and awe felt during that time. Though I understand wanting to modernize the story, especially a dated damsel in distress plot. It’s nice to see these princesses have their own strength and not rely soley on a man to save them. What these remakes are trying to do is not bad, but maybe instead of trying to redo an already beloved tale, create an original “fairy-tale” story that would enhance new technology. Even an original story like “Cruella” is more inspiring to watch.
Regardless of live action or animated preference, the film is still an entertaining watch, with its toe-tapping Broadway style original songs, heartwarming moments, and stunning visuals, ‘Snow White” is a solid musical reimagining the worth seeing with the family in theaters.
Rating: C+
Lucy Hale continues to slay in the horror genre, this time adding a hilarious romantic comedy element to her new whodunit thriller, “F Marry Kill”.
Directed by Laura Murphy, the story follows Hale as Eva, a true crime junkie obsessed with the latest serial killer that’s targeting women on dating apps. After wasting 8 years with an egotistical boyfriend, she finally decides to put herself back out into the dating world. With encouragement from all her friends except for her happily married best friend, Kelly (Virginia Gardner), she takes a stab at the dating apps. Though hesitant, she succeeds in finding three seemingly nice potential suitors (Brendan Morgan, Samer Salem, and Jedidiah Goodacre). But as the news unveils alarming evidence about the infamous serial killer, Eva begins to suspect the new men in her life. This leads her to question which one of her three dates is an f-boy, marriage material, or a killer.
While the plot may sound ridiculous, it is surprisingly creative and laugh out loud funny. Hale leads the cast with a crass yet charmingly captivating performance. While her character is an overthinker and makes some obviously idiotic choices, she is relatable and hilarious. This is easily one of her most entertaining roles to date. The supporting cast around her kills it with their comedic timing, elevating the already witty script.
Fans of a good murder mystery can appreciate the clever storytelling. Albeit a little formulaic, there is still some originality sprinkled in with its topical references about social media and dating app, along with the film’s humorous path and clues leading up to a killer reveal.
After a plethora of remakes and heavy award season dramas, “F Mary Kill” offers mischievous fun with a stellar cast. The film is a re-watchable comedic murder mystery that makes it the perfect watch for a friend’s night out.
“F Marry Kill” Is currently playing theaters.
Rating: B
No surprise that the most recent Marvel tale is crushing it at the box office. “Captain America: Brave New World” is a typical superhero film that still makes for a thrilling good time.
The film follows the events after the Disney+ series, which officially dubbed Sam Wilson as the new Captain America. A few years later he is more established in his new position, working for the United States government, with reservations about the new president, Thaddeus Ross, played by Harrison Ford. But when an attempt on Thaddeus’ life causes chaos. Sam must grab his shield and soar into action to uncover the motive behind a deadly global plan. Filmmaker Julius Onah’s daring whirl at this genre pays off for the most part as he succeeds in capturing the heart of a beloved character we want to know more about, while providing enough high-flying entertainment to keep audiences satisfied and engaged.
While the story is formulaic and I think Marvel needs to let us slowly digest their content, I can appreciate the effort in character development. Anthony Mackie thrives in the title he’s deservingly earned. Mackie provides depth and authenticity that humanizes his character. We’ve known the previous Falcon since 2014 when he was introduced in “The Winter Soldier”, and to see how far Mackie and his character have come is kind of heartwarming, especially for Marvel fans. There are flaws to this film, but they do not lie with Mackie. However, the villains lack substance, and the plot is a bit overcrowded, but this set up of a new and darker Marvel Universe with a more relatable lead, does have potential for the future.
“Captain America: Brave New World” is a box-office smash you want to see in theaters. With its gripping action-packed sequences and now, iconic red Hulk, the film is a riveting sci-fi theatrical experience.
Rating: B
Love is in the air AND in the palm of our hands as the new sci-fi romantic thriller, Companion, pushes all the right buttons for an instant cult classic.
Filmmaker Drew Hancock’s directorial feature follows a seemingly happy couple, Iris and Josh, who go on a weekend getaway with friends at a remote cabin. But things take a chaotic and bloody turn when it’s revealed Iris is a robot companion. The less you know about this plot the better, as the number of twists and turns are endless. But “Companion is already being raved about as the first best film of the year. What I can tell you is that it excels through enthralling performances by the entire cast, especially stars, Jack Quaid and Sophie Thatcher.
Horror fans may recognize Thatcher from the popular series, Yellowjackets or more recently the acclaimed psychological thriller, Heretic. But after this role, it’s safe to say, Thatcher is going to be an unforgettable talent we will be seeing a lot more of. Aside from the fact that she can cry from one eye at a time on command, she impressively emotes a robotic character who is truly in love and can feel every emotion. And we feel for her. Quaid, who normally plays the good guy, tackles the villainous role in a subtle and humorous manner. All the while the two have great on-screen chemistry. There isn’t anything too revolutionary in the film, but it does entertainingly warn audiences about the dangers of technology and why it’s best not to have full control of your partner.
Companion” touches on feminism, greed, loneliness, and hones in on how we should treat our significant others with respect, while taking audiences on an unpredictable and hilarious thrill ride. It’s an unexpected must-see that’s sure to capture your heart.
Rating: A-