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“Drop” premiered at this year’s South by Southwest with rave reviews about the exhilarating new thriller. It’s not easy to get back into the dating world, especially after a traumatic relationship. Director Christopher Landon takes audiences on a horrifying first date in what might eventually become an instant cult classic.
The film follows Violet, a widowed mother, played by “White Lotus” star Meghann Fahy who is going on her first date in years. With the help of her sister, who’s agreed to babysit her son while out, she musters up the courage to put herself back out there and meets with a charming photographer played by Brandon Sklenar. Unfortunately, this potential for romance turns into a mother’s worst nightmare as Violet is bombarded with anonymous texts that threaten her son’s life. Trapped in a high rise, upscale restaurant, she must figure out who is behind the messages to save both her son and her date’s life.
If you’re familiar with Landon’s work on films like “Freaky” or “Happy Death Day”, you’ll have an idea of his style of horror. He adds an element of comedy that allows you to breathe a little easier through his character’s high stressed situations. While there are moments of comic relief, “Drop” creates an anxiety-inducing setting with time constraints and focus on suspense. But don’t be fooled by its frightening premise, the film has a few jump scares, but it never takes itself too seriously. In fact, expect a few eye rolls when entering ridiculous and campy territory. It’s Fahy’s devoted and captivating performance that will sell you on any absurd action.
The heart of this film lies with Meghann Fahy, who continues to shine in any role she plays. But “Drop” succeeds in blending romance, wit, and tension into a simple yet tech-savvy, entertaining thrill ride that will keep audiences on the edge of their seats.
What happens after the career you’ve invested a majority of your life in suddenly comes to an end? It’s a stirring thought that can make you question what matters most in life. Gia Coppola’s newest drama, “The Last Showgirl” beautifully portrays the heartbreak of this challenging crossroad.
Pamela Anderson stars as Shelly, a seasoned Vegas showgirl, who must plan for her future when her show abruptly closes after a 30-year run. The film also stars Academy Award winner Jamie Lee Curtis, Brenda Song, Kiernan Shipka, Billie Lourd, and Dave Bautisa, who all do a fantastic job, but it’s Anderson’s quietly captivating performance that steals the show. This career-defining role makes you wonder why Anderson hasn’t been given the opportunity to shine like this sooner. However, we can only hope this film will lead to her being cast in more breathtaking roles.
The movie as a whole is simple, but less is more. In its brief runtime, “The Last Showgirl” exemplifies in making audiences feel for all these women and their next steps, while focusing on Shelly’s journey. We learn she gave up a lot for what she felt was her “dream” career. Including a meaningful relationship with her daughter, Hannah (Lourd). And unfortunately, performing as a Vegas showgirl, doesn’t necessarily set the stage for you as an actress.
Shelly as a sorrowful road ahead of her and through the brilliant of work of Anderson and Coppola, we feel Shelly’s pain every step of the way. While the film’s plot is thin, its depth and emotions are heavy. “The Last Showgirl” stays with you and truly dazzles as a raw and polarizing character study.
Based on the New York Times Best Seller by Colleen Hoover, “It Ends with Us” stars Justin Baldoni and Blake Lively, who gives a truly inspiring performance to a layered character.
Lively plays Lily Bloom, who overcomes a traumatic childhood and sets off to open her own flower shop. She meets a handsome neurosurgeon and the two begin a romantic relationship. But things take a dark turn when she starts to see signs of abuse similar to her past. She then realizes she must rely on her own strength to break a violent pattern and make a difficult choice for a brighter future. While the film might shy away from overly graphic images, they are not shying away from the issue of domestic violence. The approach is painfully realistic, in that it’s not often talked about and those involved may want to focus more on the positive in their life versus acknowledging any red flags.
Whenever a film is adapted from a book, you can always tell there are missing pieces that would have probably added more to the plot. At times “It Ends with Us” does feel rushed and audiences will want more from the characters. Luckily the film should satisfy readers and even encourage new ones. The film does a wonderful job at appealing to the emotions and giving an authentic perspective. There is a fine line to what may be considered romantic or aggressive. And this movie cleverly portrays how one might see things the way they want to instead of how they really are. While this film has romance and deals with a serious subject matter, this is a story about a strong, resilient woman, who is much more than what has happened to her. She is a daughter, a friend, a mother, a business owner, and she stands for hope.
The entire cast is fantastic, especially the much-needed comic relief by Jenny Slate, but it’s Lively and Baldoni who pull you in from the start with their polarizing performances. “It Ends with Us” is an unforgettable, compelling story that will move all audiences.
David Lowery is an Irving High School alum who has gone on to make critically acclaimed films like “Pete’s Dragon” and “A Ghost Story”. His new movie, “The Green Knight,” is a Medieval, fantasy re-telling of Sir Gawain based on the 14th century Arthurian poem. Watch the video below to find out my thoughts on the movie, along with a review of the independent film, “Paper Spiders”, starring Lili Taylor (“The Conjuring”).
“The Green Knight” opens in theaters July 30, 2021 and “Paper Spiders” is available to rent on various VOD platforms.
