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Archives for : Roger Deakins

Movie Review: “1917” is a Thrilling Cinematic Experience

Do you remember the 2017 war film, “Dunkirk”? It was a chaotic mess that left us wondering “who were those characters we just met?” Well, Sam Mendes’ (American Beauty, Road to Perdition) new war/drama is the exact opposite of that.

In “1917” we follow two young British privates, Blake (Dean-Charles Chapman) and Schofield (George MacKay) during the First World War. They are given the impossible mission to deliver a message across enemy lines to stop 1,600 men from walking into a deadly trap. Among those men is Blake’s brother, which makes the journey to get there that much more intense.

The two soldiers make their way through seemingly empty trenches, tunnels, and bombed-out towns with no one but each other to rely on. Along the way, they encounter other men who have clearly been through their own struggles, a woman hiding in a basement, and some not so friendly Germans. But every new face is a mere acquaintance as the boys are on a ticking clock.

There’s tension between the pair, but also a sense of purpose. Scholfield is unhappy to have been chosen by Blake to tag along on this mission, yet they both know this is for a worthy and life-saving cause.

Mendes gives audiences an immersive cinematic experience, supported by cinematography from Roger Deakins, through the one-take display. It makes you truly feel as if you are right there with the soldiers walking behind every step they take. And as you hold your breath till the final scene, you yourself hope you will make it out alive.

Though the film is exciting and will keep you on the edge of your seat at times, this more of a technical achievement. This is far from an original story; it’s pretty basic. Which isn’t necessarily a bad thing. The filmmakers have taken a simple premise and gone with a “less is more” tactic. This allows for more focus on a beautifully shot film, and a highlight on the actors who give their all emotionally and physically in their spectacular performances. This also gives us the courtesy of understanding who we’re following and character development.

“1917” isn’t a groundbreaking war film, but it is a good one. It’s one you can appreciate and hooks you in from the start. Be sure to watch this one on the big screen!

Rating: 4/5

“1917” opens in Dallas and Plano on Christmas Day and opens in wide release on January 10, 2020.

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DFW Film Critics Association’s Best Of 2019!

The Dallas-Fort Worth Film Critics Association voted the war epic 1917 as the best film of 2019, according to the results of its 26th annual critics’ poll. Following is a complete list of award winners, with choices listed in order of votes received.

BEST PICTURE

Winner: 1917

Runners-up: MARRIAGE STORY (2); PARASITE (3); THE IRISHMAN (4); ONCE UPON A TIME IN HOLLYWOOD (5); JOJO RABBIT (6); LITTLE WOMEN (7); THE FAREWELL (8); THE TWO POPES (9); KNIVES OUT (10)

BEST ACTOR

Winner: Adam Driver, MARRIAGE STORY

Runners-up: Joaquin Phoenix, JOKER (2); Antonio Banderas, PAIN AND GLORY (3); Leonardo DiCaprio, ONCE UPON A TIME IN HOLLYWOOD (4); Robert De Niro, THE IRISHMAN (5)

BEST ACTRESS

Winner: Scarlett Johansson, MARRIAGE STORY

Runners-up: Renee Zellweger, JUDY (2); Charlize Theron, BOMBSHELL (3); Saoirse Ronan, LITTLE WOMEN (4); Awkwafina, THE FAREWELL (5, tie); Lupita Nyong’o, US (5, tie)

BEST SUPPORTING ACTOR

Winner: Brad Pitt, ONCE UPON A TIME IN HOLLYWOOD

Runners-up: Willem Dafoe, THE LIGHTHOUSE (2); Joe Pesci, THE IRISHMAN (3); Al Pacino, THE IRISHMAN (4); Shia LaBeouf, HONEY BOY (5)

BEST SUPPORTING ACTRESS

Winner: Laura Dern, MARRIAGE STORY

Runners-up: Margot Robbie, BOMBSHELL (2); Florence Pugh, LITTLE WOMEN (3); Jennifer Lopez, HUSTLERS (4); Annette Bening, THE REPORT (5)

BEST DIRECTOR

Winner: Sam Mendes, 1917

Runners-up: Bong Joon-ho, PARASITE (2); Martin Scorsese, THE IRISHMAN (3); Quentin Tarantino, ONCE UPON A TIME IN HOLLYWOOD (4); Noah Baumbach, MARRIAGE STORY (5)

BEST FOREIGN LANGUAGE FILM

Winner: PARASITE

Runners-up: PAIN AND GLORY (2); THE FAREWELL (3); LES MISERABLES (4); PORTRAIT OF A LADY ON FIRE (5)

BEST DOCUMENTARY

Winner: APOLLO 11

Runners-up: ONE CHILD NATION (2); AMERICAN FACTORY (3); HONEYLAND (4); FOR SAMA (5)

BEST ANIMATED FILM

Winner: TOY STORY 4

Runner-up: I LOST MY BODY

BEST SCREENPLAY

Winner: Noah Baumbach, MARRIAGE STORY

Runner-up: Steven Zaillian, THE IRISHMAN

BEST CINEMATOGRAPHY

Winner: Roger Deakins, 1917

Runner-up: Hong Kyung-pyo, PARASITE

BEST MUSICAL SCORE

Winner: Thomas Newman, 1917

Runner-up: Alexandre Desplat, LITTLE WOMEN

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: THE LIGHTHOUSE

The Dallas-Fort Worth Film Critics Association consists of 32 broadcast, print and online journalists from throughout North Texas. For more information, visit dfwcritics.com or follow us on Facebook or Twitter @dfwfilmcritics.