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Archives for : Alison Brie

SOMEBODY I USED TO KNOW Interview w/ Dave Franco & Alison Brie

After Ally’s (Alison Brie) reality series gets cancelled, she makes a visit back to her hometown and runs into her ex. The two spend a wonderful day together and feelings come rushing back. Only problem is, her ex is about to get married. “Somebody I Used to Know” is an authentic romantic comedy that digs deeper than the cliche formula. The film is directed by Dave Franco and co-written by him and Alison Brie.

I got a chance to speak to them about the film, the part of their younger self they are happy is still with them today, what it takes to get them to open up, and more.

“Somebody I Used to Know” releases on Prime Video February 10.

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Movie Review: “Spin Me Round” is Wonderfully Weird

If there’s any takeaway from Jeff Baena’s new comedy, “Spin Me Round”, it’s that Allison Brie and Aubrey Plaza need to be in more films together. But they aren’t the only shining stars in this movie.

Alison Brie plays Amber, a manager of an Italian chain restaurant (similar to Olive Garden) that gets selected to go on an all-expense paid trip to the company’s training program in Italy. Amber is not only thrilled at the chance to further her career, but she’s excited at the opportunity to fall in love. Once she arrives at the “institute”, she soon gets wrapped up in a different kind of “romance”.

Amber is not alone in this experience. The other managers in the program are Deb (Molly Shannon), Jen (Ayden Mayeri), Susie (Debby Ryan), Dana (Zach Woods), and Fran (Tim Heidecker), who are a little quirky. But they are the least of Amber’s worries. The group is not staying at a villa, but a rundown hotel. Their guide Craig (Ben Sinclair) is a mono-toned weirdo. And they can’t leave the compound. But, when Amber meets the restaurant’s handsome founder, Nick Martucci (Alessandro Nivola), his assistant, Kat (Aubrey Plaza) sneaks Amber away so that her and Nick can “get to know each other”. This eventually leads to one crazy adventure.

I’m not sure how many people will enjoy this film. There will be a lot of confusion, and some will wonder if there was a purpose for the movie. Well, the purpose is fun. Not every film is going to have a deep underlining meaning. “Spin Me Round” does touch on inappropriate power dynamics and manipulation tactics used in seduction, but that’s hardly the point. Director and co-writer, Jeff Baena (alongside co-writer Alison Brie), succeeds in making a hilarious, oddball comedy that is elevated by his excellent cast.

No surprise, Brie and Plaza are fantastic. They have great chemistry and engaging banter. While they may be the backbone of this wacky story, the ENTIRE comedic cast serve up plenty of laughs. Shannon might one of the best characters with her hot & cold, “mentally off” behavior. Mayeri plays a delightfully ditzy, overly positive manager. And Woods is the most endearing of the bunch, as he plays the awkward, number one fan of the chain.

The only negative is a certain character being removed from the film far too early and in a manner that felt unintentional, but the rest of the strong supporting cast makes up for this random disappearance.

If you allow yourself to be immersed in this weirdly entertaining story, then you’re in for a really great time. Believe it or not, I didn’t want it end. All these characters were so intriguing, I was craving an extended trip.

Rating: B

“Spin Me Round opens in theaters and available to rent August 19, 2022.

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Movie Review: “The Rental” is a Chilling Weekend Getaway

In Dave Franco’s directorial debut, “The Rental”, two couples rent a vacation home for what they hoped would be a celebratory weekend getaway. Unfortunately, this relaxing trip turns into a nightmare.

After Charlie (Dan Stevens) and Mina (Shelia Vand) close a big deal for their company, they decide to rent an Airbnb for them and their significant others. Charlie seems to be in a happy enough marriage with an aloof Michelle (Alison Brie), but at the same time he is dumbfounded by the fact that Mina is dating his ex-convict brother, Josh (Jeremy Allen White). Needless to say, there is a lot of sexual tension during the weekend.

When the group arrives at the secluded waterfront home, they are impressed with the house; but not so much with the creepy and racist property manager. They don’t let that doesn’t stop their fun. They carry on with drinking, drugs, and sex.

The partying comes to a halt when Mina discovers a hidden camera in the shower, and suddenly, the couples must fight to survive the night.

“The Rental” is an easy horror to digest. The film is only 88 minutes long, and during that time you’re entertained by the complex relationships and intensity. There’s just a few moments of comic relief to ease the tension, but the thought of them being watched is constantly on your mind.

Franco and his co-writer, Joe Swanberg do a fantastic job with their character development. Right away we’re locked into engaging characters who start off with one persona and gradually reveal another. The writers manage to get through many different plot points, while still being cohesive. Less is more here. The set, the score, the character traits, and other small details enhance the story.

All four stars do a fantastic job, but it’s the women that steal the show. It’s impossible not to sympathize with Brie’s character, Michelle. She plays the happy and naïve wife so well. Unaware of the fact that her husband isn’t as great as he’d like everyone to believe. And we can only hope to see more of Vand after an incredibly strong performance as Mina. She’s the whole package– smart, beautiful, and not afraid to stand up for herself against a racist.

Now “The Rental” isn’t as inventive as Jordan Peele’s feature film debut, “Get Out”. There are some holes in the movie. And not everyone will be satisfied with the ending, but it’s a solid thriller that subtly goes from nerve-racking drama to shocking slasher. It’s a lot of fun, and is a promising start for Dave Franco’s filmmaking career.

Rating: 3.75/5

“The Rental” is available On Demand July 24.

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