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TV Movie Review: David Arquette Gives a Deadly Smile in Lifetime’s Original Film ‘Happy Face Killer’

We should already be weary of accepting rides from strangers.  But when that stranger is an unhinged, truck driving, murderer, we should probably avoid hitch-hiking all together.

David Arquette (Scream) stars in the latest Lifetime drama, “Happy Face Killer.”  The film is based on the true story of Keith Jesperson, a Canadian serial killer who drew smiley faces on his victims.  Jesperson had a troubled childhood. He was abused mentally and physically by his father, and tormented by other children.  At a very young age he began torturing and killing animals.  He married at age 20, and fathered three kids.  It was after his divorce 14 years later that Jesperson began to unravel.  Once he was denied his dream job as a Royal Canadian Mounted Policeman, he snapped and began to release his frustration on the helpless women he would pick up.

Lifetime once again takes a twisted and sick true story, and turns it into an amusing guilty pleasure.  This enjoyment is due greatly to Arquette’s unsettling portrayal as the deranged Keith Jesperson.  After some knowledge of his background and a quick set up for the film, the story moves rapidly into his multiple killings.  The audience is shown how Jesperson rapes, beats, and strangles the women to death.  We also see how the authorities dealt with the psychotic killer that taunted them by sending letters signed with a happy face.

The head detective on the case, Melinda Gand, was played adequately by Gloria Reuben (Lincoln ).  Lifetime films in general tend to have a weak supporting cast; made up for by strong leads.  However, in this case, Reuben’s performance lacked emotion and energy, providing only one facial expression throughout the entire film.  Luckily, Arquette’s switch from loving dad to enraged truck driver was delivered well enough to distract audiences from noticing any lack of talent from the other actors.

In comparison to other Lifetime true stories, “Happy Face Killer” does not drag.  This movie will keep you intrigued and dying to know what will set the killer off next.  Set your DVR’s and make sure the kiddos are in bed before watching this exciting and disturbing thriller.

“Happy Face Killer” premieres Saturday, March 1 on Lifetime, at 8pm ET /PT.

Originally posted on RedCarpetCrash.com

DVD Review: ‘Zaytoun’ Pulls Off An Unlikely Friendship

This film begins with the thought of a slow, dragged out trip in the dessert.  But as it continues, Zaytoun shows an intriguing amount of character development that eventually leads to a beautiful friendship.

Set in Beirut, during the war of 1982, Fahed (Abdallah El Akal), a 12-year-old Palestinian refugee meets Yoni (Stephen Dorff), a 30-year-old Israeli combat pilot when he is captured by the Palestine army.  The two immediately despise each other and Fahed is especially bitter after the death of his father, who died as a martyr protecting his family.

Before Fahed’s father died, he took great care of a barely surviving olive (known as zaytoun in Arabic) tree.  Fahed’s one wish is to plant the tree in the family’s ancestral village that is now located in Israel so that he may memorialize his father.  With Yoni desperate to escape his prisoner’s cell, the two find common ground and decide they would be beneficial to each other.  Fahed agrees to let Yoni out, still in chains, only if he can guarantee him entrance to the Israeli border.  Once the two begin their long journey, the road traveled isn’t an easy one.  They stumble upon many problems, including the police, car troubles, and the constant worry of whether or not the other one is trustworthy.

Truthfully, this friendship is about as improbable as they come.  I don’t know if planting a tree would necessarily warrant a moment of truce for two people that are fighting for opposing countries.  However unlikely the plot may be, the story ends up working really well.  It might be because the two maintain a love/hate relationship through out the film, or it may be because it is hard to believe anyone would turn on an innocent kid even if he is technically your enemy.  But I’m going to go with the most obvious fact;  the performances by Dorff and Akal are outstanding and give this film plenty to work with for an extended amount of time.  The transformation of these characters is subtle, but as it continues the audience begins to believe in their relationship more and more, and it isn’t long before you will also be touched by it.

Spoken in English, Hebrew, and Arabic, Zaytoun provides originality, terrific acting, and a heartfelt premise.

Zaytoun is out on DVD February 18th.

Zaytoun Movie Trailer HD

Originally posted on RedCarpetCrash.com

MOVIE ‘50 to 1’ ANNOUNCES ROAD TOUR

Feature film about Kentucky Derby winner Mine That Bird, an inspiring underdog tale of misfit cowboys and their long shot racehorse, starring Skeet Ulrich, Christian Kane, William Devane, Madelyn Deutch, Todd Lowe and jockey Calvin Borel.

Hollywood, Calif. (Jan. 29, 2014)  — The cast and filmmakers of ‘50 to 1’ will hit the road rock-star style on a cross-country tour beginning March 17 to promote the major motion picture’s release, says the film’s producer, director and co-writer Jim Wilson, Oscar®-winning producer of ‘Dances with Wolves.’

“We’re bringing ‘50 to 1’ to the people of America,” Wilson says. “The group will travel in a tour bus from New Mexico to Kentucky, making stops in cities and towns along the way, mirroring the trip racehorse Mine That Bird took on his way to the 2009 Kentucky Derby.

Cast members joining the tour will be Skeet Ulrich (Jericho, ‘Scream,’ ‘As Good As It Gets’), Christian Kane (Leverage, ‘Friday Night Lights,’ ‘Secondhand Lions,’ ‘Just Married’), Todd Lowe (True Blood, ‘The Princess Diaries,’ Gilmore Girls) and Hugo Perez (‘Machete,’ ‘The Longshots,’ ‘Harold & Kumar Escape from Guantanamo Bay’). Also on tour will be Wilson and co-producer, co-writer Faith Conroy. The real Mine That Bird will make special appearances along the tour.

“When was the last time Hollywood’s leading men hopped on a bus and toured the country from town to town, introducing their film to the people of America?” Wilson says. “It’s unprecedented.”

“I’m extremely excited to hit the road with a film I’m very proud to be a part of,” Ulrich says. “It seems fitting we’d be selling our wares from a gypsy-like caravan, given the underdog nature of our story, and I’m hoping this journey answers three burning questions. One, are audiences tired of the blockbuster and ready to be uplifted by the values of hard work and integrity? Two, can we inspire our audiences to stick to their guns and do what they love at all costs? And three, does Christian snore louder than Todd?”

“Man, this almost feels like we’re carnies or something. Or an old whistle-stop political campaign,” Lowe says.

“I’m looking forward to rolling into different towns and shaking hands and kissing babies.”

“Personally, I’ve always wanted to be a rock star,” Conroy says. “And seriously, traveling across the country for weeks on end with a busload of gorgeous cowboys? Sign me up!”

“I’ve done tours before. I’m excited!” Kane says. “It’s old hat for me in the sense that when you love something so much, you will put 18 wheels and lives in motion just to bring it into town and say, ‘I hope you like this. I made this for you.’”

“It’ll be a fun, fun road trip vacation for me, part of the dream-life I want to live,” Perez says. “It’s also an honor and I’m so fortunate to be a part of this adventure.”

Inspiration for the tour came during a brainstorming session by Wilson and Conroy. “I thought, why not meet the audience this movie is intended for, introduce them to the stars and shake their hands,” Wilson says. “It’s the audience that matters the most. It’s why we make these stories, to share them with the world.”

‘50 to 1’ is based on the inspiring true story of Mine That Bird and the cowboy trainer and owners who became the ultimate underdogs in a showdown with the world’s racing elite at the 2009 Kentucky Derby. The film was shot in 40 locations across New Mexico, Kentucky and California, and will open theatrically in roll-out fashion beginning in New Mexico March 21, followed by Texas and Louisiana April 4, Oklahoma and Arkansas April 11, Tennessee and Kentucky April 18, and will then expand across the country.

The tour mirrors not only the true story, but also the release, and will weave its way from town to town through the initial seven states. “This is just for starters,” Wilson says. “We have every intention of crisscrossing America, but it’s dependent on demand. If you want us to come visit your city, let us know.”

People interested in having the ‘50 to 1’ tour stop in their town can email their requests to 50to1themovietour@gmail.com.

Include in the subject line: 50 to 1 Movie Tour – First and Last name, Town, State and Zip Code.

Interview: Vanessa Hudgens talks “Gimme Shelter”

A couple weeks ago I got to sit down with Vanessa Hudgens, director Ronald Krauss, and Kathy Difiore to discuss their new film, “Gimme Shelter.”  The piece aired on ICTN’s entertainment show,  About Towne. 

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Movie Review: ‘I Used To Be Darker’ Is Essentially About The Music

 

Who needs a complex story-line when you’ve got talented musicians to carry a film?

Matthew Porterfield’s official Sundance selection, I Used To Be Darker, is truly a beautiful and expressive piece of art starring and featuring music by singer-songwriter Kim Taylor.  The songs played throughout the film are not only for background, but also an extension of the dialogue.

When Taryn (Deragh Campbell), a Northern Irish runaway, finds herself in trouble in Ocean City, she decides to stay with her aunt (Kim Taylor) and uncle (Ned Oldham) in Baltimore hoping to escape her problems.  But little does she know her aunt and uncle are having problems of their own. Tayrn’s visit happens to be at a time when the two are trying deal with the end of their marriage.  The couple and their daughter, Abby (Hannah Gross), are having an even harder time than they expected.  Abby can’t even look at her mother.  Her father is heart broken and trying to maintain a positive demeanor.  All the while, Taryn does everything she can to avoid telling her own parents where she is.

The premise itself is intriguing, and I believe Porterfield accomplished the goal he was trying to achieve in the film.  Everyone is trying to avoid dealing with their issues or talking about their problems.   Some of the characters express their feelings through song, while others bottle up their emotions until finally unleashing it during a random outburst.

The most enjoyable scenes were when the characters finally expressed their frustration verbally.  More specifically, one of the best scenes is performed by the exceptional Hannah Gross, when she randomly barges into Taryn’s room shouting at her to call her parents.  In that moment, you are able to connect with Abby and the pain she is going through.

Articulated through song and music, I Used To Be Darker tells a heart-breaking story of family tribulations, people finding each other and letting each other go, and how to hopefully find love again. Though I can’t say this film will appeal to all audiences, music and indie film lovers should find it deep and touching.

I Used To Be Darker is  out on DVD January 28th.

I Used To Be Darker Trailer HD

Originally posted on RedCarpetCrash.com

Movie Review: “Exit 727” has an Interesting Story but the Wrong Execution

I’m going to try and not be too hard on this film, because it was Eric Ortiz’s first time directing, writing, and acting in his own full length film.  Given that the film is based on true events, it is probably also special to him.  The story is actually pretty interesting, but the film-making and acting is so amateur that it is hard to take anything going on in this movie seriously.

The film begins with Michael (Jereme Badger), previous druggie, recounting the events that happened during a fatal summer.  Michael, his brother Dominic (Eric Ortiz), and their friend Ben (Anthony Ashmore) had given up all hope on life.  Unable to accomplish their dreams, they settle for a construction worker job where they meet bad boy James (Nathan Spiteri).  He might have been the only experienced actor in the film, and the most tolerable to watch.  It might have been the Australian accent, but he at least fully committed to his character.

After Dominic pulls his antics on the boss, everyone gets fired.  Angry at Dominic for causing him to loose his job, James pressures the guys to help him rob a bank.  And it all goes down hill from there.

Ortiz might want to focus more on his screenwriting skills versus his directing and acting.  He proved he could deliver lines quickly, but failed to have any meaning behind them.  As far as camera work goes, I’ve seen better filming from my past production classes. The beginning had some awkward out-of-focus shots, and the movie had too many unnecessary scenes.  I’m not sure who was in charge of audio, but the sound was all over the place.  At times, it was as if the characters had been mute or maybe they were just mumbling; I’m not really sure.

The premise gives this movie so much potential.  Had the movie been filmed differently, and with better acting it would have made for an admirable independent film.  Sadly, Exit 727 fails to perceive the impact or message it was trying to get across.

Exit 727 Trailer

Originally Posted on RedCarpetCrash.com