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Fantastic Fest Interview: Allison Williams & Richard Shepard talk “The Perfection”

Richard Shepard, Allison Williams, and Logan Browning on the red carpet at Fantastic Fest for the premiere of “The Perfection”.

 

This was my first year at Fantastic Fest and I was treated to a lot of great movies. But the one that stands above the rest was Richard Shepard’s (The Matador and Dom Hemingway) horror-thriller, The Perfection.

The film follows Charlotte (Allison Williams), a former child prodigy cellist, who after a decade returns to the people that helped train and groom her into the powerhouse sensation she once was. However, another woman Elizabeth (Logan Browning), has taken her place and what unfolds after the two’s meeting is better left a mystery until viewing.

Director Richard Shepard explained his inspiration behind the movie came from the structure of Korean movies like Old Boy and The Handmaiden. “American movies don’t do that sort of structure and I had been itching to do a film with horror elements.”

Allison Williams (Girls and Get Out) stars alongside Dear White People’s, Logan Browning. Both give unforgettable performances that will have audiences squirming in their seats. While the two were magnetic on screen, they were also helpful behind the scenes. “I invited both Allison and Logan in the editing room because I felt, Oh they’re going to be able to help me see things I may not see. Because an actor inherently has a bullshit detector that a lot of people don’t have. Because it’s so hard to be an actor. Actors really have to lose themselves and if something feels false, they know it almost more than anyone,” said Shepard.

Without giving too much away, you’re never certain which direction this intense thrill ride is going take until the very end. But the journey getting there is a good one. “I wish there was a way, and I guess there is, to attach some kind of monitoring system to audiences watching this movie. About like who they trust, what they think the plot is, throughout the movie; and it would be like an EKG and like spiking, you know? And I think that’s one of the things Richard does so well. As an audience member watching, you know that whoever made it is in control of it. So it’s not that awful feeling of I don’t know what’s going on and I think I’m supposed to know what’s going on. You’re like I know exactly as much as the filmmaker wants me to know in this moment, and it’s really fun not knowing anything more than that,” explained Williams.

Finding the balance of making a movie that keeps the audience on its toes while still maintaining focus is a rare skill.  And often times, a film that tries to trick the audience too much can result in a mess. Luckily, The Perfection never veers off track. “I believe that if that we can keep the audience off kilter, but at the same time have them care about the characters even when their doing stuff that they can’t believe their doing; they still care for them. It’s also challenging because you don’t want to lose your audience. You want to make the surprises feel fun as opposed to confusing.” said Shepard.

Williams then went on to explain how the film immediately will have you hooked, “It takes guts to start it off with the film’s opening shots of just static like locked frames, and its muted colors and it’s clearly a sad scene. For a film buff, there’s sort of an embarrassment of riches in there. It sort of tells you everything you need to know about the movie, but you just have no idea yet. Most opening scenes of movies are sort of tangential to the actual plot of the movie, but hopefully they’re of the same caliber. This is much more informative than anyone will know until they finish watching the movie.”

Williams added that The Perfection is a film that should be seen twice as you will gain respect for it after a second viewing and realizing how deliberate everything was. “We labored over this. We cared about every millisecond of the movie. And it wasn’t until yesterday. There was a group of us that thought about every second we put into this. And it’s so vulnerable to care so much about something. And now it doesn’t belong to us anymore; it belongs to you guys.”

Though The Perfection may be baffling at first, just relax and let the film string you along. This is a performance that’s worth sitting through.

Rating: 5/5 (The title is self-explanatory, this film is a perfect score)

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Top 10 Best Films of 2016

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10. The Edge of Seventeen

As a fan of John Hughes and really any High School teen angst film, this movie was always going to be my cup of tea. But, what’s so refreshing about The Edge of Seventeen is its more realistic take on an extremely socially awkward girl who’s struggling to get through High School. As embarrassing and uncomfortable some of the scenes might be, they never veer into non-genuine territory.

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9. La La Land

I’m always a sucker for a story that is about following your dreams. La La Land is a whimsical movie that takes an overused plot and turns it into a vibrant and colorful musical. It is a wonderful reminiscence of the once popular classic musical genre. But it’s the always magnetic chemistry between Ryan Gosling and Emma Stone, who nail their on-screen romance for a third time that makes the film what it is–A True Hollywood Delight.

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8. Sully

Initially when I heard this film was being made, I thought, “Why?! What’s the point?” Given, that this is the story of Chelsey Sullenberg, the pilot who landed his damaged plane in the Hudson River and saved everyone on board. It hardly seemed like an exciting story to tell. Well, thank goodness, this film was made! Clint Eastwood (My favorite director of the year) brilliantly recounts the events by scattering the plane’s crash throughout the film using flashbacks. Through this edit, the film never feels slow or boring. But more importantly, it’s uplifting to see a movie based on a true “almost tragedy” where no one dies, there’s no shooting, and no explosions. Sully is a reminder that there are heroes, and believe it or not, there is positive news in the media.

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7. 20th Century Women

Annette Bening truly shines as a leading lady in this film. Along with this amazing ensemble cast, 20th Century Women is another great addition to the coming-of-age genre. A tender, introspective film about a young boy and the three women who influenced his life.  

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6. Deadpool

Let’s put aside the fact that this was Ryan Reynolds passion project, and it’s the first R-rated Marvel movie. What’s so great about Deadpool is how self-aware it is (i.e. the opening credits). He is the only Marvel character who breaks the fourth wall and talks to the audience, allowing him to make fun of the film. And oh, how funny this film is.  Deadpool was a risk that fully paid off and thoroughly entertained.

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5. Nocturnal Animals

Designer Tom Ford’s shockingly deep and clever screenplay still amazes me. Featuring some of the best performances by Jake Gyllehaal, Amy Adams, Michael Shannon, and Aaron Taylor-Johnson. Ford uses his gift of striking visuals to create a sexy, mesmerizing story about past loves, regrets, aspirations, and revenge.

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4. Zootopia

For those who haven’t seen Zootopia yet, the film is much more than the trailer perceives. Though the big picture theme of going after impossible goals will have kids entertained, adults young and old can appreciate the message of fighting stereotypes and other social issues of today that are so well represented in this charming animated feature. 

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3. Captain America: Civil War

There is so much to admire about Captain America: Civil War. There are many layers to this thought-provoking story, which still has me debating whose right and whose wrong. Should superheroes be above the law?  Is defeating a villain worth an innocent life? The execution of this premise brilliantly told through a smart script, and a well-focused direction is why Captain America: Civil War stands out above other superhero movies.

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2. Manchester by the Sea

Though we’ve seen a few films take on the subject matter of someone becoming the guardian of a kid after their parents’ passing, we have yet to see it done so masterfully. Manchester by the Sea is a gut-wrenching story about painful losses, that’s cut with elements of humor and laughter. The film is enhanced by its rich and well developed characters. Casey Affleck gives his best performance yet, which is sure to earn him an Oscar nod and a very likely deserving win. 

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1. Don’t Think Twice
It was tough to pick this top spot, but ultimately, I went with the film that hit close to home and had me crying during and after the movie was over. Don’t Think Twice is a dark comedy about a group of best friends who preform improv together at a popular New York City comedy club. They are all chasing after the same goal, to become part of New York’s hit sketch comedy series, Weekend Live. But when only one of them lands a spot on the TV show, it not only changes the group dynamic but also puts everyone else’s life in perspective, questioning whether or not everyone in the group is capable of achieving their dream job. It’s a relatable story for anyone who struggles to have a career in what they are passionate about.

The Rest of the Films that Deserve Recognition:

11. Captain Fantastic
12. Rogue One: A Star Wars Story
13. The Handmaiden
14. The Jungle Book
15. Moana
16. A Monster Calls
17. The Invitation
18. The Magnificent Seven
19. My Blind Brother
20. Arrival

Top 5 Worst Films of 2016

5. American Honey – Too long and too much of nothing.

4. Billy Lynn’s Long Halftime Walk – Vin Diesel’s performance alone made this film beyond cringe-worthy.

3. Independence Day: Resurgence – Overflows with cheesy lines and just so, so stupid.

2. Jack Reacher: Never Go Back – A HORRID father/daughter subplot that overshadows the entire film.

1. Zoolander 2 – How dare this movie be made!

Best of 2016 from the NTFCA – North Texas Film Critics Association

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NORTH TEXAS FILM CRITICS NAME LA LA LAND” AS BEST FILM OF 2016

The North Texas Film Critics Association voted the romantic musical LA LA LAND as the best film of 2016, according to the results of its annual critics’ poll. Completing list of the top 10 films of the year were MANCHESTER BY THE SEA (2), MOONLIGHT (3), HACKSAW RIDGE (4), LOVING (5), ARRIVAL (6), CAPTAIN FANTASTIC (7), NOCTURNAL ANIMALS (8), JACKIE (9) and THE BIRTH OF A NATION (10).

For Best Actor, the association named Casey Affleck for MANCHESTER BY THE SEA. Runners-up included Ryan Gosling for LA LA LAND (2), Denzel Washington for FENCES (3), Andrew Garfield for HACKSAW RIDGE (4) and Don Cheadle for MILES AHEAD (5).

Natalie Portman was voted Best Actress for JACKIE. Next in the voting were Emma Stone for LA LA LAND(2), Amy Adams for ARRIVAL (3), Emily Blunt for THE GIRL ON THE TRAIN (4) and Ruth Negga for LOVING (5).

In the Best Supporting Actor category, the winner was Michael Shannon for NOCTURNAL ANIMALS. He was followed by Mahershala Ali for MOONLIGHT (2), Dev Patel for LION (3), Jeff Bridges for HELL OR HIGH WATER (4) and Lucas Hedges for MANCHESTER BY THE SEA (5).

For Best Supporting Actress, the association named Michelle Williams for MANCHESTER BY THE SEA. Runners-up included Viola Davis for FENCES (2), Naomie Harris for MOONLIGHT (3), Octavia Spencer for HIDDEN FIGURES (4) and Janelle Monáe for HIDDEN FIGURES (5).

Damien Chazelle was voted Best Director for LA LA LAND. Next in the voting were Barry Jenkins for MOONLIGHT (2), Mel Gibson for HACKSAW RIDGE (3), Denis Villeneuve for ARRIVAL (4) and Kenneth Lonergan for MANCHESTER BY THE SEA (5).

The association voted ELLE as the Best Foreign Language film of the year. Runners-up were THE HANDMAIDEN (2), THE HUNT FOR THE WILDERPEOPLE (3), TONI ERDMANN and THE SALESMAN tied for the last spot (4).

GLEASON won for Best Documentary over 13th (2), TOWER (3), WEINER (4) and THE EAGLE HUNTRESS (5).

ZOOTOPIA was named the Best Animated film of 2016, over KUBO AND THE TWO STRINGS (2) and SING (3).

The award for Best Cinematography went to Linus Sandgren for LA LA LAND, followed by James Laxton for MOONLIGHT (2), Bradford Young for ARRIVAL and  Simon Duggan for HACKSAW RIDGE tied for the next spot (3) and Stéphane Fontaine for JACKIE (5).

This year’s awards were dedicated to the memory of our past president, Gary Murray. In his honor, next year we will designate an award in perpetuity. The Gary Murray Award will honor the Best Newcomer in a film.

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