"Wealth, Travel, Fame…I can take you to movies that have all of that." -Me and Orson Welles
Regretting You is based on Colleen Hoover’s best-selling novel. While there is a lot less gossip surrounding this film adaptation, there is also...
While there are a few new horror flicks you can catch in theaters, “Stitch Head” is one you can take the whole family to see. Based on the...
Most of us have a moment from High School we wish we could redo. It’s a time when trivial things feel much bigger than they are. Though high school...
Based on the shocking true story; a charismatic criminal, on the run from the police, hides in a Toys”R”Us. There, he adopts a new identity...
“A young woman (Miranda Cosgrove) joins a dating show thinking it’s in Paris, France, but it’s actually in Paris, Texas. She plots a...
This week I’ve got reviews of a couple hot new films for you to see. “Irresistible” is a sharp satire of political campaigning from Jon Stewart, and “Relic”, tells a haunting story that will hit close to home for many viewers.
“Irresistible” is available On Demand June 26.
“Relic” is available On Demand July 10.
In the latest ICTN movie review, we check out the new film by Judd Apatow, “The King of Staten Island.” We also have a preview of Joseph Gordon-Levitt’s intense, new thriller, “7500” and Kevin Bacon’s new horror film, “You Should Have Left.”
“The King of Staten Island” is available On Demand now.
“7500” is available to stream on Amazon Prime June 18th.
“You Should Have Left” is available On Demand June 19th.
Judd Apatow is responsible for some of the best comedies of our time including, “Knocked Up”, “40 Year-Old Virgin”, and “Trainwreck”. His films typically dive deeper than the usual comedy. He takes the time to have audiences understand his leads and provides a sincere character study. We continue to gain perspective on another lost soul in Apatow’s new heartfelt comedy, “The King of Staten Island”.
This time Apatow has teamed up with Saturday Night Live standout, Pete Davidson. Together, alongside co-writer Dave Sirus, they bring Davidson’s personal experiences to life.
“The King of Staten Island” is about a young man named Scott (Davidson) who’s still living in his mother’s basement, and seems to be going nowhere in life. Scott has had issues ever since his father passed away on the job responding to a fire when he was seven. Since then, he hasn’t been able to grow up and become an independent adult. Everything changes when his younger sister Claire (Maude Apatow) goes off to college, and his mother Margie (Marisa Tomei) starts dating another firefighter named Ray (Bill Burr).
Margie is finally able to move on and think about her own happiness. This forces Scott to get a job, and look for a new place to live. Unfortunately, Ray gets the blame for this sudden shift in Scott’s life, and naturally he hates him. The two butt heads and carry on a hilarious banter throughout the movie; which eventually leads to a powerful and emotional realization of unresolved grief.
What I have always loved about Apatow’s movies is the writing. Not only is it authentic and honest, but it’s also so damn funny. The dialogue is awkwardly realistic and witty. And his always talented casts help elevate the script.
Apatow’s daughter is a knock out; and Tomei does a fantastic job, as usual, playing an endearing, sweet mom. But it’s Davidson and Burr who shine. Davidson solidifies his career by bringing humor and genuine emotion without ever appearing to try too hard. Burr is obviously funny and sarcastic, but he also has depth and just the right amount of heart to make you understand why Margie could fall for him so quickly.
“The King of Staten Island” tells a unique story about grief, loss, and love. Showing that for your own health, it’s important to confront your issues, and allow the people around you to help in the healing process.
Some may be discouraged by the nearly two and half hour runtime, but don’t let the semi-slow pace deter you from this beautiful, well made, coming-of-age film.
Rating: 4/5
I’ve got a couple of new film reviews for ya! First is “The High Note”, another mentor/mentee film that makes the most of its’ cast and should hit the right note with its’ audience.
Then there is the new Amazon Studios movie, “The Vast of Night”, which plays as a wonderful homage to “The Twilight Zone”. This film will satisfy that sci-fi itch with suspense, mystery, wonder and nostalgia.
“The High Note” is available on various On Demand platforms May 29.
“The Vast of Night” is available on Amazon Prime May 29.
All is not lost in the new romantic comedy, starring Leslie Bibb and Josh Duhamel.
Based on the novel by Katherine Center, “The Lost Husband” follows Libby (Bibb), an attractive young woman, who has lost her husband in a tragic car accident. Libby and her two children (Callie Hope Haverda & Roxton Garcia) have been living with her difficult mother (Sharon Lawrence); but when they wear out their welcome, they pack up and head to her aunt Jean’s (Nora Dunn) house.
Jean lives in central Texas on a goat farm with no TV, no Wi-Fi, and no dishwasher. However, she does have an espresso maker! In order to make herself useful, Libby is forced to help out around the house and farm. Luckily, she has the conveniently handsome and single ranch hand, James (Duhamel), to guide her through the process of things.
The relationship between Libby and James is about as predictable as you would imagine. It begins with a dislike for each other. James thinks she’s too much of a city girl and can’t possibly get her hands dirty, and Libby thinks James is a jerk. Well, good thing opposites do attract. The transition from hate to love goes quick. Besides a few bickers here and there, the film doesn’t try to fight off the pair’s instant chemistry for too long. Both Bibb and Duhamel do a great job with their roles and are a fun and charming couple to watch.
The film identifies itself as a “romantic comedy”. Though it is a big element to the story, “The Lost Husband” centers more around Libby’s growth and healing over her husband’s death and mother’s mistreatment. This is not a bad thing, and it’s refreshing that the movie went this route instead of trying to make a Nicholas Sparks knock-off.
The entire cast does a solid job and there’s even a little “Popular”(1999 TV Series) reunion between Bibb and her former co-star Carly Pope that will be nice for fans of the show to see.
There’s just no high risk conflict in this movie. Little issues pop up like a child being bullied, an annoying new friend, and even a “shocking” secret. However, these issues are either resolved quickly, glossed over, or feel very anti-climactic. We never earn our resolution.
You can easily sit back, relax, and watch this mildly dramatic story unfold. Which may be exactly what we all need right now. I point out these flaws of the film not to deter you away, but to better prepare you going in. At no point will you question where the story is headed, but you can still enjoy this smooth ride.
“The Lost Husband” is a heart-warming drama about love and the family/people in our lives who truly bring us up when we’re down.
Rating: 3/5
“The Lost Husband is available to rent On Demand April 10.
It’s a tough film to swallow, but it’s an unforgettable watch.
“Never Rarely Sometimes Always” follows Autumn (Sidney Flanigan), a teenage girl from Pennsylvania, who unexpectedly finds herself pregnant. We aren’t sure who knocked her up, but we are sure she does not want to go through with the pregnancy. Unable to tell her mother or her mother’s ass of a boyfriend, she confides in her best friend/ cousin, Skylar (Talia Ryder). From there, the two head to New York on what is supposed to be a mission to take care of Autumn’s situation; but ends up being a journey of discovery and a difficult life lesson.
There is a lot to admire with director/writer Eliza Hittman’s (Beach Rats) third film. For starters, the support from all the women in the movie. They are shown as comforting and caring characters. Autumn’s mom is a bit clueless; but she does love her daughter, and shows a tender side in the brief moments we see her. The female workers at both the clinics Autumn visits, are understanding, non-judgmental, and genuinely try to help the lost young lady. But it’s the bond between Autumn and Skylar that shows a true example of a selfless and giving friendship. Both actresses do a wonderful job in the film, but it’s Flanigan who shines in her debut performance by playing her character with such grace and honesty.
However, the men in this movie are not painted in the same light. They are shown as dismissive, threatening, or perverted. When the girls come across Jasper (Theodore Pellerin) on their bus ride to the city, he appears eager but harmless. Clearly interested in Skylar, she reluctantly gives him her cell number which ends up being a resourceful tool. But as you’d imagine, he’s not as innocent as he seems.
Hittman’s raw and painfully realistic dialogue is what’s so captivating. All of Autumns conversations are incredibly natural. And the emotions hit hard when she’s at her final destination in Brooklyn answering a questionnaire given by the counselor there. She must answer a series of questions relating to her sexual history with the responses of either “never, rarely, sometimes, or always.” Hittman’s screenplay is harrowing and thought-provoking.
There are some burning questions that are left up to interpretation; and the film does drag a bit in the second act, but those are my only qualms.
“Never Rarely Sometimes Always” is not an easy watch, especially during our current ordeal; but it is well worth your time.
Rating: 3.5/5
“Never Rarely Sometimes Always” is available to rent On Demand on April 3 through any of these platforms…Amazon, Apple, Comcast, DirecTV, Vudu, Google/YouTube, Charter, Verizon, Microsoft, Dish, Fandango, Sony, Cox, Altice, Vubiquity, AMC On Demand, Redbox
Lots of intrigue from the start, only to fall flat in the end. “The Other Lamb” fails to seek it’s full potential.
“The Other Lamb” begins with two young girls eerily sitting by a waterfall. It is clear there is something off with them. When they return home, it is to one man and a bunch of different women; some who may have been conceived out of incest. Michiel Huisman (Game of Thrones) plays the cult leader who goes by Shepard. He has taken in weak and vulnerable women, brought them into a secluded forest to brainwash and isolate them from the modern world. The film follows, Selah (Raffey Cassidy), a young girl who is questioning the Shepard’s teachings.
The only real storyline is Selah’s slow realization that the women’s treatment is not right and what she discovers about her mother’s death. Director Malgorzata Szumowska and writer C.S. McMullen opt to give more of a visual telling over a compelling narrative. This allows the audience to stay interested in the movie, but not invested in the story or its characters.
Though we gain some sort of background from Selah, it’s not enough to really know how she ended up here in the first place? Who was her mother? What led to her meeting the Shepard? How did any of these women get sucked into this warped reality? These questions and much more are left unanswered. The film even shys away from showing the extent of the Shepard’s cruelty. We’re aware of his sexual and violent acts, but being able to witness just one horrendous action would strike more anger and empathy for these women.
However, not all is lost. The cinematography by Michal Englert successfully utilizes graphic shots of mangled animals to parallel Selah’s growing body and her inner conflicts. The film is beautifully shot and at times leads you to believe something bigger is going to happen here.
The film relies too much on it’s visuals and score (Rafael Leloup & Pawel Mykieytn) to make up for it’s lack of content. The performances are decent, but that actors aren’t given enough meat to chew. Cassidy has her moments, but even the talents of Huisman are under utilized.
The slow-burn intensity of “The Other Lamb” mildly entertains, but ultimately leaves you unsatisfied.
Rating: 2.5/5
“The Other Lamb” is available on VOD and other digital platforms on April 3
In this time of Pandemic, diversions help keep us sane. Now, more than ever, we need the cinema. But we need a new cinema, a safe cinema, a Shelter-at-Home cinema; and so streaming comes of age. Watch my review of “The Hunt” and recommendations of two other new films available for home viewing now: “The Invisible Man” and “Emma”. Will anyone trade some popcorn for this fine half-roll of paper towels? Anyone?
“The Hunt”, “The Invisible Man”, & “Emma” are available on Amazon, Apple, YouTube, and other various On Demand platforms at a starting price of $19.99.
“Onward” is the first MUST-SEE movie of 2020. The film follows two teenage elf brothers, Ian (Tom Holland) and Barley Lightfoot (Chris Pratt), who are on a quest to finish a spell that will allow them to spend one last day with their father, who died when they were too young to remember him.
I sat down with set designer, Carlos Felipe Leon, to discuss the bonds with our siblings, which film’s setting/world he’d like to spend 24 hours in and more about the movie! Check out the interview w/ Carlos AND my full ICTN review of the film below!
“Onward” opens in theaters March 6.
Growing up, I watched so many rom-coms and admired actresses like Meg Ryan, Molly Ringwald, Sandra Bullock, and so many other women playing characters looking for love. To an extent I could relate to them and their awkward/quirky personalities, but I never really saw myself. It might be part of the reason why I never thought I’d get that kind of romance in my life (I was wrong).
In these last couple of years, Hollywood has revived romantic comedies by bringing other cultures to light (i.e. Crazy, Rich, Asians & The Big Sick). Even Netflix has stepped it up with To The Boys I Loved Before and Always Be My Maybe. And just by watching these films with ethnic leads, I have felt slightly more represented. Because, as an Iranian-American, this is as close as it’s going to get. Luckily, that’s not true.
Director/writer, Sara Zandieh brings us, A Simple Wedding. The film follows Nousha (Tara Grammy), a thirty-something woman trying to avoid the pressures of marriage by her traditional Persian family. After purposely sabotaging her latest engagement, she unexpectedly locks eyes with a bisexual, artist named Alex (Christopher O’Shea) while at her friend’s protest. Their connection is instant. And after a passionate first date, the two become inseparable and eventually move in together.
However, Nousha’s family has no idea Alex exists. That is until they see him half-naked during a facetime chat. This leaves them no choice but to have Alex finally meet Nousha’s mom (Shohreh Aghdashloo), dad (Houshang Touzie), and grandma (Jaleh Modjallel). They are less than thrilled that he’s not a Persian doctor, and even more bothered by the fact that they are living together; and they can’t have their daughter living in sin. Within minutes of their first meeting, Nousha’s family has somehow gotten the couple engaged, and are planning a quick and “simple” wedding. An already complicated situation becomes more complicated when Alex’s family comes into the picture, and the two cultures collide.
The creators of My Big Fat Greek Wedding bring us a similar formula, but different ingredients. There’s insight into the Persian culture/wedding traditions, and a fair amount of focus on both set of parents. This time producer, Rita Wilson is in front of the screen as Alex’s divorced mom who can’t stand being around her ex (Peter McKenzie) and his hubby (James Eckhouse). Yet, she does like spending time around Nousha’s uncle, Saman (Maz Jobrani).
All the family members do a wonderful job portraying loving, yet at times hilariously selfish parents. O’Shea effortlessly plays a true, free spirit who loves whole-heartedly; not seeing race or religion. But at its core, the film thrives on Grammy’s endearing performance. She doesn’t play a woman who seeks love and feels lonely. She’s smart, independent, has great friends, and a good job. She’s not this loser girl that finally got a guy to notice her. She just finally noticed the guy, and wants to continue the relationship without any expectations.
I know I’m gushing quite a bit about this film, and I am sure I’m being bias given the subject matter. With the news lately, it’s nice to see Persians presented in a more positive perspective. But I’ve said it before, and I’ll say it again: Everyone deserves to be represented, no matter your race, orientation, size, etc. And no matter who you are, you can relate to the message this film offers about how love requires “sacrifice, understanding, and forgiveness.”
This movie has its flaws, but it’s sincere. And if you still enjoy the simple romantic comedies we used to indulge in back in the 80’s & 90’s, then allow yourself to enjoy A Simple Wedding. It’s a sweet date night flick, and an all-around fun time.
Rating: 4/5
A Simple Wedding opens in theaters and On Demand (Including Amazon and iTunes) February 14, 2020.