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Archives for : depression

Movie Review: “Dear Evan Hansen” Plays a Powerful Song

“Dear Evan Hansen” is the Tony Award winning Broadway musical that’s been adored by millions. But for some reason, the film adaption doesn’t seem to be translating to audiences.

Sadly, I have yet to see this musical on Broadway, but look forward to one day hearing the soundtrack performed live. I am clearly in the minority of my colleagues, but I enjoyed this movie. I went in completely blind. I didn’t know the storyline or a single song beforehand; maybe that’s why it was easy for me to fall for this film.

For those who also might not know anything about this premise, “Dear Evan Hansen” follows Evan (Ben Platt) – a socially awkward High School senior with an absentee father, a loving mom (Julianne Moore) who is constantly working, and not a single friend to sign the cast on his broken arm. In an effort to help with his anxiety, Evan’s therapist suggests he write a letter to himself, encouraging himself throughout the day.

On a random day at school, the brooding at times hostile student, Connor Murphy (Colton Ryan) decides to sign Evan’s cast. The sweet moment is short lived because he finds one of Evan’s letters in where it mentions Connor’s sister, Zoe (Kaitlyn Dever) – Evan’s crush. He angrily pushes Evan, steals the letter, and keeps it in his coat. The next day, Evan is called to the principal’s office where Connor’s parents (Amy Adams and Danny Pino) are waiting for him. Connor has committed suicide. The only note he had on him was Evan’s letter, which they believe Connor wrote for him. The letter paired with his signature on Evan’s cast convinces his parents that this was his one true friend. In that moment, Evan can’t help but go along with the lie. He has good intentions, but the events that follow can be tough to watch.

I’ll admit, when this film gets going and the talented cast is pouring their heart into a heavy conversation about depression, suicide, or internal struggles, it can take you out of the moment when one someone suddenly burst into song. Most of the time you forget this film is a musical until the singing starts again. However, once the music begins, and you’re actually listening to the lyrics, you’re pulled back in by the powerful message the songs have to tell. And I guess there’s backlash for Platt playing the role of a high schooler at age 27, but I’m not sure why? Adults have played High School teens for years in film and television. Platt looks the age and embodies the high anxiety, awkward character, not to mention, his voice is incredible. It’s a true gift for fans of the Broadway show to see Platt reprise this role.

The majority of the high-profile cast do a wonderful job. But praise should be given to Kaitlyn Dever who plays the role of Zoe so effortlessly. She excels in her delivery and emotion as a sister who struggles to grieve the brother that was so cruel to her.

The runtime of 2 hours and 17 minutes is a bit long, but I’m not sure what to cut out. Every scene felt vital to the story. It’s understanding not everyone will be able to bare the length of this somber tale, but the film does end on an uplifting note.

“Dear Evan Hansen” may not be a smooth track, but it provides a compelling message that is still relevant to teens today: be kind and make efforts to those kids in school who are closed off and have difficulty building relationships. I remember those students. At times I even felt like those students.

Though it won’t appeal to everyone, “Dear Evan Hansen” is an emotional and heartwarming musical.

Rating: B-

Movie Review: “The Night House” Gives Thrills & Chills


I’ll admit, I scare easily. Films that aren’t even scary (Boo! A Madea Halloween) make me jump. But when I watch a truly, good horror film, I am on the edge of my seat, holding my breath during the entirety of the film. The only breather breaks are my screams. In David Bruckner’s new horror, “The Night House”, I screamed three times. 

After her husband, Owen’s (Evan Jonigkeit) unexpected suicide, Beth (Rebecca Hall) is left alone in their large lake house, and suddenly haunted by a mysterious spirit. Beth heads down a dangerous rabbit hole as this leads her to digging into her husband’s dark secrets. 

What Bruckner captures here is a very real and painful portrayal grief and depression. It’s not an easy subject matter to tackle, but it’s handled so well here. From Beth’s drinking, re-watching old videos of her husband, to how she interacts with her colleagues and people around her. Owen’s death has consumed Beth and is affecting her daily life and personal relationships. 

If you saw Hall in the underrated drama, “Christine”, you already know how well she can portray a woman on the edge struggling with depression. So, it comes as no surprise that Hall’s performance as a grief-stricken widow is incredibly powerful. Your heart absolutely breaks for Beth as she asks the questions one would probably have if their husband chose to end their life: Why? Was he that unhappy? How was he so good at hiding it? Did I really know him at all? Was he a monster and I had no idea? These are just a few of the questions the film will answer. 

“The Night House” is shot and edited beautifully. Paired with Kathrin Eder’s unsettling production design and the eerie music by Ben Lovett, the film makes for an engaging and terrifying experience. 

Where the film falls short, is that it’s slightly over ambitious. Though questions are answered for the most part, there might be some confusion at the end, and there are a few small plot holes. But if you can piece together a narrative that satisfies you, then this may not be an issue. 

“The Night House” is a creative story with gripping visuals and captivating performances.  

Rating: B +

Interview: Carlson Young talks “The Blazing World”

“The Blazing World” premieres at Sundance this weekend. I spoke with Director, Writer, and star of the film, Carlson Young to discuss production, the meaning behind the movie, and fun facts about the actor/filmmaker.

“The Blazing World” will be screening indoors at the Texas Theatre on Sunday, January 31, at 8:30 p.m. Tickets are $15 and can be purchased through thetexastheatre.com. Or, if you would like to watch the film at home for the same price, you can buy tickets through tickets.festival.sundance.org.

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Movie Review: “The Skeleton Twins” Provides Enough Meat on the Bones of this Indie Gem

Girl Most Likely was a disappointing, failed attempt at the indie genre for Kristen Wiig.  So much so, that my standards were kept low when walking into The Skeleton Twins.  But, once again, Wiig’s unsurprising chemistry with another SNL alum creates an on-screen bond that immediately pulls you into their story.

The Skeleton Twins (directed by Craig Johnson, and written by Johnson and Mark Heyman) solely focuses on its two title characters.  Bill Hader channels his inner “Stefon” as Milo, the snarky, gay, depressed out-of-work LA actor.  He opens the film with an attempted suicide that reunites him and his twin sister Maggie (Wiig), who he hasn’t seen in 10 years.  Like her brother, Maggie is also unhappy, but hides her depression behind her marriage to a happy-go-lucky, Luke Wilson, to whom she has had trouble staying faithful.  Maggie insists Milo stay with them until she knows he is okay.  Milo agrees to come back to New York to live with Maggie for a little while.  At this point, the two of them attempt to revisit their past, try to make adjustments to their disturbed selves, and finally realize how important it is for their well-being to have each other in their lives.

What really makes the thematic material in The Skeleton Twins so grasping is that it has such an understanding on a siblings’ connection.  Throughout the film it’s referenced that the two had a rough upbringing, which has forced them to rely on one another since childhood.  Even though Maggie and Milo are miserable with their lives, their presence together is a silver lining.  The two not only share a bond, but also understand each other completely.  They make jokes, get high, and even have one of the best scenes this year, a sing-a-long to Starship’s “Nothing Gonna Stop Us Now.”

The Skeleton Twins’ grim tone throughout the film is balanced with its uplifting message of how sometimes the person in your life who completes you can make you realize why life is worth living.  There is also enough comic relief through Wiig and Hader’s hilarious, witty banter for you to continuously have a laugh.  Watching these two on-screen together is a rare treat no one should miss.

Rating: 4.5/5

The Skeleton Twins opens in select theaters September 19.