Archives for : Romance
Netflix has so graciously brought back the romantic comedy genre with a slew of rom-coms to choose from their library. Just in time for the holiday season, they have treated us with another delightful romance with the new film, “Holidate”.
It’s Christmas Day and Sloane (Emma Roberts) is, once again, being hounded by her family to meet someone and settle down before she gets “too old”; and becomes like her aunt Susan (Kristin Chenoweth). Instead of listening to her mom, she is inspired by her aunt’s holidate. Susan brings a different man to each holiday event, allowing her to avoid feeling lonely while having no emotional attachment.
After a horrible Christmas, Sloane runs into, Jackson (Luke Bracey), another lonely single looking to date with out the commitment. They soon pledge to be each others’ platonic plus ones for every holiday in the year ahead. The film is as predictable as it sounds and is self-aware of that, pointing out that in every rom-com the two leads don’t have real obstacles. And in the “Holidate”, it’s pretty clear that there is no real issue besides the default “scared of commitment”.
What “Holidate” does offer is two strong romantic leads with great chemistry and hilarious banter. Emma Roberts shows off her comedic chops and Bracey might actually give Chris Hemsworth a run for his money. We all, at some point in time, have felt lonely during the holidays, and a holidate is a fun concept to see played out. It’s entertaining to see these how these two celebrate each occasion together. Who knew there were so many holidays?!
There are some messages you can take away from the film, like don’t let the of fear of getting hurt stand in the way of a potential love. But, you shouldn’t go into this film expecting anything deep. This is more of a raunchy, well-made Hallmark Christmas special. It’s a lighthearted escape that reminds us of how we use to celebrate the holidays before tragic times.
Rating: 4/5
“Holidate” is available on Netflix October 28, 2020.
Even Jenny Slate’s quirk and charm can’t help this mess of a movie.
Based on the novel by Rebecca Dinerstein, “The Sunlit Night” follows Frances (Slate), a struggling painter from New York City. After her boyfriend breaks up with her, she finds out her sister is engaged and her parents are separating. Feeling lost and hopeless, she wants to leave home immediately; and gets an opportunity to paint a barn in Norway in a town where apparently the sun never sets.
Up until this point of the film, you’ve been treated to a funny and witty comedy with a lot of potential. Unfortunately once Frances arrives to Norway, all that potential goes out the window. The audience is left to endure a slow “self-discovery” that is all over the place.
Once Frances is acquainted with her new employer, she meets a few new people. She happens to run into Yasha (Alex Sharp), a Russian-American baker who has come to Norway to give his father a proper Viking funeral. That’s when the film suddenly turns into a “romantic comedy”. I use that term very loosely. In the quiet and rare moments spent between Frances and Yasha, there is no chemistry. There’s not even a spark. This relationship is incredibly forced and doesn’t make much sense. The reasons for why the two even like each other are vague.
The random, forced comedy of a Viking tour guide (Zach Galifinakis) and Yasha’s cold, absentee mother (Gillian Anderson) didn’t help the story either.
Slate does a fantastic job with the material she is given and the scenery is beautiful, but the “The Sunlit Night” fails to shine. It’s a dim, dull tale. Director David Wnendt seemed to have a great starting point, but didn’t know where to go from there. I still don’t understand the point of the movie, or how the characters evolved by the end of the film. But honestly, I didn’t care enough about any of them.
Rating: 1.5/5
“The Sunlit Night” will be available On Demand July 17.
I’ve got a couple of new film reviews for ya! First is “The High Note”, another mentor/mentee film that makes the most of its’ cast and should hit the right note with its’ audience.
Then there is the new Amazon Studios movie, “The Vast of Night”, which plays as a wonderful homage to “The Twilight Zone”. This film will satisfy that sci-fi itch with suspense, mystery, wonder and nostalgia.
“The High Note” is available on various On Demand platforms May 29.
“The Vast of Night” is available on Amazon Prime May 29.
“The Half of It” is a very interesting take on the classic “Cyrano de Bergerac”. Set in Washington state instead of France and replacing the soldiers and nobles with high school students, “The Half of It” looks like another Netflix winner.
Check out my review of the new Netflix drama and the DVD/Blu-Ray release of “Underwater”.
“The Half of It” is available on Netflix May 1.
“Underwater” is available on Blu-Ray/DVD/Digital
“Little Women” returns to the screen, this time compliments of Greta Gerwig. The cast is top notch and the production elements, writing and cinematography are stellar, so you won’t go wrong if you choose this one for your holiday break.
Check out the video below to see my full review of the film!
“Little Women” opens in theaters December 25.
“Waves” goes from bad to unbearable within the first hour; however, the second half of the film remarkably heals itself.
Director/writer Trey Edward Shults wrote “Waves” after his critically acclaimed thriller, “It Comes At Night”. He continues to keep our tensions high with his new family drama. It’s a story he explained that, “was inspired from a number of real life experiences, including meeting my girlfriend and Kelvin Harrison Jr.”
As the film begins we meet Tyler (Kelvin Harrison Jr.). He’s a senior in high school who as it all: Popularity, a hot girlfriend (Alexa Demie), and star wrestler. Life at home isn’t too shabby either. His father Ronald (Sterling K. Brown) owns his own construction business, his mother Catharine (Renée Elise Goldsberry) is a counselor, and his sister Emily (Taylor Russell) is quiet and reserved, hiding in the shadow of her brother.
Though Tyler is pretty well off, we come to discover his father is constantly pushing him both physically and mentally. He puts a lot of pressure on Tyler to be the best; pointing out that because the family is African American they don’t have the luxury of being average. So when Tyler learns of his shoulder injury, which would end his wrestling career, he decides to hide it and self-medicate. Matters only get worse when his girlfriend reveals she is pregnant.
You might think you know what happens from there, but you don’t. And you’re going to find out here.
By the second half of the film the family is barely keeping it together, and suddenly we’ve gone from Tyler’s movie to Emily’s. She is even more introverted, and doesn’t seem to have any friends at school. That is until she meets Luke (Lucas Hedges), an awkward, but nice boy who also wrestles. The film completely shifts in tone as we see love blossom in a steady and beautiful manner. Emily and Luke’s relationship is the cure we need after an unnerving first half.
Shults wanted to essentially split the film in two and show the dichotomy of our lives. “I wanted audiences to see, in it’s structure, separate views from a male and female. How different they handle conflict, and what are their highs and lows,” Shults elaborates.
Both Tyler and Emily continuously use Instagram in a way that make us question our own use of the app. It’s a way to track a significant other’s location, stalk a crush and, of course post lots of pictures. “I was trying to make it real and honest. I don’t have social media anymore, but I can imagine how it would feel to have one. I’ve even followed crushes, but in an appropriate way (Laughs).” explains Shults.
At the core, “Waves” is a film about family. The parents are connected to both Tyler and Emily’s stories, especially their father. Ronald is more invasive in Tyler’s life and almost absent in Emily’s. This raises the question, what is the right balance of a parent’s involvement in there children’s lives? Shults went on to answer, “It’s hard to say what’s the right amount of involvement, but for this movie communication is big. It’s important that parents make their kids feel like they can always come to them for anything. It sounds easy, but it isn’t.”
As the film comes to an end, a shattered family struggles to put themselves back together. What you witness will make you want to embrace your own family and loved ones. Shults’ hope is that audiences will “connect with the complex characters, and have a lot to think about. And maybe even give them hope in their own lives”
“Waves” is a tough start. But if you allow yourself to stay on this emotional roller coaster, it will be a ride worth taking.
Rating: 4/5
“Waves” opens in select theater November 27 (Playing at Landmark Magnolia)
This week I review “Late Night”, a new film written by and starring Mindy Kaling. Emma Thompson stars a late night talk show host whose on the verge of losing her once successful show. It’s funny, heartfelt, and a comedy everyone should check out.
“Late Night” opens in select theaters June 7 everywhere June 14.
It’s been a fun 3 years, but we finally close the book on the provocative “Fifty Shades” franchise.
When we last saw Anna (Dakota Johnson) and Christian (Jamie Dornan) in “Fifty Shades Darker” they were rekindling their romance. Anna started a new job at a publishing company where her creep of a boss, Jack Hyde (Eric Johnson), came on to her. While Anna dealt with him, Christian dealt with some troubling ladies from his past. Eventually, the two over came those obstacles and the film ended with the couple getting engaged.
Now we are at the beginning of the end. “Fifty Shades Freed” opens with a montage of Christian and Anna’s wedding followed by what looks like a dream honeymoon in Europe. However, the newlywed’s aren’t in bliss for too long once they find out Jack Hyde is back and pissed at the couple for “ruining his career”. This puts a damper on married life all together, as Christian continues his controlling ways and has Anna continuously followed by his security.
Besides this bigger plot, there is a lot of other stuff going on. This is the negative part of turning a book into a movie, you can never fit everything in. And even with cutting things from the third book, they jammed a lot into only and hour and 45 minutes (the shortest of the 3 films). In a nutshell, Christian and Anna buy a house, another couple gets engaged, Anna gets a job promotion, there are spur of the moment trips, a pregnancy, and of course, lots of sporadic sex.
Oh, and if for some reason you thought the previous films lacked in sex scenes, this one makes up for it and then-some. It seems married life has only made them hotter! They are making love any chance they can, in the car, with ice cream, red room of pain, etc. Though Dornan’s acting is weak, especially in comparison to Johnson’s spot on performance, their sexual chemistry continues to heat up the screen. In a tantalizing scene where Anna is forced to use her safe word, I nearly shouted “Red” myself.
Unfortunately, out of the three films, I had the most problems with “Fifty Shades Freed”. It was by far the most rushed installment and slightly anticlimactic. The film makes you feel like it is building up to a showdown between Jack and Christian, but instead glances over their shocking history and squashes any conflict in a mere 60 seconds.
That being said, “Fifty Shades Freed” is still just as fun as the first two movies and it’s a great “Girls Night Out” flick. And once again, we are treated to an incredible soundtrack that distracts us from whatever nonsense is happening on screen.
“Fifty Shades Freed” has its flaws and by no means is it a “good movie”, but it is a solid end to a ridiculous romance. The story stays true to the books and ultimately, Christian and Anna are given the happy ending all us fans so desperately wanted to see.
Rating: 3/5
“Fifty Shades Freed” hits theaters February 9.
Ana and Christian are back in an even hotter and more ridiculous film!
Let’s get one thing out of the way before I begin. Yes, E.L. James’ Fifty Shades book series is unrealistic and incredibly cheesy. And Fifty Shades Darker encourages even more eye-rolls with its Lifetime style drama. However, this time around the film has added enough excitement and sex to where you can let go of reality, and just have fun with this Made-for-TV quality movie.
When we last left off on Fifty Shades of Grey, Ana (Dakota Johnson) had broken up with Christian (Jamie Dornan) after discovering how much pleasure he got from giving her so much pain. She realized she couldn’t be in a submissive relationship with him.
As we pick up with Fifty Shades Darker, some time has gone by and Ana seems to have moved on with her life, working for a handsome, yet questionable boss (Eric Johnson) at a publishing company. But it’s at her friend Jose’s (Victor Rasuk) photography exhibit that we find out Christian has been lost without her. Christian wants Ana back and is willing to have a relationship with no rules, no punishments, and no secrets. Essentially giving Ana the “vanilla” relationship she always wanted. Of course, this now “normal” boyfriend/girlfriend status isn’t going to progress smoothly by any means.
The two sexual love birds, who literally are going at it during any spare moment, must deal with an inappropriate boss, a former submissive girlfriend (Bella Heathcote), and “Mrs. Robinson” (Kim Basinger) – the woman who turned Christian into the sex hungry dominatrix. All three of these new characters create thrilling turmoil and more intrigue, as opposed to the previous film’s lackluster conflict of “will they or wont they” stay together.
Though some may find all the different struggles going on in the film messy or idiotic, I found them extremely entertaining. I mean Christian and Ana go through so many near death experiences that you almost can’t blame them for wanting to continuously have sex. It could be their last time! And as Ana says in the film, “We haven’t had enough time.”
Speaking of sex! Fifty Shades Darker turns up the heat with plenty of steamy sexual sequences that will have audiences either immensely uncomfortable, or anxiously awaiting their own bedrooms. Director, James Foley, allows for more provocative sex scenes by introducing a few new toys and intensifying the couple’s “love making”. The scenes are tastefully filmed and still limits the nudity to topless and butt shots. And might I add, Jamie Dornan looks better than ever! The man is ripped and the film clearly wants to show off the efforts from his intensive work outs.
Dakota Johnson and Jamie Dornan have grown as actors since their last performance as these characters. They are what truly makes this film watchable. They succeed in delivering every cringe-worthy line with such conviction, that you might not notice the stupidity of what actually was said.
As much as I can ridicule Fifty Shades Darker, there’s no denying the moments of satisfaction. Though, this is still very much a film for fans of the book, the intended audience should sit back, throw away your thinking caps and enjoy the hell out of this electric and tantalizing romance.