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Archives for : Susan Kamyab

Movie Review: “Besties” is a Friendship I’m Glad to be Done With

For many of us, films about the overly obsessive best friend who eventually goes on to have a psychotic rampage tend to be an enjoyable guilty pleasure.  However, director/writer Rebecca Cutter fails to give an equally entertaining script with her latest project.

Besties tells the story of Sandy (Olivia Crocicchia), a dorky underclassman who idolizes the babysitter that has lived next door to her for years.  Ashley (Madison Riley) is a gorgeous, fun, and popular senior.   She is also manipulative bitch.  On the night that her dad goes out of town for work, Sandy excitedly asks Ashley to baby-sit her.  Ashley takes advantage of this opportunity to throw a party in which a destructive ex makes an unexpected visit.  When things get out of hand, the night ends with deadly results.  To make sure she never reveals the secrets of that night, Ashley entices Sandy with a “friendship” she wouldn’t dare want to risk losing.

The premise sounds interesting enough.  I even appreciate the slight originality of role reversal with who is actually good and bad in this film.  Movies like Single White Female and The Roomate focus on the pretty and sweet girl who has unknowingly become a victim to the crazy, obsessive new friend.  Sandy is very much the victim in Besties.  The problem with this film, in comparison to its predecessors, is the tamed and boring actions that follow after the two girls become best friends.  Yes, Ashley is mean but there really isn’t a boiling point for Sandy that makes the audience: one- want to sympathize for her, and two- really want her to overcome Ashley.

Maybe if there were more talented actors, the movie could have been a bit thrilling.  Crocicchia was tolerable, but her attempt to act drunk was almost as embarrassing as watching Bobby Soto try to play a convincing love interest for her character.  A couple shots of vodka for Crocicchia, and a few acting lessons for Soto could have made for a better film.  Thank goodness for Riley’s performance as the conniving antagonist.  She is truly the only reason I was able to keep watching this movie.  Although, if Ashley’s mom (Jackie Debatin) and Sandy ’s dad (Corin Nemec) would have played a bigger part, I think we could have had an interesting side story.

Besties is a low-budget drama/thriller that starts out with so much potential, but falls incredibly flat.

Watch Besties on demand at phase4films.com

 Besties Trailer HD

Originally posted on RedCarpetCrash.com

TV Movie Review: “Lizzie Borden Took an Ax” Features a Spine-Chilling Performance by Christina Ricci

“Lizzie Borden took an axe, and gave her mother forty whacks. When she saw what she had done, she gave her father forty-one.”

We’ve all heard the infamous skipping rhyme many times that was based on the true story of the girl who allegedly killed both her parents gruesomely with an ax. Well now, Lifetime has taken the bleak tale and turned it into one of their highly anticipated TV movies.

Starring Christina Ricci in one of her most disturbing roles yet.  She gives an unforgettable performance in an otherwise tedious film.  For those of you who don’t know the story of Lizzie Borden, she was an American woman who was tried and acquitted in 1892 for the axe murders of her father and stepmother in Fall River, Massachusetts.  There were other theories that surfaced trying to explain who might have killed Lizzie’s parents.  But with no one else being as strong or as likely of a suspect, the murders of Andrew and Abby Borden still remain a mystery.  Heavy speculations about the crimes still continue today.  However, it is clear that director Nick Gomez has made up his mind about who the murderer is.

The story itself is an interesting one.  But when told through a made for television movie, it can be pretty boring.  Lifetime tends to do a good job with respecting the known facts of any true story they turn into film.  This is great for accuracy, but not always engaging enough for audiences.  Luckily, “Lizzie Borden Took an Ax” is less than half an hour long.  But even the short running time doesn’t make this film any more exciting.

The film starts off well.  We get thrown into to the murders fairly quickly, but not before we get a good amount of character development from the Borden family.  It is once the murders have happened that this film starts to go down hill.  Trying to hook the audience back in with as many random bloody axing shots, the film still has trouble trying to stay entertaining.  By this point, the audience knows all the facts and the end results.  It just becomes a matter of how the movie will handle the ending.  The last 35 minutes is a repetitive mess.  The film throws in various shots of unexplained scenes with never before scene characters.  In an effort to explain other possible scenarios, this sequence becomes confusing and a bit of tease.  Some of those shots would have been fun to watch had they fully played out, even if they were just theoretical.

What I can not complain about is the haunting performance Ricci gives as an unhinged, Lizzie Borden.  Ricci, no surprise, shines in this film.  From her creepy head tilts, to her untrusting wide eyes, she nailed this potentially dreadful role.  As long as she is on the screen, you will be kept amused until the unexpected and satisfying ending.  With all the information the filmmakers knew, they handled the end scene in the best way I could imagine; tasteful, realistic, and eerie.  No matter how you feel getting through “Lizzie Borden Took an Ax,” you will be content with the acting and conclusion.

“Lizzie Borden Took an Ax” premieres on Lifetime January 25th at 8PM ET/PT.

Originally posted on RedCarpetCrash.com

Movie Review: “The Past” Is A Storytelling Masterpiece

Academy Award winner Asghar Farhadi once again showcases his unpredictable and enticing storytelling skills in his latest drama thriller.

Four years ago Ahmed (Ali Mosaffa) left his French wife, Marie (Bérénice Bejo), and her two daughters from a previous marriage, to return to his homeland, Iran.   Now he has come back to France to finalize his divorce so his wife can remarry.  Upon his arrival, he comes to find out that Marie’s oldest daughter, Lucie (Pauline Burlet), can not stand the future husband to be, who also has his own son.  As Ahmed begins to discover the reasoning behind Lucie’s hate, secrets of how Marie and her fiancée got together start to unfold; leading to one shocking truth after another.

I think it’s best to not go into too much detail of the events that occur in this film.  The beauty and brilliance of the bilingual movie, spoken in both French and Persian, is how you are not able to figure out what will happen next.  In fact, you will probably assume that you have the entire story pegged out already.  It is definitely laid out that way in the beginning.  But like his format in A Separation, Farhadi makes the audience suspect multiple scenarios while keeping them on the edge of their seats.

The Past features spellbinding performances by the entire cast, with a stand-out performance by Bérénice Bejo.  Famously known for her role in The Artist, Academy Award nominee Bejo is even more captivating with sound.  Alongside her remarkable acting is the exceptional direction.  Farhadi not only writes a scintillating, detailed script without heavy dialogue, he also shoots his scenes in the most creative, yet subtle technique.

For anyone who enjoyed A Separation, I guarantee you will not be disappointed with The Past.  Following the same style and tone, this film draws you in and keeps you guessing till the very end.  The magnificent final shot will leave audiences experiencing various emotions when the last character that you would expect, sheds a tear.

Rated PG-13 for mature, thematic material and brief strong language.

The Past hits theaters on January 17.

The Past Trailer HD

Originally posted on RedCarpetCrash.com

 

2014 Oscar Nominations Announced!

Although there were still some snubs for Rush, The Way,Way Back,  Brie Larson, Daniel Bruhl, and Tom Hanks, I am still very pleased with this years Oscar nominations!  It was by far one of the toughest years to pick from so many great films and performances.  Can’t wait to see who wins the big award on Sunday, March 2nd.

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TV Movie Review: ‘Flowers in the Attic’ Is A Cringeworthy Remake You Can’t Stop Watching

If you’re like me, the previews for the upcoming Lifetime filmFlowers in the Attic, was the first time you that have heard about the controversial story that shocked millions in 1979.  After some extensive research, I was prepared for the uncomfortable and disturbing tale of incest.  What I wasn’t prepared for was how entertained I would be by such an extreme premise.

Known as “the book you were forbidden to read,” V.C. Andrews’s hot-button novel is being made into film once again, this time on the little screen.  Previously adapted in 1987 on the big-screen, the film received backlash from critics and fans that were unhappy with the many changes from the novel.  The most obvious change was the removal of the inappropriate romance between the brother and sister characters, Christopher and Cathy.  But don’t worry, Lifetime’s version made sure to not make that same mistake twice.

When and if you watch the television premiere of Flowers in the Attic on January 18th, you will get plenty of sibling romantic tension that will make it impossible for you to avert your eyes.  The movie focuses on Cathy (Kiernan Shipka) and Christopher (Mason Dye) Dollanganger, a brother and sister who along with their younger twin siblings are locked away in the attic for over two years by their self-centered mother (Heather Graham) and psychotic religious grandmother (Ellen Burstyn) after their father’s unexpected death…And no, I don’t know why Academy Award winner Ellen Burstyn agreed to playing this role. Yes, she did an amazing job nonetheless.

Besides Burstyn’s terrifying portrayal of such a cold-hearted grandmother, the other performances were pretty mediocre.  Graham was like a character straight out of The Stepford Wives, showing no true emotion throughout the entire film.  She really was an “ornament” like her character said, just there to look pretty.  And Shipka and Dye spark interest in the second half of the film, due to their blossoming romance that you shamefully root for.

Flowers in the Attic is like that car accident that you want to drive pass quickly to avoid traffic, but your curiosity of the gruesome details makes you want to observe every second of it.  Whatever way you look at it, Lifetime’s take on the dysfunctional Dollanganger family will draw plenty of attention to audiences, good and bad.

Premieres on Lifetime Saturday, January 18.

Flowers in the Attic Official Lifetime Trailer

Originally posted on RedCarpetCrash.com

Musical Review: ’50 Shades! The Musical’ Is A Laugh Out Loud Riot!

Get ready to see and hear Ana and Christian like you’ve never imagined them before!

Samuels, Dorezas and Cordell present the original 50 Shades of GreyParody.  “50 Shades! The Musical” has been a phenomenon in Chicago , New York , and at the Edinburge Fringe Festival.  The Dallas City Performance Hall’s premiere lived up to the all show’s hype.

Taking place in a more intimate theater, the show becomes immediately engaging for the audience.  The Musical opens with three women who gather for a book club meeting and decide to read Fifty Shades of Grey.   As the women start to read the novel, their interpretation of it begins to play out by some corky and colorful actors who play exaggerated versions of the book’s characters.  From there, you are in for a hilarious ride packed with dance numbers and witty original songs with a live on-stage band.

With such an animated and lively cast, you will forget that the main setting on the stage is a plain, single, grey bed.  A few props here and there, and some run of the mill choreography will every now and then fill the stage.  Luckily, the entire cast that consists of 8 does such a wonderful job of filling the stage with energy, especially Anastasia and Christian.  Both actors who played the characters had power house voices, and had no problem making completely inappropriate fools of themselves.  Given that this is a spoof, the two characters are different in a lot of ways in comparison to what fans have read.  Ana is a more dim-witted virgin who has traded her independent, smart mouth for a high pitched naïve voice.  And Christian Grey…well I think it’s best for audiences to just go see this Christian for themselves.

The biggest stand out in this musical was the ridiculous original songs that you will surely want to hear again.  “There’s a Hole Inside of Me” could not have gone more perfect with the story and could not be more unsuitable for children.

This play does contain adult content and is very much intended for mature audiences, obviously.  Even if you haven’t read the book, I’m sure you know what it is primarily about.  It is 69 minutes with a 15 minute intermission.  The musical flies by and is over before you know it.  Gentlemen who are dreading being forced to go see this with their girlfriends, don’t fret.  ”50 Shades! The Musical” is a story entertaining for both sexes.

The show will be running at the Dallas City Performance Hall until January 11th.

Originally posted on RedCarpetCrash.com

Special Features: Dallas Film Society Exceeds Kickstarter Goal!

THE DALLAS FILM SOCIETY RINGS IN 2014
BY EXCEEDING KICKSTARTER GOAL

The Dallas Film Society is ringing in 2014 with a celebratory and grateful spirit for all of the generous donations from 234 supporters across the globe. The Dallas Film Society exceeded their Kickstarter goal for the upcoming 8th annual Dallas International Film Festival in 2014. The campaign, designed to raise funds to bring in talent, producers and directors of the films showcased at the festival, raised a total of $35,870, 2.5% more than their initial goal. To date, more than 1,234 filmmakers, representing more than 50 countries have attended the past seven festivals.

“What an outstanding response by the national and local backers to our Kickstarter campaign, our first ever attempt at ‘crowdfunding’” said Lee Papert, President and C.E.O of the Dallas Film Society. “The Dallas International Film Festival is continuously growing and we look forward to bringing another successful festival to Dallas with the help of all the donors to this Kickstarter effort.”

The 8th-annual Dallas International Film Festival will be held April 3 to April 13, 2014. Late submissions for the film festival ended on Friday December 13, 2013.

Movie Review: “Divorce Corp” Reveals Shocking Villains in the Justice System

Although this documentary begins with the deceit and manipulation of lawyers, it ends with a much more powerful scoundrel.

Narrated by Dr. Drew Pinksy, Divorce Corp is a surprising exposé of the inner workings of the $50 billion a year U.S. family law industry.  Yes, that’s right $50 billion!  The film sheds light on how divorce lawyers are ripping off their clients by charging ridiculous amounts of money, ranging from $400-$900 per hour.  Which proves to be quite a profit, when the lawyers are spending years on one case.  Often times the divorce lasts longer than the marriage.  But the deception doesn’t stop there.   Throughout the film we are shown how everyone involved in the family court justice system partakes in extortion, bias judgment, and appalling scandals.

Director, Joe Sorge provides interviews by the nation’s top divorce lawyers, mediators, judges, politicians, litigants, and journalists.  And might I say these lawyers have no problem admitting the shady way they do business.  Clients seem to believe the more money a lawyer charges, the more “skilled” they are.  When in fact, the name of the game for these divorce lawyers is, “How much money can we make off these people?  That’s the standard.”

About halfway through the film, the lawyers start looking like puppets getting their strings pulled by the true villain of the film.  The ever so controlling judge!  Taking actions as if they were God, the portrayal of every judge publicized is unspeakable and quite frankly, terrifying.  You are completely helpless once a judge has your life in their hands, and it is best not to rub them the wrong way.

In comparison to the recent documentary I reviewed over the same topic, Romeo Misses A Payment, this one fell a little short for me.  Divorce Corp is better in a technical aspect- professionally shot, well prepared interviews, dramatizations with decent actors, and a celebrity voice over (i.e. Dr. Drew).  Yet, somehow this documentary lacked the immediate emotional connection I felt with Romeo Misses A Payment.  The film starts out a bit slow and repetitive.  As it picks up with personal stories of affected parents, you just become angry at how messed up the family court is; and how when it really comes down to it, there doesn’t seem to be anything anyone can do to fix it.

A glimmer of hope is shined when we see the comparison of how much simpler and cheaper it is to get a divorce in other countries like Scandinavia.  A country that views men and women as equals, therefore their divorce system is easy and free.

Divorce Corp is an astonishing documentary that leaves the question “Is anyone actually getting a fair trial in family court?”  Feelings of hope and happiness may not occur after watching this film, but this is a must see for anyone who is considering marriage or a divorce.

Divorce Corp hits theaters January 10th.

Divorce Corp Movie Trailer

Originally posted on RedCarpetCrash.com

Top 10 Best Films of 2013

I have to say this was by far the toughest list I have had to make. 2013 proved to be one of the BEST years for film! I’m aware that I didn’t pick some obvious masterpieces, but that’s not because they weren’t as good as the other films I chose. With so many great films, I just had to go with which ones always stayed in my mind every week. I’ll keep it short and sweet as to why the films below have made my top 10 list!

Side Note: I have not yet seen “Her,” “In A World…,” “August: Osage County” or “Inside Llewyn Davis.”

gravity10. “Gravity”

The best way to sum up “Gravity” is “breath-taking!” The visual effects are the best I have seen in any film. If you were to tell me they shot the movie in space, I would believe it. For now, I will assume that this is what space looks like. Sandra Bullock carries the film; you feel as if you are practically tethered to the space suit with her. Alfonso Cuarón has taken a terrifying thought and turned it into a captivating, 90-minute mission of endurance.

the-wolf-of-wall-street-poster copy9. “The Wolf of Wall Street”

Director Martin Scorsese has teamed up with Leonardo Dicaprio once again to make their most hilarious and best film yet! The film is three hours long, but moves quickly because of how fast paced each scene plays out. Regardless of the time, you are blown away by the unforgettable performance DiCaprio delivers.

kings_of_summer_ver48. “The Kings of Summer”

A fantastic coming-of-age story anyone can relate to: three friends build their own secret house in the woods to gain independence and escape their suffocating parents. Nick Robinson finally gets a chance to prove he is more than just the dim-witted brother from the ABC Family series, “Melissa & Joey.” The film is funny, emotional and nostalgic for anyone who grew up watching some of the best coming-of-age films in the ’80s and early ’90s.

twelve_years_a_slave7. “12 Years a Slave”

I don’t think this one needs any explaining— just watch the film. It is easily the best ensemble cast of the year. “12 years a Slave” features breakout performances by Chiwetel Ejiofor and Lupita Nyong’o. Not to mention Michael Fassbender’s most disturbing and brilliant role since 2011′s “Shame.” This film is a sure to be an Oscar contender for Best Picture and a possible winner!

frozen_ver86. “Frozen”

You might as well give this film the Oscar for Best Animated Feature right now. All the wonderful things you have been hearing about it is true. It’s nice to know Disney can still produce films that give audiences the “Disney Magic” feeling. Already considered a Disney classic, “Frozen” features one of the best soundtracks of the year, including the fantastic original song, “Let it Go,” performed by Idina Menzel.

hunger_games_catching_fire_ver325. “The Hunger Games: Catching Fire”

“Catching Fire” is in every way better than the first “Hunger Games.” The acting and directing is better. There is more character development and much more chemistry between Katniss (Jennifer Lawrence) and both her love interests, Peeta (Josh Hutcherson) and Gale (Liam Hemsworth). It’s an exciting and fun action adventure that you can’t get enough of.

rush4. “Rush”

This film is so much more than race cars and sex. The rivalry between Formula One drivers James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl) brings out more than just a competition on the track. It is amazing to see how much an “enemy” can impact your life— for the good and bad. Hemsworth and Brühl give amazing performances and director Ron Howard shows us once again he can take a simple, true story and turn it into a cinematic masterpiece.

short_term_twelve3. “Short Term 12″

You may not have even heard of this film, but it is absolutely worth looking up and watching. Brie Larson gives a phenomenal Oscar-worthy performance (chances are she could get snubbed this year). “Short Term 12″ is a raw and revealing drama that shows the gut-wrenching perspective of neglected youths.

prisoners_ver32. “Prisoners”

I wish this film would have gotten more praise than it has. The acting alone was incredible, especially Hugh Jackman. I know it is up against stiff competition, but it is high on my list for good reason. It’s the details in “Prisoners” that make this film so exciting to watch. Besides being on the edge of your seat and dying to find out what happened to these kids, you’re filled with important facts that will eventually all tie together in the end. “Prisoners” falls right there with films like “Gone Baby Gone” and “Mystic River”: a gloomy, exciting mystery with an original, satisfying ending.

way_way_back1. “The Way, Way Back”

Think way, way back in July, when you might have seen a preview for this film. Sadly, my favorite film of the year was probably seen by very few. I will admit the dark comedy genre is usually my preference, but it’s the message in this film that has stuck with me all year. I think we all have met that person that has made us doubt ourselves, and lead us to believe we aren’t as special as we think we are. Most of the characters in this film feel they need someone’s seal of approval to be happy with the person they are; thinking that there is some sort of norm that we must follow to fit in. “The Way, Way Back” teaches us that, what makes us truly happy in life is the path we create for ourselves.

Honorable Mentions: “The Dallas Buyers Club,” “This is the End,” “About Time,” “Don Jon,” “Enough Said,” “The Spectacular Now,” and “Captain Phillips.”

Bottom 5: “Getaway,” “The Counselor,” “The Big Wedding,” “Kick-Ass 2″ and “Spring Breakers.”

Originally posted on RedCarpetCrash.com

Musical Review: White Christmas Illuminates The Stage With Color And Joy At Fair Park

Though we may not be wishing for a “white” Christmas this year after the Icepocalypse weekend,  Dallas Summer Musicals has brought snow to Dallas in a safe and fun way for the entire family to enjoy.

Irving Berlin’s White Christmas is a holiday classic, and if you have seen the film, the stage adaptation follows the same storyline.  The story of two showbiz buddies, Bob Wallace and Phil Davis, as they team up in business and romance with a sister act to save the failing Vermont inn of their former commanding general.

The musical showcases a slew of talented performers.  Featuring James Clow as “Bob Wallace,” David Elder as “Phil Davis,” Trista Moldovan as “Betty Haynes” and Meredith Patterson as “Judy Haynes.”  All four are no strangers to the theater, having done numerous Broadway shows.  Each principal character brought a stand out factor to their performances.  Davis and Patterson bring constant laughs with their hilarious tumultuous relationship.  They also kill it in one of the best tap dancing performances I have ever seen at the top of the second act.  But, I will come back to that in a moment.  Moldovan gives jaw dropping power ballad solos that will leave you in awe.  Clow not only has an amazing singing voice, but he also has an incredible speaking voice that makes you feel as if you have traveled back to 1954.  Also appearing in the play is Ruth Williamson as “Martha Watson,” Joseph Costa as “General Waverly,” and the unbelievably too young to be that talented, 9 year-old Shannon Harrington as “Susan Waverly.”  This is Harrington’s second year in a row playing Susan for the national Broadway tour.  I can only imagine where this kid will be at age 16, but something tells me a Tony Award could be involved.

The production of the play was phenomenal.  Director, Norb Joerder deserves enormous praise, as does his entire cast and crew, for the dazzling set design and the quick background changes as each scene passed.  I’m still amazed by how many different set designs Anna Louizos produced, and by how well crafted they were.  Speaking of quick changes, I wish I had counted how many costume changes there were, but I would have lost track.   Costume designer, Carrie Robbins, might just be the scene stealer of the whole show with her numerous eye-widening outfits.   Designed with a variety of color and different styles from short shorts to winter evening wear.  It was like a 1950’s mini fashion show; you can’t wait to see what they will be wearing next!

The musical moves quickly, and at the beginning of Act II the time will really fly.  It starts with my favorite scene out of the show, an impressive tap dance number led by Phil and Judy along with the Chorus. Truly breath-taking choreography.

White Christmas is the perfect show to take your family to during this Christmas break.  There’s laughter, there’s love, there’s music, and best of all there’s snow!

WHITE CHRISTMAS THE MUSICAL is performing at Dallas Summer Musicals at the Music Hall at Fair Park thru December 29th.

Originally posted on RedCarpetCrash.com