
Archives for : Susan Kamyab Stephens

It’s January; and in the movie world that means it’s “dump month”. After all the award contenders have released their films, a wave of big budget flops tend to make their debut. Don’t get me wrong, there’s the occasional good movie that makes it through. Unfortunately, Universal Pictures’ new action flick, “The 355”, is not one of them.
Jessica Chastain stars as “Mace”, a lonely CIA operative who has no loved ones in her life except for her partner, Nick (Sebastian Stan). They have been strictly platonic until one assignment, that has them playing husband and wife, abruptly gets them in bed together. Well, that assignment goes awry, and she loses an advanced technological device that must be kept out of enemy hands.
One thing leads to another and eventually, Mace teams up with her old friend Khadija (Lupita Nyong’o), an MI6 technological threats expert who used to be a field agent. Marie (Diana Kruger), a German operative who’s a tough, skilled fighter. And Graciela (Penelope Cruz), a Colombian police therapist, who accidently gets involved in this new mission.
Director and co-writer Simon Kinberg does a solid job shooting the film. There’s no shortage of action sequences and the movie looks great, but the screenplay (Co-written by Theresa Rebeck and Bek Smith) offers no excitement and there’s not enough depth to keep us invested in these characters. In fact, the one you care about the most is Graciela, who desperately just wants to home to her family. Cruz’s performance as an innocent and concerned mother makes hers the only relationship you hope gets a happy ending.
It’s easy to root for the team of women, who commit to their lackluster script, but they all deserved better. There are a lot of forced emotions between characters you don’t get to really know. Though Chastain, Nyong’o, Kruger, and Cruz do a fine job, the same cannot be said Sebastian Stan. He barely makes an effort with his character, Nick. There’s a lack of chemistry between him and Chastain, greatly due to his lethargic delivery.
There’s not much else to really say about the film and I don’t want to sit here and rip it apart. From the trailer, “The 355” looks like it will be a fun espionage thriller featuring an awesome, all-star cast. I’m sadden by the fact that it wasn’t. The film had all the right pieces to an underwhelming puzzle.
The powerhouse women in the movie are what make “The 355” a bearable watch, however, the story is forgettable and a missed opportunity with a talented cast.
Rating: C-
“The 355” opens in theaters January 7, 2022

Illumination Entertainment and Universal Pictures’ “Sing 2” may still play a familiar tune, but this time around, they crank up the music and add a few new beats to the story.
In the first film, koala bear, Buster Moon (Matthew McConaughey) was on the brink of having his theater shutdown until an open casting call (American Idol style) brought in various animals who were hiding their musical gift. The theater was saved! The group created a bond and a re-occurring sold out show in their small town.
The theme in “Sing” was about following your dreams and taking chances. Well, in “Sing 2”, these beloved characters are faced with the question of whether or not they are worthy of something greater.
After a talent scout dog, Suki (Chelsea Peretti), attends Buster’s reimagined “Alice in Wonderland” show; she tells him, he and his cast don’t have what it takes to make it in the big city. But that won’t stop an ambitious Buster. He gathers his crew to Redshore City (essentially Las Vegas), and they manage to sneak their way into an audition with the head of Crystal Entertainment, an intimidating white wolf named Jimmy Crystal (Bobby Cannavale). They surprisingly impress Jimmy with their spur of the moment sci-fi musical idea and mislead him to believe they know the reclusive rock legend Clay Calloway (U2’s Bono). Jimmy allows them to move forward with the show, but during rehearsals everyone seems to be facing their own obstacles. Housewife pig, Rosita (Reese Witherspoon) has to find the courage to take on the highflying stunts that come with her lead role. Rugged gorilla, Johnny (Taron Egerton) must stand up to a bullying dance teacher and prove he’s got the moves. And shy elephant, Meena (Tori Kelly) has to pull off an on-stage romance while managing her crush in real-life.
Director/writer Garth Jennings returns to make a sequel that doesn’t veer too far off from what we enjoyed about the first film, which was lovable characters performing sing-along dance numbers. “Sing 2” has a little more depth behind the melody.
As someone who is still trying to follow her dreams, this story struck a chord with me. When following any challenging career path, one of your greatest fears is that you will come to find out “you’re not good enough”. It was interesting to watch how everyone navigates this insecure thought in the movie.
One of the most endearing things about these films is the heart of its characters. Through their internal struggles they have formed a supportive friendship, and even though Buster is the most fame hungry of them all; his care for them comes first.
And U2 fans can rejoice in the moments whenever Bono is on screen. He makes a great addition to the cast and might even move audiences to tears during a heartwarming duet.
Sadly, I can’t say there’s much suspense or originality in “Sing 2”. It’s incredibly predictable. However, I don’t care! The film is much better than its predecessor. No, it won’t be able to compete with the more complex animated films this year like “Mitchell’s vs. The Machines” or “Encanto”, but it is just as fun. With so much crazy continuously going on in the world, “Sing 2” is the musical distraction the whole family can dance to.
Rating: B

SUMMARY OF AWARD WINNERS
2021 Dallas-Fort Worth Film Critics Association
(Choices listed in order of votes received)
BEST PICTURE
Winner: THE POWER OF THE DOG
Runners-up: BELFAST (2); KING RICHARD (3); WEST SIDE STORY (4); LICORICE PIZZA (5); DUNE (6); NIGHTMARE ALLEY (7); THE FRENCH DISPATCH (8); THE LOST DAUGHTER (9); CODA (10)
BEST ACTOR
Winner: Benedict Cumberbatch, THE POWER OF THE DOG
Runners-up: Will Smith, KING RICHARD (2); Andrew Garfield, TICK, TICK, BOOM! (3); Peter Dinklage, CYRANO (4); Denzel Washington, THE TRAGEDY OF MACBETH (5)
BEST ACTRESS
Winner: Kristen Stewart, SPENCER
Runners-up: Olivia Colman, THE LOST DAUGHTER (2); Jessica Chastain, THE EYES OF TAMMY FAYE (3); Lady Gaga, HOUSE OF GUCCI (4); Nicole Kidman, BEING THE RICARDOS (5)
BEST SUPPORTING ACTOR
Winner: Kodi Smit-McPhee, THE POWER OF THE DOG
Runners-up: Troy Kotsur, CODA (2); Ciaran Hinds, BELFAST (3); Ben Affleck, THE TENDER BAR (4); Jesse Plemons, THE POWER OF THE DOG (5)
BEST SUPPORTING ACTRESS
Winner: Ariana DeBose, WEST SIDE STORY
Runners-up: Kirsten Dunst, THE POWER OF THE DOG (2); Aunjanue Ellis, KING RICHARD (3); Caitriona Balfe, BELFAST (4); Ruth Negga, PASSING (5)
BEST DIRECTOR
Winner: Jane Campion, THE POWER OF THE DOG
Runners-up: Steven Spielberg, WEST SIDE STORY (2); Kenneth Branagh, BELFAST (3), Denis Villeneuve, DUNE (4); Paul Thomas Anderson, LICORICE PIZZA (5)
BEST FOREIGN LANGUAGE FILM
Winner: DRIVE MY CAR
Runners-up: A HERO (2); THE WORST PERSON IN THE WORLD (3); THE HAND OF GOD (4); FLEE (5)
BEST DOCUMENTARY
Winner: SUMMER OF SOUL
Runners-up: FLEE (2); THE RESCUE (3); PROCESSION (4); VAL (5)
BEST ANIMATED FILM
Winner: ENCANTO
Runner-up: THE MITCHELLS VS. THE MACHINES
BEST SCREENPLAY
Winner: Jane Campion, THE POWER OF THE DOG
Runner-up: Paul Thomas Anderson, LICORICE PIZZA; Kenneth Branagh, BELFAST (tie)
BEST CINEMATOGRAPHY
Winner: Greig Fraser, DUNE
Runner-up: Ari Wegner, THE POWER OF THE DOG
BEST MUSICAL SCORE
Winner: Hans Zimmer, DUNE
Runner-up: Jonny Greenwood, THE POWER OF THE DOG
RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)
Winner: FLEE

“House of Gucci” is Ridley Scott’s new crime, drama that’s creating a lot of buzz during this awards season. I spoke with Oscar/Grammy Winner Lady Gaga about her transformational performance as Patrizia Reggiani. They discuss what she would hope a future biopic about her would capture and which of her songs means the most when quoted to her.
“House of Gucci” is currently playing in theaters.

“Licorice Pizza” is Paul Thomas Anderson’s newest, lighthearted romance and “Hawkeye” is Marvel’s newest mini-series. I reviewed both! Find out if they should be on your “must watch” holiday list.
“Licorice Pizza” opens on December 25, 2021
“Hawkeye” is currently streaming on Disney Plus

PIG is the sleeper hit that has stayed with me since viewing earlier this year. The film follows a truffle hunter (Nicolas Cage) who lives alone in the Oregonian wilderness, but must return to Portland in search of his beloved, stolen, truffle pig.
The film also stars Alex Wolff, who plays opposite Cage as rich kid Amir. It’s a role Wolff values for many reasons, including his admiration for Cage. “Nick is on a very small list of what I believe is the greatest artist. Nic is a like a magician in making you feel like you’re an equal. Making you feel like you’re in this together. So I think initially it was like wow like this the Nicolas Cage. The person I modeled my career after. But it’s just Nic now, we developed a deep, profound, long lasting, friendship that has been one of the most rewarding of my life,” Wolff explains. He proceed to say that Cage is a person he really clicked with and they filmed this project during a time when they both needed each other.
In the film, Nicolas Cage’s character, Rob, is a former, world-renowned chef who remembers every meal he ever cooked. And when I asked Alex, what’s the most memorable meal he’s ever had, he responded, “Wow do you know I actually haven’t been asked that question, but I feel like if I were a reporter that would be a question I’d ask. A meal that I remember, there’s a few thanksgivings ago my mom made a meal that was really good and I’ll never forget it. That, and then, Thanksgiving about seven years ago in the south with my dad’s family. They made some sweet potatoes with a little bit of marshmallows on top and I’ll never forget it. Thanksgiving is my favorite meal of the year.”
PIG has been raved among critics and audiences, currently rated 97% on Rotten Tomatoes. The film features powerful performances and an unforgettable screenplay. “Every step of the way this movie has shocked me. I just feel like I’m trying to take it in and I never expect this to happen again because it’s just one in a million,” Wolff added.
If you have yet to see PIG, it’s truly a must see. Nicolas Cage is at his best, and the film will leave craving more.
Rating: 4.75/5
PIG is now available On Demand.

“Belfast” is director/writer, Kenneth Branagh’s newest film that tells the story of a young boy and his working class family during the troubling late 1960s. “King Richard” follows tennis legends, Venus and Serena Williams’s journey to success and how their father, Richard Williams, helped guide them there. I review both Oscar contending films.
“Belfast” is currently playing in theaters and “King Richard” opens in theaters and on HBOMax November 19, 2021.

(Brooklyn, NY – November 14, 2021) – The Critics Choice Association (CCA) has unveiled the winners of the Sixth Annual Critics Choice Documentary Awards, that recognize the year’s finest achievements in documentaries released in theaters, on TV and on major digital platforms, as determined by the voting of qualified CCA members.
Summer of Soul (…Or, When the Revolution Could Not Be Televised) topped every category in which it was nominated, winning the evening’s most prestigious award for Best Documentary Feature, as well as Best Director (TIE), Best First Documentary Feature, Best Editing, Best Archival Documentary and Best Music Documentary.
There was a tie for Best Director between Ahmir “Questlove” Thompson for Summer of Soul (…Or, When the Revolution Could Not Be Televised) and Elizabeth Chai Vasarhelyi and Jimmy Chin for The Rescue.
In addition to the tie for Best Director, The Rescue received the awards for Best Cinematography and Best Score.
Winners of the Sixth Annual Critics Choice Documentary Awards
BEST DOCUMENTARY FEATURE
Summer Of Soul (…Or, When The Revolution Could Not Be Televised)
BEST DIRECTOR (TIE)
Ahmir “Questlove” Thompson – Summer of Soul (…Or, When the Revolution Could Not Be Televised)
BEST DIRECTOR (TIE)
Elizabeth Chai Vasarhelyi and Jimmy Chin – The Rescue
BEST FIRST DOCUMENTARY FEATURE
Ahmir “Questlove” Thompson – Summer of Soul (…Or, When the Revolution Could Not Be Televised)
BEST CINEMATOGRAPHY
David Katznelson, Ian Seabrook and Picha Srisansanee – The Rescue
BEST EDITING
Joshua L. Pearson – Summer of Soul (…Or, When the Revolution Could Not Be Televised)
BEST SCORE
Daniel Pemberton – The Rescue
BEST ARCHIVAL DOCUMENTARY
Summer of Soul (…Or, When the Revolution Could Not Be Televised)
BEST HISTORICAL OR BIOGRAPHICAL DOCUMENTARY
Val
BEST MUSIC DOCUMENTARY
Summer of Soul (…Or, When the Revolution Could Not Be Televised)
BEST POLITICAL DOCUMENTARY
The Crime of the Century
BEST SCIENCE/NATURE DOCUMENTARY
Becoming Cousteau
BEST SPORTS DOCUMENTARY
The Alpinist
BEST SHORT DOCUMENTARY
The Queen of Basketball
BEST NARRATION
Val
MOST COMPELLING LIVING SUBJECTS OF A DOCUMENTARY (HONOR)
Ady Barkan – Not Going Quietly (Greenwich Entertainment)
Selma Blair – Introducing, Selma Blair (Discovery+)
Pete Buttigieg – Mayor Pete (Amazon Studios)
Anthony Fauci – Fauci (Magnolia Pictures/National Geographic Documentary Films)
Ben Fong-Torres – Like a Rolling Stone: The Life and Times of Ben Fong-Torres (StudioLA.TV)
Val Kilmer – Val (Amazon Studios)
Ron and Russell Mael – The Sparks Brothers (Focus Features)
Rita Moreno – Rita Moreno: Just a Girl Who Decided to Go For It (Roadside Attractions)
Valerie Taylor – Playing With Sharks: The Valerie Taylor Story (Disney+)







