
Archives for : Craig Robinson

THE BAD GUYS is in theaters Friday, April 22, 2022. To celebrate, Universal Pictures and DreamWorks has created a FREE downloadable virtual activity kit!
Link to virtual activity kit:
TheBadGuys_ActivityPack_Complete.pdf (dreamworks.com)
Nobody has ever failed so hard at trying to be good as The Bad Guys.
In the new action comedy from DreamWorks Animation, based on the New York Times best-selling book series, a crackerjack criminal crew of animal outlaws are about to attempt their most challenging con yet—becoming model citizens.
Never have there been five friends as infamous as The Bad Guys—dashing pickpocket Mr. Wolf (Academy Award® winner Sam Rockwell, Three Billboards Outside Ebbing, Missouri), seen-it-all safecracker Mr. Snake (Marc Maron, GLOW), chill master-of-disguise Mr. Shark (Craig Robinson, Hot Tub Time Machine franchise), short-fused “muscle” Mr. Piranha (Anthony Ramos, In the Heights) and sharp-tongued expert hacker Ms. Tarantula (Awkwafina, Crazy Rich Asians), aka “Webs.”
But when, after years of countless heists and being the world’s most-wanted villains, the gang is finally caught, Mr. Wolf brokers a deal (that he has no intention of keeping) to save them all from prison: The Bad Guys will go good.
Under the tutelage of their mentor Professor Marmalade (Richard Ayoade, Paddington 2), an arrogant (but adorable!) guinea pig, The Bad Guys set out to fool the world that they’ve been transformed. Along the way, though, Mr. Wolf begins to suspect that doing good for real may give him what he’s always secretly longed for: acceptance. So when a new villain threatens the city, can Mr. Wolf persuade the rest of the gang to become … The Good Guys?
The film co-stars Zazie Beetz (Joker), Lilly Singh (Bad Moms) and Emmy winner Alex Borstein (The Marvelous Mrs. Maisel).
Based on the blockbuster Scholastic book series by Aaron Blabey, The Bad Guys is directed by Pierre Perifel (animator, the Kung Fu Panda films), making his feature-directing debut. The film is produced by Damon Ross (development executive Trolls, The Boss Baby, co-producer Nacho Libre) and Rebecca Huntley (associate producer, The Boss Baby). The executive producers are Aaron Blabey, Etan Cohen and Patrick Hughes.

In “Maleficent: Mistress of Evil” Aurora get engaged to Prince Philip and Maleficent (Angelina Jolie) isn’t happy. And in “Dolemite is My Name” Rudy Ray Moore (Eddie Murphy) wants to be on the big screen and make a movie, but has no clue how to go about it. Check out my full review of both these films in the video below!
“Maleficent: Mistress of Evil” in theaters October 18 & “Dolemite is My Name” is available on Netflix October 25.
Halloween (2018)
The opening night film at Fantastic Fest was none other than the highly anticipated sequel, Halloween (2018). Jamie Lee Curtis returns to her iconic role as Laurie Strode to come face-to-face with masked serial killer, Michael Myers, who has haunted her since the traumatic night four decades ago.
The film is inspired by John Carpenter’s classic. But filmmakers David Gordon Green and Danny McBride decided to ignore all the other sequels that followed the original Halloween from 1978, and create a story that changes Laurie’s past. In other words, 40 years later Laurie is a bad ass. Michael Myers is not her brother. And, she’s prepared to take on whatever he throws her way.
Laurie Strode is one hell of a grandma in Halloween (2018). Though her daughter (Judy Greer) still resents her for making her grow up as a survivalist since childhood, her granddaughter, Allyson, (Andi Matichak) adores her. This creates tension anytime the family is all together. It isn’t until Halloween night that Michael Myers returns to wreak havoc, and finally finish the job he started 40 years ago. Only this time he’s up against 3 generations of Strode women.
Halloween (2018) far from a stand out horror flick. We’re basically seeing the same formula just different ways of murder. However, this film is a lot of fun! McBride’s writing shines throughout the film, and it’s the comic relief that provides any sort of originality. But don’t get me wrong, I love this formula and it’s great to see Curtis back in action in a role she handles so naturally. The movie entertains the whole time through and will leave you satisfied.
Rating: 3.5/5

An Evening with Beverly Luff Linn
Surprisingly enough, the people that brought us The Greasy Strangler, which I hated; has now made An Evening with Beverly Luff Linn, which I really liked a lot. Jim Hosking is back with a second feature that maintain his same style and his same personal dialect. Only this time, he let go of the nauseating grease murderers and swapped it out for characters we could actually care for.
Aubrey Plaza (Parks and Recreation) stars a Lulu Danger, a recently unemployed woman who is unsatisfied with her marriage to sleazy Shane Danger (Emile Hirsch) and life all together. In an attempt to fix the couples financial troubles, Shane steals from his brother-in-law. Which then makes him the target of the world’s worst hitman (Jermaine Clement). But Lulu sees this as an opportunity, she runs off with the hitman in hopes that he can help her track down her old flame, Beverly Luff Linn (Craig Robinson).
This offbeat comedy takes a minute to warm up to. You might not be sure of the flow it’s taking. But once it gets going, it’s actually quite delightful. The all-star cast does a fantastic job, and this might be my favorite performance by Aubrey Plaza. There’s a very unique and corky chemistry between Plaza and Clement that’s almost endearing.
An Evening with Beverly Luff Linn is the light-hearted deadpan comic relief that I was craving during a marathon of graphic horrors at Fantastic Fest.
Rating: 4/5

Cam
After letting Cam marinate for a bit, it quickly became one of my favorite films of the fest. Daniel Goldhaber’s feature debut is smart, sexy, and disturbing.
The film stars Madeline Brewer (Orange is the New Black and The Handmaid’s Tale) as Alice, a young web cam girl who is on the rise to breaking top 50 rank on a pornographic site. Alice lives a normal life by day, but at night she is “Lola” and constantly comes up with wild narratives to spice up her online shows. She is anxious to reach the top and beat out the other cam girls in the network. However, she never breaks her 3 rules: No public shows, no fake orgasms, and never telling “her guys” that she loves them.
Just when Alice is moving up in her ranking, she has an unwelcoming surprise when she sees a girl who looks just like her live on her web cam profile. Frantic and paranoid, Alice is on a mission to find out who has taken her identity and stolen her top rank.
Even though 60 percent of Cam consists of a bunch of web cam girls performing erotic acts, the film is incredibly magnetizing. It’s as if you’re in a trance the minute the film begins and you can’t stop watching. The neon lighting, the shocking sequences, and the captivating performance by Brewer is enough to suck you in.
Cam is the movie you didn’t know you wanted to see. It’s a tantalizing thrill-ride with a bone-crushing end that will leave you wanting more.
Rating: 4.5/5









