Archives for : movie review
I got a chance to speak with director, Joe Wright (“Pride & Prejudice”, “Atonement”) and actors, Haley Bennett (“The Magnificent Seven”) and Kevlin Harrison Jr. (“Waves”) for their new film, “Cyrano”.
The film opens in select theaters on February 25, 2022.
Will the new gothic horror, “The Cursed” send chills down your spine? Find out how scary the film actually is in my ICTN review. I also share a preview of the new Channing Tatum buddy comedy, “Dog”.
“The Cursed” and “Dog” open in theaters February 18, 2022.
It’s January; and in the movie world that means it’s “dump month”. After all the award contenders have released their films, a wave of big budget flops tend to make their debut. Don’t get me wrong, there’s the occasional good movie that makes it through. Unfortunately, Universal Pictures’ new action flick, “The 355”, is not one of them.
Jessica Chastain stars as “Mace”, a lonely CIA operative who has no loved ones in her life except for her partner, Nick (Sebastian Stan). They have been strictly platonic until one assignment, that has them playing husband and wife, abruptly gets them in bed together. Well, that assignment goes awry, and she loses an advanced technological device that must be kept out of enemy hands.
One thing leads to another and eventually, Mace teams up with her old friend Khadija (Lupita Nyong’o), an MI6 technological threats expert who used to be a field agent. Marie (Diana Kruger), a German operative who’s a tough, skilled fighter. And Graciela (Penelope Cruz), a Colombian police therapist, who accidently gets involved in this new mission.
Director and co-writer Simon Kinberg does a solid job shooting the film. There’s no shortage of action sequences and the movie looks great, but the screenplay (Co-written by Theresa Rebeck and Bek Smith) offers no excitement and there’s not enough depth to keep us invested in these characters. In fact, the one you care about the most is Graciela, who desperately just wants to home to her family. Cruz’s performance as an innocent and concerned mother makes hers the only relationship you hope gets a happy ending.
It’s easy to root for the team of women, who commit to their lackluster script, but they all deserved better. There are a lot of forced emotions between characters you don’t get to really know. Though Chastain, Nyong’o, Kruger, and Cruz do a fine job, the same cannot be said Sebastian Stan. He barely makes an effort with his character, Nick. There’s a lack of chemistry between him and Chastain, greatly due to his lethargic delivery.
There’s not much else to really say about the film and I don’t want to sit here and rip it apart. From the trailer, “The 355” looks like it will be a fun espionage thriller featuring an awesome, all-star cast. I’m sadden by the fact that it wasn’t. The film had all the right pieces to an underwhelming puzzle.
The powerhouse women in the movie are what make “The 355” a bearable watch, however, the story is forgettable and a missed opportunity with a talented cast.
Rating: C-
“The 355” opens in theaters January 7, 2022
“Licorice Pizza” is Paul Thomas Anderson’s newest, lighthearted romance and “Hawkeye” is Marvel’s newest mini-series. I reviewed both! Find out if they should be on your “must watch” holiday list.
“Licorice Pizza” opens on December 25, 2021
“Hawkeye” is currently streaming on Disney Plus
“Belfast” is director/writer, Kenneth Branagh’s newest film that tells the story of a young boy and his working class family during the troubling late 1960s. “King Richard” follows tennis legends, Venus and Serena Williams’s journey to success and how their father, Richard Williams, helped guide them there. I review both Oscar contending films.
“Belfast” is currently playing in theaters and “King Richard” opens in theaters and on HBOMax November 19, 2021.
“Dear Evan Hansen” is the Tony Award winning Broadway musical that’s been adored by millions. But for some reason, the film adaption doesn’t seem to be translating to audiences.
Sadly, I have yet to see this musical on Broadway, but look forward to one day hearing the soundtrack performed live. I am clearly in the minority of my colleagues, but I enjoyed this movie. I went in completely blind. I didn’t know the storyline or a single song beforehand; maybe that’s why it was easy for me to fall for this film.
For those who also might not know anything about this premise, “Dear Evan Hansen” follows Evan (Ben Platt) – a socially awkward High School senior with an absentee father, a loving mom (Julianne Moore) who is constantly working, and not a single friend to sign the cast on his broken arm. In an effort to help with his anxiety, Evan’s therapist suggests he write a letter to himself, encouraging himself throughout the day.
On a random day at school, the brooding at times hostile student, Connor Murphy (Colton Ryan) decides to sign Evan’s cast. The sweet moment is short lived because he finds one of Evan’s letters in where it mentions Connor’s sister, Zoe (Kaitlyn Dever) – Evan’s crush. He angrily pushes Evan, steals the letter, and keeps it in his coat. The next day, Evan is called to the principal’s office where Connor’s parents (Amy Adams and Danny Pino) are waiting for him. Connor has committed suicide. The only note he had on him was Evan’s letter, which they believe Connor wrote for him. The letter paired with his signature on Evan’s cast convinces his parents that this was his one true friend. In that moment, Evan can’t help but go along with the lie. He has good intentions, but the events that follow can be tough to watch.
I’ll admit, when this film gets going and the talented cast is pouring their heart into a heavy conversation about depression, suicide, or internal struggles, it can take you out of the moment when one someone suddenly burst into song. Most of the time you forget this film is a musical until the singing starts again. However, once the music begins, and you’re actually listening to the lyrics, you’re pulled back in by the powerful message the songs have to tell. And I guess there’s backlash for Platt playing the role of a high schooler at age 27, but I’m not sure why? Adults have played High School teens for years in film and television. Platt looks the age and embodies the high anxiety, awkward character, not to mention, his voice is incredible. It’s a true gift for fans of the Broadway show to see Platt reprise this role.
The majority of the high-profile cast do a wonderful job. But praise should be given to Kaitlyn Dever who plays the role of Zoe so effortlessly. She excels in her delivery and emotion as a sister who struggles to grieve the brother that was so cruel to her.
The runtime of 2 hours and 17 minutes is a bit long, but I’m not sure what to cut out. Every scene felt vital to the story. It’s understanding not everyone will be able to bare the length of this somber tale, but the film does end on an uplifting note.
“Dear Evan Hansen” may not be a smooth track, but it provides a compelling message that is still relevant to teens today: be kind and make efforts to those kids in school who are closed off and have difficulty building relationships. I remember those students. At times I even felt like those students.
Though it won’t appeal to everyone, “Dear Evan Hansen” is an emotional and heartwarming musical.
Rating: B-
I’ll admit, I scare easily. Films that aren’t even scary (Boo! A Madea Halloween) make me jump. But when I watch a truly, good horror film, I am on the edge of my seat, holding my breath during the entirety of the film. The only breather breaks are my screams. In David Bruckner’s new horror, “The Night House”, I screamed three times.
After her husband, Owen’s (Evan Jonigkeit) unexpected suicide, Beth (Rebecca Hall) is left alone in their large lake house, and suddenly haunted by a mysterious spirit. Beth heads down a dangerous rabbit hole as this leads her to digging into her husband’s dark secrets.
What Bruckner captures here is a very real and painful portrayal grief and depression. It’s not an easy subject matter to tackle, but it’s handled so well here. From Beth’s drinking, re-watching old videos of her husband, to how she interacts with her colleagues and people around her. Owen’s death has consumed Beth and is affecting her daily life and personal relationships.
If you saw Hall in the underrated drama, “Christine”, you already know how well she can portray a woman on the edge struggling with depression. So, it comes as no surprise that Hall’s performance as a grief-stricken widow is incredibly powerful. Your heart absolutely breaks for Beth as she asks the questions one would probably have if their husband chose to end their life: Why? Was he that unhappy? How was he so good at hiding it? Did I really know him at all? Was he a monster and I had no idea? These are just a few of the questions the film will answer.
“The Night House” is shot and edited beautifully. Paired with Kathrin Eder’s unsettling production design and the eerie music by Ben Lovett, the film makes for an engaging and terrifying experience.
Where the film falls short, is that it’s slightly over ambitious. Though questions are answered for the most part, there might be some confusion at the end, and there are a few small plot holes. But if you can piece together a narrative that satisfies you, then this may not be an issue.
“The Night House” is a creative story with gripping visuals and captivating performances.
Rating: B +
At this point, we know walking into any M. Night Shyamalan (Writer/Director) film is a gamble. You’re either going to get a quality movie like “Split”, or you could get the dragged-out disaster that came after, “Glass”. Regardless, we take that risk every time because we know Shyamalan is capable of greatness (i.e. “Unbreakable” and “The Sixth Sense”). Unfortunately, Shyamalan’s newest mystery thriller is far from great.
The premise of “Old” is incredibly intriguing. A family on a tropical vacation visit a beach that somehow causes you to age nearly a lifetime in a single day! Sounds good, but it seems the preview alluded to a more satisfying script.
From the get-go we are introduced to Guy (Gael Garcia Bernel), his wife Prisca (Vicky Krieps), their 11-year-old daughter, Maddox (Alexa Swinton), and 6-year-old son, Trent (Nolan River). The parents want to have one last trip together as a family before they announce their separation and reveal Prisca’s illness. Not so coincidentally, the family is offered a ride to a secluded beach for the day. Why anyone would trust a secluded anything in the middle of a shady beach, I’ll never understand. But, this family is not alone in their stupidity. They are joined by another family of 4, a married couple, and a famous rap star? Sure, why not?
It does not take long for this bunch to figure out something is wrong with the beach. People are dying, and there is no way to get back to their drop off point.
Again, the plot of the film is actually good. It’s original, and you have no idea how it’s going to end or why it’s happening. I can appreciate Shyamalan’s creativity. The man can come up with the most thought-provoking ideas. But sometimes it’s just poorly executed.
The dialogue in “Old” is painful. From the start of the movie to the very end, it’s as if the story was written for toddlers. Everything is spoon fed to the audience, and so many lines are forced. I’m not certain if many of the actors were bad, or they just didn’t believe in what they are saying. Either way, it makes for a slow and difficult watch.
I would be remiss if I didn’t at least shine a light on the two glimmers of light, Thomasin McKenzie and Alex Wolff, who play teenage versions of Maddox and Trent. These two give their all in their performances and are committed to that script. If anything, “Old” will further launch these two talented actors.
I wouldn’t be so harsh if I didn’t know Shyamalan’s skills. “Old” is a great idea that deserved a better screenplay, and maybe a better secondary cast. The premise pulls you in, but ultimately, the film leaves you out to dry.
Rating: C-
At first glance, “Zola” might have you wondering; “What in the world am I watching?” Some may even want to stop the film all together. If you power through, you will treat yourself to a captivating story and some intoxicating performances.
“Zola” is based on the viral 148 tweets by the A’Ziah “Zola” King. In the film, Zola (Taylour Paige) plays a Detroit waitress who meets a stripper, Stefani. (Riley Keough) Stefani lures her on a road trip to Florida with her boyfriend (Nicholas Braun) and “roommate” (Coleman Domingo) under false pretenses. What she thinks will be an opportunity to strip from some quick cash turns into a terrifying sequence of events.
The best way I can describe “Zola” is like watching a really bad, but visually satisfying car accident unfold. You just can’t look away even though part of you might want to. And when it’s over, those images will forever haunt you.
What happily stays with you are the incredible performances by entire cast. Paige and Keough carry the film with their cringe-worthy, odd friendship. Stefani is unbelievably offensive and shows no self-awareness, while Zola is the voice of reason that will keep audiences sane. Another polarizing stand out is Coleman Domingo, who plays Stefani’s “roommate” aka her pimp. He is both humorous and frightening. Domingo creates a powerful presence anytime he is on screen.
“Zola” is meant to make audiences feel uncomfortable and pull you into the world of the two leads; where they are trapped and forced into unwanted sexual encounters. Director/Writer Janicza Bravo wants you to feel the same fear that these young girls are feeling.
Some will find “Zola” to be a smart, stylish, summer joyride. While others will see it as a dirty, annoying movie that gets under their skin. Either way you view it, the film is absolutely hypnotizing. And after it was done, Bravo had me under her trance.
Rating: B-