Archives for : Family
While I loved Superman, the same cannot be said about the newest superhero movie to hit the big screen. The Fantastic Four always struggles to make a successful adaptation. They seemingly find the right cast, but the wrong script. The Fantastic Four: First Steps heads in a better direction than its predecessors but lacks the charm that typically leaves audiences wanting more.
Like James Gunn’s Superman, First Steps avoids an origin story. Set during a retro-futuristic 1960’s, the Fantastic Four and all their merchandise is adored in this world. Early in the film we learn that Sue Storm is pregnant with her and Reed Richard’s first child, which they had given up trying to conceive. This happy news is briefly celebrated around the world until Earth receives a harrowing warning by the Silver Surfer. She leads the Fantastic Four to a greedy and evil space God named Galactus, who threatens to destroy the planet unless Sue gives up her possibly superpowered baby.
I really wanted to love this one. The cast, including Pedro Pascal, Vanessa Kirby, Ebon Moss, and Joseph Quinn sounded so promising. But even their performances feel a little lackluster until the final act of the film. I do still have faith in them, but Marvel needs to figure out how to make audiences connect with their characters again. They had the right idea with Thunderbolts, but that may be because we already had established relationships with many of those characters. The only real attempt to feel anything here is Sue and Reed as first-time parents. Though we have empathy for them, what we know about those two, along with Johnny Storm and Ben Grimm is all surface level. And while the parenting storyline is sweet and I appreciate the simplicity of the plot, the embarrassingly poor CGI on their baby son is cringing and takes you out of the movie.
The biggest issue with First Steps is how it takes itself entirely too seriously. The jokes they attempt do not land, and with this group, you’d think there would be a few chuckles. The Fantastic Four: First Steps is the best out of the four adaptations so far, but that is not saying much. However, if you stick around for the end credit tease, they do leave audiences with something to look forward to. Giving a little bit of hope for these characters you so desperately want to root for.
Rating: C-
The first “Accountant” surprisingly charmed and entertained audiences. While I did not expect a sequel, I certainly don’t mind getting to see Ben Affleck and Jon Bernthal team up again. Though it’s hard to beat the refreshing plot of the original film, this second installment adds up to a solid watch.
Ben Affleck returns as Christian Wolff, an unusual accountant with a brilliant mind that can calculate far more than tax returns. Read the full review here.
Rating: B
“The Accountant 2” opens in theaters April 25, 2025
Is Walt Disney’s newest live-action remake of the 1937 classic, “Snow White” the fairest of them all? Not quite, but it is certainly not the worst remake.
The film stars the musically talented songbird, Rachel Zegler as the fairest of them all and Gal Godot trades her golden lasso for a poison apple as the Evil Queen. For those not already familiar with the tale, it follows Snow White, a young woman who is forced to run away from her jealous stepmother, the Evil Queen, and seeks shelter in a cottage in the forest by seven new friends with distinct personalities. There are a few changes to the original story that is better left unspoiled, but what I can tease is the beautiful music by writers Benj Pasek & Justin Paul, known for “La La Land” and “The Greatest Showman”. The two add the magical Disney touch to the film with songs like “Waiting on a Wish”. And no surprise Zegler and Gadot do a fine job, fully committing to their characters and bringing life and more depth to the dynamic of their relationship that was never fully developed in the original movie.
Of course, with every Disney live-action remake, we ask, was this film necessary or worth making? In all honesty, not really. There has yet to be one that is truly “better” than the animated classics. The quality, the writing, and even the animation was so good for its time, that when we rewatch we can appreciate the wonder and awe felt during that time. Though I understand wanting to modernize the story, especially a dated damsel in distress plot. It’s nice to see these princesses have their own strength and not rely soley on a man to save them. What these remakes are trying to do is not bad, but maybe instead of trying to redo an already beloved tale, create an original “fairy-tale” story that would enhance new technology. Even an original story like “Cruella” is more inspiring to watch.
Regardless of live action or animated preference, the film is still an entertaining watch, with its toe-tapping Broadway style original songs, heartwarming moments, and stunning visuals, ‘Snow White” is a solid musical reimagining the worth seeing with the family in theaters.
Rating: C+
It’s January so most moviegoers know this is what we call “dump month”, it’s where films like the new horror reboot, “Wolf Man” go to die. That’s right, this is not a rare January horror gem like MEGAN. Unfortunately, filmmaker Leigh Whannell fails to bring the wit and care he has provided in his past films.
The film stars Christopher Abbott and Julia Garner as a couple looking to reconnect and build a stronger relationship with their daughter, who is apparently disconnected from her working mom. This subplot is briefly mentioned, in an aimless way, and we’re supposed to feel for this family’s apparent struggle with no background or character development to their strained marriage. The only backstory is at the top of the film, where we see Abbott’s character, Blake, at a young age with his stern father in a remote house in the woods. It is there we first learn about the bigfoot type creature lurking in the forest. Fast forward 30 years later, Blake has learned about his father’s passing and now wants to take this opportunity to rebuild his own family with a trip to this abandon farmhouse. On their way there, they are attacked by an unseen animal, and as the night goes on, Blake begins to transform into something unrecognizable.
Early reactions called this film a hardcore, terrifying watch. Outside of a couple of jump scares, “Wolf Man” lacks fear, suspense, and most importantly, fun. We don’t expect a film like this to be groundbreaking or have an amazing story, but at the very least, provide some entertainment. The film is slow, spending most of its time sitting around in the dimly lit home waiting for the dad to turn full werewolf. This might have to do with Whannell’s attempt at a “deeper” story about how to parent and love your child. But this message is completely lost on audiences, as the film never finds its footing and the actors never fully commit to their performance. Both Abbott and Garner deserve more from their script and it’s evident, they showed up for the paycheck and nothing more.
Horror fans should still form their own opinion but be warned; besides a few creative shots and the previously mentioned scares, “Wolf Man” is more of a slow dumpster fire rather than a slow burn. It’s a predictable, uninspired story that’s all bark and no bite.
Rating: D
“Wolf Man” opens in theaters January 17, 2025.
“Wicked” has been a beloved stage production. Wicked has been a beloved stage production. Now you can see the story on the big screen in theaters with the whole family during the holiday season. Visionary director Jon M. Chu, who brought us “Crazy Rich Asians” and “In the Heights” inspires audiences with a truly magical retelling of the emotional Broadway hit.
For those who don’t know the story, it’s about Elphaba, a young woman who’s misunderstood because of her green skin, and Glinda, a popular girl she meets at Shiz University in the Land of Oz. The two don’t get along at first, Glinda is completely unaware of how self-absorbed and offensive she is and Elphaba doesn’t make much of an effort with her. But when they are forced to room together, the two eventually get to know each other in a way that no one else has. They form a beautiful friendship that moviegoers can’t help but fall in love with. However, that friendship is challenged when they have what they hoped would be a dream meeting with the Wonderful Wizard of Oz.
The film is a vibrant reimagining of the classic Wizard of Oz movie and spotlights the untold origin story of the Wicked Witch of the West and her once dear friend, Glinda the Good Witch. And in a lot of ways, I enjoy this story more. It raises the questions – are people born evil? Are those who claim to be heroes truly good? But more importantly, it sends a powerful message about not judging people for the way look, but for who they are on the inside. Thankfully, Cynthia Erivo and Ariana Grande’s chemistry leaps off the screen. And if you have seen them during this press tour, it’s clear they have built a genuine friendship of their own. The two pour their hearts into unforgettable, award worthy performances. Especially, a hilarious and scene stealing Ariana Grande.
Though some have complained about the film’s nearly three-hour runtime, it allows for effective character development while impressively moving quickly and surprisingly leaves you wanting more. Thankfully, this is only the first part for the bold adaptation and fans can look forward to part 2 next year. In the meantime, this is the holiday film you want to see in theaters as you will be swept away by the dazzling visuals and moving musical numbers that undeniably defy gravity. “Wicked” is a breathtaking spectacle everyone can enjoy.
Rating: A+
From an iconic sculpture to a wild robot. Peter Brown’s literary sensation comes to life in one of the most talked about films of the year. The Wild Robot is already a front runner for Best Animated Feature as its moving story is touching the hearts of all audiences.
The film follows an intelligent robot called Roz, who’s voiced by Academy Award winner, Lupita Nyong’o. After a shipwreck, Roz is stranded on an uninhabited island where to survive the harsh environment, she bonds with the island’s animals. After accidentally crushing a goose nest, a single egg survives and hatches to reveal a little baby goose. Roz decides her purpose on this island is to now raise the goose, now named Brightbill, as her own and help get him ready for the upcoming winter migration. She gains the help of a scheming Fox, voiced by Pedro Pascal and the three of them naturally become family. Roz is goal is to complete this mission before finding her way back home.
While the animation is stunning, the beauty of this movie is the simplicity. Director Chris Sanders has taken Peter Brown’s story and effectively touched on the current state of humanity, the impacts of global warming, and most importantly, the significance of compassion and motherhood. It may sound like a basic or familiar plot, but through its characters, visuals, and subtly it’s a surprisingly refreshing tale. Lupita Nyong’o and Kit Connor’s mother-son relationship is breath-taking and will likely make you want to immediately hug your own mother or parental figure in your life. It also reminds us; you don’t have to give birth to a child to give them life.
And though the film may have you reaching for tissues, The Wild Robot is also filled with plenty of laughs and thrills. It’s a wonderfully immersive family adventure featuring a superb cast with an unforgettable message audiences of all ages can relate to.
“The Wild Robot” is currently playing in theaters.
Rating: A
A Real Pain follows opposite cousins David and Benji who reunite for a tour through Poland to honor their beloved grandmother. But their adventure takes a turn when tensions between the two resurface. The movie premiered at the Sundance Film Festival with high praise as it dives into the two character’s emotions and backstory.
Jessie Eisenberg plays the high strung, anxious family man, David and Emmy winner, Kieran Culkin plays the charming, carefree, erratic Benji, who will say whatever is on his mind even if it is inappropriate. These characters grew up like brothers, but eventually life drove them apart, affecting one of them more painfully than the other. Culkin and Eisenberg are the perfect “odd” couple that you would think are related in real life. This is due to Eisenberg’s deeply personal screenplay.
Though the two are on a journey to see the home their grandmother grew up in, along the way they take an impactful tour with a group of strangers to explore their Jewish roots, igniting a roller coaster of emotions as they visit stunning landscapes of their ancestor’s and the Holocaust camps near their grandmother’s old town. And surprisingly, this is the first time a narrative feature has been allowed to shoot on location at an actual concentration camp, making those scenes even more touching and powerful. But what’s going to move audiences are the performances. Eisenberg doesn’t veer from the type of characters we are used to seeing him play, but he is at his best in a role that feels his most authentic. While Culkin leaves you in tears from his heartfelt portrayal of Benji’s constant high and lows throughout the film as he grieves his grandma and deals with his own internal struggles.
The pain both characters are going through impressively speaks louder from their actions and sometimes silence, more so than any words they express to each other. A Real Pain is a sincere and thought-provoking, emotional journey that is elevated by the film’s beautiful and unforgettable performances. It’s a rare gem that will stay with you all year.
Rating: A-
Mother’s have a tendency to want to care for everyone and handle everything. Making it hard for them to find any time for themselves. In the new comedy, “I’ll Be Right There”, Edie Falco stars as a mom who is constantly giving rides and all of herself to the loved ones in her life.
The film begins with Wanda (Falco) at the doctor’s office consoling her mom, Grace (Jeannie Berlin), who is convinced she has lung cancer. She then has to drive her pregnant daughter, Sarah (Kayli Carter) to the doctor’s office to check on the baby. After that she has to meet her son, Mark (Charlie Tahan) for his therapy appointment, where he shows clear signs of resentment towards his mother. You see, in addition to Wanda continuously trying her best to there for everyone, they don’t appear to be appreciative of her efforts. And Wanda’s ex-husband, Henry (Bradley Whitford) is no help because he’s too busy with his new wife and kids that he can’t seem to support either.
I know what I have described is far from groundbreaking and we’ve have certainly seen versions of this story before, but that doesn’t mean “I’ll Be Right There” isn’t offering something fresh. The heart and soul of this movie is Falco, who you connect with from the start. It’s her authentic and relatable performance as a mother who’s just trying to keep it all together that makes her so easy to care for her. She naturally shines and those around her are a solid supporting cast.
“I’ll Be Right There” has a simplistic charm to its mild story. The screenplay could have used a little more meat, but writer Jim Beggarly got the point across; writing about the ups and downs of family drama and Wanda being forced to re-examine herself. And in just under an hour and half, you will feel as though that comedic, yet bittersweet journey of self-discovery flew by.
Rating: B-
After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her teenage daughter accidentally opens the portal to the afterlife. I review the long-awaited sequel to one of Michael Keaton’s legendary roles, “Beetlejuice Beetlejuice”.
“Beetlejuice Beetlejuice” is currently playing in theaters.
Rating: B+