Archives for : Drama
Diane Lane and Kevin Costner are heartbroken grandparents ready to do whatever is needed to protect their grandson.
Focus Features new drama, “Let Him Go” opens with retired sheriff George Blackledge (Costner) and his wife Margaret (Lane) at their ranch in Montana spending time with their son James (Ryan Bruce), his wife Lorna (Kayli Carter), and their baby boy. Later that day, James has a fatal accident while riding a wild horse.
Years later, Lorna remarries. Her son, Jimmy, is now a toddler. On her wedding day, she seems uncomfortable around her new husband, Donnie Weboy (Will Brittain). It isn’t until Margaret sees Donnie hit Lorna and Jimmy that she recognizes the problem. When she discovers they have mysteriously taken off to go stay with Donnie’s family; Margaret and George leave their Montana ranch, and set off to rescue their only grandchild from the dangerous Weboy family.
Based on Larry Watson’s novel, the film is directed and written by Thomas Bezucha (“The Family Stone”, “Monte Carlo”). Bezucha has a way of writing compelling family dynamics. Every character has depth. The relationships between the Blackledge family isn’t picture perfect. Margaret and George have a loving and respectable marriage, but they don’t always see eye to eye. And Margaret’s relationship with Lorna is a bit rocky, as Margaret can be overbearing.
The Weboy family is a special, terrifying case; led by their vicious and abusive mother, Blanche (Lesley Manville). She controls her sons and any other man in her life. What these men lack in brains, they make up for in strength and violence. They are an odd and horrifying bunch.
“Let Him Go” is a tense journey, but the scenic drive to their destination is beautiful and adds a brief unexpected tranquility. From the tragic beginning, you’re hooked till the very end. It’s unbearable to think about the pain parents must feel after the loss of a child, but to know their is still a piece of him in their grandchild makes their mission heroic and cathartic.
The film is heavy and there is some graphic violence, but it’s a fantastic story with incredible performances. Lane and Costner are a duo that deserve a longer screen time together than they had in “Man of Steel”. The two feed off each other so naturally. And Lesley Manville is an intimidating scene stealer. You dread her character, but you anxiously await her next appearance.
“Let Him Go” is not exactly groundbreaking, but it is an engaging script and exquisitely shot. The performances alone are enough for me to recommend this watch, but there’s also thrilling action and a powerful story. It’s the perfect movie to watch with the whole family.
Rating: 4.25/5
“Let Him Go” opens in theaters November 6, 2020.
This week I review the Neon’s new sci-fi thriller, “Possessor: Uncut” and Sofia Coppola’s new comedy, “On the Rocks”. Both entertaining films, but one satisfies more than the other. Watch the review below to find out which movie you should see this weekend.
“Possessor: Uncut” is playing in select theaters now.
“On the Rocks” is playing in select theaters now and will be available on Apple-TV October 23.
In Dave Franco’s directorial debut, “The Rental”, two couples rent a vacation home for what they hoped would be a celebratory weekend getaway. Unfortunately, this relaxing trip turns into a nightmare.
After Charlie (Dan Stevens) and Mina (Shelia Vand) close a big deal for their company, they decide to rent an Airbnb for them and their significant others. Charlie seems to be in a happy enough marriage with an aloof Michelle (Alison Brie), but at the same time he is dumbfounded by the fact that Mina is dating his ex-convict brother, Josh (Jeremy Allen White). Needless to say, there is a lot of sexual tension during the weekend.
When the group arrives at the secluded waterfront home, they are impressed with the house; but not so much with the creepy and racist property manager. They don’t let that doesn’t stop their fun. They carry on with drinking, drugs, and sex.
The partying comes to a halt when Mina discovers a hidden camera in the shower, and suddenly, the couples must fight to survive the night.
“The Rental” is an easy horror to digest. The film is only 88 minutes long, and during that time you’re entertained by the complex relationships and intensity. There’s just a few moments of comic relief to ease the tension, but the thought of them being watched is constantly on your mind.
Franco and his co-writer, Joe Swanberg do a fantastic job with their character development. Right away we’re locked into engaging characters who start off with one persona and gradually reveal another. The writers manage to get through many different plot points, while still being cohesive. Less is more here. The set, the score, the character traits, and other small details enhance the story.
All four stars do a fantastic job, but it’s the women that steal the show. It’s impossible not to sympathize with Brie’s character, Michelle. She plays the happy and naïve wife so well. Unaware of the fact that her husband isn’t as great as he’d like everyone to believe. And we can only hope to see more of Vand after an incredibly strong performance as Mina. She’s the whole package– smart, beautiful, and not afraid to stand up for herself against a racist.
Now “The Rental” isn’t as inventive as Jordan Peele’s feature film debut, “Get Out”. There are some holes in the movie. And not everyone will be satisfied with the ending, but it’s a solid thriller that subtly goes from nerve-racking drama to shocking slasher. It’s a lot of fun, and is a promising start for Dave Franco’s filmmaking career.
Rating: 3.75/5
“The Rental” is available On Demand July 24.
Netflix has a new film release: “The Old Guard”, a film adaption of a popular graphic novel. The film tells the story of a covert team of immortal mercenaries who are suddenly exposed and must now fight to keep their identity a secret just as an unexpected new member is discovered. I got a chance to participate in a virtual interview with Kiki Layne (actress) and Gina Prince-Bythewood (director). Check out the full interview below!
“The Old Guard” is available on Netflix now!
Even Jenny Slate’s quirk and charm can’t help this mess of a movie.
Based on the novel by Rebecca Dinerstein, “The Sunlit Night” follows Frances (Slate), a struggling painter from New York City. After her boyfriend breaks up with her, she finds out her sister is engaged and her parents are separating. Feeling lost and hopeless, she wants to leave home immediately; and gets an opportunity to paint a barn in Norway in a town where apparently the sun never sets.
Up until this point of the film, you’ve been treated to a funny and witty comedy with a lot of potential. Unfortunately once Frances arrives to Norway, all that potential goes out the window. The audience is left to endure a slow “self-discovery” that is all over the place.
Once Frances is acquainted with her new employer, she meets a few new people. She happens to run into Yasha (Alex Sharp), a Russian-American baker who has come to Norway to give his father a proper Viking funeral. That’s when the film suddenly turns into a “romantic comedy”. I use that term very loosely. In the quiet and rare moments spent between Frances and Yasha, there is no chemistry. There’s not even a spark. This relationship is incredibly forced and doesn’t make much sense. The reasons for why the two even like each other are vague.
The random, forced comedy of a Viking tour guide (Zach Galifinakis) and Yasha’s cold, absentee mother (Gillian Anderson) didn’t help the story either.
Slate does a fantastic job with the material she is given and the scenery is beautiful, but the “The Sunlit Night” fails to shine. It’s a dim, dull tale. Director David Wnendt seemed to have a great starting point, but didn’t know where to go from there. I still don’t understand the point of the movie, or how the characters evolved by the end of the film. But honestly, I didn’t care enough about any of them.
Rating: 1.5/5
“The Sunlit Night” will be available On Demand July 17.
This week I’ve got reviews of a couple hot new films for you to see. “Irresistible” is a sharp satire of political campaigning from Jon Stewart, and “Relic”, tells a haunting story that will hit close to home for many viewers.
“Irresistible” is available On Demand June 26.
“Relic” is available On Demand July 10.
In the latest ICTN movie review, we check out the new film by Judd Apatow, “The King of Staten Island.” We also have a preview of Joseph Gordon-Levitt’s intense, new thriller, “7500” and Kevin Bacon’s new horror film, “You Should Have Left.”
“The King of Staten Island” is available On Demand now.
“7500” is available to stream on Amazon Prime June 18th.
“You Should Have Left” is available On Demand June 19th.
Judd Apatow is responsible for some of the best comedies of our time including, “Knocked Up”, “40 Year-Old Virgin”, and “Trainwreck”. His films typically dive deeper than the usual comedy. He takes the time to have audiences understand his leads and provides a sincere character study. We continue to gain perspective on another lost soul in Apatow’s new heartfelt comedy, “The King of Staten Island”.
This time Apatow has teamed up with Saturday Night Live standout, Pete Davidson. Together, alongside co-writer Dave Sirus, they bring Davidson’s personal experiences to life.
“The King of Staten Island” is about a young man named Scott (Davidson) who’s still living in his mother’s basement, and seems to be going nowhere in life. Scott has had issues ever since his father passed away on the job responding to a fire when he was seven. Since then, he hasn’t been able to grow up and become an independent adult. Everything changes when his younger sister Claire (Maude Apatow) goes off to college, and his mother Margie (Marisa Tomei) starts dating another firefighter named Ray (Bill Burr).
Margie is finally able to move on and think about her own happiness. This forces Scott to get a job, and look for a new place to live. Unfortunately, Ray gets the blame for this sudden shift in Scott’s life, and naturally he hates him. The two butt heads and carry on a hilarious banter throughout the movie; which eventually leads to a powerful and emotional realization of unresolved grief.
What I have always loved about Apatow’s movies is the writing. Not only is it authentic and honest, but it’s also so damn funny. The dialogue is awkwardly realistic and witty. And his always talented casts help elevate the script.
Apatow’s daughter is a knock out; and Tomei does a fantastic job, as usual, playing an endearing, sweet mom. But it’s Davidson and Burr who shine. Davidson solidifies his career by bringing humor and genuine emotion without ever appearing to try too hard. Burr is obviously funny and sarcastic, but he also has depth and just the right amount of heart to make you understand why Margie could fall for him so quickly.
“The King of Staten Island” tells a unique story about grief, loss, and love. Showing that for your own health, it’s important to confront your issues, and allow the people around you to help in the healing process.
Some may be discouraged by the nearly two and half hour runtime, but don’t let the semi-slow pace deter you from this beautiful, well made, coming-of-age film.
Rating: 4/5
“The Half of It” is a very interesting take on the classic “Cyrano de Bergerac”. Set in Washington state instead of France and replacing the soldiers and nobles with high school students, “The Half of It” looks like another Netflix winner.
Check out my review of the new Netflix drama and the DVD/Blu-Ray release of “Underwater”.
“The Half of It” is available on Netflix May 1.
“Underwater” is available on Blu-Ray/DVD/Digital