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Archives for : Kristen Wiig

Movie Review: “Wonder Woman 1984” Fails to Soar as High as its Predecessor

It pains me to write this review, as the first “Wonder Woman” movie was one of my favorite films of 2017. Patty Jenkins directed/wrote a simple, yet, thrilling, and charming story. It still holds up today as an incredible film. Sadly, the sequel, “Wonder Woman 1984” does not carry that same merit.

First off, what the heck!? I mean who approved this script!? Did they even refer to the last movie??

I just had to get that out. It is extremely frustrating, because we know DC can’t seem to figure out how to create the same kind of quality superhero movies like Marvel. That was until the first “Wonder Woman”. They found a gem in Patty Jenkins, and I know she is capable of much better than this.

“Wonder Woman 1984” picks up 66 years after Diana Prince (Gal Gadot) helped end World War 1 with the help of her friends and self-sacrificing boyfriend, Steve Trevor (Chris Pine). She’s now in Washington DC curating ancient artifacts; working with a socially awkward Barbara Minerva (Kristen Wiig). She is still saving the world, but she’s unhappy and living a lonely life without any loved ones.

Diana’s life is pretty routine until a foiled mall robbery shakes everything up. The incident leads to the discovery of an old artifact known as the dream stone, which grants wishes, but also takes something in return. It’s a dangerous tool that leads to a series of catastrophic events when it falls into the hands of a ponzi scam artist, Maxwell Lord (Pedro Pascal).

The acting in “Wonder Woman 1984” is good. Gadot has some stand out moments, particularly in a heartbreaking, emotional scene with Pine. And Pascal plays a hilarious, wacked out nut job. And Wiig does a fantastic job as Barbara/The Cheetah. She was actually my favorite part of the film. I just wish they utilized her more as a villain. Though Pascal is great to watch, I would have loved seeing Wiig in her full evil mode for much longer than what we’re given.

The problem here is in the writing. It goes beyond campy into cheesy territory. The opening sequence of the film is promising. But early on after Pascal steals the artifact, the movie just goes downhill. It gets muddled, and doesn’t even make that much sense. Maybe too many people were involved in writing the story, or maybe they were trying too hard to make a unique plot. But it didn’t work. They focused on corny jokes and a fluffy subject matter instead taking the route of the previous film’s darker tone. There are minimal action scenes, and the few we see have no real impact or awe factor. And I can’t go into detail, but there are so many problems with the ending. I would vent about if I could.

As a fan of the first “Wonder Woman”, I still have to advise you watch this sequel, and form your own opinion. There’s still some fun moments, and the characters are enjoyable. My only advice is to go in with the lowest of expectations.

Rating: 3/5

“Wonder Woman opens in theaters and streams on HBOMax December 25.

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Movie Review: “Despicable Me 3” Entertains but Lacks Depth

Image result for despicable me 3

In the first “Despicable Me”, Gru (Steve Carell) discovered the meaning of fatherhood and how rewarding it was to care for three little girls who loved him back. In “Despicable Me 2”, Gru discovered love with his romantic interest, Lucy (Kristen Wiig). In “Despicable Me 3” Gru discovers a twin brother, Dru (also voiced by Carell), whom he never knew he had. And somewhere in all these films he takes down an evil villain more diabolical than him.

The franchise sticks with an adequate formula that entertains enough. But unfortunately with each passing sequel, the films seem to be loosing the heart of the story. “Despicable Me 3” begins with the introduction of a new villain, Balthazar Bratt (Trey Parker), who is a washed up 80’s child star that wants revenge on world that turned on him. After failing to take down Bratt during one of his heists, Gru and his now wife, Lucy, are fired from their jobs at the Anti-Villain League. In the midst, of trying to figure his next step, a strange man visits Gru to tell him about a twin brother he never knew he had who needs his help.

Once Gru, Lucy, and the girls arrive at Dru’s very rich mansion, they discover he is not exactly what they expected. For starters, he has a full head of blonde hair, he has an obsession with pigs, and he’s a clumsy, sweet guy who’s desperate to become a villain like his brother once was. While Gru attempts to reconnect to his old “bad guy” days, Lucy is busy trying to have some mother/daughter bonding time with the girls.

Though the twin brother story-line does offer longer legs for the film’s franchise, you have to wonder if it is worth the stretch marks the movies are beginning to show. The family relationships are excellent factors to “Despicable Me”, but it might be wise for the films to put a little more care and thought into their antagonists. At this point they are meaningless obstacles to whatever Gru is hoping to achieve.

Oh and you’re probably wondering about the minions. Yes, there is plenty of minions in this movie. I found there was a little too much of them. But if you love them as much as little kids do, you’re all set. The minions have their own mini adventure side story that you will either find adorable or an absolute waste of time.

“Despicable Me 3” is an overall enjoyable kids film. We’re given a handful of laughs and a decent amount of tender moments. However, for a film that had such a strong start, I had hoped this movie would leave me wanting more instead of worrying about what’s to come.

RATING: 3.5/5

“Despicable Me 3” opens in theaters June 30.

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Movie Review: “The Skeleton Twins” Provides Enough Meat on the Bones of this Indie Gem

Girl Most Likely was a disappointing, failed attempt at the indie genre for Kristen Wiig.  So much so, that my standards were kept low when walking into The Skeleton Twins.  But, once again, Wiig’s unsurprising chemistry with another SNL alum creates an on-screen bond that immediately pulls you into their story.

The Skeleton Twins (directed by Craig Johnson, and written by Johnson and Mark Heyman) solely focuses on its two title characters.  Bill Hader channels his inner “Stefon” as Milo, the snarky, gay, depressed out-of-work LA actor.  He opens the film with an attempted suicide that reunites him and his twin sister Maggie (Wiig), who he hasn’t seen in 10 years.  Like her brother, Maggie is also unhappy, but hides her depression behind her marriage to a happy-go-lucky, Luke Wilson, to whom she has had trouble staying faithful.  Maggie insists Milo stay with them until she knows he is okay.  Milo agrees to come back to New York to live with Maggie for a little while.  At this point, the two of them attempt to revisit their past, try to make adjustments to their disturbed selves, and finally realize how important it is for their well-being to have each other in their lives.

What really makes the thematic material in The Skeleton Twins so grasping is that it has such an understanding on a siblings’ connection.  Throughout the film it’s referenced that the two had a rough upbringing, which has forced them to rely on one another since childhood.  Even though Maggie and Milo are miserable with their lives, their presence together is a silver lining.  The two not only share a bond, but also understand each other completely.  They make jokes, get high, and even have one of the best scenes this year, a sing-a-long to Starship’s “Nothing Gonna Stop Us Now.”

The Skeleton Twins’ grim tone throughout the film is balanced with its uplifting message of how sometimes the person in your life who completes you can make you realize why life is worth living.  There is also enough comic relief through Wiig and Hader’s hilarious, witty banter for you to continuously have a laugh.  Watching these two on-screen together is a rare treat no one should miss.

Rating: 4.5/5

The Skeleton Twins opens in select theaters September 19.