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Zoey Deutch (left) stars as “Mable” and Mark Rylance (right) stars as “Leonard” in director Graham Moore’s THE OUTFIT, a Focus Features release. Courtesy of Focus Features
All is not what it appears to be in Graham Moore’s directorial debut, “The Outfit”.
The Academy Award winning writer takes a stab behind the camera and cuts out an intriguing gangster saga. “The Outfit” follows a quiet Englishman, Leonard (Mark Rylance), who tailors to the mob. His Chicago tailor shop is a “drop spot” location for the local mob Boyle Crime Organization, run by an intimidating senior boss, Roy Boyle (Simon Russell Beale).
Just when you think Leonard’s “business” is running smoothly, the contents of a simple envelope lead to an unexpected turn of events. Leonard witnesses an incident that now has him caught in an unfortunate situation. Now, if he wants to live, he must outwit the dangerous group of mobsters that won’t let him or his innocent secretary (Zoey Deutch) leave the store.
“The Outfit” does have a bit of a slow start. Moore has also co-written a film (Alongside Johnathan McClain) that almost reads like a stage play. The entirety of the movie takes place at the tailor shop, which at the beginning makes things a little stagnant. However, once two of the regular mobsters, Richie (Dylan O’ Brien) and Francis (Johnny Flynn), rush into the shop after Richie has been injured, things pick up really quick. From there the story keeps you on the edge of your seat and you can really see the fine threading in the plot. Every detail shot and written is well delivered. The film is a refreshing take on a beloved genre we rarely see anymore.
The shining elements to this dapper film are Moore and McClain’s sharp screenplay, AND the phenomenal performances by the entire cast. Dylan O’ Brien does a wonderful job as Richie, a cocky son of the boss, who’s constantly competing with his dad’s favorite employee. Johnny Flynn as Francis is witty, pompous, and terribly frightening. Zoey Deutch is fantastic as Mable, the secretary who knows more of the mystery than she lets on. And Mark Rylance as Leonard is a smooth operating tailor who masterly weaves the actions of that tragic night.
The less you know about “The Outfit” the better. Just sit back and enjoy this clever, nail-biting, twisted thriller.
Mimi Caves directorial debut serves a familiar dish, but with a “fresh”, new taste.
I hate to spoil anything about Fox Searchlight Pictures’ “Fresh”, so I’m going to keep it brief.
The film follows, Noa (Daisy Edgar-Jones), a young woman whose tirelessly looking for love through dating apps. The opening scene of the movie is an awkward, horrible first date. Noa is left feeling hopeless, and thinking that she’ll ever find a good guy. Her best friend, Mollie (Jojo T. Gibbs) is always by her side to console her and tell her she doesn’t need a man, but Noa still hopes for that special someone.
On a random evening at the grocery store, a handsome, charming man named Steve (Sebastian Stan) hits on Noa by the produce section. Sparks fly and they begin to date. They seem to have a true romantic connection. After a few dates, Steve suggests taking Noa away for the weekend. Unfortunately, this dream vacation quickly turns into an unthinkable nightmare.
Cave’s debut feature goes from rom-com to a dark, provocative horror. Audiences may think they’ve seen this story before, but it hasn’t been told quite like this. For starters, the film features a Grade-A cast. Stan’s character is unlike anything he’s played before. Between this film and “Pam and Tommy”, he’s proving his incredible versatility as an actor. And Edgar-Jones gives an unforgettable performance, as she brings a whole new level to the “damsel turns badass” story arc.
Screenwriter, Lauryn Kahn carves out a sharp, witty, and thrilling script. Caves brilliantly brings Kahn’s words to life with her directing. The film’s images range from picturesque to beautifully grotesque. “Fresh” delivers the whole package. It’s a deliciously, twisted horror/comedy that leaves you craving more.
“Fresh” is available to stream on Hulu on March 4, 2022.
“The Batman” is finally here! I review the highly anticipated thriller and lets you know if Robert Pattinson earns the new title as the caped crusader. I also review and recommend the award winning series, “Ted Lasso”. Check out my full reviews in the video below!
“The Batman” opens in theaters March 4, 2022 and “Ted Lasso” is currently streaming on Apple TV+. For more reviews like this one, watch ICTN. For more information on ICTN, visit http://ictn.tv
I got a chance to speak with director, Joe Wright (“Pride & Prejudice”, “Atonement”) and actors, Haley Bennett (“The Magnificent Seven”) and Kevlin Harrison Jr. (“Waves”) for their new film, “Cyrano”.
The film opens in select theaters on February 25, 2022.
Will the new gothic horror, “The Cursed” send chills down your spine? Find out how scary the film actually is in my ICTN review. I also share a preview of the new Channing Tatum buddy comedy, “Dog”.
“The Cursed” and “Dog” open in theaters February 18, 2022.
It’s January; and in the movie world that means it’s “dump month”. After all the award contenders have released their films, a wave of big budget flops tend to make their debut. Don’t get me wrong, there’s the occasional good movie that makes it through. Unfortunately, Universal Pictures’ new action flick, “The 355”, is not one of them.
Jessica Chastain stars as “Mace”, a lonely CIA operative who has no loved ones in her life except for her partner, Nick (Sebastian Stan). They have been strictly platonic until one assignment, that has them playing husband and wife, abruptly gets them in bed together. Well, that assignment goes awry, and she loses an advanced technological device that must be kept out of enemy hands.
One thing leads to another and eventually, Mace teams up with her old friend Khadija (Lupita Nyong’o), an MI6 technological threats expert who used to be a field agent. Marie (Diana Kruger), a German operative who’s a tough, skilled fighter. And Graciela (Penelope Cruz), a Colombian police therapist, who accidently gets involved in this new mission.
Director and co-writer Simon Kinberg does a solid job shooting the film. There’s no shortage of action sequences and the movie looks great, but the screenplay (Co-written by Theresa Rebeck and Bek Smith) offers no excitement and there’s not enough depth to keep us invested in these characters. In fact, the one you care about the most is Graciela, who desperately just wants to home to her family. Cruz’s performance as an innocent and concerned mother makes hers the only relationship you hope gets a happy ending.
It’s easy to root for the team of women, who commit to their lackluster script, but they all deserved better. There are a lot of forced emotions between characters you don’t get to really know. Though Chastain, Nyong’o, Kruger, and Cruz do a fine job, the same cannot be said Sebastian Stan. He barely makes an effort with his character, Nick. There’s a lack of chemistry between him and Chastain, greatly due to his lethargic delivery.
There’s not much else to really say about the film and I don’t want to sit here and rip it apart. From the trailer, “The 355” looks like it will be a fun espionage thriller featuring an awesome, all-star cast. I’m sadden by the fact that it wasn’t. The film had all the right pieces to an underwhelming puzzle.
The powerhouse women in the movie are what make “The 355” a bearable watch, however, the story is forgettable and a missed opportunity with a talented cast.
Alana Haim and Cooper Hoffman in ‘Licorice Pizza’.
“Licorice Pizza” is Paul Thomas Anderson’s newest, lighthearted romance and “Hawkeye” is Marvel’s newest mini-series. I reviewed both! Find out if they should be on your “must watch” holiday list.
“Belfast” is director/writer, Kenneth Branagh’s newest film that tells the story of a young boy and his working class family during the troubling late 1960s. “King Richard” follows tennis legends, Venus and Serena Williams’s journey to success and how their father, Richard Williams, helped guide them there. I review both Oscar contending films.
“Belfast” is currently playing in theaters and “King Richard” opens in theaters and on HBOMax November 19, 2021.
“Dear Evan Hansen” is the Tony Award winning Broadway musical that’s been adored by millions. But for some reason, the film adaption doesn’t seem to be translating to audiences.
Sadly, I have yet to see this musical on Broadway, but look forward to one day hearing the soundtrack performed live. I am clearly in the minority of my colleagues, but I enjoyed this movie. I went in completely blind. I didn’t know the storyline or a single song beforehand; maybe that’s why it was easy for me to fall for this film.
For those who also might not know anything about this premise, “Dear Evan Hansen” follows Evan (Ben Platt) – a socially awkward High School senior with an absentee father, a loving mom (Julianne Moore) who is constantly working, and not a single friend to sign the cast on his broken arm. In an effort to help with his anxiety, Evan’s therapist suggests he write a letter to himself, encouraging himself throughout the day.
On a random day at school, the brooding at times hostile student, Connor Murphy (Colton Ryan) decides to sign Evan’s cast. The sweet moment is short lived because he finds one of Evan’s letters in where it mentions Connor’s sister, Zoe (Kaitlyn Dever) – Evan’s crush. He angrily pushes Evan, steals the letter, and keeps it in his coat. The next day, Evan is called to the principal’s office where Connor’s parents (Amy Adams and Danny Pino) are waiting for him. Connor has committed suicide. The only note he had on him was Evan’s letter, which they believe Connor wrote for him. The letter paired with his signature on Evan’s cast convinces his parents that this was his one true friend. In that moment, Evan can’t help but go along with the lie. He has good intentions, but the events that follow can be tough to watch.
I’ll admit, when this film gets going and the talented cast is pouring their heart into a heavy conversation about depression, suicide, or internal struggles, it can take you out of the moment when one someone suddenly burst into song. Most of the time you forget this film is a musical until the singing starts again. However, once the music begins, and you’re actually listening to the lyrics, you’re pulled back in by the powerful message the songs have to tell. And I guess there’s backlash for Platt playing the role of a high schooler at age 27, but I’m not sure why? Adults have played High School teens for years in film and television. Platt looks the age and embodies the high anxiety, awkward character, not to mention, his voice is incredible. It’s a true gift for fans of the Broadway show to see Platt reprise this role.
The majority of the high-profile cast do a wonderful job. But praise should be given to Kaitlyn Dever who plays the role of Zoe so effortlessly. She excels in her delivery and emotion as a sister who struggles to grieve the brother that was so cruel to her.
The runtime of 2 hours and 17 minutes is a bit long, but I’m not sure what to cut out. Every scene felt vital to the story. It’s understanding not everyone will be able to bare the length of this somber tale, but the film does end on an uplifting note.
“Dear Evan Hansen” may not be a smooth track, but it provides a compelling message that is still relevant to teens today: be kind and make efforts to those kids in school who are closed off and have difficulty building relationships. I remember those students. At times I even felt like those students.
Though it won’t appeal to everyone, “Dear Evan Hansen” is an emotional and heartwarming musical.
I’ll admit, I scare easily. Films that aren’t even scary (Boo! A Madea Halloween) make me jump. But when I watch a truly, good horror film, I am on the edge of my seat, holding my breath during the entirety of the film. The only breather breaks are my screams. In David Bruckner’s new horror, “The Night House”, I screamed three times.
After her husband, Owen’s (Evan Jonigkeit) unexpected suicide, Beth (Rebecca Hall) is left alone in their large lake house, and suddenly haunted by a mysterious spirit. Beth heads down a dangerous rabbit hole as this leads her to digging into her husband’s dark secrets.
What Bruckner captures here is a very real and painful portrayal grief and depression. It’s not an easy subject matter to tackle, but it’s handled so well here. From Beth’s drinking, re-watching old videos of her husband, to how she interacts with her colleagues and people around her. Owen’s death has consumed Beth and is affecting her daily life and personal relationships.
If you saw Hall in the underrated drama, “Christine”, you already know how well she can portray a woman on the edge struggling with depression. So, it comes as no surprise that Hall’s performance as a grief-stricken widow is incredibly powerful. Your heart absolutely breaks for Beth as she asks the questions one would probably have if their husband chose to end their life: Why? Was he that unhappy? How was he so good at hiding it? Did I really know him at all? Was he a monster and I had no idea? These are just a few of the questions the film will answer.
“The Night House” is shot and edited beautifully. Paired with Kathrin Eder’s unsettling production design and the eerie music by Ben Lovett, the film makes for an engaging and terrifying experience.
Where the film falls short, is that it’s slightly over ambitious. Though questions are answered for the most part, there might be some confusion at the end, and there are a few small plot holes. But if you can piece together a narrative that satisfies you, then this may not be an issue.
“The Night House” is a creative story with gripping visuals and captivating performances.
