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Archives for : Pedro Pascal

Top 10 Best Films of 2025

10. Sorry, Baby- “Sorry, Baby” begins with the audience knowing something bad happened to Agnes (earnestly played by filmmaker Eva Victor). As the story unfolds, it is as if we are flies on a wall, witnessing one of the most aching and profoundly authentic depictions of the aftermath of sexual assault. “Sorry, Baby” is a compelling and honest dark comedy about significant trauma.

9. Twinless- This movie is about two grieving men, who bond in a support group for those who have lost their twins. They form a brotherly friendship, but it is soon revealed that all is not what it seems. That sounds more eerie than it needs to be. However, you never know where this story is headed. “Twinless” is a smart screenplay with the right balance of dark humor, and features Dylan O’ Brien’s best performance to date. This story cleverly explores the pain of grief and loneliness.

8. KPop Demon Hunters- The best animated feature of the year is also one of the best films of the year (with one of the best soundtracks of the year)! “KPop Demon Hunters” is a visually and musically captivating, creative tale about friendship, self-acceptance, and overcoming shame. The film features incredible voice acting (and singing) with a stunning representation of the Korean culture. Believe the hype with this one!

7. The Ugly Stepsister- It’s a twisted take on the classic Cinderella story I didn’t know I needed. “The Ugly Stepsister” is a comedic, body horror about the “physical perfection” pressured on young women looking for a husband. While the film can be gruesome at times, it is an unforgettable watch that brings a whole new and unexpected meaning to “happily ever after”.

6. Eternity- Set in an afterlife where souls have one week to decide where to spend eternity. Joan is faced with the impossible choice between the man she spent her life with or her first love, who died young in war and has waited 67 years for her to arrive. This is a charming, original, and surprisingly moving romantic comedy with a thought-provoking message about what “eternal love” truly means.

5. F1- What I expected to be a loud, long, and hallow joy ride, turned into a swift, exhilarating, and gripping race! “F1” brings excitement and heart with some ’90s nostalgia to this true cinematic experience. Fantastic casting all around, including an incredible breakthrough performance by Damson Idris.

4. Sinners- I was pleasantly surprised to discover “Sinners” was a bluesy, bloody horror. This film goes beyond a typical “vampire movie”. Ryan Coogler masterfully layers his frightening story with interracial conflicts, cultural history, a powerful soundtrack, and riveting thrills. Michael B. Jordan gives TWO award-worthy performances along with the seamless ensemble cast.

3. Weapons- I can see why there was a bidding war over the “Weapons” spec script. I can’t remember the last time I was truly scared while watching a scary movie in theaters. I had a sense of panic and struggled to fall asleep that night. Zach Cregger is known for his wild horror, “The Barbarian”, but this time around, Cregger elevates his storytelling with a unique and sharp-witted screenplay. The film is wisely crafted with effective jump scares and an appropriate amount comic relief.

2. Materialists- It’s a refreshing spin on the rom-com genre. Lucy is an ambitious young New York City matchmaker, who finds herself torn between the perfect match and her imperfect ex. The plot raises a lot of questions about dating in the modern world today. Primarily, what is it that you are not willing to compromise. It is deep and there is an ongoing discussion about the “math” of dating and how it can become a business transaction. How much does “love” truly factor in the equation? “Materialists” is an authentic perspective on dating, brilliantly told through Celine Song’s detail and insightful mind.

1. Superman- In the current state of superhero movie fatigue, it is rare that one could still blow me away. James Gunn has revitalized the genre, especially for DC, and given us a Superman (with a sense of humor) we can truly look up to. He has resuscitated the tired story and given life to this tale with a contemporary take told by a stellar cast, including a scene stealing dog. This Superman leads with kindness, so much so that in the heat of battle he will stop to save a squirrel. His desire to be accepted by society, while still staying true to his innate virtue, pulls at your heart and inspires hope.

The Rest of the Best:

11. Jay Kelly

12. Together

13. Predator: Badlands

14. My Dead Friend Zoe

15. One Battle After Another

16. Dead Man’s Wire

17. It Was Just an Accident

18. The Perfect Neighbor

19. Baltimorons

20. Bob Trevino Likes It

Top 5 Worst Film of 2024

5. Wolf Man – Shockingly boring and pointless.

4. The Fantastic Four: First Steps – Waste of a perfectly good cast, AGAIN! But oh, the CGI on that baby is unforgiveable.

3. Anemone – Nepotism at its worst. Can’t believe Daniel Day-Lewis came out of retirement for this one.

2. Black Phone 2 – A sequel was clearly not necessary, but this movie was just an insult to the incredible original film. I’m still so disappointed.

1. Ella McCay – What in the world was this movie? Was the script not finished? Did the editor’s quit midway through? I’m not sure what happened here, but it was bad. VERY bad.

Trevor’s Top 10

10. Twinless

9. F1

8. Weapons

7. Eternity

6. Predator: Badlands

5. Black Bag

4. Materialists

3. Sinners

2. The Long Walk

1. Superman

Movie Review: “The Fantastic Four: First Steps”

While I loved Superman, the same cannot be said about the newest superhero movie to hit the big screen. The Fantastic Four always struggles to make a successful adaptation. They seemingly find the right cast, but the wrong script. The Fantastic Four: First Steps heads in a better direction than its predecessors but lacks the charm that typically leaves audiences wanting more.

Like James Gunn’s SupermanFirst Steps avoids an origin story. Set during a retro-futuristic 1960’s, the Fantastic Four and all their merchandise is adored in this world. Early in the film we learn that Sue Storm is pregnant with her and Reed Richard’s first child, which they had given up trying to conceive. This happy news is briefly celebrated around the world until Earth receives a harrowing warning by the Silver Surfer. She leads the Fantastic Four to a greedy and evil space God named Galactus, who threatens to destroy the planet unless Sue gives up her possibly superpowered baby.

I really wanted to love this one. The cast, including Pedro Pascal, Vanessa Kirby, Ebon Moss, and Joseph Quinn sounded so promising. But even their performances feel a little lackluster until the final act of the film. I do still have faith in them, but Marvel needs to figure out how to make audiences connect with their characters again. They had the right idea with Thunderbolts, but that may be because we already had established relationships with many of those characters. The only real attempt to feel anything here is Sue and Reed as first-time parents. Though we have empathy for them, what we know about those two, along with Johnny Storm and Ben Grimm is all surface level. And while the parenting storyline is sweet and I appreciate the simplicity of the plot, the embarrassingly poor CGI on their baby son is cringing and takes you out of the movie.

The biggest issue with First Steps is how it takes itself entirely too seriously. The jokes they attempt do not land, and with this group, you’d think there would be a few chuckles. The Fantastic Four: First Steps is the best out of the four adaptations so far, but that is not saying much. However, if you stick around for the end credit tease, they do leave audiences with something to look forward to. Giving a little bit of hope for these characters you so desperately want to root for.

Rating: C-

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Movie Review: “Materialists”

Materialists has officially revived the rom com genre with a modern take on a familiar story, and I for one, hope that this refreshing spin on love brings romantic comedies back to theaters. While the film is more of a romantic dramedy, it has all the makings of becoming one of my favorite films of the year.

Lucy is an ambitious young New York City matchmaker, who finds herself torn between the perfect match and her imperfect ex. Starring Dakota Johnson, Pedro Pascal, and Chris Evans, the plot raises a lot of questions about dating in the world today. Read full review here.

Rating: A+

“Materialists” opens in theaters June 13, 2025.

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Movie Review: “The Wild Robot”

From an iconic sculpture to a wild robot. Peter Brown’s literary sensation comes to life in one of the most talked about films of the year. The Wild Robot is already a front runner for Best Animated Feature as its moving story is touching the hearts of all audiences.

The film follows an intelligent robot called Roz, who’s voiced by Academy Award winner, Lupita Nyong’o. After a shipwreck, Roz is stranded on an uninhabited island where to survive the harsh environment, she bonds with the island’s animals. After accidentally crushing a goose nest, a single egg survives and hatches to reveal a little baby goose. Roz decides her purpose on this island is to now raise the goose, now named Brightbill, as her own and help get him ready for the upcoming winter migration. She gains the help of a scheming Fox, voiced by Pedro Pascal and the three of them naturally become family. Roz is goal is to complete this mission before finding her way back home.

While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.

And though the film may have you reaching for tissues, The Wild Robot is also filled with plenty of laughs and thrills. It’s a wonderfully immersive family adventure featuring a superb cast with an unforgettable message audiences of all ages can relate to.

“The Wild Robot” is currently playing in theaters.

Rating: A

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“The Wild Robot” – Activity Kit

THE WILD ROBOT is in theaters Friday, September 27. 

To celebrate, Universal Pictures and DreamWorks created activity sheets and activity pack for fans!

Click the link below and explore all the FREE fun activities you can do with the whole family!

The Wild Robot Movie Site | September 27, 2024 | DreamWorks

Watch the trailer below and the film when it hits theaters September 27, 2024!

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Movie Review: “The Unbearable Weight of Massive Talent” & “Bridgerton” Season 2

This week I review the hilarious new Nicolas Cage action/comedy, “The Unbearable Weight of Massive Talent” and the new season of the popular Netflix series, “Bridgerton”. 

“The Unbearable Weight of Massive Talent” opens in theaters April 21, 2022 and “Bridgerton” Season 2 is currently streaming on Netflix.

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Movie Review: “Wonder Woman 1984” Fails to Soar as High as its Predecessor

It pains me to write this review, as the first “Wonder Woman” movie was one of my favorite films of 2017. Patty Jenkins directed/wrote a simple, yet, thrilling, and charming story. It still holds up today as an incredible film. Sadly, the sequel, “Wonder Woman 1984” does not carry that same merit.

First off, what the heck!? I mean who approved this script!? Did they even refer to the last movie??

I just had to get that out. It is extremely frustrating, because we know DC can’t seem to figure out how to create the same kind of quality superhero movies like Marvel. That was until the first “Wonder Woman”. They found a gem in Patty Jenkins, and I know she is capable of much better than this.

“Wonder Woman 1984” picks up 66 years after Diana Prince (Gal Gadot) helped end World War 1 with the help of her friends and self-sacrificing boyfriend, Steve Trevor (Chris Pine). She’s now in Washington DC curating ancient artifacts; working with a socially awkward Barbara Minerva (Kristen Wiig). She is still saving the world, but she’s unhappy and living a lonely life without any loved ones.

Diana’s life is pretty routine until a foiled mall robbery shakes everything up. The incident leads to the discovery of an old artifact known as the dream stone, which grants wishes, but also takes something in return. It’s a dangerous tool that leads to a series of catastrophic events when it falls into the hands of a ponzi scam artist, Maxwell Lord (Pedro Pascal).

The acting in “Wonder Woman 1984” is good. Gadot has some stand out moments, particularly in a heartbreaking, emotional scene with Pine. And Pascal plays a hilarious, wacked out nut job. And Wiig does a fantastic job as Barbara/The Cheetah. She was actually my favorite part of the film. I just wish they utilized her more as a villain. Though Pascal is great to watch, I would have loved seeing Wiig in her full evil mode for much longer than what we’re given.

The problem here is in the writing. It goes beyond campy into cheesy territory. The opening sequence of the film is promising. But early on after Pascal steals the artifact, the movie just goes downhill. It gets muddled, and doesn’t even make that much sense. Maybe too many people were involved in writing the story, or maybe they were trying too hard to make a unique plot. But it didn’t work. They focused on corny jokes and a fluffy subject matter instead taking the route of the previous film’s darker tone. There are minimal action scenes, and the few we see have no real impact or awe factor. And I can’t go into detail, but there are so many problems with the ending. I would vent about if I could.

As a fan of the first “Wonder Woman”, I still have to advise you watch this sequel, and form your own opinion. There’s still some fun moments, and the characters are enjoyable. My only advice is to go in with the lowest of expectations.

Rating: 3/5

“Wonder Woman opens in theaters and streams on HBOMax December 25.

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