
Archives for : Academy Awards

Best Supporting Actor
Tom Hanks, Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood
Will Win: Brad Pitt
Could Win: No Contest
Want to Win: Brad Pitt, Once Upon a Time in Hollywood
Best Actress in a Supporting Role
Kathy Bates, Richard Jewell
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell
Will Win: Laura Dern, Marriage Story
Could Win: Florence Pugh, Little Women
Want to Win: Florence Pugh, Little Women
Achievement in Costume Design
The Irishman
Jojo Rabbit
Joker
Little Women
Once Upon a Time in Hollywood
Will Win: Little Women
Could Win: Jojo Rabbit
Want to Win: Little Women
Achievement in Sound Mixing
Ad Astra
Ford v Ferrari
Joker
1917
Once Upon a Time in Hollywood
Will Win: 1917
Could Win: Ford v Ferrari
Want to Win: 1917
Achievement in Sound Editing
Ford v Ferrari
Joker
1917
Once Upon a Time in Hollywood
Star Wars: The Rise of Skywalker
Will Win: 1917
Could Win: Ford v Ferrari
Want to Win: 1917
Best Original Score
Joker
Little Women
Marriage Story
1917
Star Wars: The Rise of Skywalker
Will Win: Joker
Could Win: Little Women
Want to Win: Joker
Best Animated Short Film
Dcera (Daughter)
Hair Love
Kitbull
Memorable
Sister
Will Win: Hair Love
Could Win: Kitbull
Want to Win: Hair Love
Best Live Action Short
Brotherhood
Nefta Football Club
The Neighbors’ Window
Saria
A Sister
Will Win: The Neighbor’s Window
Could Win: Saria
Want to Win: The Neighbor’s Window
Best Documentary Feature
American Factory
The Cave
The Edge of Democracy
For Sama
Honeyland
Will Win: American Factory
Could Win: Honeyland
Want to Win: American Factory
Best Documentary Short Subject
In the Absence
Learning to Skateboard in a Warzone
Life Overtakes Me
St. Louis Superman
Walk Run Cha-Cha
Will Win: Learning to Skateboard in a Warzone
Could Win: St. Louis Superman
Want to Win: Learning to Skateboard in a Warzone
Best International Feature Film
Corpus Christi
Honeyland
Les Miserables
Pain and Glory
Parasite
Will Win: Parasite
Could Win: No Contest
Want to Win: Parasite
Achievement in Production Design
The Irishman
Jojo Rabbit
1917
Once Upon a Time in Hollywood
Parasite
Will Win: Once Upon a Time in Hollywood
Could Win: 1917
Want to Win: Jojo Rabbit
Achievement in Film Editing
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Parasite
Will Win: Parasite
Could Win: Ford v Ferrari
Want to Win: Jojo Rabbit
Achievement in Cinematography
The Irishman
Joker
The Lighthouse
1917
Once Upon a Time in Hollywood
Will Win: 1917
Could Win: The Lighthouse
Want to Win: 1917
Achievement in Visual Effects
1917
Avengers: Endgame
The Irishman
The Lion King
Star Wars: The Rise of Skywalker
Will Win: Avengers: Endgame
Could Win: 1917
Want to Win: Avengers: Endgame
Achievement in Makeup & Hairstyling
Bombshell
Joker
Judy
Maleficent: Mistress of Evil
1917
Will Win: Bombshell
Could Win: Joker
Want to Win: Bombshell
Best Animated Feature
How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Missing Link
Toy Story 4
Will Win: Toy Story 4
Could Win: Missing Link
Want to Win: How to Train Your Dragon: The Hidden World
Best Original Song
“I Can’t Let You Throw Yourself Away,” Toy Story
“I’m Gonna Love Me Again,” Rocketman
“I’m Standing With You,” Breakthrough
“Into the Unknown,” Frozen II
“Stand Up,” Harriet
Will Win: “I’m Gonna Love Me Again”, Rocketman
Could Win: No Contest
Want to Win: “Into the Unknown”, Frozen II
Best Adapted Screenplay
The Irishman
Jojo Rabbit
Joker
Little Women
The Two Popes
Will Win: Jojo Rabbit
Could Win: Little Women
Want to Win: Jojo Rabbit or Little Women
Best Actor
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time… in Hollywood
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes
Will Win: Joaquin Phoenix, Joker
Could Win: No Contest
Want to Win: Joaquin Phoenix or Adam Driver
Best Original Screenplay
Knives Out
Marriage Story
1917
Once Upon a Time in Hollywood
Parasite
Will Win: Once Upon a Time in Hollywood
Could Win: Parasite
Want to Win: Marriage Story
Best Actress
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renee Zellweger, Judy
Will Win: Renee Zellweger, Judy
Could Win: No Contest
Want to Win: Saoirse Ronan, Little Women
Best Director
Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Will Win: Sam Mendes, 1917
Could Win: Bong Joon Ho, Parasite
Want to Win: Sam Mendes or Bong Joon Ho
Best Picture
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
1917
Once Upon a Time… in Hollywood
Parasite
Will Win: Parasite
Could Win: 1917
Want to Win: Jojo Rabbit
The 92nd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2019 and will take place at the Dolby Theatre in Hollywood on February 9, 2020.

Best Supporting Actor
Tom Hanks, Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time… in Hollywood
Best Actress in a Supporting Role
Kathy Bates, Richard Jewell
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell
Achievement in Costume Design
The Irishman
Jojo Rabbit
Joker
Little Women
Once Upon a Time…in Hollywood
Achievement in Sound Mixing
Ad Astra
Ford vs. Ferrari
Joker
1917
Once Upon a Time…in Hollywood
Achievement in Sound Editing
Ford vs. Ferrari
Joker
1917
Once Upon a Time…in Hollywood
Star Wars: The Rise of Skywalker
Best Original Score
Joker
Little Women
Marriage Story
1917
Star Wars: The Rise of Skywalker
Best Animated Short Film
Dcera (Daughter)
Hair Love
Kitbull
Memorable
Sister
Best Live Action Short
Brotherhood
Nefta Football Club
The Neighbors’ Window
Saria
A Sister
Best Documentary Feature
American Factory
The Cave
The Edge of Democracy
For Sama
Honeyland
Best Documentary Short Subject
In the Absence
Learning to Skateboard in a Warzone
Life Overtakes Me
St Louis Superman
Walk Run Cha-Cha
Best International Feature Film
Corpus Christi
Honeyland
Les Miserables
Pain and Glory
Parasite
Achievement in Production Design
The Irishman
Jojo Rabbit
1917
Once Upon a Time in Hollywood
Parasite
Achievement in Film Editing
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Parasite
Achievement in Cinematography
The Irishman
Joker
The Lighthouse
1917
Once Upon a Time in Hollywood
Achievement in Visual Effects
1917
Avengers: Endgame
The Irishman
The Lion King
Star Wars: The Rise of Skywalker
Achievement in Makeup & Hairstyling
Bombshell
Joker
Judy
Maleficent: Mistress of Evil
1917
Best Animated Feature
How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Missing Link
Toy Story 4
Best Original Song
“I Can’t Let You Throw Yourself Away,” Toy Story
“I’m Gonna Love Me Again,” Rocketman
“I’m Standing With You,” Breakthrough
“Into the Unknown,” Frozen II
“Stand Up,” Harriet
Best Adapted Screenplay
The Irishman
Jojo Rabbit
Joker
Little Women
The Two Popes
Best Actor
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time… in Hollywood
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes
Best Original Screenplay
Knives Out
Marriage Story
1917
Once Upon a Time… in Hollywood
Parasite
Best Actress
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renee Zellweger, Judy
Best Director
Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Best Picture
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
1917
Once Upon a Time… in Hollywood
Parasite


Performance by an actor in a leading role
- Christian Bale in “Vice”
- Bradley Cooper in “A Star Is Born”
- Willem Dafoe in “At Eternity’s Gate”
- Rami Malek in “Bohemian Rhapsody”
- Viggo Mortensen in “Green Book”
Performance by an actor in a supporting role
- Mahershala Ali in “Green Book”
- Adam Driver in “BlacKkKlansman”
- Sam Elliott in “A Star Is Born”
- Richard E. Grant in “Can You Ever Forgive Me?”
- Sam Rockwell in “Vice”
Performance by an actress in a leading role
- Yalitza Aparicio in “Roma”
- Glenn Close in “The Wife”
- Olivia Colman in “The Favourite”
- Lady Gaga in “A Star Is Born”
- Melissa McCarthy in “Can You Ever Forgive Me?”
Performance by an actress in a supporting role
- Amy Adams in “Vice”
- Marina de Tavira in “Roma”
- Regina King in “If Beale Street Could Talk”
- Emma Stone in “The Favourite”
- Rachel Weisz in “The Favourite”
Best animated feature film of the year
- “Incredibles 2” Brad Bird, John Walker and Nicole Paradis Grindle
- “Isle of Dogs” Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
- “Mirai” Mamoru Hosoda and Yuichiro Saito
- “Ralph Breaks the Internet” Rich Moore, Phil Johnston and Clark Spencer
- “Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller
Achievement in cinematography
- “Cold War” Łukasz Żal
- “The Favourite” Robbie Ryan
- “Never Look Away” Caleb Deschanel
- “Roma” Alfonso Cuarón
- “A Star Is Born” Matthew Libatique
Achievement in costume design
- “The Ballad of Buster Scruggs” Mary Zophres
- “Black Panther” Ruth Carter
- “The Favourite” Sandy Powell
- “Mary Poppins Returns” Sandy Powell
- “Mary Queen of Scots” Alexandra Byrne
Achievement in directing
- “BlacKkKlansman” Spike Lee
- “Cold War” Paweł Pawlikowski
- “The Favourite” Yorgos Lanthimos
- “Roma” Alfonso Cuarón
- “Vice” Adam McKay
Best documentary feature
- “Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill
- “Hale County This Morning, This Evening” RaMell Ross, Joslyn Barnes and Su Kim
- “Minding the Gap” Bing Liu and Diane Quon
- “Of Fathers and Sons” Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert
- “RBG” Betsy West and Julie Cohen
Best documentary short subject
- “Black Sheep” Ed Perkins and Jonathan Chinn
- “End Game” Rob Epstein and Jeffrey Friedman
- “Lifeboat” Skye Fitzgerald and Bryn Mooser
- “A Night at The Garden” Marshall Curry
- “Period. End of Sentence.” Rayka Zehtabchi and Melissa Berton
Achievement in film editing
- “BlacKkKlansman” Barry Alexander Brown
- “Bohemian Rhapsody” John Ottman
- “The Favourite” Yorgos Mavropsaridis
- “Green Book” Patrick J. Don Vito
- “Vice” Hank Corwin
Best foreign language film of the year
- “Capernaum” Lebanon
- “Cold War” Poland
- “Never Look Away” Germany
- “Roma” Mexico
- “Shoplifters” Japan
Achievement in makeup and hairstyling
- “Border” Göran Lundström and Pamela Goldammer
- “Mary Queen of Scots” Jenny Shircore, Marc Pilcher and Jessica Brooks
- “Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney
Achievement in music written for motion pictures (Original score)
- “Black Panther” Ludwig Goransson
- “BlacKkKlansman” Terence Blanchard
- “If Beale Street Could Talk” Nicholas Britell
- “Isle of Dogs” Alexandre Desplat
- “Mary Poppins Returns” Marc Shaiman
Achievement in music written for motion pictures (Original song)
- “All The Stars” from “Black Panther”
Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe - “I’ll Fight” from “RBG”
Music and Lyric by Diane Warren - “The Place Where Lost Things Go” from “Mary Poppins Returns”
Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman - “Shallow” from “A Star Is Born”
Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt - “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”
Music and Lyric by David Rawlings and Gillian Welch
Best motion picture of the year
- “Black Panther” Kevin Feige, Producer
- “BlacKkKlansman” Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers
- “Bohemian Rhapsody” Graham King, Producer
- “The Favourite” Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers
- “Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers
- “Roma” Gabriela Rodríguez and Alfonso Cuarón, Producers
- “A Star Is Born” Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers
- “Vice” Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers
Achievement in production design
- “Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart
- “The Favourite” Production Design: Fiona Crombie; Set Decoration: Alice Felton
- “First Man” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
- “Mary Poppins Returns” Production Design: John Myhre; Set Decoration: Gordon Sim
- “Roma” Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez
Best animated short film
- “Animal Behaviour” Alison Snowden and David Fine
- “Bao” Domee Shi and Becky Neiman-Cobb
- “Late Afternoon” Louise Bagnall and Nuria González Blanco
- “One Small Step” Andrew Chesworth and Bobby Pontillas
- “Weekends” Trevor Jimenez
Best live action short film
- “Detainment” Vincent Lambe and Darren Mahon
- “Fauve” Jeremy Comte and Maria Gracia Turgeon
- “Marguerite” Marianne Farley and Marie-Hélène Panisset
- “Mother” Rodrigo Sorogoyen and María del Puy Alvarado
- “Skin” Guy Nattiv and Jaime Ray Newman
Achievement in sound editing
- “Black Panther” Benjamin A. Burtt and Steve Boeddeker
- “Bohemian Rhapsody” John Warhurst and Nina Hartstone
- “First Man” Ai-Ling Lee and Mildred Iatrou Morgan
- “A Quiet Place” Ethan Van der Ryn and Erik Aadahl
- “Roma” Sergio Díaz and Skip Lievsay
Achievement in sound mixing
- “Black Panther” Steve Boeddeker, Brandon Proctor and Peter Devlin
- “Bohemian Rhapsody” Paul Massey, Tim Cavagin and John Casali
- “First Man” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis
- “Roma” Skip Lievsay, Craig Henighan and José Antonio García
- “A Star Is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow
Achievement in visual effects
- “Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
- “Christopher Robin” Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
- “First Man” Paul Lambert, Ian Hunter, Tristan Myles and J.D. Schwalm
- “Ready Player One” Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk
- “Solo: A Star Wars Story” Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy
Adapted screenplay
- “The Ballad of Buster Scruggs” Written by Joel Coen & Ethan Coen
- “BlacKkKlansman” Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
- “Can You Ever Forgive Me?” Screenplay by Nicole Holofcener and Jeff Whitty
- “If Beale Street Could Talk” Written for the screen by Barry Jenkins
- “A Star Is Born” Screenplay by Eric Roth and Bradley Cooper & Will Fetters
Original screenplay
- “The Favourite” Written by Deborah Davis and Tony McNamara
- “First Reformed” Written by Paul Schrader
- “Green Book” Written by Nick Vallelonga, Brian Currie, Peter Farrelly
- “Roma” Written by Alfonso Cuarón
- “Vice” Written by Adam McKay
The 91st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences, will honor the best films of 2018 and will take place at the Dolby Theatre in Hollywood on February 24, 2019.
Although there were still some snubs for Rush, The Way,Way Back, Brie Larson, Daniel Bruhl, and Tom Hanks, I am still very pleased with this years Oscar nominations! It was by far one of the toughest years to pick from so many great films and performances. Can’t wait to see who wins the big award on Sunday, March 2nd.
BEVERLY HILLS, CA – The Academy of Motion Picture Arts and Sciences will explore cinema’s roots in stage magic and sleight of hand and show how visual deception drove the development of movie special effects, on Wednesday, November 20, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. “Like Magic” will examine how some of the techniques used in the earliest “trick films,” such as forced perspective, cuts, dissolves and multiple exposures are still used by filmmakers in the digital age. Hosted by sleight-of-hand artist Ricky Jay, special effects supervisor Shane Mahan, and stage and screen illusion designer Michael Weber, the program features clips from such pioneering films as Georges Méliès’s “The Magician” (1898) and contemporary favorites like “Snow White and the Huntsman” (2012). It also includes live demonstrations and conversations with some of the films’ creative teams. Click here for more information

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.
FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy
Unlike most people, I had very low expectations going into Gravity. After all the rave reviews the movie was getting, I just didn’t get how this film was going to be that great. The previews don’t give you much, and most of my friends and family seemed to think of the film as comical. I mean there was actually a struggle to find a guest that would see the film with me! But I can finally say after watching the movie, my friend and I walked out completely understanding the hype while still trying to breath normally again.

First off, I highly recommend you see this film in 3D. In fact, I don’t even think it should be offered in 2D. You will miss out on the feeling and experience director, Alfonso Cuarón (Children of Men, Harry Potter and the Prisoner of Azkaban), had intended for the film. Your brain won’t have to follow a difficult plot, but you are still in for an intense thrill ride.
The story is simple: Ryan Stone (Sandra Bullock) is a medical engineer on her first shuttle mission with veteran astronaut Matt Kowalski (George Clooney). But after an accident leaves them drifting in space, they must work together to survive. The simplicity in Gravity is only one of the things that makes this film so exceptional. Alfonso Cuarón has taken an original terrifying thought, and turned it into a captivating, 90-minute mission of endurance. The direction in this film is Oscar worthy! The fluid motion of the camera as it flows throughout the movie makes you feel as if you are floating. Visually the film is beautiful, and as you are enjoying the view from space you are still panicking about what is going to happen next.
For anyone who thought Sandra Bullock’s Oscar win for The Blind Side was not deserved, I don’t agree with you…and you should just watch Bullock’s performance in Gravity. She is really the sole actor of the film. George Clooney definitely serves a purpose and makes for some relaxing comic relief, but it seems like even he wants to let Bullock steal the show. The moment she appears on screen you might as well be tethered to that space suit with her. Whatever fear and anxiety her character is going through, the audience is feeling the exact same way. Watching her struggle made it physically harder to breathe. Personally, I have always known Sandra Bullock is a great actress; but this role definitely solidifies that. It’s still too soon to predict Oscar nominations, but I would say that she is a lock for the Best Actress nod along with many more nominations for the film in multiple categories.
The best way to sum up Gravity is “breath-taking!” The visual effects are the best I have seen in any film. If you were to tell me they shot the movie in space, I would probably believe it. For now I will assume that is what spaces looks like. I guess what makes this film stand apart from movies like Cast Away and 127 Hours is those films had some moments of down time. There were moments where, even though they were stranded, you knew you could relax for a bit because they had managed to make a livable routine in their misery. But as this film reminds you in the beginning, life in space is impossible. You can’t breathe, you can’t take a controlled step, and you could just get lost in space forever until you run out air.
Rated PG-13 for intense images.
Gravity hits theaters everywhere today!
When your child goes missing, how far would you go to find her?

After his six-year-old daughter and her best friend are kidnapped on Thanksgiving, Keller Dover (Hugh Jackman) butts heads with detective Loki (Jake Gyllenhaal) who is in charge of the investigation. Keller feels Loki and his department are not doing enough to find the girls. Keller’s son mentions an old RV, owned by Alex Jones (Paul Dano) and believes he is the culprit that has taken his daughter. When there is a lack of evidence to show any signs that Alex may have taken the girls, he is set free. Losing faith in the law, he captures Alex and holds him captive in a desperate attempt to find out what happened to the girls. But the further he goes to get the man to confess, the closer he comes to losing his soul.
If you have already seen the trailer for this film, then you should know that it screams Best Picture potential. But after watching the movie, it’s the performances that prove to be Oscar worthy. With an all star cast like this one, it’s not shocking that the acting would be exceptional. At this point for most of these Academy Award nominated actors, it is about competing with their own past performances. Hugh Jackman is fresh off his Best Actor nod for Les Miserable. Though I thought he did an incredible job as Jean Valjean, it’s his performance in Prisoners that has left me more satisfied than ever with the actor. Jackman takes the audience on a nail biting, dark journey to see how a desperate father handles every parent’s worst nightmare. It’s the little things that stand out in his performance, from every scowl to every deep breath he makes. I could go on for a while discussing him, but I think you see my point.
Jake Gyllenhaal raised the bar for himself as an actor. He plays detective Loki, a cop that has never lost a case. Loki has his own troubled past which is seen through all his subtle, twitching tendencies. It been since his 2005 nomination for Brokeback Mountain that we have seen him be in such a strong in a role. The movie is really seen through both the eyes of Jackman and Gyllenhaal’s characters. 
On one hand we have Loki, who follows the law and chooses to stick with his moral compass when trying to solve this case. On the other hand, we have Keller who has lost all morality and has taken the law into his own hands. As the story unfolds, it’s interesting to see which method proves to be most effective. Come Oscar time, I see a nomination for both of these actors.
Director, Denis Villeneuve (Incendies, Enemy), explained how this film is really about the characters; and showing how each of them handle this disheartening situation differently. Well Denis, mission accomplished! Each person affected by this kidnapping portray relatable ways of grieving. We are shown a non-stop crying mother who can’t get out of bed. The other mother has gone into shock and hasn’t touched a thing in the kitchen since that Thanksgiving Day. A father who has no idea what to do, and another father who continues to take any action he can. Every last detail, whether it’s a clue for the case or a specific characteristic, serves a purpose in this film.
It’s the details in Prisoners that make this film so exciting to watch. Besides being on the edge of your seat and dying to find out what happened to the little girls, you’re filled with important facts that will eventually all tie together in the end. Prisoners falls right there with films like Gone Baby Gone and Mystic River, a gloomy, exciting mystery with an original, satisfying ending. I will say that I’m still partial to Gone Baby Gone, but all three films do a great job of leaving you with the thought of “what would I do if I was in that position?”
The film is two hours and twenty minutes, but it never felt like that for me. You are too engaged in the case and characters to think about time. This is a very dark film. But given the topic, I wouldn’t see this movie played out any other way. These days with movies being predicable from just a trailer, I enjoyed the fact that two hours into this movie I was still thinking “How is this going to end!?”
Terrence Howard, Viola Davis, Maria Bello, Paul Dano, and Melissa Leo also star in the film.
Rated R for disturbing, violent content including torture, and language.
Prisoners opens everywhere today!







