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Archives for : Zootopia

Nominations for the 89th Academy Awards!

Performance by an actor in a leading role

  • Casey Affleck in “Manchester by the Sea”
  • Andrew Garfield in “Hacksaw Ridge”
  • Ryan Gosling in “La La Land”
  • Viggo Mortensen in “Captain Fantastic”
  • Denzel Washington in “Fences”

Performance by an actor in a supporting role

  • Mahershala Ali in “Moonlight”
  • Jeff Bridges in “Hell or High Water”
  • Lucas Hedges in “Manchester by the Sea”
  • Dev Patel in “Lion”
  • Michael Shannon in “Nocturnal Animals”

Performance by an actress in a leading role

  • Isabelle Huppert in “Elle”
  • Ruth Negga in “Loving”
  • Natalie Portman in “Jackie”
  • Emma Stone in “La La Land”
  • Meryl Streep in “Florence Foster Jenkins”

Performance by an actress in a supporting role

  • Viola Davis in “Fences”
  • Naomie Harris in “Moonlight”
  • Nicole Kidman in “Lion”
  • Octavia Spencer in “Hidden Figures”
  • Michelle Williams in “Manchester by the Sea”

Best animated feature film of the year

  • “Kubo and the Two Strings” Travis Knight and Arianne Sutner
  • “Moana” John Musker, Ron Clements and Osnat Shurer
  • “My Life as a Zucchini” Claude Barras and Max Karli
  • “The Red Turtle” Michael Dudok de Wit and Toshio Suzuki
  • “Zootopia” Byron Howard, Rich Moore and Clark Spencer

Achievement in cinematography

  • “Arrival” Bradford Young
  • “La La Land” Linus Sandgren
  • “Lion” Greig Fraser
  • “Moonlight” James Laxton
  • “Silence” Rodrigo Prieto

Achievement in costume design

  • “Allied” Joanna Johnston
  • “Fantastic Beasts and Where to Find Them” Colleen Atwood
  • “Florence Foster Jenkins” Consolata Boyle
  • “Jackie” Madeline Fontaine
  • “La La Land” Mary Zophres

Achievement in directing

  • “Arrival” Denis Villeneuve
  • “Hacksaw Ridge” Mel Gibson
  • “La La Land” Damien Chazelle
  • “Manchester by the Sea” Kenneth Lonergan
  • “Moonlight” Barry Jenkins

Best documentary feature

  • “Fire at Sea” Gianfranco Rosi and Donatella Palermo
  • “I Am Not Your Negro” Raoul Peck, Rémi Grellety and Hébert Peck
  • “Life, Animated” Roger Ross Williams and Julie Goldman
  • “O.J.: Made in America” Ezra Edelman and Caroline Waterlow
  • “13th” Ava DuVernay, Spencer Averick and Howard Barish

Best documentary short subject

  • “Extremis” Dan Krauss
  • “4.1 Miles” Daphne Matziaraki
  • “Joe’s Violin” Kahane Cooperman and Raphaela Neihausen
  • “Watani: My Homeland” Marcel Mettelsiefen and Stephen Ellis
  • “The White Helmets” Orlando von Einsiedel and Joanna Natasegara

Achievement in film editing

  • “Arrival”Joe Walker
  • “Hacksaw Ridge” John Gilbert
  • “Hell or High Water” Jake Roberts
  • “La La Land” Tom Cross
  • “Moonlight” Nat Sanders and Joi McMillon

Best foreign language film of the year

  • “Land of Mine” Denmark
  • “A Man Called Ove” Sweden
  • “The Salesman” Iran
  • “Tanna” Australia
  • “Toni Erdmann” Germany

Achievement in makeup and hairstyling

  • “A Man Called Ove” Eva von Bahr and Love Larson
  • “Star Trek Beyond” Joel Harlow and Richard Alonzo
  • “Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson

Achievement in music written for motion pictures (Original score)

  • “Jackie” Mica Levi
  • “La La Land” Justin Hurwitz
  • “Lion” Dustin O’Halloran and Hauschka
  • “Moonlight” Nicholas Britell
  • “Passengers” Thomas Newman

Achievement in music written for motion pictures (Original song)

  • “Audition (The Fools Who Dream)” from “La La Land”
    Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
  • “Can’t Stop The Feeling” from “Trolls”
    Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster
  • “City Of Stars” from “La La Land”
    Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
  • “The Empty Chair” from “Jim: The James Foley Story”
    Music and Lyric by J. Ralph and Sting
  • “How Far I’ll Go” from “Moana”
    Music and Lyric by Lin-Manuel Miranda

Best motion picture of the year

  • “Arrival” Shawn Levy, Dan Levine, Aaron Ryder and David Linde, Producers
  • “Fences” Scott Rudin, Denzel Washington and Todd Black, Producers
  • “Hacksaw Ridge” Bill Mechanic and David Permut, Producers
  • “Hell or High Water” Carla Hacken and Julie Yorn, Producers
  • “Hidden Figures” Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, Producers
  • “La La Land” Fred Berger, Jordan Horowitz and Marc Platt, Producers
  • “Lion” Emile Sherman, Iain Canning and Angie Fielder, Producers
  • “Manchester by the Sea” Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck and Kevin J. Walsh, Producers
  • “Moonlight” Adele Romanski, Dede Gardner and Jeremy Kleiner, Producers

Achievement in production design

  • “Arrival” Production Design: Patrice Vermette; Set Decoration: Paul Hotte
  • “Fantastic Beasts and Where to Find Them” Production Design: Stuart Craig; Set Decoration: Anna Pinnock
  • “Hail, Caesar!” Production Design: Jess Gonchor; Set Decoration: Nancy Haigh
  • “La La Land” Production Design: David Wasco; Set Decoration: Sandy Reynolds-Wasco
  • “Passengers” Production Design: Guy Hendrix Dyas; Set Decoration: Gene Serdena

Best animated short film

  • “Blind Vaysha” Theodore Ushev
  • “Borrowed Time” Andrew Coats and Lou Hamou-Lhadj
  • “Pear Cider and Cigarettes” Robert Valley and Cara Speller
  • “Pearl” Patrick Osborne
  • “Piper” Alan Barillaro and Marc Sondheimer

Best live action short film

  • “Ennemis Intérieurs” Sélim Azzazi
  • “La Femme et le TGV” Timo von Gunten and Giacun Caduff
  • “Silent Nights” Aske Bang and Kim Magnusson
  • “Sing” Kristof Deák and Anna Udvardy
  • “Timecode” Juanjo Giménez

Achievement in sound editing

  • “Arrival” Sylvain Bellemare
  • “Deepwater Horizon” Wylie Stateman and Renée Tondelli
  • “Hacksaw Ridge” Robert Mackenzie and Andy Wright
  • “La La Land” Ai-Ling Lee and Mildred Iatrou Morgan
  • “Sully” Alan Robert Murray and Bub Asman

Achievement in sound mixing

  • “Arrival” Bernard Gariépy Strobl and Claude La Haye
  • “Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace
  • “La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
  • “Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart Wilson
  • “13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth

Achievement in visual effects

  • “Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington and Burt Dalton
  • “Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould
  • “The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon
  • “Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff
  • “Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

Adapted screenplay

  • “Arrival” Screenplay by Eric Heisserer
  • “Fences” Screenplay by August Wilson
  • “Hidden Figures” Screenplay by Allison Schroeder and Theodore Melfi
  • “Lion” Screenplay by Luke Davies
  • “Moonlight” Screenplay by Barry Jenkins; Story by Tarell Alvin McCraney

Original screenplay

  • “Hell or High Water” Written by Taylor Sheridan
  • “La La Land” Written by Damien Chazelle
  • “The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou
  • “Manchester by the Sea” Written by Kenneth Lonergan
  • “20th Century Women” Written by Mike Mills

Top 10 Best Films of 2016

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10. The Edge of Seventeen

As a fan of John Hughes and really any High School teen angst film, this movie was always going to be my cup of tea. But, what’s so refreshing about The Edge of Seventeen is its more realistic take on an extremely socially awkward girl who’s struggling to get through High School. As embarrassing and uncomfortable some of the scenes might be, they never veer into non-genuine territory.

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9. La La Land
I’m always a sucker for a story that is about following your dreams. La La Land is a whimsical movie that takes an overused plot and turns it into a vibrant and colorful musical. It is a wonderful reminiscence of the once popular classic musical genre. But it’s the always magnetic chemistry between Ryan Gosling and Emma Stone, who nail their on-screen romance for a third time that makes the film what it is–A True Hollywood Delight.

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8. Sully
Initially when I heard this film was being made, I thought, “Why?! What’s the point?” Given, that this is the story of Chelsey Sullenberg, the pilot who landed his damaged plane in the Hudson River and saved everyone on board. It hardly seemed like an exciting story to tell. Well, thank goodness, this film was made! Clint Eastwood (My favorite director of the year) brilliantly recounts the events by scattering the plane’s crash throughout the film using flashbacks. Through this edit, the film never feels slow or boring. But more importantly, it’s uplifting to see a movie based on a true “almost tragedy” where no one dies, there’s no shooting, and no explosions. Sully is a reminder that there are heroes, and believe it or not, there is positive news in the media.

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7. 20th Century Women
Annette Bening truly shines as a leading lady in this film. Along with this amazing ensemble cast, 20th Century Women is another great addition to the coming-of-age genre. A tender, introspective film about a young boy and the three women who influenced his life.  

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6. Deadpool
Let’s put aside the fact that this was Ryan Reynolds passion project, and it’s the first R-rated Marvel movie. What’s so great about Deadpool is how self-aware it is (i.e. the opening credits). He is the only Marvel character who breaks the fourth wall and talks to the audience, allowing him to make fun of the film. And oh, how funny this film is.  Deadpool was a risk that fully paid off and thoroughly entertained.

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5. Nocturnal Animals
Designer Tom Ford’s shockingly deep and clever screenplay still amazes me. Featuring some of the best performances by Jake Gyllehaal, Amy Adams, Michael Shannon, and Aaron Taylor-Johnson. Ford uses his gift of striking visuals to create a sexy, mesmerizing story about past loves, regrets, aspirations, and revenge.

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4. Zootopia
For those who haven’t seen Zootopia yet, the film is much more than the trailer perceives. Though the big picture theme of going after impossible goals will have kids entertained, adults young and old can appreciate the message of fighting stereotypes and other social issues of today that are so well represented in this charming animated feature. 

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3. Captain America: Civil War
There is so much to admire about Captain America: Civil War. There are many layers to this thought-provoking story, which still has me debating whose right and whose wrong. Should superheroes be above the law?  Is defeating a villain worth an innocent life? The execution of this premise brilliantly told through a smart script, and a well-focused direction is why Captain America: Civil War stands out above other superhero movies.

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2. Manchester by the Sea
Though we’ve seen a few films take on the subject matter of someone becoming the guardian of a kid after their parents’ passing, we have yet to see it done so masterfully. Manchester by the Sea is a gut-wrenching story about painful losses, that’s cut with elements of humor and laughter. The film is enhanced by its rich and well developed characters. Casey Affleck gives his best performance yet, which is sure to earn him an Oscar nod and a very likely deserving win. 

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1. Don’t Think Twice
It was tough to pick this top spot, but ultimately, I went with the film that hit close to home and had me crying during and after the movie was over. Don’t Think Twice is a dark comedy about a group of best friends who preform improv together at a popular New York City comedy club. They are all chasing after the same goal, to become part of New York’s hit sketch comedy series, Weekend Live. But when only one of them lands a spot on the TV show, it not only changes the group dynamic but also puts everyone else’s life in perspective, questioning whether or not everyone in the group is capable of achieving their dream job. It’s a relatable story for anyone who struggles to have a career in what they are passionate about.

The Rest of the Films that Deserve Recognition:

11. Captain Fantastic
12. Rogue One: A Star Wars Story
13. The Handmaiden
14. The Jungle Book
15. Moana
16. A Monster Calls
17. The Invitation
18. The Magnificent Seven
19. My Blind Brother
20. Arrival

Top 5 Worst Films of 2015

5. American Honey – Too long and too much of nothing.

4. Billy Lynn’s Long Halftime Walk – Vin Diesel’s performance alone made this film beyond cringe-worthy.

3. Independence Day: Resurgence – Overflows with cheesy lines and just so, so stupid.

2. Jack Reacher: Never Go Back – A HORRID father/daughter subplot that overshadows the entire film.

1. Zoolander 2 – How dare this movie be made!

Best of 2016 from the NTFCA – North Texas Film Critics Association

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NORTH TEXAS FILM CRITICS NAME LA LA LAND” AS BEST FILM OF 2016

The North Texas Film Critics Association voted the romantic musical LA LA LAND as the best film of 2016, according to the results of its annual critics’ poll. Completing list of the top 10 films of the year were MANCHESTER BY THE SEA (2), MOONLIGHT (3), HACKSAW RIDGE (4), LOVING (5), ARRIVAL (6), CAPTAIN FANTASTIC (7), NOCTURNAL ANIMALS (8), JACKIE (9) and THE BIRTH OF A NATION (10).

For Best Actor, the association named Casey Affleck for MANCHESTER BY THE SEA. Runners-up included Ryan Gosling for LA LA LAND (2), Denzel Washington for FENCES (3), Andrew Garfield for HACKSAW RIDGE (4) and Don Cheadle for MILES AHEAD (5).

Natalie Portman was voted Best Actress for JACKIE. Next in the voting were Emma Stone for LA LA LAND(2), Amy Adams for ARRIVAL (3), Emily Blunt for THE GIRL ON THE TRAIN (4) and Ruth Negga for LOVING (5).

In the Best Supporting Actor category, the winner was Michael Shannon for NOCTURNAL ANIMALS. He was followed by Mahershala Ali for MOONLIGHT (2), Dev Patel for LION (3), Jeff Bridges for HELL OR HIGH WATER (4) and Lucas Hedges for MANCHESTER BY THE SEA (5).

For Best Supporting Actress, the association named Michelle Williams for MANCHESTER BY THE SEA. Runners-up included Viola Davis for FENCES (2), Naomie Harris for MOONLIGHT (3), Octavia Spencer for HIDDEN FIGURES (4) and Janelle Monáe for HIDDEN FIGURES (5).

Damien Chazelle was voted Best Director for LA LA LAND. Next in the voting were Barry Jenkins for MOONLIGHT (2), Mel Gibson for HACKSAW RIDGE (3), Denis Villeneuve for ARRIVAL (4) and Kenneth Lonergan for MANCHESTER BY THE SEA (5).

The association voted ELLE as the Best Foreign Language film of the year. Runners-up were THE HANDMAIDEN (2), THE HUNT FOR THE WILDERPEOPLE (3), TONI ERDMANN and THE SALESMAN tied for the last spot (4).

GLEASON won for Best Documentary over 13th (2), TOWER (3), WEINER (4) and THE EAGLE HUNTRESS (5).

ZOOTOPIA was named the Best Animated film of 2016, over KUBO AND THE TWO STRINGS (2) and SING (3).

The award for Best Cinematography went to Linus Sandgren for LA LA LAND, followed by James Laxton for MOONLIGHT (2), Bradford Young for ARRIVAL and  Simon Duggan for HACKSAW RIDGE tied for the next spot (3) and Stéphane Fontaine for JACKIE (5).

This year’s awards were dedicated to the memory of our past president, Gary Murray. In his honor, next year we will designate an award in perpetuity. The Gary Murray Award will honor the Best Newcomer in a film.

NTFCA

Movie Review: “The Secret Life of Pets” is a Delightful Treat, But Not Enough Meat

How do our pets act when we’re not around? It’s a question we’re so curious about when we see dogs whimper as we walk out the door. When we see cats comfortably relaxing, and they seem like they could care less as we walk by them. Well, Illumination Entertainment’s newest film, “The Secret Life of Pets” tells us just that. From a cat who raids the fridge, to a dog who loves head-banging to rock music, these are just a few things we get to discover about the daily lives of pets in this film.

The story follows a terrier named Max (Louis C.K.) who has a great relationship with his owner, Katie (Ellie Kemper). And every day when she leaves for work, he anxiously awaits her return. Usually, he kills the time by having some his friends/other pets over to hang out. But his life is turned upside down, when Katie returns home one day with a new dog she got from the pound, Duke (Eric Stonestreet). Max instantly dislikes him, and the two can’t seem to get along. The following day during their group dog walk a fight ensues which results in them getting parted from their dog walker, and leaves them struggling to find their way home.

If this plot sounds somewhat familiar, try replacing the pets with toys. Yes, the premise of the film is essentially the same as “Toy Story”. Unfortunately, “The Secret Life of Pets” just doesn’t properly execute the same heartfelt message.

Don’t get me wrong, “The Secret Life of Pets” is still an enjoyable film and will thoroughly entertain kids. Especially through the biggest standouts of the movie Snowball (Kevin Hart) and Gidget (Jenny Slate), who provide the biggest laughs. Listening to Kevin Hart’s voice on a tiny, cute, little bunny who loathes humans is an ironic and hilarious combination.

I only wish that the film focused a little more on the things that pets do when their owners are gone and when they return home. They graze over the cliché actions we’d expect, but it is quickly over shadowed by a journey of trying to get Max and Duke home.

“The Secret Life of Pets” is absolutely worth the watch, but if you have already seen “Zootopia” or “Finding Dory”, don’t expect this film to come close in comparison. The entertainment value is there, but it lacks the heart and depth that we usually hope for from these family animated movies.

Rating 3/5

“The Secret Life of Pets” hits theaters July 8.

“The Secret Life of Pets” Trailer HD

Interview: Byron Howard & Rich Moore talk “Zootopia”

 

I sat down with directors Byron Howard & Rich Moore to discuss their incredible new animated film, “Zootopia”. We talked about not giving up on your dream job, the stereotypes directors fight against and which message from a film impacted them the most as a kid!

“Zootopia” opens in theaters March 4.

“Zootopia” Interview with Directors Byron Howard & Rich Moore

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