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Movie Review: “Get Out” is an Excellent Mix of Horror and Comedy

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Every once in a while a horror flick comes along that not only scares, but also includes plenty of laughs along the way. In the past few years, films like “The Visit” and “The Guest” have provided this full package. And now at the start of 2017, comedian Jordan Peele (“Key and Peele”) has captured this rarity again, and presented us with the gift of his directorial debut, “Get Out”.

Based on the film’s trailer alone, audiences knew we were in for some race-savvy satire that would lead to a number of awkward scenes. But, these moments of comic relief are so subtle and well executed that they blend perfectly with the eerie tension, while still keeping you engrossed in the suspense of the movie.

“Get Out” follows Chris (Daniel Kaluuya), an African American photographer who’s planning to meet his Caucasian girlfriend’s parents for the first time. They are set to head upstate to her family’s secluded home, and of course, Chris expresses his concern by asking if they know he is black? Rose (Allison Williams) laughs it off and assures Chris that her parents are totally cool. To give him comfort, she lets him know that her dad would have voted for Obama a third term. Oh good, now we all feel so much better… Chris’ best friend (Lil Rel Howery) even warns him not go, but he does not listen.

On the drive to her parents’ house they hit a deer, foreshadowing an unpleasant visit ahead of them. And it’s here that we get our first act of racism with a cop who insists on seeing Chris’ ID after the accident, even though Rose was driving. Luckily, Rose diffuses the situation in a pretty knight in shining armor way.

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Finally, they arrive to her parents’ home, and both are welcomed with open arms. Rose’s mom Missy (Catherine Keener) and her dad Dean (Bradley Whitford) appear to be nice. Dean comes across a bit foolish at times with a few ignorant remarks when trying to “bond” with Chris, but other than that the parents seem harmless. However, their two African American servants, Georgina (Betty Gabriel) and Walter (Marcus Henderson) behave in a very odd manner with forced smiles and unusual emotional breakouts.

Things just continue to get stranger. Missy offers to hypnotize Chris so that he can quit smoking. Rose’s brother Jeremy (Caleb Landry Jones) makes it blatantly clear that he does not care for his sister’s new boyfriend. Then there’s a disturbing party in which Chris is hounded by the many white people in attendance. Soon enough, everything begins to unwind.

Jordan Peele’s script is sharp, witty, and an effective horror. There are subtle Hitchcock-like notes in his story telling. Peele’s cast only furthers his film with their well-rounded performances. Keener and Whitford do an incredible job maintaining their creepy, Stepford Wives composure. Major kudos to Lil Rel Howery for being the character that hilariously speaks on behalf of everyone in the audience.

“Get Out” is a refreshing horror-comedy that will keep you on edge till the very end!

Rating: 4/5

“Get Out” opens in theaters February 24th.

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Movie Review: “The Visit” is a Welcoming Comeback for M. Night Shyamalan

the visit

M. Knight Shyamalan was once known for his great films such as The Sixth Sense, Unbreakable, and Signs.  Unfortunately, his more recent projects have subjected us to some underwhelming, pieces of crap like The Happening and After Earth.  Well folks, I’m pleased to say that Shyamalan’s newest film, The Visit, succeeds as a highly entertaining horror-comedy!

Kathryn Hahn plays a single mother of two who has not spoken to her parents since she left home at the age of 19, and ran off with an older man.  Now, her parents have reached out to her through the internet and ask that her children come to visit their Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie), whom they’ve never met.

Per the kids’ wishes, the mom sends them to their grandparents’ isolated, Pennsylvania farmhouse in the woods for a week while she goes on a cruise with her new boyfriend.  The eldest child, Becca (Olivia DeJonge), is an aspiring filmmaker.  She takes this opportunity to document her entire trip, and hopefully uncover exactly what happened the day her mother walked out on her parents and maybe even mend their relationship.  Alongside her, as a second camera operator is her younger, germ phobic, rapping brother, Tyler (Olivia DeJonge).

The trip starts all well and good, Nana makes plenty of tasty treats and Pop Pop enjoys listening to Tyler’s ridiculously, hilarious raps.  Seems as though it will be a great week for the kids; that is until they discover why bed time is at 9:30pm.  Nana goes from a harmless, nocturnal sleepwalker to a straight up psychotic, creepy, crawler within each passing night!  And what exactly is Pop Pop doing when he disappears inside his mysterious shed?

As things are turning eerie fast, the kids are desperate to have their mother come get them before anymore craziness unfolds.

Shyamalan has not only redeemed himself as a filmmaker, but he has also brought originality to the found-footage genre.  His combination of humor and terror will have audiences uncomfortably laughing while still on the edge of their seats as they nervously anticipate what’s to come.

The acting is good overall, especially when it comes to the two kids, who could have ruined the whole film if they were wrongly cast.  Oxenbould was given some cheesy lines and potentially bad jokes, but his delivery and timing is so on point that you can’t help but enjoy every second he’s on screen.  But the real stand out here is Nana.  Dunagan gives an incredible performance as the disturbing grandmother who seesaws from sweet and nurturing to plain insanity.

The Visit provides comedy, horror, family, and best of all, a startling amount of effed up sh**.  Literally!

Rating: 4/5

The Visit opens in theaters on September 11.