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Archives for : The Way Way Back

Special Events: Dallas Film Society Honors Toni Collette

THE ART OF FILM CELEBRATES ITS 5TH YEAR AS DALLAS FILM SOCIETY HONORS EMMY® AND GOLDEN GLOBE® AWARD-WINNER TONI COLLETTE

 The Art of Film set for Friday, November 21, 2014 with Event and Honorary Chairs Established

DALLAS, TX, September 5, 2014 — The Dallas Film Society is thrilled to honor Emmy® and Golden Globe® award-winning actress Toni Collette at The Art of Film in its 5th year on Friday, November 21, 2014. Geared toward celebrating talent within the film community, the premiere Dallas fundraiser has honored some of the biggest names in film including Robert Duvall, Lee Daniels, John Lithgow and Val Kilmer. Proceeds from the evening are directed to the year-round programming of the Dallas Film Society, a 501 (c) (3) non-profit organization, and more specifically the 2015 Dallas International Film Festival, presented by AutoNation and the 2015 DFS Summer Film Camp, presented by SMU – Division of Film & Media Arts.

The Art of Film offers an opportunity for 300 film lovers to gather for an elegant dinner and to enjoy a moderated conversation with and honor the very talented Toni Collette who has a vast array of credits from film, television and Broadway. Collette made an indelible impression on Hollywood with her beautiful portrayal as the hopeless and desperate ‘Muriel Heslop’ in P.J. Hogan’s 1994 film, MURIEL’S WEDDING and has since starred in a variety of intriguingly diverse roles throughout the last two decades. Ms. Collette’s credits include THE WAY, WAY BACK, LITTLE MISS SUNSHINE, DINNER WITH FRIENDS, THE MAGIC PUDDING, HOTEL SPLENDIDE, THE JAMES GANG, THE CLOCKWATCHERS, THE PALLBEARER, LILIAN’S STORY, ABOUT A BOY, THE HOURS, and THE SIXTH SENSE.

Born and raised in Australia, Collette was a student at Australia’s prestigious National Institute of Dramatic Art (NIDA). In addition to her undeniable talent on-screen, Collette has had the opportunity to demonstrate her talents on Broadway’s stage. In 2000, she starred in the highly anticipated revival of THE WILD PARTY alongside Mandy Patinkin and Eartha Kitt. In the role of ‘Queenie,’ Collette displayed her extraordinary range as both actress and singer. Additional stage credits include performances for the Velvoir Street Theater and the Sydney Theater Company.

Elvis Mitchell, former NY Times and Fort Worth Star-Telegram Film Critic and newly appointed Artistic Director of the L.A. Film Festival, will serve as guest moderator for the evening that will certainly be filled with wonderful dialogue between Mitchell and Ms. Collette. James Faust, Artistic Director of the Dallas Film Society, exclaims, “Toni Collette has built one of the most versatile acting careers in all of Hollywood. Instantly recognizable and always stellar, Ms. Collette will do the Dallas Film Society a great honor when she accepts the Dallas Star Award.”

The Art of Film, set to take place at Dallas’ remarkable Perot Museum of Nature & Science, is supported by Pam and Mark Denesuk, on board as Event Chairs and Barbara and Steve Durham as Honorary Chairs. “The Dallas Film Society is an instrumental part of the thriving arts scene in Dallas and film festivals have been a passion project of ours for many years,” states Mark Denesuk, Founder and Managing Principal of Commerce House and The Art of Film 2014 Event Chair along with his wife Pam. “We’re eager to play a part in the signature benefit event for the Dallas Film Society that allows filmmakers to be recognized for their great works and empowers the next generation of filmmakers through camps, high school programs, and the Dallas International Film Festival.”

“I look forward to The Art of Film each year and 2014 is going to be stellar with the assistance in planning and leadership from the Denesuk’s and Durham’s,” said Dallas Film Society CEO and President Lee Papert. “These couples not only possess the skills to ensure another great year for The Art of Film, but their commitment to community involvement and philanthropy speaks volumes as dedicated corporate citizens.”

Individual tickets from $500 are available for purchase, and underwriting opportunities are available from $5,000-$40,000. The Art of Film begins with red carpet arrivals and reception at 6:30PM, the conversation at 7:30PM and the seated dinner at 8:30PM. Additional information regarding The Art of Film can be found on the Dallas Film Society’s website, www.dallasfilm.org. Contact Jennifer Dworkin at jdworkin@dallasfilm.org or call 214.720.0555 for more information.

Top 10 Best Films of 2013

I have to say this was by far the toughest list I have had to make. 2013 proved to be one of the BEST years for film! I’m aware that I didn’t pick some obvious masterpieces, but that’s not because they weren’t as good as the other films I chose. With so many great films, I just had to go with which ones always stayed in my mind every week. I’ll keep it short and sweet as to why the films below have made my top 10 list!

Side Note: I have not yet seen “Her,” “In A World…,” “August: Osage County” or “Inside Llewyn Davis.”

gravity10. “Gravity”

The best way to sum up “Gravity” is “breath-taking!” The visual effects are the best I have seen in any film. If you were to tell me they shot the movie in space, I would believe it. For now, I will assume that this is what space looks like. Sandra Bullock carries the film; you feel as if you are practically tethered to the space suit with her. Alfonso Cuarón has taken a terrifying thought and turned it into a captivating, 90-minute mission of endurance.

the-wolf-of-wall-street-poster copy9. “The Wolf of Wall Street”

Director Martin Scorsese has teamed up with Leonardo Dicaprio once again to make their most hilarious and best film yet! The film is three hours long, but moves quickly because of how fast paced each scene plays out. Regardless of the time, you are blown away by the unforgettable performance DiCaprio delivers.

kings_of_summer_ver48. “The Kings of Summer”

A fantastic coming-of-age story anyone can relate to: three friends build their own secret house in the woods to gain independence and escape their suffocating parents. Nick Robinson finally gets a chance to prove he is more than just the dim-witted brother from the ABC Family series, “Melissa & Joey.” The film is funny, emotional and nostalgic for anyone who grew up watching some of the best coming-of-age films in the ’80s and early ’90s.

twelve_years_a_slave7. “12 Years a Slave”

I don’t think this one needs any explaining— just watch the film. It is easily the best ensemble cast of the year. “12 years a Slave” features breakout performances by Chiwetel Ejiofor and Lupita Nyong’o. Not to mention Michael Fassbender’s most disturbing and brilliant role since 2011′s “Shame.” This film is a sure to be an Oscar contender for Best Picture and a possible winner!

frozen_ver86. “Frozen”

You might as well give this film the Oscar for Best Animated Feature right now. All the wonderful things you have been hearing about it is true. It’s nice to know Disney can still produce films that give audiences the “Disney Magic” feeling. Already considered a Disney classic, “Frozen” features one of the best soundtracks of the year, including the fantastic original song, “Let it Go,” performed by Idina Menzel.

hunger_games_catching_fire_ver325. “The Hunger Games: Catching Fire”

“Catching Fire” is in every way better than the first “Hunger Games.” The acting and directing is better. There is more character development and much more chemistry between Katniss (Jennifer Lawrence) and both her love interests, Peeta (Josh Hutcherson) and Gale (Liam Hemsworth). It’s an exciting and fun action adventure that you can’t get enough of.

rush4. “Rush”

This film is so much more than race cars and sex. The rivalry between Formula One drivers James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl) brings out more than just a competition on the track. It is amazing to see how much an “enemy” can impact your life— for the good and bad. Hemsworth and Brühl give amazing performances and director Ron Howard shows us once again he can take a simple, true story and turn it into a cinematic masterpiece.

short_term_twelve3. “Short Term 12″

You may not have even heard of this film, but it is absolutely worth looking up and watching. Brie Larson gives a phenomenal Oscar-worthy performance (chances are she could get snubbed this year). “Short Term 12″ is a raw and revealing drama that shows the gut-wrenching perspective of neglected youths.

prisoners_ver32. “Prisoners”

I wish this film would have gotten more praise than it has. The acting alone was incredible, especially Hugh Jackman. I know it is up against stiff competition, but it is high on my list for good reason. It’s the details in “Prisoners” that make this film so exciting to watch. Besides being on the edge of your seat and dying to find out what happened to these kids, you’re filled with important facts that will eventually all tie together in the end. “Prisoners” falls right there with films like “Gone Baby Gone” and “Mystic River”: a gloomy, exciting mystery with an original, satisfying ending.

way_way_back1. “The Way, Way Back”

Think way, way back in July, when you might have seen a preview for this film. Sadly, my favorite film of the year was probably seen by very few. I will admit the dark comedy genre is usually my preference, but it’s the message in this film that has stuck with me all year. I think we all have met that person that has made us doubt ourselves, and lead us to believe we aren’t as special as we think we are. Most of the characters in this film feel they need someone’s seal of approval to be happy with the person they are; thinking that there is some sort of norm that we must follow to fit in. “The Way, Way Back” teaches us that, what makes us truly happy in life is the path we create for ourselves.

Honorable Mentions: “The Dallas Buyers Club,” “This is the End,” “About Time,” “Don Jon,” “Enough Said,” “The Spectacular Now,” and “Captain Phillips.”

Bottom 5: “Getaway,” “The Counselor,” “The Big Wedding,” “Kick-Ass 2″ and “Spring Breakers.”

Originally posted on RedCarpetCrash.com

Interview: The Lone Ranger & The Way, Way Back

The Lone Ranger

The man behind the mask wouldn’t be The Lone Ranger he is with out his trusty horse.  Silver, the actual horse from the new film visited the Mesquite Rodeo for a meet and greet with fans.  As Silver was allowing interviews, Bobby Lovgren, his trainer, was there to speak on his behalf.

Bobby is no stranger when it comes to training horses for film.  For over 20 years he has trained for all the great horse films, including Seabiscuit, War Horse, Racing Stripes, Zorro, and much more.  It’s his love for animals that makes his job feel less like work and more like a passion.

The Lone Ranger tells the story of a Native American warrior, Tonto, as he recounts the untold tales that transformed John Reid, a man of the law, into a legend of justice.

Out now, the film is sure to be fun for the whole family to watch this Fourth of July weekend.

Click the link below to see the interview with Silver and Bobby, followed by an interview with Academy Award winners, Nat Faxon and Jim Rash on their newest film, The Way, Way Back.

The Lone Ranger and The Way Way Back Interviews

Way Way Back

 

The Way, Way Back

On a scale of 1 to 10, what would you rank yourself?  It’s a question most of us probably ask about other people; but when referring to ourselves, were usually at a loss for numbers.  As you can see from the interview with the Writer/Directors, Nat Faxon and Jim Rash, “we’re all on our own sort of journey and there are no numbers.”

Unfortunately for Duncan (Liam James), at the start of the film he has been labeled a “3” by his mom’s arrogant boyfriend Trent (Steve Carell).  Duncan is forced to spend his summer vacation with his mother (Toni Collette), Trent, and his daughter.  Having a rough time fitting in and constantly being belittled by Trent, he finds an unexpected friend in Owen (Sam Rockwell), manager of the Water Wizz water park.  As the film continues Owen offers Duncan a job at Water Wizz.  It doesn’t take long for this awkward, insecure kid to find the confidence within, and realize that he is more than any number on a scale.

Liam James is a new comer among this slew of an all-star cast, including Steve Carell, Toni Collete, Sam Rockwell, Allison Janney, Maya Rudolph and many more! But Liam didn’t need any help from his supporting cast.  He shined in his role as Duncan.  During the entire film the audience relates to Duncan.  You feel every moment of pain, embarrassment, and best of all, happiness that this kid is feeling.  It’s incredibly, enjoyable to watch his character develop throughout the movie.

What’s not as enjoyable, is watching Steve Carell as a jerk!  Don’t get me wrong Carell nails his performance as the overbearing, deep rooted, insecure boyfriend.  It’s just odd to be watching one of the most likeable actors in Hollywood playing a role that you can’t root for.  Although Carell’s character isn’t likable, I commend him for proving that there are more layers to this actor than just the nice guy who seems to be clueless with reality (i.e.The Office, 40 Year Old Virgin, Anchorman, etc).

Hands down this film has been my favorite of the year so far.  Not just because the dark comedy genre is usually my preference, but the message is one we should all listen to.  I think we have all met that person that has made us doubt ourselves, and leading us to believe we aren’t as special as we think we are.  Most of the characters in this film feel they need someone’s seal of approval to be happy with the person they are; thinking that there is some sort of norm that we all must follow to fit in.  The Way, Way Back teaches us that, what makes us truly happy in life is the path we create for ourselves.

The Way, Way Back opens in select theaters July 5, 2013.