
Archives for : Comedy

Mimi Caves directorial debut serves a familiar dish, but with a “fresh”, new taste.
I hate to spoil anything about Fox Searchlight Pictures’ “Fresh”, so I’m going to keep it brief.
The film follows, Noa (Daisy Edgar-Jones), a young woman whose tirelessly looking for love through dating apps. The opening scene of the movie is an awkward, horrible first date. Noa is left feeling hopeless, and thinking that she’ll ever find a good guy. Her best friend, Mollie (Jojo T. Gibbs) is always by her side to console her and tell her she doesn’t need a man, but Noa still hopes for that special someone.
On a random evening at the grocery store, a handsome, charming man named Steve (Sebastian Stan) hits on Noa by the produce section. Sparks fly and they begin to date. They seem to have a true romantic connection. After a few dates, Steve suggests taking Noa away for the weekend. Unfortunately, this dream vacation quickly turns into an unthinkable nightmare.
Cave’s debut feature goes from rom-com to a dark, provocative horror. Audiences may think they’ve seen this story before, but it hasn’t been told quite like this. For starters, the film features a Grade-A cast. Stan’s character is unlike anything he’s played before. Between this film and “Pam and Tommy”, he’s proving his incredible versatility as an actor. And Edgar-Jones gives an unforgettable performance, as she brings a whole new level to the “damsel turns badass” story arc.
Screenwriter, Lauryn Kahn carves out a sharp, witty, and thrilling script. Caves brilliantly brings Kahn’s words to life with her directing. The film’s images range from picturesque to beautifully grotesque. “Fresh” delivers the whole package. It’s a deliciously, twisted horror/comedy that leaves you craving more.
“Fresh” is available to stream on Hulu on March 4, 2022.
Rating: A

“Licorice Pizza” is Paul Thomas Anderson’s newest, lighthearted romance and “Hawkeye” is Marvel’s newest mini-series. I reviewed both! Find out if they should be on your “must watch” holiday list.
“Licorice Pizza” opens on December 25, 2021
“Hawkeye” is currently streaming on Disney Plus

“Eternals” introduces a new, diverse group of immortal superheroes. Marvel Studios gives audiences another cinematic experience in this visually stunning and moving film. Watch my review of the movie and a preview of the upcoming sci-fi/comedy, “Ghostbusters: Afterlife”.
“Eternals” opens in theaters November 5, 2021 and “Ghostbusters: Afterlife” opens November 19, 2021.

Brother’s Justin and Christian Long directed and wrote the hilarious new comedy, “Lady of the Manor”. The film follows Hannah ( Melanie Lynskey), a sloppy, lazy mess who becomes a tour guide for a historic estate and winds up befriending the manor’s resident ghost (Judy Greer).
I got a chance to speak with Justin and Christian about the film and both the interview and film is a “laugh out loud” good time.
“Lady of the Manor” is currently playing in theaters.

At first glance, “Zola” might have you wondering; “What in the world am I watching?” Some may even want to stop the film all together. If you power through, you will treat yourself to a captivating story and some intoxicating performances.
“Zola” is based on the viral 148 tweets by the A’Ziah “Zola” King. In the film, Zola (Taylour Paige) plays a Detroit waitress who meets a stripper, Stefani. (Riley Keough) Stefani lures her on a road trip to Florida with her boyfriend (Nicholas Braun) and “roommate” (Coleman Domingo) under false pretenses. What she thinks will be an opportunity to strip from some quick cash turns into a terrifying sequence of events.
The best way I can describe “Zola” is like watching a really bad, but visually satisfying car accident unfold. You just can’t look away even though part of you might want to. And when it’s over, those images will forever haunt you.
What happily stays with you are the incredible performances by entire cast. Paige and Keough carry the film with their cringe-worthy, odd friendship. Stefani is unbelievably offensive and shows no self-awareness, while Zola is the voice of reason that will keep audiences sane. Another polarizing stand out is Coleman Domingo, who plays Stefani’s “roommate” aka her pimp. He is both humorous and frightening. Domingo creates a powerful presence anytime he is on screen.
“Zola” is meant to make audiences feel uncomfortable and pull you into the world of the two leads; where they are trapped and forced into unwanted sexual encounters. Director/Writer Janicza Bravo wants you to feel the same fear that these young girls are feeling.
Some will find “Zola” to be a smart, stylish, summer joyride. While others will see it as a dirty, annoying movie that gets under their skin. Either way you view it, the film is absolutely hypnotizing. And after it was done, Bravo had me under her trance.
Rating: B-
“Zola” is currently playing in theaters and coming soon on VOD.

Billy Crystal is a legend. He’s quite possibly the best Oscar host, and starred in a number of hilarious comedies. So, when you hear he directed, wrote, and stared in the new comedy, “Here Today”, you go in with high expectations.
“Here Today” features Crystal as Charlie Berns, a nearly retired comedy writer who is part of the staff for the Saturday Night Live style variety show called “This Just In”. The majority of the writers are young and see Charlie as a dated comic. But he proves in many ways his seasoned talents are still useful. One day he goes to lunch with Emma Payge (Tiffany Haddish), a woman who has won a meal with the writer from a silent auction. After a dramatic allergic reaction to seafood, the two form an unlikely bond. As their friendship grows, Emma discovers Charlie has been hiding his health problems from his loved ones. He is suffering from dementia and is getting lost in his memories.
Emma takes it upon herself to look after Charlie. Seeing that he has a strained relationship with his two children (played by Penn Badgley and Laura Benanti), one of which blames him for their mother’s death. At times, the film toys with the idea of Emma and Charlie as something more than friends. Luckily, this is not a romantic comedy, and any suggestion of these two being intimate is absolutely cringe-worthy. The film shines when they are strictly platonic. It’s heartwarming to see two lonely people finding comfort and safety in each other.
“Here Today” tells a sweet story, and there was a lot of potential for an even better film from this premise. Unfortunately, for a movie that is labeled a “comedy”, there weren’t a whole lot of laughs. or starters, the scenes where Crystal forgets something are incredibly sad; including a moment where Charlie can’t take his memorized route to work. That is almost unbearable to watch. The sketch show within the film, “This Just In”, is unbearable in a different way. The jokes are corny and painful. We can thank Haddish for the comic relief. Her delivery is naturally funny. It seems Crystal intended for her to rise as the comedic star.
Everyone can empathize with Charlie; and if you know anyone with dementia, you’ll recognize the truths behind this awful disease. But somehow balancing Charlie’s issues with humorless TV gags throws off the tone and takes away from what could have been a compelling story. Though it’s hard not to find some enjoyment in “Here Today”, Crystal and Haddish are a delightful pair. But as whole, something just doesn’t quite click.
Rating: 2.5/5
“Here Today” opens in theaters May 7, 2021

The movies of 2021 have had a slow start. Aside from “Raya and the Last Dragon”, there’s not a whole lot of stand outs. But Netflix’s new animated, action-comedy, “The Mitchells vs. The Machines” is easily one of the best films of the year.
Katie Mitchell (Abbi Jacobson) has felt like an outcast during most her teen years. She spends a lot of her free time making funny, unique videos of her brother Aaron (Michael Rianda) and their dog. Though she has a loving family, she has yet to find “her people” that share her similar artistic interests. Her dad, Rick (Danny McBride), especially seems confused by Katie’s “art” and worries making videos won’t be a profitable way to make a living. This doubt is part of the reason why Katie and her father always butt heads, and no longer have the bond they once shared when she was a little a girl.
As luck would have it, Katie gets accepted to her dream film school. She’s already clicking with her future classmates, and can’t wait to fly off to orientation. But her father has another idea in mind. In order to rebuild their relationship, he cancels Katie’s flight; and plans a surprise road trip for the whole family to spend one last hurrah before they drop Katie off to college. An already bumpy ride turns into a disaster when the newest service of AI robots- known as the PAL go haywire, and all humans are under attack by the robot mercenaries. And somehow, the only people that can now save the world are the Mitchells!
“The Mitchells vs. The Machines” has a lot of shining parts. Directors/Writers Michael Rianda and Jeff Rowe have created a film that is original, clever, funny, touching, and an absolute blast. This is a movie that both kids and adults will connect with and enjoy. Yes, though Katie and her dad have had their arguments, the entire family has drifted by burying themselves in their phones and electronics. Katie’s mom, Linda (Maya Rudolph), is obsessed with other families’ online personas; admiring a life she wished she had. And her brother is obsessed with everything dinosaurs. Rick is the only one in the family who hates technology, and enjoys more of the outdoors. It’s enough to make you think twice before pulling out your phones when you’re spending time with your family.
I know Danny McBride is funny, but this is hands down his best role. He is hilarious and endearing. He’s the parent that we either have or we hope to be. His desire to rebuild his relationship with his daughter is incredibly moving. And his character is only elevated by his on screen wife. Rudolph plays a badass mom who might have some insecurities but she loves her children and will stop at nothing to protect them. Of course, the star of the film, Abbi Jacobson is fantastic. She’s a character you empathize with and root for.
A good number of laughs in the film can be credited to Olivia Coleman who does the voices for the digital villain PAL AI system. She’s snarky, yet serious. The very idea of her character is terrifying, but seeing such a villainess in the form of a phone is extremely comical.
The film never veers off course. From the start you’re immediately engaged by this quirky family, and quickly taken on an exciting adventure. Take in all the gorgeous animation scenery, and enjoy every thrilling stop. “The Mitchells vs. The Machines” is wild and fun ride everyone should take!
Rating: 5/5
www.netflix.com/TheMitchellsVsTheMachines















