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Archives for : The Sixth Sense

Movie Review: “Old” Shrivels Up a Talented Cast

At this point, we know walking into any M. Night Shyamalan (Writer/Director) film is a gamble. You’re either going to get a quality movie like “Split”, or you could get the dragged-out disaster that came after, “Glass”. Regardless, we take that risk every time because we know Shyamalan is capable of greatness (i.e. “Unbreakable” and “The Sixth Sense”). Unfortunately, Shyamalan’s newest mystery thriller is far from great. 

The premise of “Old” is incredibly intriguing. A family on a tropical vacation visit a beach that somehow causes you to age nearly a lifetime in a single day!  Sounds good, but it seems the preview alluded to a more satisfying script. 

From the get-go we are introduced to Guy (Gael Garcia Bernel), his wife Prisca (Vicky Krieps), their 11-year-old daughter, Maddox (Alexa Swinton), and 6-year-old son, Trent (Nolan River). The parents want to have one last trip together as a family before they announce their separation and reveal Prisca’s illness. Not so coincidentally, the family is offered a ride to a secluded beach for the day. Why anyone would trust a secluded anything in the middle of a shady beach, I’ll never understand. But, this family is not alone in their stupidity. They are joined by another family of 4, a married couple, and a famous rap star?  Sure, why not?

It does not take long for this bunch to figure out something is wrong with the beach. People are dying, and there is no way to get back to their drop off point.

Again, the plot of the film is actually good. It’s original, and you have no idea how it’s going to end or why it’s happening. I can appreciate Shyamalan’s creativity. The man can come up with the most thought-provoking ideas. But sometimes it’s just poorly executed.

The dialogue in “Old” is painful. From the start of the movie to the very end, it’s as if the story was written for toddlers.  Everything is spoon fed to the audience, and so many lines are forced. I’m not certain if many of the actors were bad, or they just didn’t believe in what they are saying.  Either way, it makes for a slow and difficult watch.

I would be remiss if I didn’t at least shine a light on the two glimmers of light, Thomasin McKenzie and Alex Wolff, who play teenage versions of Maddox and Trent. These two give their all in their performances and are committed to that script. If anything, “Old” will further launch these two talented actors.

I wouldn’t be so harsh if I didn’t know Shyamalan’s skills. “Old” is a great idea that deserved a better screenplay, and maybe a better secondary cast. The premise pulls you in, but ultimately, the film leaves you out to dry.

Rating: C-

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Movie Review: “The Visit” is a Welcoming Comeback for M. Night Shyamalan

the visit

M. Knight Shyamalan was once known for his great films such as The Sixth Sense, Unbreakable, and Signs.  Unfortunately, his more recent projects have subjected us to some underwhelming, pieces of crap like The Happening and After Earth.  Well folks, I’m pleased to say that Shyamalan’s newest film, The Visit, succeeds as a highly entertaining horror-comedy!

Kathryn Hahn plays a single mother of two who has not spoken to her parents since she left home at the age of 19, and ran off with an older man.  Now, her parents have reached out to her through the internet and ask that her children come to visit their Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie), whom they’ve never met.

Per the kids’ wishes, the mom sends them to their grandparents’ isolated, Pennsylvania farmhouse in the woods for a week while she goes on a cruise with her new boyfriend.  The eldest child, Becca (Olivia DeJonge), is an aspiring filmmaker.  She takes this opportunity to document her entire trip, and hopefully uncover exactly what happened the day her mother walked out on her parents and maybe even mend their relationship.  Alongside her, as a second camera operator is her younger, germ phobic, rapping brother, Tyler (Olivia DeJonge).

The trip starts all well and good, Nana makes plenty of tasty treats and Pop Pop enjoys listening to Tyler’s ridiculously, hilarious raps.  Seems as though it will be a great week for the kids; that is until they discover why bed time is at 9:30pm.  Nana goes from a harmless, nocturnal sleepwalker to a straight up psychotic, creepy, crawler within each passing night!  And what exactly is Pop Pop doing when he disappears inside his mysterious shed?

As things are turning eerie fast, the kids are desperate to have their mother come get them before anymore craziness unfolds.

Shyamalan has not only redeemed himself as a filmmaker, but he has also brought originality to the found-footage genre.  His combination of humor and terror will have audiences uncomfortably laughing while still on the edge of their seats as they nervously anticipate what’s to come.

The acting is good overall, especially when it comes to the two kids, who could have ruined the whole film if they were wrongly cast.  Oxenbould was given some cheesy lines and potentially bad jokes, but his delivery and timing is so on point that you can’t help but enjoy every second he’s on screen.  But the real stand out here is Nana.  Dunagan gives an incredible performance as the disturbing grandmother who seesaws from sweet and nurturing to plain insanity.

The Visit provides comedy, horror, family, and best of all, a startling amount of effed up sh**.  Literally!

Rating: 4/5

The Visit opens in theaters on September 11.

Special Events: Dallas Film Society Honors Toni Collette

THE ART OF FILM CELEBRATES ITS 5TH YEAR AS DALLAS FILM SOCIETY HONORS EMMY® AND GOLDEN GLOBE® AWARD-WINNER TONI COLLETTE

 The Art of Film set for Friday, November 21, 2014 with Event and Honorary Chairs Established

DALLAS, TX, September 5, 2014 — The Dallas Film Society is thrilled to honor Emmy® and Golden Globe® award-winning actress Toni Collette at The Art of Film in its 5th year on Friday, November 21, 2014. Geared toward celebrating talent within the film community, the premiere Dallas fundraiser has honored some of the biggest names in film including Robert Duvall, Lee Daniels, John Lithgow and Val Kilmer. Proceeds from the evening are directed to the year-round programming of the Dallas Film Society, a 501 (c) (3) non-profit organization, and more specifically the 2015 Dallas International Film Festival, presented by AutoNation and the 2015 DFS Summer Film Camp, presented by SMU – Division of Film & Media Arts.

The Art of Film offers an opportunity for 300 film lovers to gather for an elegant dinner and to enjoy a moderated conversation with and honor the very talented Toni Collette who has a vast array of credits from film, television and Broadway. Collette made an indelible impression on Hollywood with her beautiful portrayal as the hopeless and desperate ‘Muriel Heslop’ in P.J. Hogan’s 1994 film, MURIEL’S WEDDING and has since starred in a variety of intriguingly diverse roles throughout the last two decades. Ms. Collette’s credits include THE WAY, WAY BACK, LITTLE MISS SUNSHINE, DINNER WITH FRIENDS, THE MAGIC PUDDING, HOTEL SPLENDIDE, THE JAMES GANG, THE CLOCKWATCHERS, THE PALLBEARER, LILIAN’S STORY, ABOUT A BOY, THE HOURS, and THE SIXTH SENSE.

Born and raised in Australia, Collette was a student at Australia’s prestigious National Institute of Dramatic Art (NIDA). In addition to her undeniable talent on-screen, Collette has had the opportunity to demonstrate her talents on Broadway’s stage. In 2000, she starred in the highly anticipated revival of THE WILD PARTY alongside Mandy Patinkin and Eartha Kitt. In the role of ‘Queenie,’ Collette displayed her extraordinary range as both actress and singer. Additional stage credits include performances for the Velvoir Street Theater and the Sydney Theater Company.

Elvis Mitchell, former NY Times and Fort Worth Star-Telegram Film Critic and newly appointed Artistic Director of the L.A. Film Festival, will serve as guest moderator for the evening that will certainly be filled with wonderful dialogue between Mitchell and Ms. Collette. James Faust, Artistic Director of the Dallas Film Society, exclaims, “Toni Collette has built one of the most versatile acting careers in all of Hollywood. Instantly recognizable and always stellar, Ms. Collette will do the Dallas Film Society a great honor when she accepts the Dallas Star Award.”

The Art of Film, set to take place at Dallas’ remarkable Perot Museum of Nature & Science, is supported by Pam and Mark Denesuk, on board as Event Chairs and Barbara and Steve Durham as Honorary Chairs. “The Dallas Film Society is an instrumental part of the thriving arts scene in Dallas and film festivals have been a passion project of ours for many years,” states Mark Denesuk, Founder and Managing Principal of Commerce House and The Art of Film 2014 Event Chair along with his wife Pam. “We’re eager to play a part in the signature benefit event for the Dallas Film Society that allows filmmakers to be recognized for their great works and empowers the next generation of filmmakers through camps, high school programs, and the Dallas International Film Festival.”

“I look forward to The Art of Film each year and 2014 is going to be stellar with the assistance in planning and leadership from the Denesuk’s and Durham’s,” said Dallas Film Society CEO and President Lee Papert. “These couples not only possess the skills to ensure another great year for The Art of Film, but their commitment to community involvement and philanthropy speaks volumes as dedicated corporate citizens.”

Individual tickets from $500 are available for purchase, and underwriting opportunities are available from $5,000-$40,000. The Art of Film begins with red carpet arrivals and reception at 6:30PM, the conversation at 7:30PM and the seated dinner at 8:30PM. Additional information regarding The Art of Film can be found on the Dallas Film Society’s website, www.dallasfilm.org. Contact Jennifer Dworkin at jdworkin@dallasfilm.org or call 214.720.0555 for more information.