Archives for : Universal Pictures
It’s kind of hard to say no to anything with George Clooney or Julia Roberts. But when they team up for a rom-com, I’m sold!
“Ticket to Paradise” tells a predictable story about a divorced couple, David (Clooney) and Georgia (Roberts), who can barely tolerate sitting next to each other at their daughter’s law school graduation. But, when their daughter, Lily (played by Kaitlyn Dever) goes on what was supposed to be a summer trip to Bali and falls in love/gets engaged to a native named Gede (Maxime Bouttier); David and Georgia put their differences aside to stop the wedding.
Like most romantic comedies, I’m sure you see where this story is going. When it comes to rom-coms, it’s not the predictability that is the issue, it’s whether or not we are served a fresh perspective and/or a handful of laughs. “Ticket to Paradise” offers nothing new story wise and, sadly, not a whole lot of laughs.
The film’s runtime is around an hour and 40 minutes, but the pacing is a lot slower compared to other films in that genre. This is due to the lack of comedy. The best moments are when Clooney and Roberts are at each other’s throats. Their disdain for each other is funny, and the audience will crave more bitter banter as the two have wonderful comedic chemistry. I’m just shocked they didn’t utilize their humor more. We have seen Roberts go much bigger in past rom-coms, and it’s always a joy to see. That being said, it seems that, Director/Writer, OI Parker’s intentions with this film were to have more serious conversations with subtle humor verses the typical slapstick comedy tropes. I absolutely respect this choice, but also seems like a missed opportunity with these two stars.
What “Ticket to Paradise” does offer, is a stunning setting that’s its own character, and a charming, talented cast you can’t help but fall for. Dever and Billie Lourd team up again since “Booksmart” and continue to shine on-screen. Bouttier and the rest of the actors playing island natives are also a joy to watch. And of course, the whole purpose of this movie– George Clooney and Julia Roberts are magnetizing. I think we’d be entertained watching these two have a conversation about drywall.
There’s nothing wrong with the film, but in a year where there have been some fresh romantic comedies like, “Bros” or “I Want You Back”, it’s hard to get excited about this one.
However, with such a lovable cast, and beautiful location, “Ticket to Paradise” can be an enjoyable, lighthearted comedy to escape all the madness in our lives.
Rating: B-
It’s crazy to think that “Bros” is the first romantic comedy about two men falling in love to be produced by a mainstream studio. It’s long overdue. But, if we had to wait this long, I’m glad we put it in the hands of Billy Eichner (Co-Writer) and Nick Stoller (Director/Co-Writer) to be the first ones to make it.
The film centers on Bobby (Eichner), a popular podcast host and LGBTQ+ historian who prides himself on being guarded and non-committal when it comes to relationships. He seems perfectly satisfied with his one-night stands and Grindr hook ups even though all the people in his life are in serious relationships. But everything changes when Bobby meets Aaron (Luke MacFarlane) at a night club. The two are total opposites. Aaron gives off meathead vibes, Ken doll looks, and a bro-like personality. However, the two are insanely drawn to each other. What starts off as a no-strings attached kind of fling, quickly turns into something much deeper. But like any romcom, the couple face some obstacles that will challenge their newfound romance.
In addition to the film’s historic romantic storyline, the movie also features and entirely LGBTQ+ cast. And it’s entertaining to watch some of those characters poke fun at their own current identity politics. “Bros” goes beyond the surface level romcom with its conversation about the importance of LGBTQ+ historical figures. It will likely spark a debate about what age children should learn about these figures, but the way the film handles this topic is one of my favorite parts of the movie.
“Bros” does follow the typical romcom formula with many familiar tropes, which are well done and nice to see in theaters again. What’s also great to see is the chemistry between Eichner and MacFarlane. The banter between the two of them is exciting foreplay, and the romance it leads to actually brought back the butterflies I use to feel from 90’s romcom classics. Not to mention, the two of them are fantastic actors. MacFarlane throws a nod to his “Hallmark” movies resume, but proves he deserves to be on the big screen. And Eichner is more than a supporting role or “Billy on the Street”, he’s a damn good leading man!
I should add, the film is produced by the one and only, Judd Apatow. Meaning, yes, it holds all the same magic that his previous, successful romcoms had, like “Knocked Up” and “Trainwreck”. “Bros” is just as raunchy, original, and HILARIOUS! The laugh out loud moments are greatly due to the witty screenplay.
“Bros” is an important watch for many reasons, but it’s also an incredibly fun one. I highly encourage moviegoers see this one in theaters and spread the word! Also, can we get started on a “Bros 2”?
Rating: A+
Check out my interview w/ the stars, Billy Eichner and Luke MacFarlane in the video below!
I got the chance to sit down with the stars of the new, groundbreaking romantic comedy, “Bros.” Billy Eichner and Luke MacFarlane discuss a time they tried to impress a significant other and what the representation in this film means to them. They also answer some rapid fire questions related to the movie in this hilarious and fun interview!
“Bros” opens in theaters on September 30, 2022.
This week I review Jordan Peele’s latest sci-fi horror, “Nope” and the film adaption of the Delia Owens’ best-selling novel, “Where the Crawdads Sing”.
“Nope” and “Where the Crawdads Sing” are currently playing in theaters.
We’ve come a long way since the first “Jurassic Park” (1993). And by that, I mean we’ve gone down, WAY down. I thoroughly enjoyed the first two Jurassic Park movies. I didn’t mind the forgettable third film, but it wasn’t good.
Then, director Colin Trevorrow decided to reboot the franchise with a film about what would have happened if the park actually opened, and it was a promising start. “Jurassic World” had a simple plot, it was relevant, and a whole lot of fun. However, that slight spike plummeted after the tragedy that was “Jurassic World: Fallen Kingdom”, and now has officially crashed after the unfortunate end to this trilogy.
“Jurassic World Dominion” had all the potential with the return of original cast and the idea of what happens now that the dinosaurs from the park are out in the real world living among us. But somehow, they managed to take that potential and squander it with a convoluted plot, redundant dinosaur scares, and forced, corny dialogue.
In “Jurassic World Dominion”, we are seeing the effect of dinosaurs being part of our world. There are basically two stories going on; one follows Claire (Bryce Dallas Howard) and Owen (Chris Pratt) as they try to protect their sort of daughter, Maisie (Isabella Sermon), from those who want to study her genetic make-up. All the while, Ellie (Laura Dern), Alan (Sam Neill), and Ian (Jeff Goldblum) unite to investigate the shady dealings at BioSyn which is now run by another Jurassic Park character, Lewis Dodgson (Campbell Scott). Genetic experimentation done by BioSyn has created an “ecological disaster” that might destroy the world’s food chain.
I’m not sure how much the plot matters here. Trevorrow clearly just wanted a reason to show off the dinosaurs and provide enough nostalgia for fan service.
It seems Trevorrow bit off more than he can chew. He had all the key ingredients to serve up a satisfying conclusion, but somehow, he didn’t create the right recipe. Though I’m sure he put a lot of effort into this script, he missed a huge opportunity to better connect the original characters with the new ones; and failed to deliver a screenplay that had us invested in them. Any sort of “development” is rushed, and the emotions that are supposed to feel impactful are never earned. The cast and this franchise deserved so much more from this “grand” finale.
Though “Jurassic World Dominion” isn’t a roaring success, it does rumble out some joy. Jeff Goldblum as Ian Malcom is hilarious. The man is effortlessly entertaining. And of course, the dinosaurs! The kid in me still enjoys seeing the different dinos running around and terrorizing on screen. But I don’t think this morsel of fun justifies the two and half hours of chaos and confusion.
The only takeaway from “Jurassic World Dominion” is that the franchise is ready for extinction.
Rating: D+
You can also watch my ICTN review of the film along my thoughts of “Ozark” Season 4 in the video below!
This week I review the remake of a Stephen King classic, “Firestarter” and Hulu’s new crime drama series, “Candy”.
“Firestarter is currently playing in theaters and “Candy” is available to stream on Hulu.
THE BAD GUYS is in theaters Friday, April 22, 2022. To celebrate, Universal Pictures and DreamWorks has created a FREE downloadable virtual activity kit!
Link to virtual activity kit:
TheBadGuys_ActivityPack_Complete.pdf (dreamworks.com)
Nobody has ever failed so hard at trying to be good as The Bad Guys.
In the new action comedy from DreamWorks Animation, based on the New York Times best-selling book series, a crackerjack criminal crew of animal outlaws are about to attempt their most challenging con yet—becoming model citizens.
Never have there been five friends as infamous as The Bad Guys—dashing pickpocket Mr. Wolf (Academy Award® winner Sam Rockwell, Three Billboards Outside Ebbing, Missouri), seen-it-all safecracker Mr. Snake (Marc Maron, GLOW), chill master-of-disguise Mr. Shark (Craig Robinson, Hot Tub Time Machine franchise), short-fused “muscle” Mr. Piranha (Anthony Ramos, In the Heights) and sharp-tongued expert hacker Ms. Tarantula (Awkwafina, Crazy Rich Asians), aka “Webs.”
But when, after years of countless heists and being the world’s most-wanted villains, the gang is finally caught, Mr. Wolf brokers a deal (that he has no intention of keeping) to save them all from prison: The Bad Guys will go good.
Under the tutelage of their mentor Professor Marmalade (Richard Ayoade, Paddington 2), an arrogant (but adorable!) guinea pig, The Bad Guys set out to fool the world that they’ve been transformed. Along the way, though, Mr. Wolf begins to suspect that doing good for real may give him what he’s always secretly longed for: acceptance. So when a new villain threatens the city, can Mr. Wolf persuade the rest of the gang to become … The Good Guys?
The film co-stars Zazie Beetz (Joker), Lilly Singh (Bad Moms) and Emmy winner Alex Borstein (The Marvelous Mrs. Maisel).
Based on the blockbuster Scholastic book series by Aaron Blabey, The Bad Guys is directed by Pierre Perifel (animator, the Kung Fu Panda films), making his feature-directing debut. The film is produced by Damon Ross (development executive Trolls, The Boss Baby, co-producer Nacho Libre) and Rebecca Huntley (associate producer, The Boss Baby). The executive producers are Aaron Blabey, Etan Cohen and Patrick Hughes.
As a rom-com lover I am so torn on my feelings for Universal Picture’s new film, “Marry Me”. I wanted this movie to give me the same feels that Julia Roberts and Hugh Grant created in “Notting Hill”. Sure, it wasn’t the most realistic plot, but their chemistry sold it. Sadly, the only spark in this film is ignited through the music.
I would like to preface this by saying, I think both Jennifer Lopez and Owen Wilson have done wonderful in other romantic comedies (i.e., “The Wedding Planner” & “Wedding Crashers”). Unfortunately, they just aren’t a great match.
In “Marry Me”, Kat Valdez (Lopez), a pop superstar is set to wed a sexy singer named Bastian (played by Colombian sensation Maluma) live on TV for millions of people to see. Just before the nuptials, news breaks out that her fiancé cheated on her with her assistant. She is shocked, embarrassed, and at a loss. As she stares at her adoring crowd, she spots single dad, Charlie (Wilson), holding a “Marry Me” sign. She brings him on stage for an unexpected exchange of “I do”. What follows is the most cliché rom-com formula. They give the marriage a chance for appearances and fall in love during the process. But of course, their relationship isn’t easy. Kat is more than just a famous singer. She also markets products, and is constantly being filmed for social media. Charlie doesn’t even own a smartphone, and leads a simple life as a math teacher and father.
I don’t mind that the film is predictable. Every rom-com pretty much is, and there’s great comfort in that genre because of it. However, in order to keep these movies fresh, at the very least there needs to be a sliver of a spark between the couple we’re supposed to root for. I honestly would have been fine if Kat just ended up single making hit pop songs. She seemed more passionate about that than her relationship with Charlie. And sadly, the script did not do the cast any favors. There was not enough humor, excitement, or intrigue.
Despite all the negatives I’m saying about the film, there was still some bright spots. The diverse cast at the school gave representation of all kinds of children and teachers. Sarah Silverman playing Charlie’s coworker and friend produced multiple laughs. The music was fantastic! I’ve already ordered my soundtrack (Yes, it’s that catchy). And the brightest light of them all is the charismatic JLo. She may not have sold me on her love for Owen, but she sold me on her love for herself. As a producer on the movie, Lopez also portrays a character much like the real her; divorced three times, a pop sensation, a badass dancer, and her life is constantly on display for the world. You can’t help but admire her ability to poke fun at herself, but also show her strength.
“Marry Me” may not have had me swooning over the “romance”. However, the film made me care more for Jennifer Lopez as an artist and human being. So, not quite the Valentine’s Day movie you’re hoping for, but might satisfy the JLo fans.
Rating: C
“Marry Me” opens in theaters and streams on Peacock February 11, 2022
It’s January; and in the movie world that means it’s “dump month”. After all the award contenders have released their films, a wave of big budget flops tend to make their debut. Don’t get me wrong, there’s the occasional good movie that makes it through. Unfortunately, Universal Pictures’ new action flick, “The 355”, is not one of them.
Jessica Chastain stars as “Mace”, a lonely CIA operative who has no loved ones in her life except for her partner, Nick (Sebastian Stan). They have been strictly platonic until one assignment, that has them playing husband and wife, abruptly gets them in bed together. Well, that assignment goes awry, and she loses an advanced technological device that must be kept out of enemy hands.
One thing leads to another and eventually, Mace teams up with her old friend Khadija (Lupita Nyong’o), an MI6 technological threats expert who used to be a field agent. Marie (Diana Kruger), a German operative who’s a tough, skilled fighter. And Graciela (Penelope Cruz), a Colombian police therapist, who accidently gets involved in this new mission.
Director and co-writer Simon Kinberg does a solid job shooting the film. There’s no shortage of action sequences and the movie looks great, but the screenplay (Co-written by Theresa Rebeck and Bek Smith) offers no excitement and there’s not enough depth to keep us invested in these characters. In fact, the one you care about the most is Graciela, who desperately just wants to home to her family. Cruz’s performance as an innocent and concerned mother makes hers the only relationship you hope gets a happy ending.
It’s easy to root for the team of women, who commit to their lackluster script, but they all deserved better. There are a lot of forced emotions between characters you don’t get to really know. Though Chastain, Nyong’o, Kruger, and Cruz do a fine job, the same cannot be said Sebastian Stan. He barely makes an effort with his character, Nick. There’s a lack of chemistry between him and Chastain, greatly due to his lethargic delivery.
There’s not much else to really say about the film and I don’t want to sit here and rip it apart. From the trailer, “The 355” looks like it will be a fun espionage thriller featuring an awesome, all-star cast. I’m sadden by the fact that it wasn’t. The film had all the right pieces to an underwhelming puzzle.
The powerhouse women in the movie are what make “The 355” a bearable watch, however, the story is forgettable and a missed opportunity with a talented cast.
Rating: C-