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Archives for : Susan Kamyab

Movie Review: “Get Out” is an Excellent Mix of Horror and Comedy

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Every once in a while a horror flick comes along that not only scares, but also includes plenty of laughs along the way. In the past few years, films like “The Visit” and “The Guest” have provided this full package. And now at the start of 2017, comedian Jordan Peele (“Key and Peele”) has captured this rarity again, and presented us with the gift of his directorial debut, “Get Out”.

Based on the film’s trailer alone, audiences knew we were in for some race-savvy satire that would lead to a number of awkward scenes. But, these moments of comic relief are so subtle and well executed that they blend perfectly with the eerie tension, while still keeping you engrossed in the suspense of the movie.

“Get Out” follows Chris (Daniel Kaluuya), an African American photographer who’s planning to meet his Caucasian girlfriend’s parents for the first time. They are set to head upstate to her family’s secluded home, and of course, Chris expresses his concern by asking if they know he is black? Rose (Allison Williams) laughs it off and assures Chris that her parents are totally cool. To give him comfort, she lets him know that her dad would have voted for Obama a third term. Oh good, now we all feel so much better… Chris’ best friend (Lil Rel Howery) even warns him not go, but he does not listen.

On the drive to her parents’ house they hit a deer, foreshadowing an unpleasant visit ahead of them. And it’s here that we get our first act of racism with a cop who insists on seeing Chris’ ID after the accident, even though Rose was driving. Luckily, Rose diffuses the situation in a pretty knight in shining armor way.

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Finally, they arrive to her parents’ home, and both are welcomed with open arms. Rose’s mom Missy (Catherine Keener) and her dad Dean (Bradley Whitford) appear to be nice. Dean comes across a bit foolish at times with a few ignorant remarks when trying to “bond” with Chris, but other than that the parents seem harmless. However, their two African American servants, Georgina (Betty Gabriel) and Walter (Marcus Henderson) behave in a very odd manner with forced smiles and unusual emotional breakouts.

Things just continue to get stranger. Missy offers to hypnotize Chris so that he can quit smoking. Rose’s brother Jeremy (Caleb Landry Jones) makes it blatantly clear that he does not care for his sister’s new boyfriend. Then there’s a disturbing party in which Chris is hounded by the many white people in attendance. Soon enough, everything begins to unwind.

Jordan Peele’s script is sharp, witty, and an effective horror. There are subtle Hitchcock-like notes in his story telling. Peele’s cast only furthers his film with their well-rounded performances. Keener and Whitford do an incredible job maintaining their creepy, Stepford Wives composure. Major kudos to Lil Rel Howery for being the character that hilariously speaks on behalf of everyone in the audience.

“Get Out” is a refreshing horror-comedy that will keep you on edge till the very end!

Rating: 4/5

“Get Out” opens in theaters February 24th.

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Movie Review: “Fifty Shades Darker” – A Foolish Tale Laced with Sex and Thrills

Ana and Christian are back in an even hotter and more ridiculous film!

Let’s get one thing out of the way before I begin. Yes, E.L. James’ Fifty Shades book series is unrealistic and incredibly cheesy. And Fifty Shades Darker encourages even more eye-rolls with its Lifetime style drama. However, this time around the film has added enough excitement and sex to where you can let go of reality, and just have fun with this Made-for-TV quality movie.

When we last left off on Fifty Shades of Grey, Ana (Dakota Johnson) had broken up with Christian (Jamie Dornan) after discovering how much pleasure he got from giving her so much pain. She realized she couldn’t be in a submissive relationship with him.
 
As we pick up with Fifty Shades Darker, some time has gone by and Ana seems to have moved on with her life, working for a handsome, yet questionable boss (Eric Johnson) at a publishing company. But it’s at her friend Jose’s (Victor Rasuk) photography exhibit that we find out Christian has been lost without her. Christian wants Ana back and is willing to have a relationship with no rules, no punishments, and no secrets. Essentially giving Ana the “vanilla” relationship she always wanted. Of course, this now “normal” boyfriend/girlfriend status isn’t going to progress smoothly by any means.
 
The two sexual love birds, who literally are going at it during any spare moment, must deal with an inappropriate boss, a former submissive girlfriend (Bella Heathcote), and “Mrs. Robinson” (Kim Basinger) – the woman who turned Christian into the sex hungry dominatrix. All three of these new characters create thrilling turmoil and more intrigue, as opposed to the previous film’s lackluster conflict of “will they or wont they” stay together.
 
Though some may find all the different struggles going on in the film messy or idiotic, I found them extremely entertaining. I mean Christian and Ana go through so many near death experiences that you almost can’t blame them for wanting to continuously have sex. It could be their last time! And as Ana says in the film, “We haven’t had enough time.”
 
Speaking of sex! Fifty Shades Darker turns up the heat with plenty of steamy sexual sequences that will have audiences either immensely uncomfortable, or anxiously awaiting their own bedrooms. Director, James Foley, allows for more provocative sex scenes by introducing a few new toys and intensifying the couple’s “love making”. The scenes are tastefully filmed and still limits the nudity to topless and butt shots. And might I add, Jamie Dornan looks better than ever! The man is ripped and the film clearly wants to show off the efforts from his intensive work outs.
 
Dakota Johnson and Jamie Dornan have grown as actors since their last performance as these characters. They are what truly makes this film watchable. They succeed in delivering every cringe-worthy line with such conviction, that you might not notice the stupidity of what actually was said.
 

As much as I can ridicule Fifty Shades Darker, there’s no denying the moments of satisfaction. Though, this is still very much a film for fans of the book, the intended audience should sit back, throw away your thinking caps and enjoy the hell out of this electric and tantalizing romance.

Rating: 3/5

Fifty Shades Darker opens in theaters on February 10.

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AN AMERICAN IN PARIS The Most Awarded Musical of 2015 Makes North Texas Debut!

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MOST AWARDED MUSICAL OF 2015 MAKES NORTH TEXAS DEBUT

JANUARY 31 – FEBRUARY 12, 2017 AT THE MUSIC HALL AT FAIR PARK

& FEBRUARY 14-19 AT BASS PERFORMANCE HALL

Dallas-Fort Worth, TX (December 19, 2016) – AN AMERICAN IN PARIS, the most awarded new musical of 2015 and winner of four Tony Awards®, will play the Music Hall at Fair Park January 31 – February 12, 2017, for two weeks presented by Dallas Summer Musicals. This lavish modern classic will then head to Fort Worth, where it will play at Bass Performance Hall February 14-19, 2017, for one week presented by Performing Arts Fort Worth.

Inspired by the Academy-Award winning film, AN AMERICAN IN PARIS is the romantic story about an American soldier, a mysterious French girl and an indomitable European city, each yearning for a new beginning in the aftermath of war. Directed and choreographed by 2015 Tony Award-winner Christopher Wheeldon, the show features the music and lyrics of George Gershwin and Ira Gershwin, and a book by Craig Lucas.

Jerry Mulligan and Lise Dassin will be played by Garen Scribner and Sara Esty, who performed these leading roles on Broadway. Joining them are Etai Benson (Wicked) as Adam Hochberg; Emily Ferranti (Wicked, Dreamgirls) as Milo Davenport; Gayton Scott (Gypsy, The Women) as Madame Baurel; andNick Spangler (The Book of Mormon, Rogers + Hammerstein’s Cinderella) as Henri Baurel.

Leigh-Ann Esty (Miami City Ballet) and Ryan Steele (Newsies, Matilda) join the cast as the Lise and Jerry alternates. Rounding out the ensemble are:Karolina Blonski, Brittany Bohn, Stephen Brower, Randy Castillo, Jessica Cohen, Jace Coronado, Barton Cowperthwaite, Alexa De Barr, Ashlee Dupré, Erika Hebron, Christopher M. Howard, Colby Q. Lindeman, Nathalie Marrable, Tom Mattingly, Caitlin Meighan, Alida Michal, Don Noble,Sayiga Eugene Peabody, Alexandra Pernice, David Prottas, Danielle Santos, Lucas Segovia, Kyle Vaughn, Laurie Wells, Dana Winkle, Erica Wongand Blake Zelesnikar.

The creative team is also comprised of Tony Award-winners Bob Crowley (set and costume designer) and Natasha Katz (lighting designer); Jon Weston (sound designer); 59 Productions (projection designer); Rob Fisher (musical score adaption, arrangement and supervision); Todd Ellison (musical supervisor); David Andrews Rogers (musical director/conductor); Christopher Austin and Bill Elliott (orchestrations); Sam Davis (dance arrangements); Telsey + Company/Rachel Hoffman, C.S.A. (casting); Rick Steiger (production supervisor); Dontee Kiehn (associate director); and Sean Kelly (associate choreographer).

AN AMERICAN IN PARIS won four 2015 Tony Awards, four Drama Desk Awards, four Outer Critics Circle Awards, the Drama League Award for Best Musical, three Fred and Adele Astaire Awards, and two Theatre World Awards. The musical was included on the Year’s Best lists of The New York Times, The Wall Street Journal, Entertainment Weekly, The New Yorker, the Associated Press, The Hollywood Reporter, and The Pittsburgh Post-Gazette. The Masterworks Broadway Original Broadway Cast recording of AN AMERICAN IN PARIS was nominated for the Best Musical Theater Album Grammy Award.

The score of AN AMERICAN IN PARIS includes the songs “I Got Rhythm,” “Liza,” “‘S’Wonderful,” “But Not For Me,” “I’ll Build a Stairway to Paradise,” and orchestral music including “Concerto in F,” “Second Prelude,” “Second Rhapsody/Cuban Overture” and “An American In Paris.”

The production opened to widespread critical acclaim at the Palace Theatre on Broadway on April 12, 2015 after its world premiere at the Théâtre du Châtelet in Paris November 22, 2014-January 4, 2015. The New York production closed on October 9, 2016 after playing more than 600 performances. A West End production of AN AMERICAN IN PARIS will start in March 2017 at the Dominion Theatre.

The producers are Stuart Oken, Van Kaplan and Roy Furman by special arrangement with Elephant Eye Theatrical, Pittsburgh CLO and Théâtre du Châtelet.

For more information, visit www.AnAmericanInParisBroadway.com.

Single tickets for the Dallas engagement of AN AMERICAN IN PARIS, starting at $25, are now on sale at www.DallasSummerMusicals.org or by phone at 1-800-745-3000.

Groups of 10 or more receive a 15% discount, priority seating, and many more benefits. Please call 214-426-4768 or emailGroups@DallasSummerMusicals.org.

Single tickets for the Fort Worth engagement of AN AMERICAN IN PARIS, starting at $44, are now on sale. To charge tickets by phone, call 817-212-4280 in Fort Worth; 1-877-212-4280 (toll free) outside Fort Worth; or order online at www.basshall.com. Tickets are also available at the Bass Performance Hall ticket office at 525 Commerce Street. For group sales, call 817-212-4248.

Dallas Summer Musicals’ 2016-2017 season will continue with the explosive and vigorously choreographed STOMP, Feb. 14-19, 2017; followed by THE ILLUSIONISTS, Feb. 28 – Mar. 5, 2017; LET IT BE, Mar. 7-19, 2017; KINKY BOOTS, Mar. 28 – Apr. 9, 2017; CIRCUS 1903 – THE GOLDEN AGE OF CIRCUS, May 23 – June 4, 2017; and closing the season will be THE BODYGUARD, July 18-30, 2017.

23rd Annual Screen Actors Guild Awards Nominations

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FILM

Outstanding Performance by a Cast in a Motion Picture
Captain Fantastic
Fences
Hidden Figures
Manchester by the Sea
Moonlight

Outstanding Performance by a Male Actor in a Leading Role
Casey Affleck, Manchester by the Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Outstanding Performance by a Female Actor in a Leading Role
Amy Adams, Arrival
Emily Blunt, The Girl on the Train
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Outstanding Performance by a Male Actor in a Supporting Role
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Hugh Grant, Florence Foster Jenkins
Lucas Hedges, Manchester by the Sea
Dev Patel, Lion

Outstanding Performance by a Female Actor in a Supporting Role
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Outstanding Action Performance by a Stunt Ensemble
Captain America: Civil War
Doctor Strange
Hacksaw Ridge
Jason Bourne
Nocturnal Animals

TELEVISION

Outstanding Performance by an Ensemble in a Drama Series
The Crown
Downton Abbey
Game of Thrones
Stranger Things
Westworld

Outstanding Performance by an Ensemble in a Comedy Series
The Big Bang Theory
Blackish
Modern Family
Orange Is the New Black
Veep

Outstanding Performance by a Male Actor in a Drama Series
Sterling K. Brown, This Is Us
Peter Dinklage, Game of Thrones
John Lithgow, The Crown
Rami Malek, Mr. Robot
Kevin Spacey, House of Cards

Outstanding Performance by a Female Actor in a Drama Series
Millie Bobby Brown, Stranger Things
Claire Foy, The Crown
Thandie Newton, Westworld
Winona Ryder, Stranger Things
Robin Wright, House of Cards

Outstanding Performance by a Male Actor in a Comedy Series
Anthony Anderson, Blackish
Tituss Burgess, Unbreakable Kimmy Schmidt
Ty Burrell, Modern Family
William H. Macy, Shameless
Jeffrey Tambor, Transparent

Outstanding Performance by a Female Actor in a Comedy Series
Uzo Aduba, Orange Is the New Black
Jane Fonda, Grace and Frankie
Ellie Kemper, Unbreakable Kimmy Schmidt
Julia Louis-Dreyfus, Veep
Lily Tomlin, Grace and Frankie

Outstanding Performance by a Male Actor in a TV Movie or Miniseries
Riz Ahmed, The Night Of
Sterling K. Brown, The People vs. O.J. Simpson: American Crime Story
Bryan Cranston, All the Way
John Turturro, The Night Of
Courtney B. Vance, The People vs. O.J. Simpson: American Crime Story

Outstanding Performance by a Female Actor in a TV Movie or Miniseries
Bryce Dallas Howard, Black Mirror
Felicity Huffman, American Crime
Audra McDonald, Lady Day at Emerson’s Bar and Grill
Sarah Paulson, The People vs. O.J. Simpson: American Crime Story
Kerry Washington, Confirmation

Outstanding Action Performance by a Stunt Ensemble
Game of Thrones
Daredevil
Luke Cage
The Walking Dead
Westworld

LIFE ACHIEVEMENT AWARD

Screen Actors Guild Annual Life Achievement Award
LILY TOMLIN

The Screen Actors Guild Awards will air Sunday, January 29 on TBS and TNT.

Interview: Jovan Adepo talks “Fences”

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Jovan Adepo portrays Corey in Denzel Washington’s adaptation of August Wilson’s Pulitzer Prize winning drama, “Fences.” I got a chance to talk with Adepo about the new film. We discussed how much someone’s career can affect their personal life, daily movie references and more!

“Fences” opens in theaters December 24.

Click Here to Watch Jovan Adepo Interview

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“Sing” Plays a Familiar Tune

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Prepare yourself for American Idol with pigs, elephants, gorillas and many more animals.

Illumination Entertainment’s newest film, “Sing” follows a koala bear, Buster Moon (Matthew McConaughey), who’s on the verge of closing down his beloved theatre after back-to-back production flops. He then decides to produce an amateur singing competition in hopes that it will draw in an eager audience. To his luck and a misprinting of the prize money, a long line of hopeful talents come to audition for the show.

Eventually, Buster narrows down his choices to some surprisingly great singers; which include a gangster gorilla, Johnny (Taron Egerton), a housewife pig, Rosita (Reese Witherspoon), a backup singer Porcupine, Ash (Scarlett Johansson), a con artist mouse, Mike (Seth MacFarlane), and an extremely stage frightened elephant, Meena (Tori Kelly).

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Unfortunately, this production does hit a few bumps along the way.  Performers drop out, technical issues arise, and funding seems to be a continuous struggle.
 
But the big picture of this story is really about the usual “following your dreams and taking chances.” Buster followed his dream a long time ago, and with help from his dad was able to own a theatre. All the contestants play it safe in their personal lives, almost playing back up to everyone else in their families. This competition is a chance for them shine and do something that makes them happy. However, the film doesn’t go any deeper than this message.
 
Though the coexistence of different animals might remind you of Disney’s “Zootopia” from earlier this year, it is nowhere near as complex or intriguing. “Sing” is just a much simpler, easy to follow film that should have kids engaged by the music alone. There are plenty of songs to sing along to. Just to name a few, Katy Perry’s Firework, Taylor Swift’s Shake It Off, Leonard Cohen’s Hallelujah, and Paul Anka’s My Way. But, my personal favorite may have to be Taron Egerton’s rendition of Sam Smith’s Stay With Me. Who knew the “Kingsmen” star had such an amazing voice?
 
It’s hard to say if “Sing” will make the cut come nomination time for the award season. The film has some tough competition with “Zootopia”, “Kubo and the Two Strings”, and the likely front runner, “Moana”. That being said, you cannot discredit this lovable cast and the toe-tapping song choices that makes this film a fun time for the whole family.

Rating: 3/5

“Sing” opens in theaters December 20.

“Sing” Official Trailer HD

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Movie Review: “Certain Women” is a Beautifully Shot Snoozefest

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There is beauty in simplicity, but there is also simply boring. I may come off a little harsh with Kelly Reichardt’s latest film, “Certain Women”, but unfortunately it’s hard to get captivated by the slow pace of each story-line and the dull main characters.

The film is essentially broken up into three parts as we follow three women whose lives intersect. They are adapted from several short stories by Montana writer Maile Meloy.

In the first story we meet Laura Wells (Laura Dern), a small town lawyer who’s having an affair with a married man. She is dealing with a frustrating client (Jared Harris), who was injured on the job and wants to pursue a case against his employer.

After that we are introduced to Gina (Michelle Williams) and her husband (James Le Gros), who was seen in the previous segment. The two have just finished a camping trip with their teenage daughter Guthrie (Sara Rodier). They visit their elderly neighbor, Albert (Rene Auberjonois) to purchase a pile of sandstone that’s been sitting in his front yard for years. Gina wants to use it for a getaway cottage she plans to build. This is by far, the most uninteresting part of the film.

Finally, the more intriguing moment of the movie is when we see Jamie (Lily Gladstone), a rancher; randomly walk into a night class she’s not registered for. The class is intended to teach the history of public education policy in the U.S. But it’s not the subject that fascinates Jamie; it’s the nervous young lawyer, Beth (Kristen Stewart), who’s the unfortunate instructor. Basically, she is forced to teach the class and has to endure a four hour commute. Soon enough, she befriends Jamie and after class they routinely go to a local diner for a quick dinner as Jamie just watches her eat. For Jamie, seeing Beth is the highlight of her week, however, Beth does not value their time together nearly as much.

By the time the film concludes, we have seen the very minor ways these three women’s lives intertwine. Ultimately, Reichardt does a good job of portraying the overdone, general theme of isolation and the difficulty of communication. But it’s the actual stories that don’t give you enough meat to bite into. Hardly anything pulls you in; with the exception of Jamie’s borderline stalking of Beth (maybe a full story on her might have been more satisfying).

On the positive side, the performances are strong and Christopher Blauvelt’s cinematography is about the only thing that truly shines in “Certain Women”.

Rating: 2/5

Certain Women opens in theaters October 28.

“Certain Women” Official Trailer HD

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Movie Review: “The Girl on the Train” is a Messy, yet Intriguing Thrill Ride

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Emily Blunt isn’t the only one taking a ride in The Girl on the Train. The audience should be warned of the many back and forth jumps throughout this mystery thriller.

The film follows Rachel (Emily Blunt), a divorced alcoholic who spends everyday on a train ride that passes her old neighborhood. She watches a couple, Megan and Scott (Haley Bennett and Luke Evans), whom she views as “perfect” and almost lives vicariously through them. All the while she still tries to contact her ex-husband, Tom (Justin Theroux), who is now happily married and with a baby.

One day during Rachel’s usual stare at Megan and Scott’s house, she notices Megan kissing another man out on her balcony and freaks out! Completely wrecked by the fact that Megan would “throw it all away”, Rachel gets even more drunk and angry. When she stumbles off the train that night she sees a blur that looks like Megan. She wakes up the next morning in her place with a bloody head, and unaware of anything that happened the night before. Ironically, Megan has now gone missing, and Rachel is determined to find out what happened to her.

If you find reading that premise at all confusing, it’s even more of a mess watching it. To be fair, by the end everything ties together and there are no loose ends. But it might be a struggle getting there for some.

Yes, the plot might have been poorly executed, but that doesn’t make the story any less fun. From the moment the film began, I was on the edge of my seat trying to add up of every clue and anticipating the expected twist. Though the climax and the unveiling of surprises are far from Gone Girl standards, they were still satisfying none-the-less.

What’s certain is the subtle yet believable performance Emily Blunt gives as a functioning alcoholic. She stays committed the whole way through. So much so, that her character can be extremely frustrating at times.

The Girl on the Train may not please everyone. And yes, Tate Taylor’s direction is less than adequate as he struggles to give a steady flowing narrative. Luckily the mystery and story alone are enough to keep this ride interesting.

Rating: 3.5/5

The Girl on the Train opens in theaters October 7

“The Girl on the Train” Official Trailer HD

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Interview: Tika Sumpter and Parker Sawyers talk “Southside with You”

“Southside with You” takes audiences on Michelle and Barak Obama’s day long first date.  I got a chance to sit down with the stars, Tika Sumpter and Parker Sawyers, to discuss their charming, new film.  Topics range from first date prepping to hilarious and random impressions!

Interview: Tika Sumpter & Parker Sawyers talk “Southside with You”

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Movie Review: “The Secret Life of Pets” is a Delightful Treat, But Not Enough Meat

How do our pets act when we’re not around? It’s a question we’re so curious about when we see dogs whimper as we walk out the door. When we see cats comfortably relaxing, and they seem like they could care less as we walk by them. Well, Illumination Entertainment’s newest film, “The Secret Life of Pets” tells us just that. From a cat who raids the fridge, to a dog who loves head-banging to rock music, these are just a few things we get to discover about the daily lives of pets in this film.

The story follows a terrier named Max (Louis C.K.) who has a great relationship with his owner, Katie (Ellie Kemper). And every day when she leaves for work, he anxiously awaits her return. Usually, he kills the time by having some his friends/other pets over to hang out. But his life is turned upside down, when Katie returns home one day with a new dog she got from the pound, Duke (Eric Stonestreet). Max instantly dislikes him, and the two can’t seem to get along. The following day during their group dog walk a fight ensues which results in them getting parted from their dog walker, and leaves them struggling to find their way home.

If this plot sounds somewhat familiar, try replacing the pets with toys. Yes, the premise of the film is essentially the same as “Toy Story”. Unfortunately, “The Secret Life of Pets” just doesn’t properly execute the same heartfelt message.

Don’t get me wrong, “The Secret Life of Pets” is still an enjoyable film and will thoroughly entertain kids. Especially through the biggest standouts of the movie Snowball (Kevin Hart) and Gidget (Jenny Slate), who provide the biggest laughs. Listening to Kevin Hart’s voice on a tiny, cute, little bunny who loathes humans is an ironic and hilarious combination.

I only wish that the film focused a little more on the things that pets do when their owners are gone and when they return home. They graze over the cliché actions we’d expect, but it is quickly over shadowed by a journey of trying to get Max and Duke home.

“The Secret Life of Pets” is absolutely worth the watch, but if you have already seen “Zootopia” or “Finding Dory”, don’t expect this film to come close in comparison. The entertainment value is there, but it lacks the heart and depth that we usually hope for from these family animated movies.

Rating 3/5

“The Secret Life of Pets” hits theaters July 8.

“The Secret Life of Pets” Trailer HD